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The Café-Concert

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Description: The Café-Concert
Related content: Chapters (4) Images (159)

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Description: Painted Love: Prostitution in French Art of the Impressionist Era
In the second half of the nineteenth century most French women in the labor force were young single members of the popular classes. Many of those who worked in certain of the classic female professions in Paris, such as the needle trades, were suspected of being prostitutes...
PublisherYale University Press
Related print edition pages: pp.113-153
https://doi.org/10.37862/aaeportal.00319.5
Description: Manet and the Modern Tradition
~In discussing the nature of genre as a category, Max Friedländer makes the distinction that ‘The historical picture says: that...
PublisherYale University Press
Related print edition pages: pp.58-68
https://doi.org/10.37862/aaeportal.00079.009
Description: Manet Manette
~Even after a number of Salon refusals in the second half of the 1870s, Manet still declined to participate in the Impressionist exhibitions. Instead, he looked to other arrangements, among them throwing his own studio...
PublisherYale University Press
Related print edition pages: pp.227-267
https://doi.org/10.37862/aaeportal.00080.012
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Description: Impressionism: Art, Leisure, and Parisian Society
Even a casual glance at successive editions of guide books to Paris, from their beginnings in the 1840s to the end of the “Belle Epoque,” reveals the striking truth: leisure and entertainment took an ever-increasing place in the life of Paris...
PublisherYale University Press
Related print edition pages: pp.59-91
https://doi.org/10.37862/aaeportal.00067.007

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