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Emile Zola

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Description: Emile Zola
Related content: Chapters (4) Images (220)

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Description: The Painted Face: Portraits of Women in France, 1814–1914
~~EDOUARD MANET’S Portrait of Mlle E. G., recognised by many critics as a painting of the young artist Eva Gonzalès when it was exhibited at the Salon of 1870,...
PublisherYale University Press
Related print edition pages: pp.59-99
https://doi.org/10.37862/aaeportal.00298.2
Description: The Visual World of French Theory: Figurations
Lyotard is not a theorist’ declared Bill Readings, in Introducing Lyotard: Art and Politics (1991), a book which devoted a few lines to Cézanne...
PublisherYale University Press
Related print edition pages: pp.156-183
https://doi.org/10.37862/aaeportal.00226.007
Description: Manet and the Modern Tradition
~As if to signal the demise of the traditional hierarchy of subject matter which placed portrait and landscape on a lower level than ‘history’ painting, Castagnary, in his review of 1867, announced that the portrait demanded the highest faculties of the painter, and represented the culmination of the art of painting. His reason was that ‘With a single portrait of Clouet, Holbein, Van Dyck, Titian, Rigaud, David, you can reconstruct, with the person who served as model, the entire epoch when that person lived.’ Castagnary, Salons, I,...
PublisherYale University Press
Related print edition pages: pp.74-78
https://doi.org/10.37862/aaeportal.00079.011
Description: Manet Manette
~In 1883, three years before he published his artist novel L’Oeuvre, based partly on Manet and on the phantasmatic image of the great Courtesan already found in “Une nouvelle manière en peinture,” Zola wrote the catalogue essay for the...
PublisherYale University Press
Related print edition pages: pp.49-68
https://doi.org/10.37862/aaeportal.00080.006

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