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View of the Paris World's Fair

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Description: View of the Paris World's Fair
Related content: Chapters (6) Images (211)

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Description: Manet and the Family Romance
IF SOCIETY COLUMNISTS found humor in the topic of the legitimation of bastard children, it...
PublisherPrinceton University Press
Related print edition pages: pp.114-146
https://doi.org/10.37862/aaeportal.00272.005
Description: Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French...
ON 18 March 1872, Edmond de Goncourt paid a visit to Fantin-Latour’s studio to see his latest work-in-progress, a group portrait of avant-garde poets arranged around a table after a meal. A quarrel among Fantin’s sit-ters had left him with a noticeable gap in his composition, still unfilled when his...
PublisherPrinceton University Press
Related print edition pages: pp.156-202
https://doi.org/10.37862/aaeportal.00049.007
Description: Gardens and the Picturesque: Studies in the History of Landscape Architecture
Gardens were a favorite subject of impressionist painters. Their rich and fecund images of a blooming, apparently natural world, often engulfing the human figures enclosed within it (fig. 9.1), have in their turn become a source of delight today. The huge modern popularity of impressionist renderings of gardens and other landscapes both derives from and fuels a...
PublisherMIT Press
Related print edition pages: pp.243-283
https://doi.org/10.37862/aaeportal.00056.013
Description: Manet and the Modern Tradition
~Of all the qualities of Manet’s art, his picture construction has been least understood. He has been charged with faulty...
PublisherYale University Press
Related print edition pages: pp.197-205
https://doi.org/10.37862/aaeportal.00079.022
Description: Manet Manette
~In 1883, three years before he published his artist novel L’Oeuvre, based partly on Manet and on the phantasmatic image of the great Courtesan already found in “Une nouvelle manière en peinture,” Zola wrote the catalogue essay for the...
PublisherYale University Press
Related print edition pages: pp.49-68
https://doi.org/10.37862/aaeportal.00080.006
Description: Impressionism: Art, Leisure, and Parisian Society
When Henry Tuckerman came to Paris in 1867, one of the thousands of Americans attracted there by the huge international exposition, he was bowled over by the extraordinary changes since his previous visit twenty years before...
PublisherYale University Press
Related print edition pages: pp.1-32
https://doi.org/10.37862/aaeportal.00067.005

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