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Flowers, Still Life (Fleurs, nature morte)

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Description: Flowers, Still Life (Fleurs, nature morte)
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Description: Realism in the Age of Impressionism: Painting and the Politics of Time
At the Paris Salon of 1882, James Ensor exhibited the canvas now known as Russian Music for the first time outside his native Belgium (fig. 105).See Xavier Tricot, James Ensor, Catalogue Raisonné of the Paintings, vol. 1 (Antwerp: Pandora Ortelius, 1992), 180. Originally titled Chez Miss, his depiction of a light-filled drawing room, a woman playing a piano, and a seated, listening man had drawn little attention the year before when it hung near Jules Bastien-Lepage’s Les Foins at the Triennial Salon in...
PublisherYale University Press
Related print edition pages: pp.165-203

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