Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Selected Bibliography
Gloria Groom (Editor)
Description: Impressionism, Fashion, and Modernity
Impressionism, Fashion, and Modernity
Selected Bibliography
Author
Gloria Groom (Editor)
PublisherArt Institute of Chicago
Copyright© 2012 The Art Institute of Chicago
Stable URL: https://aaeportal.com/?id=-23676
View chapters with similar subject tags
Chapter images ()
Loading image navigation...
No image index could be found for this publication.
Close this Panel
Show previous images Show next images
Selected Bibliography
About, Edmond. 1858. Nos artistes au Salon de 1857. Hachette.
Académie Française. 1835. Dictionnaire de l’académie française, 6th ed., vol. 1. Firmin Didot frères.
Andia, Béatrice de, and Caroline François, eds. 2006. Les Cathédrales du commerce parisien: Grands magasins et enseignes. Action artistique de la ville de Paris.
Annuaire Almanach de l’industrie. 1870. Firmin-Didot.
Anthiaume, Albert. 1905. Le Collège du Havre: Contribution à l’histoire de l’enseignement secondaire en France, vol. 2. Havre-Éclair.
Apraxine, Pierre, and Xavier Demange. 2000. La Divine Comtesse: Photographs of the Countess of Castiglione. Exh. cat. The Metropolitan Museum of Art/Yale University Press.
Armstrong, Agnes. 2000. “A L’Orgue d’Henry Lerolle: Le Tableau et ses sujets.” La Flûte harmonique, Publication de l’Association Aristide Cavaillé-Coll 79/80, pp. 19–35.
Arnold, Janet. 1999. “Dashing Amazons: The Development of Women’s Riding Dress, c. 1500–1900.” In Defining Dress: Dress as Object, Meaning, and Identity, ed. Amy de la Haye and Elizabeth Wilson, pp. 10–29. Studies in Design and Material Culture. Manchester University Press/St. Martin’s Press.
Art Institute of Chicago. 2000. Impressionism and Post-Impressionism in the Art Institute of Chicago. Art Institute of Chicago/Hudson Hills.
Audsley, William, and George Audsley. 1863. Taste versus Fashionable Colors: A Manual for Ladies on Colour in Dress. Longman, Green.
Bailey, Colin B. 1997. Renoir’s Portraits: Impressions of an Age. Exh. cat. Yale University Press.
———. 2012. Renoir: Impressionism and Full-Length Painting. Yale University Press.
Bâle Kunstmuseum. 2011. Renoir: Zwischen Bohême und Bourgeoisie, die frühen Jahre. Bâle Kunstmuseum/Hatje Cantz.
Balzac, Honoré de. 1869. Oeuvres complètes de H. de Balzac, vol. 4. Michel Lévy frères.
———. 2000. Traité de la vie élégante, ed. Marie-Christine Natta. Presses Universitaires Blaise Pascal. First published 1830.
Baroche, Céleste. 1921. Second empire: Notes et souvenirs. G. Crès et cie.
Barter, Judith A. 1998. “Mary Cassatt: Themes, Sources, and the Modern Woman.” In Mary Cassatt: Modern Woman, ed. Judith A. Barter, pp. 45–107. Exh. cat. Art Institute of Chicago/H. N. Abrams.
Basseporte, Gérald. 1998. Regards sur Félicien Rops: Peintre à essonnes. Presses du management.
Baudelaire, Charles. 1962a. “Le Peintre de la vie moderne.” In Curiosités esthétiques: L’Art romantique et autres oeuvres critiques, ed. Henri Lemaître, pp. 453–502. Classiques Garnier. Éditions Garnier frères.
———. 1962b. “Salon de 1845.” In Curiosités esthétiques: L’Art romantique et autres oeuvres critiques, ed. Henri Lemaître, pp. 3–85. Classiques Garnier. Éditions Garnier frères.
———. 1964. The Painter of Modern Life and Other Essays, ed. and trans. Jonathan Mayne. Phaidon.
———. 1967. Petits poèmes en prose. Garnier-Flammarion.
———. 1975. Oeuvres completes, ed. Claude Pichois. 2 vols. Bibliothèque de la Pléiade. Gallimard.
———. 1980. Oeuvres completes, ed. Michel Jamet. Laffont.
———. 1998. “Women and Prostitutes.” In Art in Theory, 1815–1900: An Anthology of Changing Ideas, ed. Charles Harrison, Paul Wood, and Jason Gaiger, pp. 503–05. Blackwell.
———. 2003. Les Fleurs du Mal, trans. Richard Howard. David R. Godine.
Baudot, Jeanne. 1949. Renoir, ses amis, ses modèles. Éditions littéraires de France.
Bazille, Frédéric. 1992. Frédéric Bazille: Correspondance, ed. Didier Vatuone and Guy Barral. Presses du Languedoc.
Bergerat, Émile. 1879. “Notre programme,” La Vie Moderne, Apr. 10, 1879, pp. 2–3.
Berhaut, Marie. 1978. Caillebotte: Sa Vie et son oeuvre, catalogue raisonné des peintures et sculptures. Bibliothèque des Arts.
Berson, Ruth, ed. 1996. The New Painting: Impressionism, 1874–1886, Documentation. Fine Arts Museums of San Francisco/University of Washington Press.
Blanc, Charles. 1867. Grammaire des arts du dessin, architecture, sculpture, peinture. Renouard.
———. 1875. L’Art dans la parure et dans le vêtement. Renouard.
———. 1877. Art in Ornament and Dress. Scribner, Welford, and Armstrong.
———. 1882. Grammaire des arts décoratifs. Librairie Renouard.
Bodelsen, Merete. 1968. “Early Impressionist Sales (1874–94) in the Light of Some Unpublished ‘Procès-Verbaux.’” Burlington Magazine 110, 783 (June), pp. 330–49.
Bodt, Saskia de, Danielle Derrey-Capon, Michel Draguet, Ingrid Goddeeris, D. Marechal, and Jean-Claude Yon. 2009. Alfred Stevens: Brussels, 1823–Paris, 1906. Exh. cat. Royal Museums of Fine Arts of Belgium/Van Gogh Museum.
Boggs, Jean Sutherland. 1962. Portraits by Degas. California Studies in the History of Art 2. University of California Press.
Boime, Albert. 1979. “Les Hommes d’affaires et les arts en France au XIX siècle.” Actes de la recherche en sciences sociales 28 (June), p. 66.
Bomford, David, et al. 1990. Impressionism: Art in the Making. Exh. cat. National Gallery/Yale University Press.
Bonnier, Bernadette, et al. 1998. Félicien Rops: Rops suis, aultre ne veulx ester. Exh. cat. Complexe.
Bonnier, Louis. 1903. Conférences faites dans l’hémicycle de l’Ecole Nationale des Beaux-Arts les 22 et 29 octobre 1902 sur les règlementes de voirie. C. Schmid.
Boyce, M. Schoeser. 1981. “The Barbier Manuscripts.” Textile History 12, pp. 37–58.
Brettell, Richard R., and Suzanne Folds McCullagh. 1984. Degas in the Art Institute of Chicago. Exh. cat. Art Institute of Chicago/H. N. Abrams.
Breward, Christopher. 1994. “Femininity and Consumption: The Problem of the Late Nineteenth-Century Fashion Journal.” Journal of Design History 7, 2 (Jan. 1), pp. 71–89.
———. 1995. The Culture of Fashion: A New History of Fashionable Dress. Studies in Design and Material Culture. Manchester University Press/St. Martin’s Press.
———. 1999. The Hidden Consumer: Masculinities, Fashion, and City Life, 1860–1914.
Studies in Design and Material Culture. Manchester University Press.
Bringel, Anne-Rose, and Jacqueline Jacqué, eds. 2009. Rêve de Cachemire, cachemires de rêve. Exh. cat. I. D. l’Edition.
Brombert, Beth Archer. 1996. Edouard Manet: Rebel in a Frock Coat. Little Brown.
Brooks, Peter. 1993. Body Work: Objects of Desire in Modern Narrative. Harvard University Press.
Brown, Marilyn. 1994. Degas and the Business of Art: A Cotton Office in New Orleans. Pennsylvania State University Press.
Buck, Anne. 1961. Victorian Costume and Costume Accessories. Victorian Collector Series. H. Jenkins.
Bürger, William [Théophile Thoré]. 1870. Salons de W. Bürger, 1861 à 1868. Jules Renouard.
Burnham, Helen. 2007. “Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet (1832–1883).” Ph.D. diss., New York University.
Busch, Günter. 1981. Claude Monet “Camille—Die Dame im grünen Kleid”: Vom Realismus zum Impressionismus. Themen 31. Die Stiftung.
Butler, Ruth. 2008. Hidden in the Shadow of the Master: The Model-Wives of Cézanne, Monet, and Rodin. Yale University Press.
Byrde, Penelope. 1979. The Male Image: Men’s Fashion in Britain, 1300–1970. B. T. Batsford.
Cachin, Françoise, ed. 1996. Cézanne, trans. John Goodman. Exh. cat. Abrams/Philadelphia Museum of Art.
———, et al. 1983. Manet, 1832–1883. Exh. cat. The Metropolitan Museum of Art/Abrams.
Cahn, Isabelle. 1989. “Degas’s Frames.” Burlington Magazine 131, 1033 (Apr. 1), pp. 289–93.
———. 2008. “Édouard Manet et Son Entourage.” In Le Mystère et l’éclat: Pastels du Musée D’Orsay, ed. Musée d’Orsay, pp. 50–53. Exh. cat. Réunion des Musées Nationaux.
Callen, Anthea. 1995. The Spectacular Body: Science, Method, and Meaning in the Work of Degas. Yale University Press.
Caovilla, Paola Buratto. 1998. Shoes: Objects of Art and Seduction. Skira/Abbeville.
Carette, Madame. 1889–91. Souvenirs intimes de la cour des Tuileries. P. Ollendorff.
Carter, Edward Carlos, Robert Forster, and Joseph N. Moody, eds. 1976. Enterprise and Entrepreneurs in Nineteenth- and Twentieth-Century France. Johns Hopkins University Press.
Castagnary, Jules-Antoine. 1869. “Beaux-Arts. Salon de 1868.” In André Laurie, Arthur Ranc, Françoise Sarcey, and Jules-Antoine Castagnary, Le Bilan de l’année 1868, politique, littéraire, dramatique, pp. 291–368. Armand le Chevalier.
———. 1892. Salons (1872–1879). 2 vols. Charpentier et Fasquelle.
Chabanne, Thierry. 1990. Les Salons caricaturaux. Exh. cat. Réunion des Musées Nationaux.
Challamel, Auguste. 1881. Histoire de la mode en France. Hennuyer.
Champa, Kermit Swiler. 1973. Studies in Early Impressionism. Yale Publications in the History of Art 22. Yale University Press.
Chaumette, Xavier. 1995. Le Costume tailleur: La Culture vestimentaire en France au XIXè siècle. Esmod Ed.
———. 2004. “The Tailored Suit.” In Encyclopedia of Clothing and Fashion, ed. Valerie Steele, pp. 259–61. Scribner Library of Daily Life. Charles Scribner’s Sons.
Chenoune, Farid. 1993. A History of Men’s Fashion. Flammarion.
Chesneau, Ernest. 1864. L’Art et les artistes modernes en France et en Angleterre. Didier et Cie.
Chiarenza, Carl. 1969. “Manet’s Use of Photography in the Creation of a Drawing.” Master Drawings 7, 1, pp. 38–45.
Claerbergen, Ernst Vegelin van, and Barnaby Wright, eds. 2008. Renoir at the Theatre: Looking at La Loge. Exh. cat. Courtauld Gallery/Paul Holberton Pub.
Clark, T. J. 1984. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton University Press.
Clausen, Meredith L. 1987. Frantz Jourdain and the Samaritaine. E. J. Brill.
Clayson, Hollis. 1989. “The Family and the Father: The Grande Jatte and Its Absences.” Art Institute of Chicago Museum Studies 14, 2, pp. 155–64.
———. 2002. Paris in Despair: Art and Everyday Life under Siege (1870–71). University of Chicago Press.
———. 2003. “Testing the Limits: The Menace of Fashion.” In Painted Love: Prostitution in French Art of the Impressionist Era, pp. 56–93. Getty Research Institute.
Coleman, Elizabeth A. 1989. The Opulent Era: Fashions of Worth, Doucet, and Pingat. Exh. cat. Thames and Hudson/Brooklyn Museum.
Collins, John Bruce. 2001. “Seeking l’Esprit Gaulois: Renoir’s Bal du Moulin de la Galette and Aspects of French Social History and Popular Culture.” Ph.D. diss., McGill University.
Combe, Paul. 1956. Niveau de vie et progrés technique en France, 1860–1939; Contribution à l’étude de l’économie française contemporaine: Postface, 1939–1949. Presses Universitaires de France.
Connolly, John L., Jr. 1973. “Ingres and the Erotic Intellect.” In Woman as Sex Object: Studies in Erotic Art, 1730–1970, ed. Thomas B. Hess and Linda Nochlin, pp. 16–31. Allen Lane.
Constantin, Marc. 1859. Almanach du savoir-vivre. Desloges.
Crawford, T. S. 1970. A History of the Umbrella. Newton Abbot, David and Charles.
D’Alcq, Louise. 1902. Souvenirs d’Antan. Paris.
D’Argencourt, Louise. 1999. European Paintings of the 19th Century. 2 vols. Cleveland Museum of Art.
Darin, Michaël. 2003. “Place de l’Etoile.” In Places de Paris, XIXe–XXe siècles, ed. Géraldine Texier-Rideau and Michaël Darin, pp. 46–49. Exh. cat. Action Artistique de la Ville de Paris.
Dash, Comtesse. 1868. Comment on fait son chemin dans le monde, code du savoir-vivre. Michel Lévy.
Da Silveira, Piedade. 1995. Les Grands magasins du Louvre au XIXe siècle. CCM.
Daulte, François. 1971. Catalogue raisonné de l’oeuvre peint. Editions Durand-Ruel.
David, Alison Matthews. 2002. “Elegant Amazons: Victorian Riding Habits and the Fashionable Horsewoman.” Victorian Literature and Culture 30, 1, pp. 179–210.
Davray-Piekolek, Renée, ed. 1990. Femmes fin de siècle, 1885–1895. Exh. cat. Palais Galliéra.
De Amicis, Edmondo. 1879. Studies of Paris, trans. Wilhelmina W. Cady. Putnam’s Sons.
De Butler, Augustin. 2009. Renoir: Ecrits, entretiens et lettres sur l’art. Hermann.
Delattre, Simone. 2000. Les Douze heures noires: La Nuit à Paris au XIXe siècle. Evolution de l’humanité. Albin Michel.
De Leiris, Alain. 1969. The Drawings of Edouard Manet. California Studies in the History of Art 10. University of California Press.
Denis, Maurice. 1932. Henry Lerolle et ses amis: Suivi de quelques lettres d’amis. Imprimerie Duranton.
Des Cars, Laurence. 2007. “Acqusitions: James Jacques Joseph Tissot.” 48/14: Revue du Musée d’Orsay 25 (Autumn), pp. 42–43.
De Waal, Edmund. 2011. The Hare with Amber Eyes: A Family’s Century of Art and Loss. Farrar, Straus and Giroux.
De Young, Justine. 2009. “Women in Black: Fashion, Modernity and Modernism in Paris, 1860–1890.” Ph.D. diss., Northwestern University.
———. 2011. “‘Housewife or Harlot’: Art, Fashion and Morality in the Paris Salon of 1868.” In Cultures of Femininity in Modern Fashion, ed. Ilya Parkins and Elizabeth M. Sheehan, pp. 124–47. Becoming Modern. University of New Hampshire Press.
Diaz, B. 2011. “Marie Bashkirtcheff (1858–1884): Portrait de l’artiste en jeune fille.” Magasin du 19e siècle, pp. 92–99.
Dickens, Charles. 1963. Dombey and Son, ed. Edgar Johnson. Dell.
Disdéri, André-Adolphe-Eugène. 1862. L’Art de la photographie. Disderi.
Distel, Anne. 1990. Impressionism: The First Collectors., trans. Barbara Perroud-Benson. H. N. Abrams.
———. 2010. Renoir. Abbeville Press.
———, et al. 1995. Gustave Caillebotte: Urban Impressionist. Exh. cat. Musée d’Orsay/Art Institute of Chicago/Abbeville Press.
Dolan, Therese. 1994. “The Empress’s New Clothes: Fashion and Politics in Second Empire France.” Woman’s Art Journal (Spring/Summer), pp. 22–28.
Dombrowski, André. 2006. “The Emperor’s Last Clothes: Cézanne, Fashion, and ‘L’Année Terrible.” Burlington Magazine (Sept.), pp. 586–94.
Dragonetti, Roger. 1992. Un Fantôme dans le kiosque: Mallarmé et l’esthétique du quotidien. La Couleur des idées. Editions du Seuil.
Dreyfous, Maurice. 1913. Ce qu’il me reste à dire: un demi siècle de choses vues et entendues (1848–1900). Ollendorff.
Drucker, Michel. 1944. Renoir. Pierre Tisné.
Druick, Douglas, et al. 1988. Degas. Exh. cat. The Metropolitan Museum of Art/National Gallery of Canada.
D’Souza, Aruna. 2006. “Why the Impressionists Never Painted the Department Store.” In The Invisible Flâneuse?: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, ed. Aruna D’Souza and Tom McDonough, pp. 128–47. Critical Perspectives in Art History. Manchester University Press.
———, and Tom McDonough, eds. 2006. The Invisible Flâneuse?: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris. Critical Perspectives in Art History. Manchester University Press.
Duranty, Edmond. 1876. La Nouvelle peinture. E. Dentu.
———. 1988. La nouvelle peinture (1876). L’Échoppe.
———. 1998. “Edmond Duranty (1833–1880) from The New Painting.” In Art in Theory, 1815–1900: An Anthology of Changing Ideas, ed. Charles Harrison, Paul Wood, and Jason Gaiger, pp. 576–85. Blackwell.
Duret, Théodore. 1878. Les Peintres Impressionnistes. Heymann et J. Perois.
Duvernois, Isabelle. 2010. “A Technical Study of Henry Lerolle’s Organ Rehearsal.” Metropolitan Museum Journal 45, pp. 217–24.
Emery, J. Spanabel. 1997. “Development of the American Commercial Pattern Industry: The First Generation, 1850–1880.” Costume 31, pp. 78–91.
Farrell, Jeremy. 1985. Umbrellas and Parasols. B. T. Batsford/Drama Book Publishers.
Farwell, Beatrice. 1990. “Manet, Morisot, and Propriety.” In Perspectives on Morisot, ed. T. J. Edelstein, pp. 45–56. Hudson Hills Press/Rizzoli.
Felski, Rita. 1995. The Gender of Modernity. Harvard University Press.
Flaubert, Gustave. Correspondance, ed. Jean Bruneau. Gallimard.
Florisoone, Michel. 1938. “Renoir et la famille Charpentier: Lettres inédites,” L’Amour de l’Art, Feb. 1938, pp. 31–40.
Flügel, John Carl. 1930. The Psychology of Clothes. Hogarth Press.
———. 1950. The Psychology of Clothes. Hogarth Press/Institute of Psychoanalysis.
Forgione, Nancy. 2005. “Everyday Life in Motion: The Art of Walking in Late-Nineteenth-Century Paris.” Art Bulletin 87, 4 (Dec.), pp. 664–87.
Fournel, Victor. 1858. Ce qu’on voit dans les rues de Paris. A. Delahays.
Fraisse, Geneviève, and Michelle Perrot, eds. 2002. Le XIXe Siècle, vol. 4 of Histoire de femmes en Occident, ed. Georges Duby and Michelle Perrot. Perrin.
Frémy, Arnould. 1868. Les Gens mal élevés. M. Lévy frères.
Fried, Michael. 2002. “Caillebotte’s Impressionism.” In Gustave Caillebotte and the Fashioning of Identity in Impressionist Paris, ed. Norma Broude, pp. 66–116. Rutgers University Press.
Froidevaux, Gérald. 1989. Baudelaire: Représentation et modernité. J. Corti.
Fukai, Akiko, et al. 2002. Fashion: Une Histoire de la mode du XVIIIè au XXè siècle, les collections du Kyoto Costume Institute. Taschen.
Gaillard, Jeanne. 1977. Paris, la ville, 1852–1870: L’Urbanisme parisien à l’heure d’Haussmann. H. Champion.
Galassi, Peter. 1987. “Caillebotte’s Method.” In Gustave Caillebotte, ed. Kirk Varnedoe, pp. 27–40. Yale University Press.
Gamber, Wendy. 1997. The Female Economy: The Millinery and Dressmaking Trades, 1860–1930. Women in American History/The Working Class in American History. University of Illinois Press.
Garb, Tamar. 1998. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle France. Interplay. Thames and Hudson.
———. 1999. “Painting the Parisienne: James Tissot and the Making of the Modern Woman.” In Seductive Surfaces: The Art of Tissot, ed. Katherine Jordan Lochnan, pp. 95–120. Studies in British Art 6. Yale University Press.
Garelick, Rhonda K. 1998. Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle. Princeton University Press.
Gaudriault, Raymond. 1988. Répertoire de la gravure de mode française des origins à 1815. Promodis.
Gautier, Théophile. 1858. De la mode. Poulet-Malassis et de Broise.
Gedo, Mary Mathews. 2010. Monet and His Muse: Camille Monet in the Artist’s Life. University of Chicago Press.
Girardin, Emile de. 1986. Lettres parisiennes du vicomte de Launay, ed. Anne Martin-Fugier. Mercure de France.
Godfroy, Caroline Durand-Ruel, ed. Correspondance de Renoir et Durand-Ruel. La Bibliothèque des Arts, 1995.
Goncourt, Edmond de, and Jules de Goncourt. 1868. Manette Salomon. A. Lacroix, Verboeckhoven.
———. 1956. Journal: Mémoires de la vie littéraire, 3 vols., ed. Robert Ricatte. Fasquelle.
Grant, Carol Jane. 1994. “Eva Gonzales (1849–1883): An Examination of the Artist’s Style and Subject Matter.” Ph.D. diss., Ohio State University.
Groom, Gloria. 1993. Édouard Vuillard: Painter-Decorator, Patrons and Projects, 1892–1912. Yale University Press.
Guégan, Stéphane, et al. 2011. Manet: Inventeur du moderne. Exh. cat. Gallimard/Musée d’Orsay.
Guérin, Marcel, ed. 1945. Lettres de Degas. Rev. ed. B. Grasset.
Haase, Birgit. 2001. “‘All diese Farben von wunderbarer Schönheit . . . ’ Die ersten synthetischen Textilfarbstoffe im 19. Jahrhundert.” In Berliner Chic—Mode von 1820 bis 1990, ed. Christine Waidenschlager, pp. 25–33. Exh. cat. Stiftung Stadtmuseum.
———. 2002. Fiktion und Realität: Untersuchungen zur Kleidung und ihrer Darstellung in der Malerei am Beispiel von Claude Monets “Femmes au jardin.” VDG.
———. 2005. “‘Une toilette vaut un tableau’—Impressionismus und Mode.” In Monet und Camille: Frauenportraits im Impressionismus, ed. Dorothee Hansen and Wulf Herzogenrath, pp. 228–37. Exh. cat. Hirmer.
———. 2010. “‘Les toilettes politiques’—Mode und Staatsräson im Second Empire.” In Kleidung im Bild—Zur Ikonologie dargestellter Gewandung, ed. Philipp Zitzlsperger, pp. 181–93. Textile Studies 1. Edition Imorde.
———. 2012. “‘La passante’—Die Promenade als Modeschauplatz im Zeitalter des Impressionismus.” In Die Räume der Mode, ed. Gertrud Lehnert, pp. 33–55. Wilhelm Fink.
Hall-Duncan, Nancy. 1979. The History of Fashion Photography. Exh. cat. Alpine Book Co.
Hamilton, George Heard. 1954. Manet and His Critics. Yale Historical Publications 7. Yale University Press.
Hansen, Dorothee. 2005. Monet and Camille: Portraits of Women in Impressionism. Exh. cat. Kunsthalle Bremen.
———, and Wulf Herzogenrath, eds. 2005. Monet und Camille: Frauenportraits im Impressionismus. Exh. cat. Hirmer.
Harent, Sophie, and Michèle Leinen. 2005. Méry Laurent, Manet, Mallarmé et les autres. Exh. cat. Artlys/Musée des Beaux-Arts de Nancy.
———. 1991. Georges Seurat, 1859–1891. Exh. cat. The Metropolitan Museum of Art/Abrams.
———. 2000. Nature’s Workshop: Renoir’s Writings on the Decorative Arts. Yale University Press.
———. 2004. Seurat and the Making of “La Grande Jatte.” Exh. cat. Art Institute of Chicago/University of California Press.
Hermitage Museum. 1995. Hidden Treasures Revealed: Impressionist Masterpieces and Other Important French Paintings Preserved by the State Hermitage Museum, St. Petersburg. The State Hermitage Museum/H. N. Abrams.
Heydt, Imre von der. 2007. Une Cigarette?: Défense lucide d’une passion, trans. Philippe Abry. Actes Sud.
Higonnet, Anne. 1990. Berthe Morisot. Harper and Row.
———. 1992. Berthe Morisot’s Images of Women. Harvard University Press.
Hiner, Susan. 2010. Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. University of Pennsylvania Press.
Hollander, Anne. 1978. Seeing through Clothes. Viking Press.
———. 1994. Sex and Suits: The Evolution of Modern Dress. Knopf/Random House.
———. 2002. Fabric of Vision: Dress and Drapery in Painting. Exh. cat. National Gallery/Yale University Press.
Homer, William Innes. 1964. Seurat and the Science of Painting. MIT Press.
Hornborstel, Wilhelm, ed. 1991. Voilà: Glanzstücke historischer Moden 1750–1960. Exh. cat. Museum für Kunst und Gewerbe/Prestel.
Hoschedé, Jean-Pierre. 1960. Claude Monet, ce mal connu: Intimité familiale d’un demi-siècle à Giverny de 1883 à 1926, vol. 2. P. Cailler.
House, John. 1980. “Meaning in Seurat’s Figure Paintings.” Art History 3, 3 (Sept.), pp. 345–56.
———, and Anne Distel, eds. 1985. Renoir. Exh. cat. Editions de la Réunion de Musées Nationaux.
Houssaye, Arsène. 1869. Les parisiennes: Les Femmes Déchues, 4 vols. E. Dentu.
———. 1875. Les mille et une nuits parisiennes, 4 vols. E. Dentu.
———. 1881. Life in Paris: Letters on Art, Literature, and Society. Worthington.
———. 1885. Les Confessions: Souvenirs d’un demi-siècle, 1830–1880, vol. 2. E. Dentu.
Huysmans, Joris-Karl. 1883. L’Art moderne. G. Charpentier.
———. 1923. L’Art moderne. Plon-Nourrit.
———. 2006. Ecrits sur l’art 1867–1905. Bertillat.
Isaacson, Joel. 1967. “The Early Paintings of Claude Monet.” Ph.D. diss., University of California, Berkeley.
———. 1972. Monet: “Le Déjeuner sur l’herbe.” Art in Context. A. Lane.
———. 1978. Claude Monet: Observation and Reflection. Phaidon/Dutton.
Iskin, Ruth E. 2007. Modern Women and Parisian Consumer Culture in Impressionist Painting. Cambridge University Press.
Ives, Colta. 1988. “French Prints in the Era of Impressionism and Symbolism.” Metropolitan Museum of Art Bulletin 46, 1 (July 1), pp. 1–56.
———, and Susan Alyson Stein. 2002. The Lure of the Exotic: Gauguin in New York Collections. Exh. cat. The Metropolitan Museum of Art, New York.
Jachimowicz, E. 1990. “Where to Shop in 1890, the European Addresses of a Chicago Lady.” In Aspects of Costume, the 19th Century, ed. Mariliina Perkko, pp. 10–16. International Costume Committee, International Council of Museums.
Jerrold, W. Blanchard. 1864. At Home in Paris: And a Trip through the Vineyards to Spain. W. H. Allen and Co.
Johnston, Lucy, et al. 2005. Nineteenth-Century Fashion in Detail. V&A Publications/Harry N. Abrams.
Ken, Alexandre. 1864. Dissertations historiques, artistiques et scientifiques sur la photographie. Librairie nouvelle.
Kendall, Richard, and Griselda Pollock, eds. 1991. Dealing with Degas: Representations of Women and the Politics of Vision. Pandora Press.
Kessler, Marni. 2006a. “Dusting the Surface, or the Bourgeoisie, the Veil, and Haussmann’s Paris.” In The Invisible Flâneuse? Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, ed. Aruna D’Souza and Tom McDonough, pp. 49–64. Critical Perspectives in Art History. Manchester University Press.
———. 2006b. Sheer Presence: The Veil in Manet’s Paris. University of Minnesota Press.
Kinney, Leila W. 1996. “Fashion and Figuration in Modern Painting.” In Architecture in Fashion, ed. Deborah Fausch, pp. 270–313. Princeton Architectural Press/Chronicle Books.
Lafenestre, Georges. 1885. Le Livre d’or du salon de peinture et de sculpture. Librarie des bibliophiles.
Landgrebe, Bettia. 2005. “Die Restaurierung des Gemaldes Camille von Claude Monet, 1866.” In Dorothee Hansen, Monet and Camille: Portraits of Women in Impressionism, pp. 276–85. Exh. cat. Kunsthalle Bremen.
Lannoy, Pauline de, and Antoine Terrasse. 2003. Mallarmé et “La Dernière mode”: Velours et guipure. Exh. cat. Musée Départemental Stéphane Mallarmé.
Laprade, Victor de. 1861. Questions d’art et de morale. 2nd ed. Didier et Cie.
Larousse, Pierre. 1867. Grand dictionnaire universel du XIXe siècle. Larousse et Boyer.
Lecadre, J. M. 1995. “Auguste Toulmouche (1829–1890).” Ph.D. diss., Université de Rennes II.
Lecercle, Jean-Pierre. 1989. Mallarmé et la mode. Séguier.
Lefebvre, Christiane. 2006. Alfred Stevens, 1823–1906. Brame and Lorenceau.
Lehmann, Ulrich. 2000. Tigersprung: Fashion in Modernity. MIT Press.
———. 2009. “Markets for Modernity.” In Fashion and Imagination: About Clothes and Art, ed. Jan Brand, José Teunissen, and Catelijne de Muijnck, pp. 58–71. ArtEZ Press/D’Jonge Hond.
Lemonnier, Camille. 1888. Le Peintres de la vie. A. Savine.
Lipton, Eunice. 1986. Looking into Degas: Uneasy Images of Women and Modern Life. University of California Press.
Lobstein, Dominique. 1994. “45: Portrait de jeune femme.” Revue du Louvre 43, 3 (June), p. 83.
Lochnan, Katharine Jordan, ed. 1999. Seductive Surfaces: The Art of Tissot. Studies in British Art 6. Yale University Press.
Loir, Christophe. 2009. Bruxelles néoclassique: Mutation d’une espace urbaine, 1775–1840. CFC.
Loyer, François. 1987. Paris XIXe siècle: L’Immeuble et la rue. Hazan.
———, and Helène Guéné. 1987. Henri Sauvage: Les Immeubles à gradins. Mardaga.
MacDonald, Margaret F., et al. 2003. Whistler, Women, and Fashion. Exh. cat. Frick Collection/Yale University Press.
Maeder, Edward. 1999. “Decent Exposure: Status, Excess, the World of Haute Couture, and Tissot.” In Seductive Surfaces: The Art of Tissot, ed. Katherine Jordan Lochnan, pp. 77–94. Studies in British Art 6. Yale University Press.
Mainardi, Patricia. 1993. “Moral Order in the Fine Arts.” In The End of the Salon: Art and the State in the Early Third Republic, pp. 37–55. Cambridge University Press.
Mallarmé, Stéphane. 1933. La Dernière mode. Institute of French Studies, Inc.
———. 1945. Oeuvres completes, ed. Henri Mondor and G. Jean-Aubry. Bibliothèque de la Pléiade 65. Gallimard.
———. 1959. Correspondance, 1862–1871, ed. Henri Mondor with Jean-Pierre Richard. Gallimard.
Marcheti, Luca. 2009. “From the Object to the Invisible.” In Fashion and Imagination: About Clothes and Art, ed. Jan Brand, José Teunissen, and Catelijne de Muijnck, pp. 168–83. ArtEZ Press/D’Jonge Hond.
Marshall, Nancy Rose, and Malcolm Warner. 1999. James Tissot: Victorian Life, Modern Love. Exh. cat. American Federation of Arts/Yale University Press.
Mathews, Nancy Mowll. 1981. Mary Cassatt and Edgar Degas. Exh. cat. San Jose Museum of Art.
———, ed. 1984. Cassatt and Her Circle: Selected Letters. Abbeville Press.
———, and Barbara Stern Shapiro. 1989. Mary Cassatt: The Color Prints. Williams College/H. N. Abrams.
Matyjaszkiewicz, Krystyna, ed. 1984. James Tissot. Exh. cat. Phaidon Press/Barbican Art Gallery.
Mauer, Emil. 1983. “Zur Krise des Bildnisses im Impressionismus: Skizzen und Beiträge zu Monet.” In Von Angesicht zu Angesicht: Porträtstudien, Michale Stettler zum 70, Geburtstag, ed. Florens Deuchler, Mechthild Flury-Lemberg, and Karel Otavsky, pp. 275–85. Stämpfli.
Mayer, Ernest. 1859. “Chacun Pose.” In La Photographie Mayer frères et Pierson aux Frères Provençaux, p. 5. Imp. centrale de N. Chaix.
Meier-Graefe, Julius. 1912. Auguste Renoir. H. Floury.
Mémoires. 1866. Mémoires d’une modiste écrits par elle-même. F. Cournol.
Metternich-Sándor, Pauline. 1922. Éclairs du passé (1859–1870). Amalthea Verlag.
Meyer, Virginie. 2005. Georges Charpentier (1846–1905): Figure d’éditeur. Ph.D. diss., l’Ecole Pratique des Hautes Etudes.
Milbank, Caroline Rennolds. 2000. “Ahead of the World: New York City
Fashion.” In Catherine Hoover Voorsanger and John K. Howat, eds., Art and the Empire City, New York, 1825–1861, pp. 243–57. Exh. cat. The Metropolitan Museum of Art/Yale University Press.
Mitchell, Louise. 1997. Stepping Out: Three Centuries of Shoes. Powerhouse.
Mitterand, Henri. 2001. Zola: L’homme de Germinal 1871–1893. Fayard.
Moffett, Charles S. 1986. The New Painting, Impressionism, 1874–1886. Exh. cat. R. Burton/University of Washington Press.
Mollier, Jean-Yves. 1988. L’Argent et les lettres. Histoire du Capitalisme d’Edition. Fayard.
Moore, George. 1889. Confessions d’un jeune anglais. Nouvelle Librairie Parisienne.
Moreau-Vauthier, Charles. 1903. Les Chefs-d’oeuvre des grands maîtres. Hachette.
Mortemart de Boisse, François-Jérôme-Léonard de. 1857. La Vie élégante à Paris. L. Hachette.
Musée de la Mode et du Costume. 1992. Au Paradis des dames: Nouveautés, modes et confections, 1810–1870. Exh. cat. Editions Paris-Musées.
Musée d’Orsay. 2000. La Dame aux éventails: Nina de Callias, modèle de Manet. Exh. cat. Réunion des Musées Nationaux.
Musée Galliera. 2008. Sous l’empire des crinolines. Exh. cat. Paris-Musées.
Musées de la Ville de Paris. 1995. Le Dessin sous toutes ses coutures. Exh. cat. Paris-Musées.
Nadault de Buffon, Henri. 1870. Notre ennemi le luxe. 2nd ed. Furne, Jouvet.
Nead, Lynda. 1992. The Female Nude: Art, Obscenity, and Sexuality. Routledge.
Needham, Gerald. “The Paintings of Claude Monet, 1859–1878.” Ph.D. diss., New York University.
Nicholson, Benedict. 1960. “The Recovery of a Degas Race Course Scene.” Burlington Magazine 102, 693 (Dec.), pp. 534–37.
Nochlin, Linda. 1989. “Seurat’s La Grande Jatte: An Anti-Utopian Allegory.” In The Politics of Vision: Essays on Nineteenth-Century Art and Society, pp. 170–93. Harper and Row.
O’Brien, Maureen C., ed. 2005. Edgar Degas: Six Friends at Dieppe. Exh. cat. Museum of Art, Rhode Island School of Design.
Pakenham, Michael. “Une muse, une femme.” In Musée d’Orsay, La Dame aux éventails: Nina de Callias, modèle de Manet. Exh. cat. Réunion des Musées Nationaux.
Pansu, Henri. 2003. Claude-Joseph Bonnet: Soierie et société à Lyron et en Bugey au XIXe siècle. H. Pansu.
Parrot, Nicole. 2002. Le Stiff et le cool: Une Histoire de maille, de mode et de liberté. NIL.
Patry, Sylvie. 2009. “Renoir et la décoration, ‘un plaisir sans pareil,’” in Sylvie Patry and Claudia Einecke, eds., Renoir au XXe siècle, pp. 44–59. Réunion des Musées Nationaux/Musée d’Orsay.
Pellerin, Denis. 1995. La Photographie stéréoscopique sous le Second Empire. Bibliothèque Nationale de France.
Pellier, Jules. 1987. La Selle et le costume de l’amazone. J-M Place.
Perrot, Philippe. 1981. Les Dessus et les dessous de la bourgeoisie. Fayard.
———. 1994. Fashioning the Bourgeoisie: A History of Clothing in the Nineteenth Century, trans. Richard Bienvenu. Princeton University Press.
Pissarro, Camille. 1943. Letters to His Son Lucien, ed. John Rewald with Lucien Pissarro, trans. Lionel Abel. K. Paul, Trench, Trubner.
Pollock, Griselda. 1988. Vision and Difference: Femininity, Feminism, and Histories of Art. Routledge.
Potvin, John, ed. 2009. The Places and Spaces of Fashion, 1800–2007. Routledge Research in Cultural and Media Studies 16. Routledge.
Prévost, Gabriel. 1884. Le Nu, le vêtement, la parure chez l’homme et chez la femme. Paris.
Proudhon, Pierre J. 1865. Du Principe de l’art et de sa destination sociale. Garnier frères.
Proust, Marcel. 1995. Le Temps retrouvé. Robert Laffont.
Racinet, Auguste. 1888. Le Costume historique. Firmin-Didot et cie.
Raeburn, Michael. 1985. Renoir. Exh. cat. Arts Council of Great Britain.
Recueil des actes. 1876. Recueil des actes administratifs de la préfecture du department de la Seine, vol. 4. 1876. Paul Dupont.
Reed, Sue Welsh, and Barbara Stern Shapiro. 1984. Edgar Degas: The Painter as Printmaker. Exh. cat. Museum of Fine Arts.
Reff, Theodore. 1968. “Some Unpublished Letters of Degas.” Art Bulletin 50, 1 (Mar.), pp. 87–94.
———. 1976. The Notebooks of Edgar Degas: A Catalogue of the Thirty-Eight Notebooks in the Bibliothèque Nationale and Other Collections. 2 vols. Clarendon Press.
———. 1987. Degas: The Artist’s Mind. Belknap Press.
Rey, Xavier. 2011. “Le Cercle de la rue Royale (1868) de James Tissot.” La Revue des Musées de France. Revue du Louvre 61, 5 (Dec.), pp. 21–22.
Ribeiro, Aileen. 1986. Dress and Morality. B. T. Batsford.
———. 2008. “The Art of Dress: Fashion in Renoir’s La Loge,” pp. 45–63. In Renoir at the Theatre: Looking at La Loge, exh cat, ed. Ernst Vegelin van Claerbergen and Barnaby Wright. Courtauld Gallery/Paul Holberton Pub.
Rimsky-Korsakow, Mme. 1863. Une Saison à Paris. E. Dentu.
Rivière, Georges. 1921. Renoir et ses amis. H. Floury.
Robida, Michel. 1955. Ces Bourgeois de Paris: Trois siècles de chronique familiale de 1675 à nos jours. Julliard.
———. 1958. Le Salon Charpentier et les impressionistes. Bibliothèque des Arts.
Roos, Jane Mayo. 1999. A Painter’s Poet: Stéphane Mallarmé and His Impressionist Circle. Exh. cat. Bertha and Karl Leubsdorf Art Gallery/Bibliothèque Littéraire Jacques Doucet.
Root, M. A. 1864. The Camera and the Pencil, or the Heliographic Art. Lippincott/Appleton.
Rosenblum, Robert. 1977. “Gustave Caillebotte: The 1970s and the 1870s.” Artforum 15 (Mar.), pp. 46–52.
Roskill, Mark. 1970. “Early Impressionism and the Fashion Print.” Burlington Magazine 112, 807 (June 1), pp. 391–95.
Sagraves, Julia. 1995. “The Street.” In Anne Distel et al., Gustave Caillebotte: Urban Impressionist, pp. 88–101. Exh. cat. Art Institute of Chicago/Abbeville Press.
Sainsaulieu, Marie-Caroline, and Jacques de Mons. 1990. Eva Gonzales: 1849–1883: Étude critique et catalogue raisonné. Bibliothèque des Arts.
Salomon, Jacques. 1968. Vuillard. Gallimard.
Le Savoir-vivre. 1884. Le Savoir-vivre et la politesse. T. Lefèvre.
Scart, Brigitte. 1977. L’Atelier Nadar et la mode, 1865–1913. Exh. cat. Imp. Chiffolean.
Schirrmeister, Anne. 1990. “La Dernière Mode: Berthe Morisot and Costume.” In Perspectives on Morisot, ed. T. J. Edelstein, pp. 103–15. Hudson Hills Press/Rizzoli.
Schoonbaert, Sylvain. 2007. Le Voirie bordelaise au XIXe siècle. PUPS.
Seitz, William C. 1988. Claude Monet. DuMont.
Shackelford, George T. M. 1984. Degas: The Dancers. Exh. cat. National Gallery of Art.
———. 1998. “Pas de deux: Mary Cassatt and Edgar Degas.” In Mary Cassatt: Modern Woman, ed. Judith A. Barter, pp. 109–43. Exh. cat. Art Institute of Chicago/H. N. Abrams.
Simmel, Georg. 1997. “The Philosophy of Fashion.” In Simmel on Culture: Selected Writings, ed. David Frisby and Mike Featherstone, pp. 187–206. Sage Publications.
Simon, Marie. 1995a. Fashion in Art: The Second Empire and Impressionism. Zwemmer.
———. 1995b. Mode et peinture: Le Second Empire et l’impressionnisme. Hazan.
Simons, Patricia. 1992. “Woman in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture.” In The Expanding Discourse: Feminism and Art History, ed. Norma Broude and Mary D. Garrard, pp. 39–57. WestView Press.
Sloane, Joseph C. 1951. French Painting between the Past and the Present. Princeton University Press.
Smith, Paul. 1995. Impressionism: Beneath the Surface. Harry N. Abrams.
Solomon-Godeau, Abigail. 1986. “The Legs of the Countess.” October 39 (Winter), pp. 65–108.
Spate, Virginia. 1992. Claude Monet: The Colour of Time. Thames and Hudson.
Stadler, Eva Maria. 2001. “Mallarmé’s La Dernière Mode: The Poet as Journalist.” Antemnae, pp. 258–73.
Steele, Valerie. 1985. Fashion and Eroticism: Ideals of Feminine Beauty from the Victorian Era to the Jazz Age. Oxford University Press.
———. 1988. Paris Fashion: A Cultural History. Oxford University Press.
———. 1998. Paris Fashion: A Cultural History. 2nd ed. Berg.
———. 2001. The Corset: A Cultural History. Yale University Press.
Stein, Susan, and Asher Miller, eds. 2009. The Annenberg Collection: Masterpieces of Impressionism and Post-Impressionism. The Metropolitan Museum of Art/Yale University Press.
Sterckx, Marjan. 2010. “Alfred Stevens.” Nineteenth Century Art History Worldwide 9, 1 (Spring). http://www.19thc-artworldwide.org/index.php/spring10/alfred-stevens.
Strauber, Susan. 2006. “Manet’s Portrait of Jeanne Duval. Baudelaire’s Mistress Reclining: Femininity, Modernity and New Painting.” In Sidsel Maria Søndergaard, ed., Women in Impressionism: From Mythical Feminine to Modern Woman, pp. 99–133. Exh. cat. Skira.
Stuckey, Charles F., and William P. Scott. 1987. Berthe Morisot, Impressionist. Exh. cat. Hudson Hills Press/Rizzoli.
Syndicat des entreprises de vente par correspondence. 1984. Souvenirs de catalogues. Syndicat de la V. P. C.
Tabarant, Adolphe. 1931. Manet: Histoire catalographique. Éd. Montaigne.
———. 1947. Manet et ses oeuvres. 2nd ed. Gallimard.
Taine, Hippolyte. 1866. Voyage en Italie. Hachette.
———. 1867a. De l’idéal dans l’art. G. Baillière.
———. 1867b. Notes sur Paris: Vie et opinions de M. Frédéric-Thomas Graindorge recueillies et publiées par H. Taine, son exécuteur testamentaire. L. Hachette & Cie, 1867.
———. 1874. On the Ideal in Art, trans. J. Durand. Henry Holt and Company.
———. 1888. Notes on Paris, trans. John Austin Stevens. Henry Holt and Company, 1888.
Tétart-Vittu, Françoise. 1990. “Le Chic parisien: Images et modèles dans la presse illustrée.” In Femmes fin de siècle, 1885–1895, pp. 93–101. Paris-Musées.
———. 1992. “The French-English Go-Between: Le Modèle de Paris or the Beginning of the Designer, 1820–1880.” Costume 26 (1992), pp. 40–45.
———. 1995a. “Des Menus Plaisirs au studio de couture.” In Musées de la Ville de Paris, Le Dessin sous toutes ses coutures, pp. 25–39. Exh. cat. Paris-Musées.
———. 1995b. “L’Art de la mode, une idée du XIXe siècle.” In Musées de la Ville de Paris, Le Dessin sous toutes ses coutures, pp. 113–17. Exh. cat. Paris-Musées.
———. 1998. “La Maison Duluc soeurs.” In Félicien Rops, Rops suis, aultre ne veulx estre, ed. Bernadette Bonnier, pp. 68–71. Exh. cat. Complexe.
———. 2003. “Auguste Racinet’s Le Costume historique, a Monumental Nineteenth-Century Achievement.” In Auguste Racinet, The Complete Costume History, pp. 8–19. Taschen.
———. 2008. “Petits costumes et robes courtes.” In Sous l’Empire des Crinolines, pp. 104–09. Exh. cat. Musée Galliera.
Thomas, Greg M. 2006. “Women in Public: The Display of Femininity in the Parks of Paris.” In The Invisible Flâneuse?: Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, ed. Aruna D’Souza and Tom McDonough, pp. 32–48. Critical Perspectives in Art History. Manchester University Press.
Thomine, Alice. 1999. “Administration et architecture: L’Exemple de la ville de Paris (1850–1900).” Cahiers de la rotonde 21, pp. 121–46.
Thomson, Richard. 1985. Seurat. Phaidon/Salem House.
———. 1989. “The Grande Jatte: Notes on Drawing and Meaning.” Museum Studies 14, 2, pp. 181–97.
———. 1997. “Representing the Modern: The Bathers and Its Contexts.” In John Leighton and Richard Thomson, Seurat and the Bathers, pp. 96–105. National Gallery Publications/Yale University Press.
Tiersten, Lisa. 2001. Marianne in the Market: Envisioning Consumer Society in Fin-de-Siècle France. University of California Press.
Tinterow, Gary. 2003. “The Second Empire: 1852–1870.” In The Art and Spirit of Paris, ed. Michel Laclotte, vol. 2, pp. 906–1017. Abbeville Press.
———, and Henri Loyrette. 1994. Origins of Impressionism. Exh. cat. The Metropolitan Museum of Art/Harry N. Abrams.
Tucker, Paul. 1986. “The First Impressionist Exhibition in Context.” In The New Paintings: Impressionism 1874–1886, ed. Charles S. Moffett, pp. 93–117. Exh. cat. R. Burton/University of Washington Press.
———. 1995. Claude Monet: Life and Art. Yale University Press.
Ulbach, Louis. 1878. Guide sentimental de l’étranger dans Paris. C. Levy.
Union Centrale des Beaux-Arts Appliqués à l’Industrie. 1874. Union Centrale des Beaux-Arts Appliqués à l’Industrie: Quatrième exposition, 1874, Musée Historique du Costume. Exh. cat. Chaix.
Uzanne, Octave. 1883. L’Ombrelle, le gant, le manchon. A. Quantin.
———. 1902. L’Art et les artifices de la beauté. Felix Juven.
Van Zanten, David. 2010. “Paris Space: What Might Have Constituted Haussmannization.” In Manifestoes and Transformation in the Early Modernist City, ed. Christian Hermansen Cordua, pp. 179–210. Ashgate.
Varnedoe, Kirk. 1987. Gustave Caillebotte. Yale University Press.
———. 1995. “Odd Man In.” In Anne Distel et al., Gustave Caillebotte: Urban Impressionist, pp. 13–16. Exh. cat. Musée d’Orsay/Art Institute of Chicago/Abbeville Press.
Veblen, Thorstein Bunde. 1899. The Theory of the Leisure Class: An Economic Study of Institutions. Macmillan Company.
Viollet-le-Duc, Eugène-Emmanuel. 1872. Entretiens sur l’architecture, vol. 2. Morel.
Vollard, Ambroise. 1920. Auguste Renoir. G. Crès et Cie.
———. 1961. August Renoir: Gespräche und Erinnerungen. Arche.
———. 1994. En écoutant Cézanne, Degas, Renoir. Bernard Grasset, 1994.
Wadley, Nicholas. 1987. Renoir: A Retrospective. H. L. Levin Associates/Macmillan Pub. Co.
Waelti-Walters, Jennifer, and Steven C. Hause, eds. 1994. Feminisms of the Belle Epoque: A Historical and Literary Anthology. University of Nebraska Press.
Waller, Susan. 2006. The Invention of the Model: Artists and Models in Paris, 1830–1870. Ashgate.
Ward, Martha. 1986. “The Rhetoric of Independence and Innovation.” In Charles S. Moffett, The New Painting: Impressionism, 1874–1886, 2nd ed., pp. 421–42. Exh cat. Fine Arts Museums of San Francisco.
———. 1996. Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde. University of Chicago Press.
Waugh, Norah. 1968. The Cut of Women’s Clothes, 1600–1930. Faber.
Weitzenhoffer, Frances. 1986. The Havemeyers, Impressionism Comes to America. H. N. Abrams.
Wells, William. 1972. “Who Was Degas’s Lyda?” Apollo 95, pp. 129–34.
Wentworth, Michael. 1984. James Tissot. Oxford Studies in the History of Art and Architecture. Clarendon Press/University of Oxford Press.
Westfehling, Uwe. 1974. “J. I. Hittorffs Pläne für ein Denkmalsforum in Paris.” Wallraf-Richartz-Jahrbuch 36, pp. 273–94.
White, Barbara Ehrlich. 1984. Renoir: His Life, Art, and Letters. Abrams.
Wildenstein, Daniel. 1974. Claude Monet, vol. 1. Bibliothèque des Arts.
———. 1979. Claude Monet, vol. 3. Bibliothèque des Arts.
———. 1996. Monet, or the Triumph of Impressionism, vol. 2. Taschen/Wildenstein Institute.
———. 1999. Monet, or the Triumph of Impressionism. Taschen.
Wilson-Bareau, Juliet. 2011. “The Manet Exhibition in Paris, 2011.” Burlington Magazine 153, 1305 (Dec.), pp. 816–24.
———. 2012. “Manet’s ‘Amazon’: A Final Salon Painting,” Burlington Magazine 154, 1309 (Apr. 2012), pp. 256–59.
Wolff, Janet. 1988. “The Culture of Separate Spheres: The Role of Culture in Nineteenth-Century Public and Private Life.” In The Culture of Capital: Art, Power, and the Nineteenth-Century Middle Class, ed. Janet Wolff and John Seed, pp. 117–34. Manchester University Press.
Wood, Christopher. 1986. Tissot: The Life and Work of Jacques Joseph Tissot, 1836–1902. Little, Brown.
Zimmermann, Michael F. 1989. “Seurat, Charles Blanc, and Naturalist Art Criticism.” Museum Studies 14, 2, pp. 198–209, 246–47.
Zola, Émile. 1883. Au Bonheur des Dames. Georges Charpentier.
———. 1959. Salons, ed. F. W. J. Hemmings and Robert J. Niess. Socíeté de publications romanes et françaises 63. Minard and E. Droz.
———. 1968. Au Bonheur des dames. Livre de Poche/Fasquelle.
———. 1984. La Curée, ed. Philippe Bonnefis. Pasquelle.
———. 1986. Carnets d’enquêtes: Une Ethnographie inédite de la France, ed. Henri Mitterand. Plon.
———. 1991. Ecrits sur l’art, ed. Jean-Pierre Leduc-Adine. Gallimard.
———. 1998a. The Ladies’ Paradise, trans. Brian Nelson. Oxford University Press.
———. 1998b. Pot-bouille, ed. Marie-Ange Voisin-Fougère. Librairie générale française.
———. 2008. The Ladies’ Paradise. Oxford University Press.
Zuccari, Frank, and Alison Langley. 2004. “Seurat’s Working Process: The Compositional Evolution of La Grande Jatte.” In Robert Herbert, Seurat and the Making of “La Grande Jatte,” pp. 178–93. Exh. cat. Art Institute of Chicago/University of California Press.
Selected Bibliography
Previous chapter Next chapter