Checklist of the Exhibition

Groom, Gloria

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Checklist of the Exhibition

Gloria Groom (Editor)

Impressionism, Fashion, and Modernity

Checklist of the Exhibition

Author

Gloria Groom (Editor)

PublisherArt Institute of Chicago

Stable URL: https://aaeportal.com/?id=-23673

Checklist of the Exhibition

Works are listed in chronological order and, within each year, in alphabetical order by artist’s last name. Works with no known artist or maker appear after those by named artists, alphabetically by title.

French titles are given where they differ substantially from the English.

Significant early exhibitions are given where applicable; they include exhibitions that occurred during an artist’s lifetime and major posthumous exhibitions, such as memorial exhibitions mounted shortly after an artist’s death.

In addition to the cartes de visite and fashion plates shown in the body of the catalogue (listed individually below), a broader selection of both, as well as of department store catalogues, from the collection of The Metropolitan Museum of Art was shown in New York and Chicago. For a number of examples, see Appendix I and Appendix II.

This checklist has been revised to reflect changes made to the exhibition since the first printing of the catalogue.

— 1840 —

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Description: It's Amazing! I've Had Four of Just These Sizes in My Life. . . . by Daumier,...

HONORÉ DAUMIER (FRENCH, 1808–1879)
It’s Amazing! I’ve Had Four of Just These Sizes in My Life . . . , February 7, 1840. Lithograph with hand coloring, second state of two; image: 24.8 × 19.2 cm (9 ¾ × 7 9⁄16 in.); sheet: 36.3 × 27.8 cm (14 5⁄16 × 10 15⁄16 in.). The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962, 62.650.258.

NEW YORK, CHICAGO
NOT IN CAT.

— 1847 —

~

Description: Reception by Guys, Constantin

CONSTANTIN GUYS (FRENCH, 1802–1892)
Reception, 1847/48. Pen and brown ink with brush and watercolor, over graphite, on ivory laid paper; 17.8 × 19.7 cm (7 1⁄16 × 7 13⁄16 in.). The Art Institute of Chicago, Olivia Shaler Swan Memorial Collection, 1933.524.

CHICAGO
CAT. 18

— 1856 —

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Description: Young Women on the Banks of the Seine by Courbet, Gustave

GUSTAVE COURBET (FRENCH, 1819–1877)
Young Ladies on the Banks of the Seine (Les demoiselles des bords de la Seine (été)), 1856–57. Oil on canvas; 174 × 206 cm (68 ½ × 81 ⅛ in.). Petit Palais, Musée des Beaux-Arts de la Ville de Paris,
PPP00377.

Significant early exhibitions: 1857: Paris, Salon, no. 620 (Les Demoiselles des bords de la Seine (été)). 1867: Paris, Rond-Point de l’Alma, Exposition des Oeuvres de M. G. Courbet, no. 8 (Les Demoiselles des bords de la Seine). 1873: Vienna, Association de l’Art autrichien.

PARIS, NEW YORK, CHICAGO
CAT. 34

~

Description: L'accoudée by Pierson, Pierre-Louis

PIERRE-LOUIS PIERSON (FRENCH, 1822–1913)
Woman Leaning on Her Elbow, 1856/57. Albumen silver print from glass negative; 11.1 × 7.6 cm (4 ⅜ × 3 in.). The Metropolitan Museum of Art, New York, David Hunter McAlpin Fund, 1975, 1975.548.31.

NOT IN EXHIBITION
CAT. 20

— 1860 —

~

Description: Woman with a Muff by Guys, Constantin

CONSTANTIN GUYS (FRENCH, 1802–1892)
Woman with a Muff, 1860/64. Pen and brown ink with brush and watercolor, over traces of graphite, on cream wove card; 23 × 17 cm (9 1⁄16 × 6 ¾ in.). The Art Institute of Chicago, Olivia Shaler Swan Memorial Collection, 1933.523.

CHICAGO
NOT IN CAT.

~

Parasol, 1860/69. American or European. Black silk lace, ivory silk faille, and taffeta with tortoiseshell handle. The Metropolitan Museum of Art, New York, gift of Mrs. Henry G. Bartol, 1938, C.I.38.44.8.

NEW YORK, CHICAGO
NOT IN CAT.

~

Parasol, 1860/69. French. Black silk lace, ivory silk faille, and taffeta with carved ivory handle. The Metropolitan Museum of Art, New York, gift of Mrs. Walter Kernan, 1975, 1975.215.3.

NEW YORK, CHICAGO
CAT. 41

— 1862 —

~

Description: Baudelaire's Mistress (Portrait of Jeanne Duval) by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Lady with Fan (La Maîtresse de Baudelaire), 1862. Oil on canvas; 90 × 113 cm (35 7⁄16 × 44 ½ in.). Museum of Fine Arts, Budapest, 368.B.

Significant early exhibitions: 1865: Paris, Martinet.

NEW YORK, CHICAGO
CAT. 50

~

Day dress, 1862/64. American. White cotton piqué embroidered with black soutache. The Metropolitan Museum of Art, New York, gift of Chauncey Stillman, 1960, C.I.60.6.11a, b.

NEW YORK, CHICAGO
CAT. 36

— 1863 —

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Description: The Two Sisters by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Two Sisters, also called Portraits in a Park, 1863. Oil on canvas; 210 × 136 cm (82 ½ × 53 9⁄16 in.). Musée d’Orsay, Paris, gift of Albert Bichet, 1904,
RF 2788.

Significant early exhibitions: 1864: Paris, Salon, no. 1860 (Les Deux soeurs; portrait).

PARIS, NEW YORK, CHICAGO
CAT. 4

~

Black dress, 1863/65. English. Black net over black slightly corded silk taffeta. Manchester City Galleries, 1940.295/2.

NEW YORK, CHICAGO
CAT. 46

— 1864 —

~

Description: Portrait of Mademoiselle L.L. by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
Portrait of Mademoiselle L.L., 1864. Oil on canvas; 124 × 99.5 cm (48 13⁄16 × 39 ⅜ in.). Musée d’Orsay, Paris, RF 2698.

Significant early exhibitions: 1864: Paris, Salon, no. 1861 (Portrait de Mlle L. L. . . .).

PARIS, NEW YORK, CHICAGO
CAT. 118

~

Dress, c. 1864. American. Bleached linen tarlatan dress with matching sash. Museum of the City of New York, gift of Misses Braman, 47.83.1a, b.

NEW YORK, CHICAGO
CAT. 42

~

Description: Woman's three-piece seaside ensemble

Woman’s three-piece seaside ensemble, 1864/67. French. Cotton, plain weave with supplementary warp, and cotton, machine embroidery. Los Angeles County Museum of Art, purchased with funds provided by Suzanne A. Saperstein and Michael and Ellen Michelson, with additional funding from the Costume Council, the Edgerton Foundation, Gail and Gerald Oppenheimer, Maureen H. Shapiro, Grace Tsao, and Lenore and Richard Wayne, M.2007.211.944a–c.

CHICAGO
CAT. 37

— 1865 —

~

Description: Two Women Outdoors by Colin, Héloïse Suzanne

HÉLOÏSE LELOIR (FRENCH, 1820–1873)
“Two Women Outdoors,” La Elegancia (Barcelona), 1865/66. Lithograph with hand coloring; sheet: 29.5 × 21.9 cm (11 ⅝ × 8 ⅝ in.). The Metropolitan Museum of Art, New York, gift of Mrs. H. J. Bernheim, 1958, 58.646.15(19).

NOT IN EXHIBITION
CAT. 3

~

ÉDOUARD MANET (FRENCH, 1832–1883)
Reading, 1865 (reworked 1873/75). Oil on canvas; 61 × 73.2 cm (24 × 23 13⁄16 in.). Musée d’Orsay, Paris, bequest of the Princess Edmond de Polignac,
RF 1944 17.

Significant early exhibitions: 1880: Paris, La Vie Moderne, Oeuvres nouvelles d’Edouard Manet, no. 10 (La Lecture). 1884: Paris, École Nationale des Beaux-Arts, Exposition des oeuvres de Édouard Manet, no. 46 (La Lecture).

PARIS
CAT. 49

~

Description: Bazille and Camille (Study for "Déjeuner sur l'Herbe") by Monet,...

CLAUDE MONET (FRENCH, 1840–1926)
Bazille and Camille (Study for “Luncheon on the Grass”), 1865. Oil on canvas; 93 × 68.9 cm (36 ⅝ × 27 ⅛ in.). National Gallery of Art, Washington, D.C., Ailsa Mellon Bruce Collection, 1970.17.41.

PARIS, NEW YORK, CHICAGO
CAT. 35

~

Description: Luncheon on the Grass (left panel) by Monet, Claude

CLAUDE MONET (FRENCH, 1840–1926)
Luncheon on the Grass (left panel), 1865–66. Oil on canvas; 418 × 150 cm (164 ⅝ × 59 in.). Musée d’Orsay, Paris, gift of Georges Wildenstein, 1957, RF 1957 7.

PARIS, NEW YORK, CHICAGO
CAT. 38

~

Description: Luncheon on the Grass, central fragment by Monet, Claude

CLAUDE MONET (FRENCH, 1840–1926)
Luncheon on the Grass (central panel), 1865–66. Oil on canvas; 248.7 × 218 cm (97 ⅞ × 85 ⅞ in.). Musée d’Orsay, Paris, acquired as a payment in kind, 1987, RF 1987 12.

PARIS, NEW YORK, CHICAGO
CAT. 39

~

Description: The Marquis and Marquise de Miramon and Their Children by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Marquis and Marquise de Miramon and Their Children, 1865. Oil on canvas; 177 × 217 cm (69 11⁄16 × 85 7⁄16 in.). Musée d’Orsay, Paris, RF 2006 22.

Significant early exhibitions: 1866: Paris, Exposition de l’Union Artistique.

PARIS, NEW YORK, CHICAGO
CAT. 1

~

Ensemble, 1865/67. French. Gray silk faille. The Metropolitan Museum of Art, New York, gift of Mrs. Alfred Poor, 1958, C.I.58.4.4a–e.

NEW YORK, CHICAGO
CAT. 98

~

Promenade dress, 1865/68. English. Alpaca and silk fringe. Manchester City Galleries, 1946.152/2.

NEW YORK, CHICAGO
CAT. 17

~

Shawl, c. 1865. Indian. Multicolored wool in a cone pattern. The Metropolitan Museum of Art, New York, gift of Miss F. L. Schepp, 1955, C.I.55.16.3.

NEW YORK, CHICAGO
CAT. 99

~

Description: Woman in an Outdoor Dress with a Woman in a White Muslin Dinner Dress from Les Modes...

“Woman in an Outdoor Dress with a Woman in a White Muslin Dinner Dress from Les Modes Parisiennes,” Peterson’s Magazine, August 1865. Steel engraving with hand coloring; sheet: 19 × 14.2 cm (7 ⅜ × 5 ⅝ in.). The Metropolitan Museum of Art, New York, Woodman Thompson Collection, The Irene Lewisohn Reference Library at The Metropolitan Museum of Art, FP.19.1865.

NEW YORK, CHICAGO
CAT. 119

~

Women’s morning dress, c. 1865. European. Cotton and muslin. Los Angeles County Museum of Art, purchased with funds provided by Suzanne A. Saperstein and Michael and Ellen Michelson, with additional funding from the Costume Council, the Edgerton Foundation, Gail and Gerald Oppenheimer, Maureen H. Shapiro, Grace Tsao, and Lenore and Richard Wayne, M.2007.211.667.

NEW YORK, CHICAGO
CAT. 51

— 1866 —

~

ÉDOUARD MANET (FRENCH, 1832–1883)
Young Lady in 1866 (also called La Femme au perroquet), 1866. Oil on canvas; 185.1 × 128.6 cm (72 ⅞ × 50 ⅝ in.). The Metropolitan Museum of Art, New York, gift of Erwin Davis, 1889, 89.21.3.

Significant early exhibitions: 1866: Paris, the artist’s studio (no cat.). 1867: Paris, avenue de l’Alma, Catalogue des Tableaux de M. Édouard Manet, no. 15 (Jeune dame en 1866). 1868: Paris, Salon, no. 1659 (Une Jeune femme). 1872: London, Durand-Ruel, Fifth Exhibition of the Society of French Artists, no. 49. 1884: possibly Paris, École Nationale des Beaux-Arts, Exposition des oeuvres de Édouard Manet, no. 39 (Une jeune femme).

PARIS, NEW YORK, CHICAGO
CAT. 9

~

CLAUDE MONET (FRENCH, 1840–1926)
Camille, 1866. Oil on canvas; 231 × 151 cm (90 15⁄16 × 59 ½ in.). Kunsthalle Bremen, Der Kunstverein in Bremen, 298–1906/1.

Significant early exhibitions: 1866: Paris, Salon, no. 1386 (Camille). 1868: Le Havre, Exposition maritime internationale, no. 856 (Camille). 1899: Paris, Galerie Georges Petit, Tableaux par P.-A. Besnard, J.-C. Cazin, C. Monet, A. Sisley, F. Thaulow, et de Poteries par E. Chaplet, no. 60 (La Femme à la robe verte). 1901: Berlin, Paul Cassirer, Dritte Kunstausstellung der Berliner Secession, no. 181. 1902: Brussels, Salon (9e Exposition de la Société des Beaux-Arts), no. 122. 1904: Weimar, Monet, Manet, Renoir et Cézanne, no. 22. 1906: Bremen, Internationale Kunstausstellung, no. 241.

NEW YORK, CHICAGO
CAT. 16

~

Description: Women in the Garden by Monet, Claude

CLAUDE MONET (FRENCH, 1840–1926)
Women in the Garden, 1866. Oil on canvas; 255 × 205 cm (100 ⅜ × 80 11⁄16 in.). Musée d’Orsay, Paris, RF 2773.

Significant early exhibitions: 1867: Submitted but not accepted at Salon. 1867: Paris, Chez Latouche, 34, rue Lafayette (Printemps). 1924: Paris, Georges Petit, Monet, no. 1.

PARIS, NEW YORK, CHICAGO
CAT. 45

~

Description: Portrait of the Marquise de Miramon, née Thérèse Feuillant by Tissot,...

JAMES TISSOT (FRENCH, 1836–1902)
Portrait of the Marquise de Miramon, née Thérèse Feuillant, 1866. Oil on canvas; 128.3 × 77.2 cm (50 9⁄16 × 29 15⁄16 in.). The J. Paul Getty Museum, Los Angeles, 2007.7.

Significant early exhibitions: 1867: Paris, Exposition universelle, no. 589 (Portrait de Mme la marquise de M***).

NEW YORK, CHICAGO
CAT. 7

~

Description: Sample from the marquise de Miramon's peignoir

Sample from the Marquise de Miramon’s peignoir, 1866. Silk, velvet; 12.4 × 32.5 cm (4 ⅞ × 12 13⁄16 in.). The J. Paul Getty Museum, Los Angeles, U.2007.71867.

NEW YORK, CHICAGO
CAT. 8

— 1867 —

~

Description: The Family Gathering by Bazille, Frédéric

FRÉDÉRIC BAZILLE (FRENCH, 1841–1870)
Family Reunion, 1867. Oil on canvas; 152 × 230 cm (58 ⅞ × 90 9⁄16 in.). Musée d’Orsay, Paris, acquired with the participation of Marc Bazille, brother of the artist, 1905, RF 2749.

Significant early exhibitions: 1868: Paris, Salon, no. 146 (Portraits de la famille).

PARIS, NEW YORK, CHICAGO
CAT. 2

~

Description: Pierre-August Renoir by Bazille, Frédéric

FRÉDÉRIC BAZILLE (FRENCH, 1841–1870)
Pierre-Auguste Renoir, 1867. Oil on canvas; 61.2 × 50 cm (24 × 19 11⁄16 in.). Musée d’Orsay, Paris, on deposit to the Musée Fabre, Montpellier, DL 1970 3.

PARIS, NEW YORK, CHICAGO
CAT. 71

~

Description: Mademoiselle Marie Dihau by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Mademoiselle Marie Dihau, 1867–68. Oil on canvas; 22.2 × 27.3 cm (8 ¾ × 10 ¾ in.). The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929, 29.100.182.

PARIS, NEW YORK, CHICAGO
CAT. 116

~

Description: Beresford from Demi Monde I 56 by Disdéri, André...

ANDRÉ-ADOLPHE-EUGÈNE DISDÉRI (FRENCH, 1819–1889)
Beresford from Demi-Monde I 56, 1867. Albumen silver print from glass negative; image: 18.4 × 24.8 cm (7 ¼ × 9 ¾ in.); album page: 26.2 × 34.8 cm (10 5⁄16 × 13 11⁄16 in.). The Metropolitan Museum of Art, New York, Gilman Collection, gift of the Howard Gilman Foundation, 2005, 2005.100.588.2.54.

NOT IN EXHIBITION
CAT. 96

~

Description: Edouard Manet by Fantin-Latour, Henri

HENRI FANTIN-LATOUR (FRENCH, 1836–1904)
Édouard Manet, 1867. Oil on canvas; 117.5 × 90 cm (46 5⁄16 × 35 7⁄16 in.). The Art Institute of Chicago, Stickney Fund, 1905.207.

Significant early exhibitions: 1867: Paris, Salon, no. 571 (Portrait de M. M. . . .). 1871: London, International Exhibition, 1511. 1889: Paris, Exposition universelle internationale, no. 339 (Portrait de Manet). 1906: Paris, L’École des Beaux-Arts, Exposition de l’oeuvre de Fantin-Latour, no. 8 (Portrait de Manet).

PARIS, NEW YORK, CHICAGO
CAT. 68

~

HENRI FANTIN-LATOUR (FRENCH, 1836–1904)
Édouard Manet, 1867/80. Black crayon with touches of charcoal on cream wove paper; 39.9 × 31.1 cm (15 ¾ × 12 ¼ in.). The Art Institute of Chicago, Clarence Buckingham Collection, 1967.595.

CHICAGO
CAT. 121

~

Description: Lise—The Woman with the Umbrella by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
Lise—The Woman with the Umbrella, 1867. Oil on canvas; 184 × 115.6 cm (72 7⁄16 × 45 ½ in.). Museum Folkwang, Essen, G 144.

Significant early exhibitions: 1868: Paris, Salon, no. 2113 (Lise). 1869: possibly Paris, Charpentier’s. 1901: Berlin, Kunstausstellung der Berliner Secession, no. 204.

PARIS, NEW YORK, CHICAGO
CAT. 40

~

Description: Hesitation (Madame Monteaux?) by Stevens, Alfred

ALFRED STEVENS (BELGIAN, 1823–1906)
Hesitation (Madame Morteaux ?), c. 1867. Oil on panel; 55.5 × 43.2 cm (21 ⅞ × 17 in.). The Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection, 1933.1178.

Significant early exhibitions: 1867: Paris, Exposition universelle, no. 125 (Innocence). 1900: Paris, École des Beaux-Arts, Exposition de l’oeuvre d’Alfred Stevens, no. 127 (Hésitation).

CHICAGO
NOT IN CAT.

~

Suit, 1867/68. American. Brown wool broadcloth. The Metropolitan Museum of Art, New York, gift of Miss Jeanne Devereaux, 1951, C.I.51.114a–c.

NEW YORK, CHICAGO
CAT. 66

— 1868 —

~

Description: Six Men, a Woman, and a Boy in Day Dress by Imprimerie Lamoureux

IMPRIMERIE LAMOUREUX (FRENCH, ACTIVE 19TH CENTURY)
“Six Men, a Woman, and a Boy in Day Dress,” Le Progrès: Modes de Paris pour l’Académie Européenne des Modes, 1868. Lithograph with hand coloring; sheet: 32 × 49 cm (12 ⅝ × 19 ¼ in.). The Metropolitan Museum of Art, New York, The Irene Lewisohn Reference Library, Woodman Thompson Collection, FP.49.1868.

NEW YORK, CHICAGO
CAT. 67

~

Description: The Balcony by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
The Balcony, 1868–69. Oil on canvas; 170 × 124.5 cm (66 15⁄16 × 49 1⁄16 in.). Musée d’Orsay, Paris, bequest of Gustave Caillebotte, 1894, RF 2772.

Significant early exhibitions: 1869: Paris, Salon, no. 1616 (Le Balcon). 1869: Brussels, Exposition générale des beaux-arts, no. 754 (Le balcon).

PARIS
CAT. 76

~

Description: Madame Louis Joachim Gaudibert by Monet, Claude

CLAUDE MONET (FRENCH, 1840–1926)
Madame Louis Joachim Gaudibert, 1868. Oil on canvas; 217 × 138.5 cm (85 7⁄16 × 54 9⁄16 in.). Musée d’Orsay, Paris, acquired thanks to an anonymous Canadian gift, 1951, RF 1951 20.

Significant early exhibitions: 1925: Paris, Cinquante ans de peinture français, no. 46 (Portrait de Mme G . . .).

PARIS, NEW YORK, CHICAGO
CAT. 97

~

Description: The Couple by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
The Couple, 1868. Oil on canvas; 105 × 75 cm (41 5⁄16 × 29 ½ in.). Wallraf-Richartz-Museum & Fondation Corboud, Cologne, WRM 1199.

Significant early exhibitions: 1869: possibly Paris, Charpentier’s. 1904: Berlin, Paul Cassirer, VII, Jahrgang. III Ausstellung, no. 51.

PARIS, NEW YORK, CHICAGO
CAT. 31

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Description: The Circle of the Rue Royale by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Circle of the Rue Royale, 1868. Oil on canvas; 175 × 281 cm (68 ⅞ × 110 ⅝ in.). Musée d’Orsay, Paris, RF 2001 53.

PARIS, NEW YORK, CHICAGO
CAT. 73

— 1869 —

~

Description: The Lady with the Glove by Carolus-Duran

CHARLES CAROLUS-DURAN (FRENCH, 1837–1917)
The Lady with the Glove, 1869. Oil on canvas; 228 × 164 cm (89 ¾ × 64 9⁄16 in.). Musée d’Orsay, Paris, RF 152, RF 2756.

Significant early exhibitions: 1869: Paris, Salon, no. 843 (Portrait de Mme..). 1878: Paris, Exposition Universelle, no. 302 (La dame au gant).

PARIS, NEW YORK, CHICAGO
CAT. 19

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Description: Madame Théodore Gobillard by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Madame Théodore Gobillard, 1869. Oil on canvas; 55.2 × 65.1 cm (21 ¾ × 25 ⅝ in.). The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929, 29.100.45.

Significant early exhibitions: 1876: Paris, 11, rue Le Peletier, 2e exposition de peinture, Apr. 1–30, no. 39 (Portrait de femme [ébauche]).

PARIS, NEW YORK, CHICAGO
CAT. 47

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Description: The Sisters by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
The Sisters, 1869. Oil on canvas; 52.1 × 81.3 cm (20 ½ × 32 in.). National Gallery of Art, Washington, D.C., gift of Mrs. Charles S. Carstairs, 1952.9.2.

PARIS, NEW YORK, CHICAGO
CAT. 10

— 1870 —

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Description: The Conversation by Cézanne, Paul

PAUL CÉZANNE (FRENCH, 1839–1906)
The Conversation, 1870–71. Oil on canvas; 92 × 73 cm (36 ¼ × 28 ¾ in.). Private collection, courtesy Galerie Bernheim-Jeune, Paris.

PARIS
CAT. 27

~

EDGAR DEGAS (FRENCH, 1834–1917)
Sulking, c. 1870. Oil on canvas; 32.4 × 46.4 cm (12 ¾ × 18 ¼ in.). The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929, 29.100.43.

Significant early exhibitions: 1896: Paris, Durand-Ruel, Degas. 1915: New York, M. Knoedler & Co., Loan Exhibition of Masterpieces by Old and Modern Painters, Apr. 6–24, no. 25 (The Dispute).

PARIS, NEW YORK, CHICAGO
CAT. 5

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Description: Lise on the Banks of the Seine by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
Lise on the Banks of the Seine—Bather with Griffon Terrier, 1870. Oil on canvas; 184 × 115 cm (72 7⁄16 × 45 ¼ in.). Museu de Arte de São Paulo Assis Chateaubriand, São Paulo, 95 P.

Significant early exhibitions: 1870: Paris, Salon, no. 2405 (Baigneuse). 1913: Paris, Bernheim-Jeune, Renoir, no. 4 (La Baigneuse au griffon).

NOT IN EXHIBITION
CAT. 43

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Description: Frederick Gustavus Burnaby by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
Frederick Gustavus Burnaby, 1870. Oil on panel; 49.5 × 59.7 cm (19 ½ × 23 ½ in.). National Portrait Gallery, London, purchased, 1933, NPG 2642.

Significant early exhibitions: 1872: London, International Exhibition, no. 1282 (M. le Colonel * * *).

PARIS, NEW YORK, CHICAGO
CAT. 70

— 1871 —

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Description: The Promenade by Cézanne, Paul

PAUL CÉZANNE (FRENCH, 1839–1906)
The Promenade, 1871. Oil on canvas; 56.5 × 47 cm (22 ¼ × 18 ½ in.). Private collection.

Significant early exhibitions: 1903: Berlin, Siebente Kunstausstellung der Berliner Secession, no. 36 (Zwei Frauen im Garten). 1907: Paris, Grand Palais, Salon d’Automne, Exposition rétrospective d’oeuvres de Cézanne, no. 30 (Les deux promeneuses).

PARIS, NEW YORK, CHICAGO
CAT. 25

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Description: Toilettes by Madame Fladry by Imprimerie Gilquin Fils

IMPRIMERIE GILQUIN FILS (FRENCH, ACTIVE 19TH CENTURY)
”Toilettes by Madame Fladry,” La Mode Illustrée, May 7, 1871. Exhibited in New York: Steel engraving with hand coloring; sheet: 36.9 × 26.2 cm (14 ½ × 10 ¼ in.). The Metropolitan Museum of Art, The Library of the Costume Institute, purchased with income from the Irene Lewisohn Bequest. Exhibited in Chicago: Steel engraving with hand coloring; sheet: 36.7 × 25.7 cm (14 7⁄16 × 10 ⅛ in.). Private collection.

NEW YORK, CHICAGO
CAT. 26

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Description: Repose (Le Repos) by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Repose, c. 1871. Oil on canvas; 148 × 113 cm (59 ⅛ × 44 ⅞ in.). Museum of Art, Rhode Island School of Design, Providence, bequest of Mrs. Edith Stuyvesant Vanderbilt Gerry, 59.027.

Significant early exhibitions: 1873: Paris, Salon, no. 998 (Le Repos). 1884: Paris, École Nationale des Beaux-Arts, Exposition des oeuvres de Édouard Manet, no. 56 (Portrait de Mlle Éva Gonzalès). 1895: New York, Durand-Ruel, Manet, no. 1.

NEW YORK, CHICAGO
CAT. 120

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Description: On the Balcony by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
On the Balcony (Femme et enfant au balcon), 1871/72. Watercolor with touches of gouache over graphite on off-white paper; 20.6 × 17.3 cm (8 ⅛ × 6 13⁄16 in.). The Art Institute of Chicago, gift of Mrs. Charles Netcher in memory of Charles Netcher II, 1933.1.

CHICAGO
NOT IN CAT.

~

Description: Woman with Parakeet by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
Woman with Parrot, 1871. Oil on canvas; 92.1 × 65.1 cm (36 ¼ × 25 ⅝ in.). Solomon R. Guggenheim Museum, New York, Thannhauser Collection, gift, Justin K. Thannhauser, 1978, 78.2514.68.

Significant early exhibitions: 1913: Paris, Bernheim-Jeune, Renoir, no. 2 (La Femme à la perruche).

NEW YORK
CAT. 22

~

“The Latest French Fashions,” The Queen, The Lady’s Newspaper and Court Chronicle, 1871. Lithograph; sheet: 42.7 × 28.4 cm (16 13⁄16 × 11 3⁄16 in.). The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 63.608.6.

NEW YORK, CHICAGO
CAT. 13

— 1872 —

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Description: Three-Quarter Length Portrait of a Woman by Guys, Constantin

CONSTANTIN GUYS (FRENCH, 1802–1892)
Three-Quarter Length Portrait of a Woman, 1872/73. Pen and brown ink, with brush and gray wash, over graphite, on ivory wove paper; 28.8 × 19.6 cm (11 5⁄16 × 7 ¾ in.). The Art Institute of Chicago, gift of Robert Allerton, 1924.802.

CHICAGO
NOT IN CAT.

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Description: Berthe Morisot in Black by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Berthe Morisot in Black, 1872–74. Exhibited in New York: Lithograph on chine collé, second state of two; image: 24.9 × 17.6 cm (9 13⁄16 × 6 15⁄16 in.); sheet: 40 × 30.2 cm (15 ¾ × 11 ⅞ in.). The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1923, 23.21.22. Exhibited in Chicago: Lithograph in black with scraping on gray chine, laid down on ivory wove paper; plate: 20.4 × 14.2 cm (8 1⁄16 × 5 ⅝ in.); primary support: 24.1 × 17.4 cm (9 ½ × 6 ⅞ in.); secondary support: 42.2 × 31.5 cm (16 ⅝ × 12 7⁄16 in.). The Art Institute of Chicago, Charles Deering Collection, 1927.4210.

NEW YORK, CHICAGO
NOT IN CAT.

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Description: Interior by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
Interior, 1872. Oil on canvas; 60 × 73 cm (23 ⅝ × 28 ¾ in.). Collection of Diane B. Wilsey.

Significant early exhibitions: 1896: Paris, Durand-Ruel, Berthe Morisot (Madame Eugene Manet) Exposition de son oeuvre, Mar. 5–23, no. 51 (Intérieur).

PARIS, NEW YORK, CHICAGO
CAT. 48

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BERTHE MORISOT (FRENCH, 1841–1895)
On the Balcony (Femme et enfant au balcon), 1872. Oil on canvas; 60 × 50 cm (23 ⅝ × 19 11⁄16 in.). Private collection.

NEW YORK, CHICAGO
CAT. 77

— 1873 —

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Description: Lady with Fans by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Lady with Fans (Portrait of Nina de Callias), 1873. Oil on canvas; 113 × 166.5 cm (44 ½ × 65 9⁄16 in.). Musée d’Orsay, Paris, bequest of Mr. and Mrs. Ernest Rouart, RF 2850.

Significant early exhibitions: 1884: Paris, École Nationale des Beaux-Arts, Exposition des oeuvres de Édouard Manet, no. 77 (La dame aux éventails).

NEW YORK, CHICAGO
CAT. 15

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Description: Berthe Morisot with a Fan by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Berthe Morisot, 1873/74. Watercolor over traces of graphite on off-white wove paper; 20.9 × 16.8 cm (8 ¼ × 6 ⅝ in.). The Art Institute of Chicago, Helen Regenstein Collection, 1963.812.

CHICAGO
NOT IN CAT.

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Description: The Railway by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
The Railway, 1873. Oil on canvas; 93.3 × 111.5 cm (36 ¾ × 43 ⅞ in.). National Gallery of Art, Washington D.C., gift of Horace Havemeyer in memory of his mother, Louisine W. Havemeyer, 1956.10.1.

Significant early exhibitions: 1874: Paris, Salon, no. 1260 (Le chemin de fer). 1884: Paris, École Nationale des Beaux-Arts, Exposition des Oeuvres de Édouard Manet, no. 68 (Le chemin de fer).

CHICAGO
CAT. 82

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Description: Camille Monet on a Garden Bench by Monet, Claude

CLAUDE MONET (FRENCH, 1840–1926)
Camille Monet on a Garden Bench (Le Banc), 1873. Oil on canvas; 60.6 × 80.3 cm (23 ⅞ × 31 ⅝ in.). The Metropolitan Museum of Art, New York, The Walter H. and Leonore Annenberg Collection, gift of Walter H. and Leonore Annenberg, 2002, bequest of Walter H. Annenberg, 2002, 2002.62.1.

Significant early exhibitions: 1903: Berlin, Paul Cassirer, Siebenten Kunstaustellung der Berliner Secession, no. 142 (Auf der Bank).

NEW YORK
CAT. 83

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Description: The Velvet Dress (Mrs. Leyland) by Whistler, James McNeill

JAMES MCNEILL WHISTLER (AMERICAN, 1834–1903)
The Velvet Dress, 1873. Drypoint, fourth state of five; plate: 23.3 × 15.7 cm (9 3⁄16 × 6 3⁄16 in.); sheet: 30.8 × 20.8 cm (12 ⅛ × 8 3⁄16 in.). The Metropolitan Museum of Art, New York, gift of Miss G. Louise Robinson, 1940, 40.3.1.

NOT IN EXHIBITION
NOT IN CAT.

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Blue walking dress, 1873/74. Possibly American. Deep blue silk taffeta and velvet. Kent State University Museum, Silverman/Rodgers Collection, 1983.1.126a, b.

NEW YORK, CHICAGO
CAT. 95

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Description: Two Young Ladies in a Garden by Unknown

ARTIST UNKNOWN (FRENCH, ACTIVE 19TH CENTURY)
Two Young Ladies in a Garden, 1873–74. French. Etching and drypoint; image: 15.2 × 10.6 cm (6 × 4 3⁄16 in.); plate: 23.8 × 15.9 cm (9 ⅜ × 6 ¼ in.); sheet: 30 × 23.7 cm (11 13⁄16 × 9 5⁄16 in.). The Metropolitan Museum of Art, New York, gift of Edith P. Blasé, 44.91.860.

NOT IN EXHIBITION
NOT IN CAT.

— 1874 —

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Description: Lady in Blue by Corot, Jean-Baptiste-Camille

JEAN-BAPTISTE-CAMILLE COROT (FRENCH, 1796–1875)
Lady in Blue, 1874. Oil on canvas; 80 × 50.5 cm (31 ½ × 19 ⅞ in.). Musée du Louvre, Paris, acquired thanks to the annuity from the gift of Maurice Audéoud, with the participation of the children of Henri Rouart, 1912.

PARIS, NEW YORK, CHICAGO
CAT. 6

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Description: Madame Edouard Manet on a Blue Sofa by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Madame Édouard Manet on a Blue Sofa, 1874. Pastel on brown paper, laid down on canvas; 49 × 60 cm (19 5⁄16 × 23 ⅝ in.). Musée d’Orsay, Paris, RF 4507.

PARIS
CAT. 54

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Description: Woman with a Fan. Portrait of Madame Marie Hubbard by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
Woman with a Fan. Portrait of Madame Marie Hubbard, 1874. Oil on canvas; 50.5 × 81 cm (19 ⅞ × 31 ⅞ in.). Ordrupgaard, Copenhagen, 200 WH.

NEW YORK, CHICAGO
CAT. 56

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Description: La Loge by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
The Loge, 1874. Oil on canvas; 80 × 63.5 cm (31 ½ × 25 in.). The Samuel Courtauld Trust, The Courtauld Gallery, London, P.1948.SC.338.

Significant early exhibitions: 1874: Paris, Galerie Nadar, 35, boulevard des Capucines, Première exposition, Apr. 15–May 15, no. 142 (La Loge). 1892: Paris, Durand-Ruel, A. Renoir, no. 63 (La Loge). 1899: Paris, Durand-Ruel, Monet, Pissarro, Renoir, Sisley, no. 74 (La Loge). 1900: Paris, Grand Palais des Champs-Elysées, Exposition Internationale Universelle, Centennale de l’Art français, no. 562 (La Loge). 1904: Brussels, La Libre esthétique, Exposition des Peintres Impressionnistes, no. 128. 1905: London, Grafton Galleries, Pictures by Boudin . . . etc., no. 251.

PARIS, NEW YORK, CHICAGO
CAT. 12

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Description: The Parisienne by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
The Parisienne, 1874. Oil on canvas; 163.2 × 108.3 cm (64 5⁄16 × 42 11⁄16 in.). National Museum Wales, Cardiff, NMW A 2495.

Significant early exhibitions: 1874: Paris, Galerie Nadar, 35, boulevard des Capucines, Première exposition, Apr. 15–May 15, no. 143 (Parisienne). 1892: Paris, Durand-Ruel, A. Renoir, no. 106 (La Dame en bleu).

NOT IN EXHIBITION
CAT. 32

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Description: The Ball on Shipboard by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Ball on Shipboard, c. 1874. Oil on canvas; 84.1 × 129.5 cm (33 ⅛ × 51 in.). Tate, presented by the Trustees of the Chantrey Bequest 1937, N04892.

Significant early exhibitions: 1874: London, Royal Academy, no. 690 (The Ball on Shipboard).

PARIS, NEW YORK, CHICAGO
CAT. 85

— 1875 —

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Description: Madame Jeantaud at the Mirror by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Madame Jeantaud at the Mirror, c. 1875. Oil on canvas; 70 × 84 cm (27 9⁄16 × 33 1⁄16 in.). Musée d’Orsay, Paris, bequest of Jean Edouard Dubrujeaud subject to usufruct in favor of his son Jean Angladon-Dubrujeaud, 1970, RF 1970 38.

Significant early exhibitions: 1912: St. Petersburg, Centennale d’Art Français, no. 176. 1917: Zurich, Franzôsishe Kunst, no. 89.

PARIS
CAT. 100

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Description: Woman with Binoculars by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Woman with Binoculars, 1875/76. Oil on cardboard; 48 × 32 cm (18 ⅞ × 11 ⅞ in.). Staatliche Kunstsammlungen Dresden, Galerie Neue Meister, purchased from the collection of Woldemar von Seidlitz, Dresden, 1922, no. 2601.

Significant early exhibitions: 1897: Dresden, Internationalen Kunst-Austellung, May–June, no. 122. 1907: Dresden, Moderne Kunstwerke aus Privatbesitz, no. 16.

PARIS, NEW YORK, CHICAGO
CAT. 84

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Description: The Conversation by Desboutin, Marcellin

MARCELLIN GILBERT DESBOUTIN (FRENCH, 1823–1902)
The Conversation, 1875/79. Oil on canvas; 55.5 × 38 cm (21 13⁄16 × 14 15⁄16 in.). The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1935.71.

CHICAGO
NOT IN CAT.

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Description: The Parisienne by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
The Parisienne, c. 1875. Oil on canvas; 192 × 125 cm (75 ⅝ × 49 ¼ in.). Nationalmuseum, Stockholm, bequest 1917 of bank director S. Hult, managing director Kristoffer Hult, director Ernest Thiel, director Arthur Thiel, director Casper Tamm, NM 2068.

PARIS, NEW YORK, CHICAGO
CAT. 33

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Description: Figure of a Woman by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
Figure of a Woman, also called Before the Theater (Femme en noir, also called Avant le théâtre), 1875. Oil on canvas; 57 × 31 cm (22 ½ × 12 ¼ in.). Private collection.

Significant early exhibitions: 1876: Paris, Galerie Durand-Ruel, 11, rue Le Peletier, 2e exposition de peinture, Apr. 1–30, no. 178 (Figure de femme). 1892: Paris, Boussod, Valadon et Cie., Exposition de Tableaux, Pastels et Dessins par Berthe Morisot, no. 6 (Femme en noir).

PARIS, NEW YORK, CHICAGO
CAT. 21

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Description: Woman at Her Toilette by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
Woman at Her Toilette, 1875/80. Oil on canvas; 60.3 × 80.4 cm (23 ¾ × 31 ⅝ in.). The Art Institute of Chicago, Stickney Fund, 1924.127.

Significant early exhibitions: 1880: Paris, 10 rue des Pyramids, 5me exposition de peinture, Apr. 1–30, no. 115 (Femme à sa toilette).

PARIS, NEW YORK, CHICAGO
CAT. 59

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Description: Woman at the Piano by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
Woman at the Piano, 1875/76. Oil on canvas; 93.2 × 74.2 cm (36 ¾ × 29 ¼ in.). The Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection, 1937.1025.

Significant early exhibitions: 1876: Paris, Galerie Durand-Ruel, 11, rue Le Peletier, 2e exposition de peinture, Apr. 1–30, no. 219 (Femme au piano).

PARIS, NEW YORK, CHICAGO
CAT. 55

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Description: Berthe Morisot by Reutlinger, Charles

CHARLES REUTLINGER (GERMAN, 1816–AFTER 1880)
Berthe Morisot, c. 1875. Photographic negative. Musée Marmottan Monet, Paris.

NEW YORK, CHICAGO
CAT. 23

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Description: Berthe Morisot Seen from Behind by Reutlinger, Charles

CHARLES REUTLINGER (GERMAN, 1816–AFTER 1880)
Berthe Morisot Seen from Behind, c. 1875. Photograph. Musée Marmottan Monet, Paris.

NEW YORK, CHICAGO
CAT. 24

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Description: The Rubens Hat by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Rubens Hat, 1875. Etching printed in brown ink on wove paper; plate: 25.4 × 16.3 cm (10 × 6 7⁄16 in.); sheet: 40.6 × 27 cm (16 × 10 ⅝ in.). The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1924, 24.13.8.

NEW YORK, CHICAGO
NOT IN CAT.

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Top hat, 1875/1900. American. Black silk. The Metropolitan Museum of Art, New York, gift of Miss Ruth Catlin, 1941, C.I.41.24.5a.

NEW YORK, CHICAGO
CAT. 65

— 1876 —

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Description: Folding fan by Bartholomé, Albert; Degas, Edgar; Detaille, Jean Baptiste...

ALBERT BARTHOLOMÉ (FRENCH, 1848–1928), EDGAR DEGAS (FRENCH, 1834–1917), JEAN BAPTISTE ÉDOUARD DETAILLE (FRENCH, 1848–1912), LUCIEN DOUCET (FRENCH, 1856–1895), JEAN LOUIS FORAIN (FRENCH, 1852–1931), JEAN-LÉON GÉRÔME (FRENCH, 1824–1904), EDMOND DE GONCOURT (FRENCH, 1822–1896), AND EUGÈNE LAMBERT (FRENCH, 1825–1900)
Folding fan, 1876/95. Thick tan wove paper with bamboo supports, with ivory laid paper note laid down and folded with fan; 40 × 70.2 cm (15 ¾ × 27 ⅝ in.). The Art Institute of Chicago, obj. 152059.

CHICAGO
NOT IN CAT.

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Description: The Terrace of the Villa Brancas by Bracquemond, Félix

FÉLIX BRACQUEMOND (FRENCH, 1833–1914)
The Terrace of the Villa Branca, 1876. Etching, seventh state of eight; plate: 26.5 × 36.3 cm (10 7⁄16 × 14 5⁄16 in.); sheet: 34.5 × 49.8 cm (13 9⁄16 × 19 ⅝ in.). The Metropolitan Museum of Art, New York, gift of David Keppel, 1922, 22.1.20.

NOT IN EXHIBITION
NOT IN CAT.

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Description: The Pont de l'Europe by Caillebotte, Gustave

GUSTAVE CAILLEBOTTE (FRENCH, 1848–1894)
The Pont de l’Europe, 1876. Oil on canvas; 124.7 × 180.6 cm (49 ⅛ × 71 ⅛ in.). Association des Amis du Petit Palais, Geneva.

Significant early exhibitions: 1877: Paris, 6, rue Le Peletier, 3e exposition de peinture, Apr. 1–30, no. 2 (Le Pont de l’Europe). 1894: Paris, Durand-Ruel, Exposition rétrospective d’oeuvres de G. Caillebotte, no. 6 (Le Pont de l’Europe).

CHICAGO
CAT. 80

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Description: The Jet Earring by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
The Jet Earring, 1876–77. Monotype printed in black ink on white wove paper; plate: 8.2 × 7 cm (3 ¼ × 2 ¾ in.); sheet: 18 × 13.2 cm (7 1⁄16 × 5 3⁄16 in.). The Metropolitan Museum of Art, New York, anonymous gift, in memory of Francis Henry Taylor, 1959, 59.651.

NEW YORK, CHICAGO
CAT. 117

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Description: Before the Mirror by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Before the Mirror, 1876. Oil on canvas; 92.1 × 71.4 cm (36 ¼ × 28 ⅛ in.). Solomon R. Guggenheim Museum, New York, Thannhauser Collection, gift, Justin K. Thannhauser, 1978, 78.2514.27.

Significant early exhibitions: 1880: Paris, La Vie Moderne, Oeuvres nouvelles d’Edouard Manet, no. 8 (Devant la glace).

NEW YORK, CHICAGO
CAT. 58

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Description: The Swing by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
The Swing, 1876. Oil on canvas; 92 × 73 cm (36 ¼ × 28 ¾ in.). Musée d’Orsay, Paris, bequest of Gustave Caillebotte, 1894, RF 2738.

Significant early exhibitions: 1877: Paris, 6, rue Le Peletier, 3e exposition de peinture, Apr. 1–30, no. 185 (La Balançoire). 1883: Paris, Durand-Ruel, Oeuvres de P.-A. Renoir, Apr. 1–25, no. 28 (La Balançoire). 1892: Paris, Durand-Ruel, A. Renoir, May, no. 23 (La Balançoire). 1917: Barcelona, Palau de Belles Artes, Exposicío d’art francès contemporani, Apr.–July, no. 823.

PARIS, NEW YORK, CHICAGO
CAT. 44

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Description: Mavourneen by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
Mavourneen, 1876. Drypoint and etching on cream laid paper; plate: 37.2 × 20.5 cm (14 11⁄16 × 8 ⅛ in.); sheet: 43.2 × 34.4 cm (17 1⁄16 × 13 9⁄16 in.). The Art Institute of Chicago, Charles Deering Collection, 1927.5522.

CHICAGO
NOT IN CAT.

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Description: Summer ("Portrait") by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
Portrait, 1876. Oil on canvas; 91.4 × 50.8 cm (36 × 20 in.). Tate, purchased 1927, N04271.

Significant early exhibitions: 1877: London, Grosvenor Gallery, no. 18 (A Portrait).

PARIS, NEW YORK, CHICAGO
CAT. 30

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Description: Portrait of Miss L. . . . , or a Door Must Be Either Open or Closed by Tissot,...

JAMES TISSOT (FRENCH, 1836–1902)
Portrait of Miss L . . . , or A Door Must Be Either Open or Closed, 1876. Drypoint on laid paper, only state; plate: 38.8 × 21.6 cm (15 ¼ × 8 ½ in.); sheet: 48.8 × 33.5 cm (19 3⁄16 × 13 3⁄16 in.). The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1924, 24.73.1.

CHICAGO
NOT IN CAT.

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Frock coat and trousers, c. 1876. American. Black wool broadcloth. Kent State University Museum, gift of Mary E. Crawford Croxton, 1986.41.2a, b.

NEW YORK, CHICAGO
CAT. 94

— 1877 —

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Description: Sunday at the Church of Saint-Philippe-du-Roule, Paris by Béraud, Jean

JEAN BÉRAUD (FRENCH, 1849–1935)
The Church of Saint-Philippe-du-Roule, Paris, 1877. Oil on canvas; 59.4 × 81 cm (23 ⅜ × 31 ⅞ in.). The Metropolitan Museum of Art, New York, gift of Mr. and Mrs. William B. Jaffe, 1955, 55.35.

Significant early exhibitions: 1877: Paris, Salon, no. 173 (Le Dimanche, près de Saint-Philippe-du-Roule). 1893: New York, American Fine Arts Society, loan exhibition, Feb. 13–Mar. 26, 1893, no. 45, lent by S. P. Avery, Jr.

NEW YORK, CHICAGO
CAT. 79

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Description: Paris, A Rainy Day by Caillebotte, Gustave

GUSTAVE CAILLEBOTTE (FRENCH, 1848–1894)
Paris Street; Rainy Day, 1877. Oil on canvas; 212.2 × 276.2 cm (83 ½ × 108 ¾ in.). The Art Institute of Chicago, Charles H. and Mary F. S. Worcester Collection, 1964.336.

Significant early exhibitions: 1877: Paris, 6, rue Le Peletier, 3e exposition de peinture, Apr. 1–30, no. 1 (Rue de Paris; Temps de pluie). 1894: Paris, Durand-Ruel, Exposition retrospective d’oeuvres de G. Caillebotte, no. 47 (Une Rue de Paris; effet de pluie).

PARIS, NEW YORK, CHICAGO
CAT. 93

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ÉDOUARD MANET (FRENCH, 1832–1883)
Nana, 1877. Oil on canvas; 150 × 116 cm (59 1⁄16 × 45 11⁄16 in.). Hamburger Kunsthalle.

Significant early exhibitions: 1877: Paris, Giroux, boulevard des Capucines (exhibited in Giroux’s shop window).

PARIS
CAT. 57

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Description: Young Woman in a Round Hat by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Young Woman in a Round Hat, 1877/79. Oil on canvas; 54.6 × 45.1 cm (21 ½ × 17 ¾ in.). The Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum, L.1988.62.14.

NEW YORK, CHICAGO
CAT. 127

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Description: The Milliner by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
The Milliner, 1877. Pastel on paper; 53.3 × 41.3 cm (21 × 16 ¼ in.). The Metropolitan Museum of Art, New York, The Lesley and Emma Sheafer Collection, bequest of Emma A. Sheafer, 1973, 1974.356.34.

CHICAGO
CAT. 107

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Corset, c. 1877. American. White cotton sateen and lace. The Metropolitan Museum of Art, New York, gift of David L. Andrews, 1976, 1976.254.3i, j.

NEW YORK, CHICAGO
CAT. 61

— 1878 —

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JEAN BÉRAUD (FRENCH, 1849–1935)
A Ball, 1878. Oil on canvas; 65 × 117 cm (25 ⅝ × 46 1⁄16 in.). Musée d’Orsay, Paris, RF 1994 15.

Significant early exhibitions: 1878: Paris, Salon, no. 178 (Une Soirée).

PARIS, NEW YORK, CHICAGO
CAT. 90

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Description: In the Loge by Cassatt, Mary

MARY CASSATT (AMERICAN, 1844–1926)
In the Loge, 1878. Oil on canvas; 81.3 × 66 cm (32 × 26 in.). Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund, 10.35.

Significant early exhibitions: 1881: New York, Society of American Artists. 1893: Paris, Durand-Ruel, Exposition de tableaux, pastels et gravures de Mary Cassatt, no. 13 (La Loge). 1895: New York, Durand-Ruel, Exposition of Paintings, Pastels, and Etchings by Miss Mary Cassatt, no. 5 (Dans la loge). 1903: New York, Durand-Ruel, Exhibition of Paintings and Pastels by Mary Cassatt, no. 1 (Dans la loge). 1909: Boston, St. Botolph Club, no. 24 (Dans la loge). 1926: The Art Institute of Chicago, Catalogue of a Memorial Collection of the Works of Mary Cassatt, Dec. 21, 1926–Jan. 24, 1927, no. 1 (At the Opera). 1928: Pittsburgh, Carnegie Institute, A Memorial Exhibition of the Work of Mary Cassatt, Mar. 15–Apr. 15, no. 2 (At the Opera).

PARIS, NEW YORK, CHICAGO
CAT. 78

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Description: Portrait of the Artist by Cassatt, Mary

MARY CASSATT (AMERICAN, 1844–1926)
Portrait of the Artist, 1878. Watercolor and gouache on wove paper, laid down to buff-colored wood-pulp paper; 60 × 41.1 cm (23 ⅝ × 16 3⁄16 in.). The Metropolitan Museum of Art, New York, bequest of Edith H. Proskauer, 1975, 1975.319.1.

Significant early exhibitions: 1895: New York, Durand-Ruel, Exposition of Paintings, Pastels, and Etchings by Miss Mary Cassatt, no. 35 (Jeune femme assise). 1926: The Art Institute of Chicago, Catalogue of a Memorial Collection of the Works of Mary Cassatt, Dec. 21, 1926–Jan. 24, 1927, no. 33 (Woman Leaning on Her Right Hand). 1928: Pittsburgh, Carnegie Institute, A Memorial Exhibition of the Work of Mary Cassatt, Mar. 15–Apr. 15, no. 28 (Self Portrait).

NEW YORK
CAT. 14

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Description: Portraits at the Stock Exchange by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Portraits at the Stock Exchange, 1878–79. Oil on canvas; 100 × 82 cm (39 ⅜ × 32 ¼ in.). Musée d’Orsay, Paris, bequest subject to usufruct in 1923 by Ernest May, RF 2444.

Significant early exhibitions: 1879: Paris, 228, avenue de l’Opéra, 4me exposition de peinture, Apr. 10–May 11, no. 61 (Portraits à la Bourse). 1880: Paris, 10, rue des Pyramides, 5me exposition de peinture, Apr. 1–30, no. 35 (Portraits à la Bourse).

PARIS, NEW YORK, CHICAGO
CAT. 81

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HENRI GERVEX (FRENCH, 1852–1929)
Rolla, 1878. Oil on canvas; 176 × 221 cm (69 5⁄16 × 87 in.). Musée d’Orsay, Paris, bequest of M. Bérardi, 1926, LUX 1545.

Significant early exhibitions: 1878: Paris, Salon (Rolla was accepted and then removed one month before the opening because of the perceived impropriety of its subject matter). 1878: Paris, M. M. Bague et Cie, 41, rue de la Chaussé d’Antin, Apr.–July.

PARIS, CHICAGO
CAT. 64

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Description: Madame Georges Charpentier and Her Children, Georgette-Berthe and...

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
Madame Georges Charpentier and Her Children, 1878. Oil on canvas; 153.7 × 190.2 cm (60 ½ × 74 ⅞ in.). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1907, 07.122.

Significant early exhibitions: 1879: Paris, Salon, no. 2527 (Portraits de Mme G. C. . . . et de ses enfants). 1886: Brussels, Palais des Beaux-Arts, Troisième exposition annuelle des XX, no. 2 (Mme Charpentier et ses deux enfants). 1886: Paris, Georges Petit, 5e Exposition Internationale de Peinture et de Sculpture, cinquième année, no. 124 (Portrait de Mme G. C. et ses Enfants). 1892: Paris, Durand-Ruel, Exposition A. Renoir, no. 110 (Portrait). 1900: Paris, Bernheim-Jeune, Exposition A. Renoir, no. 17 (En Famille). 1901: Paris, Petit Palais, Exposition de l’enfance, no. 1111 (Mme Charpentier et ses enfants). 1904: Brussels, La libre esthétique Brussels, Musée Moderne, Exposition des peintres impressionnistes, no. 129 (Portrait de Mme Charpentier et de ses enfants).

PARIS, NEW YORK, CHICAGO
CAT. 124

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JAMES TISSOT (FRENCH, 1836–1902)
Evening (Le Bal), 1878. Oil on canvas; 90 × 50 cm (35 7⁄16 × 19 11⁄16 in.). Musée d’Orsay, Paris, bequest of William Vaughan, 1919, RF 2253.

Significant early exhibitions: 1878: London, Grosvenor Gallery, no. 33 (Evening).

NEW YORK, CHICAGO
CAT. 91

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Description: Seaside (July: Specimen of a Portrait) by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
July: Specimen of a Portrait, c. 1878. Oil on fabric; 87.5 × 61 cm (34 7⁄16 × 24 in.). The Cleveland Museum of Art, bequest of Noah L. Butkin, 1980.288.

Significant early exhibitions: 1878: London, Grosvenor Gallery, no. 34 (July [Specimen of a Portrait]).

PARIS, NEW YORK, CHICAGO
CAT. 52

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Description: The Toilette by Whister, James McNeill

JAMES MCNEILL WHISTLER (AMERICAN, 1834–1903)
The Toilette, 1878. Exhibited in New York: Lithotint, with scraping and incising, on a prepared half-tint ground, second state of five; image: 25.7 × 16.4 cm (10 ⅛ × 6 7⁄16 in.); sheet: 30.8 × 19.7 cm (12 ⅛ × 7 ¾ in.). The Metropolitan Museum of Art, New York, gift of Paul F. Walter, 1984, 1984.1119.2.

NOT IN EXHIBITION
NOT IN CAT.

~

Day dress, 1878/80. American. White cotton batiste. The Metropolitan Museum of Art, New York, purchase, Irene Lewisohn Trust Gift, 1993, 1993.42a, b.

NEW YORK, CHICAGO
CAT. 53

— 1879 —

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Description: Woman with a Pearl Necklace in a Loge by Cassatt, Mary

MARY CASSATT (AMERICAN, 1844–1926)
Woman with a Pearl Necklace in a Loge, 1879. Oil on canvas; 81.3 × 59.7 cm (32 × 23 ½ in.). Philadelphia Museum of Art, bequest of Charlotte Dorrance Wright, 1978, 1978-1-5.

Significant early exhibitions: 1879: Paris, 228, avenue de l’Opéra, 4me exposition de peinture, Apr. 10–May 11, no. 49 (Femme dans une loge). 1893: Paris, Durand-Ruel, Exposition Mary Cassatt, no. 4 (Au théâtre). 1895: New York, Durand-Ruel, Exposition of Paintings, Pastels, and Etchings by Miss Mary Cassatt no. 5 (Dans la loge). 1908: Paris, Durand-Ruel, Tableaux et pastels par Mary Cassatt, no. 8 (Au Théâtre).

PARIS, NEW YORK, CHICAGO
CAT. 88

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Description: Mary Cassatt at the Louvre: The Etruscan Gallery by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Mary Cassatt at the Louvre: The Etruscan Gallery, 1879–80. Softground etching, drypoint, aquatint, and etching, third state of nine; plate: 26.8 × 23.2 cm (10 9⁄16 × 9 ⅛ in.); sheet: 43.2 × 30.5 cm (17 × 12 in.). The Metropolitan Museum of Art, New York, Rogers Fund, 1919, 19.29.2.

NEW YORK
NOT IN CAT.

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Description: The Millinery Shop by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
The Millinery Shop, 1879/86. Oil on canvas; 100 × 110.7 cm (39 ⅜ × 43 ⅝ in.). The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1933.428.

PARIS, NEW YORK, CHICAGO
CAT. 105

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Description: Portraits in a Frieze by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Portraits in a Frieze, 1879. Pastel on paper; 50 × 65 cm (19 11⁄16 × 25 ⅝ in.). Private collection.

Significant early exhibitions: 1879: Paris, 228, avenue de l’Opéra, 4me exposition de peinture, Apr. 10–May 11, no. 67 (3 portraits en frise, essai de decoration).

NOT IN EXHIBITION
CAT. 126

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Description: The Pink Slippers by Gonzalès, Eva

EVA GONZALÈS (FRENCH, 1849–1883)
The Pink Slippers, 1879/80. Oil on canvas, laid down on panel; 26 × 35 cm (10 ¼ × 13 ¾ in.). Private collection, courtesy of Galerie Hopkins, Paris.

PARIS, NEW YORK, CHICAGO
CAT. 113

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Description: The White Slipper by Gonzalès, Eva

EVA GONZALÈS (FRENCH, 1849–1883)
The White Slippers, 1879/80. Oil on canvas, laid down on panel; 23 × 32 cm (9 1⁄16 × 12 ⅝ in.). Vera Wang.

PARIS, NEW YORK, CHICAGO
CAT. 112

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Description: Woman Reading by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Woman Reading (La Lecture de l’illustré), 1879/80. Oil on canvas; 61.2 × 50.7 cm (24 ⅛ × 20 in.). The Art Institute of Chicago, Mr. and Mrs. Lewis Larned Coburn Memorial Collection, 1933.435.

Significant early exhibitions: 1880: Paris, La Vie Moderne, no. 10. 1884: Paris, École Nationale des Beaux-Arts, Exposition des oeuvres de Édouard Manet, no. 92 (Tête de femme).

PARIS, NEW YORK, CHICAGO
CAT. 122

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Description: Young Woman in Ball Gown by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
Young Woman in a Ball Gown, 1879. Oil on canvas; 71 × 54 cm (28 × 21 5⁄16 in.). Musée d’Orsay, Paris, RF 843.

Significant early exhibitions: 1880: Paris, 10, rue des Pyramids, 5me exposition de peinture, Apr. 1–30, no. 120 (Portrait). 1887: Paris, Georges Petit, Exposition Internationale de Peinture et de Sculpture, sixième année, no. 95 (Jeune fille au bal).

PARIS, NEW YORK, CHICAGO
CAT. 86

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Description: Young Woman Seated on a Sofa by Morisot, Berthe

BERTHE MORISOT (FRENCH, 1841–1895)
Young Woman Seated on a Sofa, c. 1879. Oil on canvas; 80.6 × 99.7 cm (31 ¾ × 39 ¼ in.). The Metropolitan Museum of Art, New York, partial and promised gift of Mr. and Mrs. Douglas Dillon, 1992, 1992.103.2.

NEW YORK
NOT IN CAT.

~

Description: Eva Gonzalès at the Piano by Stevens, Alfred

ALFRED STEVENS (BELGIAN, 1823–1906)
Eva Gonzalès at the Piano, 1879. Oil on canvas; 54.9 × 45.4 cm (21 ⅝ × 17 ⅞ in.). The John and Mable Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida, SN 438.

Significant early exhibitions: 1883: Amsterdam, Exposition internationale d’Amsterdam, Aug. (possibly exhibited).

PARIS, NEW YORK, CHICAGO
CAT. 11

~

Bonnet, 1879/84. American. Straw trimmed with light brown silk tulle and orange silk velvet bows. The Metropolitan Museum of Art, New York, gift of Mrs. Charles D. Dickey, Mrs. Louis Curtis, Jr., and Mr. S. Sloan Colt, 1957, C.I.57.15.12.

NEW YORK
NOT IN CAT.

— 1880 —

~

Description: A Windy Day on the Pont des Arts by Beraud, Jéan

JEAN BÉRAUD (FRENCH, 1849–1935)
A Windy Day on the Pont des Arts, 1880/81. Oil on canvas; 39.7 × 56.5 cm (15 ⅝ × 22 ¼ in.). The Metropolitan Museum of Art, bequest of Eda K. Loeb, 1951, 52.48.1.

Significant early exhibitions: 1895: New York, Madison Square Garden, Fair in Aid of Educational Alliance and Hebrew Technical Institute, Dec. 1895, no. 39 (A Windy Day).

NEW YORK
NOT IN CAT.

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Description: At the Café by Caillebotte, Gustave

GUSTAVE CAILLEBOTTE (FRENCH, 1848–1894)
At the Café, 1880. Oil on canvas; 153 × 114 cm (60 ¼ × 44 15⁄16 in.). Musée d’Orsay, Paris, on deposit to Musée des Beaux-Arts, Rouen, RF 1943 70/D.946.1.

Significant early exhibitions: 1880: Paris, 10, rue des Pyramids, 5me exposition de peinture, Apr. 1–30, no. 6 (Dans un café).

PARIS, NEW YORK, CHICAGO
CAT. 74

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Description: Portrait of a Man by Caillebotte, Gustave

GUSTAVE CAILLEBOTTE (FRENCH, 1848–1894)
Portrait of a Man, 1880. Oil on canvas; 82 × 65 cm (32 ¼ × 25 9⁄16 in.). The Cleveland Museum of Art, bequest of Muriel Butkin, 2009.157.

PARIS, NEW YORK, CHICAGO
CAT. 72

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Description: Young Woman Reading an Illustrated Journal by Renoir, Pierre-Auguste

PIERRE-AUGUSTE RENOIR (FRENCH, 1841–1919)
Young Woman Reading an Illustrated Journal, c. 1880. Oil on canvas; 46.3 × 55.9 cm (18 ¼ × 22 in.). Museum of Art, Rhode Island School of Design, Museum Appropriation Fund, 22.125.

Significant early exhibitions: 1886: New York, American Art Association, no. 259 (Woman Reading) (possibly this painting).

PARIS, NEW YORK, CHICAGO
CAT. 123

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Description: Six Hats by Colin, Adèle-Anaïs

ANAÏS TOUDOUZE (FRENCH, 1822–1899)
“Six Hats,” La Mode Illustrée 42 (December 19, 1880). Steel engraving with hand coloring; 36 × 25 cm (14 ¼ × 10 in.). Private collection.

CHICAGO
CAT. 108

~

WORCESTER CORSET COMPANY (AMERICAN, 1861–1950)
Corset, c. 1880. Light blue cotton sateen. The Metropolitan Museum of Art, New York, Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, gift of the Brooklyn Museum, 2009; gift of E. A. Meister, 1950, 2009.300.3110a–c.

NEW YORK, CHICAGO
CAT. 60

~

Corset cover, c. 1880. American. White plain weave cotton. The Metropolitan Museum of Art, New York, gift of Mrs. Stephen Hurlbut, 1979, 1979.331d.

CHICAGO
CAT. 62

~

Summer dress worn by Madame Bartholomé in the painting In the Conservatory, 1880. French. White cotton printed with purple dots and stripes. Musée d’Orsay, Paris, gift of the gallery Charles and André Bailly, 1991, ODO 1991 1.

PARIS, NEW YORK, CHICAGO
CAT. 29

~

Hat, c. 1880. American or European. Straw trimmed with dark red silk velvet, ivory cotton organdy, and artificial leaves. The Metropolitan Museum of Art, New York, purchase, Irene Lewisohn Bequest, 1971, 1971.242.8.

NEW YORK, CHICAGO
NOT IN CAT.

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Description: Two Women in Evening Dresses

“Two Women in Evening Dresses,” Journal des Demoiselles, 1880. Steel engraving with hand coloring; sheet: 24.8 × 17.8 cm (9 ¾ × 7 in.). The Metropolitan Museum of Art, New York, The Irene Lewisohn Reference Library, Woodman Thompson Collection, FP.41.1880.

NEW YORK, CHICAGO
CAT. 87

— 1881 —

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Description: In the Conservatory by Bartholomé, Albert

ALBERT BARTHOLOMÉ (FRENCH, 1848–1928)
In the Conservatory, c. 1881. Oil on canvas; 233 × 142.5 cm (91 ¾ × 56 ⅛ in.). Musée d’Orsay, Paris, gift of the Société des Amis du Musée d’Orsay, 1990, RF 1990 26.

Significant early exhibitions: 1881: Paris, Salon, no. 92 (Dans la serre).

PARIS, NEW YORK, CHICAGO
CAT. 28

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Description: At the Milliner's by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
At the Milliner’s, 1881. Pastel on five pieces of wove paper, backed with paper, and laid down on canvas; 69.2 × 69.2 cm (27 ¼ × 27 ¼ in.). The Metropolitan Museum of Art, New York, The Walter H. and Leonore Annenberg Collection, gift of Walter H. and Leonore Annenberg, 1997, bequest of Walter H. Annenberg, 2002, 1997.391.1.

Significant early exhibitions: 1905: London, Grafton Galleries, and Paris, Durand-Ruel, Pictures by Boudin, Cézanne, Degas, Manet . . . , Jan.–Feb., no. 65 (At the Milliner’s).

NEW YORK
CAT. 106

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Description: At the Milliner's (The Modiste) by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
At the Milliner’s (La modiste), 1881. Oil on canvas; 85.1 × 73.7 cm (33 9⁄16 × 29 1⁄16 in.). Fine Arts Museums of San Francisco, Museum purchase, Mildred Anna Williams Collection, 1957.3.

NEW YORK, CHICAGO
CAT. 104

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HENRY SOMM (FRENCH, 1844–1907)
Japonisme, 1881. Drypoint; plate: 24.1 × 31.9 cm (9 ½ × 12 9⁄16 in.); sheet: 27.4 × 36.6 cm (10 13⁄16 × 14 7⁄16 in.). The Metropolitan Museum of Art, New York, purchase, Harry G. Friedman bequest, 1966, 67.539.201.

NEW YORK, CHICAGO
NOT IN CAT.

— 1882 —

~

Description: At the Milliner's (Chez la modiste) by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
At the Milliner’s, 1882. Pastel on pale gray wove paper (industrial wrapping paper), laid down on silk bolting; 76.2 × 86.4 cm (30 × 34 in.). The Metropolitan Museum of Art, New York, H. O. Havemeyer Collection, bequest of Mrs. H. O. Havemeyer, 1929, 29.100.38.

Significant early exhibitions: 1886: Paris, 1, rue Laffitte, 8me exposition de peinture, May 15–June 15, no. 14 (Femme essayant un chapeau chez sa modiste). 1892: London, Mr. Collie’s Rooms, A Small Collection of Pictures by Degas and Others, Dec. 18, 1891–Jan. 8, 1892, no. 19 (Chez la modiste). 1892: Glasgow, Institute of the Fine Arts, 31st Exhibition of Works of Modern Artists, Feb. 2–Mar., no. 562 (Chez la modiste).

NEW YORK
CAT. 101

~

EDGAR DEGAS (FRENCH, 1834–1917)
At the Milliner’s, 1882. Pastel on paper; 67 × 52 cm (26 7⁄16 × 20 ½ in.). Musée d’Orsay, Paris, RF 52075.

PARIS
CAT. 103

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Description: Jeanne: Spring (Le Printemps) by Manet, Edouard

ÉDOUARD MANET (FRENCH, 1832–1883)
Jeanne: Spring (Le Printemps), 1882. Etching on blue laid paper, only state; plate: 15.7 × 11.4 cm (6 3⁄16 × 4 ½ in.); sheet: 37 × 24.4 cm (14 9⁄16 × 9 ⅝ in.). The Metropolitan Museum of Art, New York, 21.76.30.

NOT IN EXHIBITION
NOT IN CAT.

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Description: Evening dress by Worth, Charles Frederick

CHARLES FREDERICK WORTH (ENGLISH, 1825–1895)
Evening dress, c. 1882. Cream silk satin and net embroidered with pink artificial roses and green leaves. The Metropolitan Museum of Art, New York, Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, gift of the Brooklyn Museum, 2009; gift of the Princess Viggo in accordance with the wishes of the Misses Hewitt, 1931, 2009.300.635a, b.

NEW YORK
NOT IN CAT.

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Bonnet, 1882. American. Straw trimmed with purple silk satin. The Metropolitan Museum of Art, New York, gift of Mrs. Robert S. Kilborne, 1958, C.I.58.67.29.

NEW YORK, CHICAGO
NOT IN CAT.

— 1883 —

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Description: The Artist's Wife Reading by Bartholomé, Albert

ALBERT BARTHOLOMÉ (FRENCH 1848–1928)
The Artist’s Wife Reading, 1883. Pastel and charcoal on wove paper, laid down on blue wove paper, laid down on stretched canvas; 50.5 × 61.3 cm (19 ⅞ × 24 ⅛ in.). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1990, 1990.117.

NEW YORK
NOT IN CAT.

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Description: The Shop Girl by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Shop Girl from the series Women of Paris, 1883–85. Oil on canvas; 146.1 × 101.6 cm (57 ½ × 40 in.). Art Gallery of Ontario, Toronto, gift from Corporations’ Subscription Fund, 1968, 67/55.

Significant early exhibitions: 1885: Paris, Galerie Sedelmeyer, Exposition J.-J. Tissot: Quinze Tableaux sur la Femme à Paris, Apr. 19–June 15, no. 14 (La Demoiselle de magasin). 1886: London, Arthur Tooth and Sons, Pictures of Parisian Life by J. J. Tissot, no. 5 (The “Young Lady” of the Shop).

PARIS, NEW YORK, CHICAGO
CAT. 75

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Description: Arrangement in Flesh Color and Black: Portrait of Theodore Duret by Whistler, James...

JAMES MCNEILL WHISTLER (AMERICAN, 1834–1903)
Arrangement in Flesh Color and Black: Portrait of Theodore Duret, 1883. Oil on canvas; 193.4 × 90.8 cm (76 ⅛ × 35 ¾ in.). The Metropolitan Museum of Art, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1913, 13.20.

NEW YORK
CAT. 69

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Bonnet, 1883. French. Dark red silk velvet and glass beads trimmed with feathers. The Metropolitan Museum of Art, New York, gift of Mrs. Francis Howard and Mrs. Avery Robinson, 1953, C.I.53.68.4.

NEW YORK, CHICAGO
NOT IN CAT.

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Day dress, 1883/85. American. Blue silk faille and velvet on a voided satin surface. The Metropolitan Museum of Art, New York, gift of Anne L. Maxwell, in memory of her mother, Julia H. Lawrence, 1989, 1989.246.1a, b.

NEW YORK, CHICAGO
CAT. 132

— 1884 —

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Description: Two Women in Afternoon Dresses by Imprimerie P. Lacourière-Falconer

IMPRIMERIE P. LACOURIÈRE-FALCONER (FRENCH, ACTIVE 19TH CENTURY)
“Two Women in Afternoon Dresses,” Journal des Demoiselles et Petit Courrier des Dames Réunis, 1884. Steel engraving with hand coloring; sheet: 26.5 × 18.2 cm (10 ⅜ × 7 ⅛ in.). The Metropolitan Museum of Art, New York, The Irene Lewisohn Reference Library, Woodman Thompson Collection, FP. 43.1884.

NEW YORK, CHICAGO
CAT. 134

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Description: Study for A Sunday on La Grande Jatte by Seurat, Georges

GEORGES SEURAT (FRENCH, 1859–1891)
Study for “A Sunday on La Grande Jatte,” 1884. Oil on canvas; 70.5 × 104.1 cm (27 ¾ × 41 in.). The Metropolitan Museum of Art, New York, bequest of Sam A. Lewisohn, 1951, 51.112.6.

NEW YORK
CAT. 136

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Description: A Sunday on the Grande Jatte—1884 by Seurat, Georges

GEORGES SEURAT (FRENCH, 1859–1891)
A Sunday on La Grande Jatte—1884, 1884–86, painted border, 1888/89. Oil on canvas; 207.5 × 308.1 cm (81 ¾ × 121 ¼ in.). The Art Institute of Chicago, Helen Birch Bartlett Memorial Collection, 1926.224.

Significant early exhibitions: 1886: Paris, Maison Dorée, 1, rue Laffitte, 8me Exposition de peinture, May 15–June 15, no. 175 (Un Dimanche à la Grande-Jatte (1884)). 1886: Paris, rue des Tuileries, IIème Exposition de la Société des Artistes Indépendants, Aug. 21–Sept. 21, no. 353 (Un Dimanche à la Grande-Jatte—1884). 1887: Brussels, Musée de l’Art Modern, IVe exposition annuelle de XX, Feb., no. 1 (Un dimanche à la Grande-Jatte. 1884). 1892: Paris, VIIIème Exposition de la Société des Artistes Indépendants (retrospective exhibition incorporated into larger salon), Pavillon de la Ville de Paris, Mar. 19–Apr. 27, no. 1082 (Un Dimanche à la Grande-Jatte, 1884, (1886) prèté [lent by] Mme Seurat).

CHICAGO
CAT. 137

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Description: Woman Walking with a Parasol (Study for A Sunday on La Grande Jatte) by Seurat,...

GEORGES SEURAT (FRENCH, 1859–1891)
Woman Walking with a Parasol (Study for “A Sunday on La Grande Jatte”), 1884. Conté crayon on cream laid paper; 31.7 × 24.1 cm (12 ½ × 9 ½ in.). The Art Institute of Chicago, bequest of Abby Aldrich Rockefeller, 1999.8.

CHICAGO
NOT IN CAT.

~

“At Le Printemps,” Illustrated London News, October 18, 1884. Wood engraving; 40.5 × 29.8 cm (15 15⁄16 × 11 ¾ in.). Private collection.

NEW YORK, CHICAGO
CAT. 102

— 1885 —

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Description: Fan: The Races at La Marche by Brown, John Lewis

JOHN LEWIS BROWN (FRENCH, 1829–1892)
Fan: The Races at La Marche, 1885. Lithograph printed in five colors on ivory wove paper, mounted on fan armature; 38 × 75 cm (15 × 29 9⁄16 in.). The Art Institute of Chicago, gift of Douglas Druick, 1994.818.

CHICAGO
NOT IN CAT.

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Description: Mary Cassatt at the Louvre: The Paintings Gallery by Degas, Edgar

EDGAR DEGAS (FRENCH, 1834–1917)
Mary Cassatt at the Louvre: The Paintings Gallery, 1885. Pastel over etching, aquatint, drypoint, and crayon voltaïque, on tan wove paper; plate: 30.5 × 12.7 cm (12 1⁄16 × 5 in.); sheet: 31.3 × 12.7 cm (12 ⅜ × 5 ⅜ in.). The Art Institute of Chicago, bequest of Kate L. Brewster, 1949.515.

Significant early exhibitions: 1905: London, Grafton Gallery, no. 49.

CHICAGO
CAT. 125

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Description: The Rehearsal in the Choir Loft by Lerolle, Henry

HENRY LEROLLE (FRENCH, 1848–1929)
The Rehearsal in the Choir Loft, c. 1885. Oil on canvas; 101.6 × 152.4 cm (40 × 60 in.). Private collection.

Significant early exhibitions: 1885: Paris, Salon, no. 1563 (A l’Orgue). 1886: New York, National Academy of Design, Works in Oil and Pastel by the Impressionists of Paris, May 25–June 30, no. 29 (The Organ). 1886–87: New York, The Metropolitan Museum of Art, Loan Collection of Paintings and Sculpture, Nov. 1886–Apr. 1887, no. 137 (The Organ).

NEW YORK, CHICAGO
CAT. 133

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Description: The Circus Lover by Tissot, James

JAMES TISSOT (FRENCH, 1836–1902)
The Circus Lover from the series Women of Paris, 1885. Oil on canvas; 147.3 × 101.6 cm (58 × 40 in.). Museum of Fine Arts, Boston, Juliana Cheney Edwards Collection, 58.45.

Significant early exhibitions: 1885: Paris, Galerie Sedelmeyer, Quinze Tableaux sur la Femme à Paris, Apr. 19–June 15, no. 11 (Les Femmes de sport). 1886: London, Arthur Tooth and Sons, Pictures of Parisian Life by J. J. Tissot, no. 7 (The Amateur Circus).

PARIS, NEW YORK, CHICAGO
CAT. 92

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Hat, 1885/90. American. Dark brown silk velvet and brown silk faille trimmed with light brown silk brocade ribbon. The Metropolitan Museum of Art, New York, gift of Mrs. Frances Craver Northam, 1946, C.I.46.98.1.

NEW YORK, CHICAGO
CAT. 109

— 1886 —

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Description: Study of a Figure Outdoors (Facing Right) by Monet, Claude

CLAUDE MONET (FRENCH, 1840–1926)
Study of a Figure Outdoors (Facing Right) (Essai de figure en plein-air; Femme à l’ombrelle tournée vers la droite), 1886. Oil on canvas; 130.5 × 89.3 cm (51 ⅜ × 35 ⅛ in.). Musée d’Orsay, Paris, gift of Michel Monet, son of the artist, 1927, RF 2620.

Significant early exhibitions: 1891: Paris, Durand-Ruel, Exposition Claude Monet, May, no. 21 or 22 (Essai de figure en plein air).

PARIS, NEW YORK, CHICAGO
CAT. 135

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Description: Ball gown by Worth, Charles Frederick

CHARLES FREDERICK WORTH (ENGLISH, 1825–1895)
Ball gown, c. 1886. Ice blue satin, ice blue uncut ribbed velvet, cream lace, ice blue chiffon, ice blue ball fringe, ice blue beads, artificial flowers, ice blue silk plush. Museum of the City of New York, 32.12.a, b.

CHICAGO
CAT. 89

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Description: Afternoon dress by Worth, Charles Frederick

CHARLES FREDERICK WORTH (ENGLISH, 1825–1895)
Day dress, c. 1886. Dress: dark brown silk damask in a starburst pattern; skirt: light brown silk satin embroidered with dark brown silk and gold metallic passementerie. The Metropolitan Museum of Art, New York, Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, gift of the Brooklyn Museum, 2009; gift of Mrs. William E. S. Griswold, 1941, 2009.300.664a, b.

NEW YORK, CHICAGO
CAT. 131

— 1887 —

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Description: Portrait of a Woman by Blanche, Jacques-Emile

JACQUES-EMILE BLANCHE (FRENCH, 1861–1942)
Portrait of a Woman, also called Portrait of Madame Henri Wallet, 1887. Pastel on canvas; 129 × 64 cm (50 ¾ × 25 ¼ in.). Musée d’Orsay, Paris, RF 43327.

NEW YORK, CHICAGO
CAT. 128

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Description: The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode by...

E. GAILLARD (FRENCH, ACTIVE 19TH CENTURY), ABEL GOUBAUD (FRENCH, ACTIVE 19TH CENTURY), JULES DAVID (FRENCH, 1808–1892), AND IMPRIMERIE HONORÉ LEFÈVRE (FRENCH, ACTIVE 19TH CENTURY)
“The Latest Fashions, Expressly Designed and Prepared for Le Moniteur de la Mode,” Le Moniteur de la Mode, March 1, 1887. Lithograph with hand coloring; sheet: 39.5 × 26.6 cm (15 9⁄16 × 10 ½ in.). The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953, 53.664.22.

NEW YORK, CHICAGO
CAT. 129

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Description: Still Life with Hat, Umbrella, and Clothes on a Chair by Seurat, Georges

GEORGES SEURAT (FRENCH, 1859–1891)
Still Life with Hat, Umbrella, and Clothes on a Chair, 1887. Conté crayon and white gouache on paper; 31 × 23.8 cm (12 3⁄16 × 9 ⅜ in.). The Metropolitan Museum of Art, New York, bequest of Walter C. Baker, 1971, 1972.118.235.

NEW YORK
NOT IN CAT.

~

Bonnet, 1887. French. Lavender straw and silk ribbon trimmed with purple silk velvet and artificial thistles. The Metropolitan Museum of Art, New York, gift of Mrs. James G. Flockhart, 1968, C.I.68.53.17.

NEW YORK, CHICAGO
CAT. 110

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Description: Dress by White Howard & Co.

Dress, 1887. American. Red silk ottoman and silk velvet embroidered with gold and jet beaded passementerie in a chain pattern. The Metropolitan Museum of Art, New York, gift of Mrs. James G. Flockhart, 1968, C.I.68.53.6a, b.

CHICAGO
CAT. 130

~

Hat, 1887. French. Brown silk velvet trimmed with ostrich feathers and gold metallic thread. The Metropolitan Museum of Art, New York, gift of Mrs. James G. Flockhart, 1968, C.I.68.53.18.

NEW YORK, CHICAGO
CAT. 111

~

Hat, c. 1887. American or European. Light and dark brown straw and purple silk faille trimmed with purple silk ribbon. The Metropolitan Museum of Art, New York, gift of Mrs. Charles D. Dickey, Mrs. Louis Curtis, Jr., and Mr. S. Sloan Colt, 1957, C.I.57.15.8.

NEW YORK
NOT IN CAT.

— 1888 —

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Description: The Assault of the Shoe by Guérard, Henri Charles

HENRI CHARLES GUÉRARD (FRENCH, 1846–1897)
The Assault of the Shoe, 1888. Etching, with open bite, in light red and black on cream laid paper; image/plate: 16.8 × 25.2 cm (6 ⅝ × 9 15⁄16 in.); sheet: 25 × 36 cm (9 ⅞ × 14 3⁄16 in.). The Art Institute of Chicago, restricted gift of Anne Searle Bent, 2009.660.

NEW YORK, CHICAGO
NOT IN CAT.

~

HENRI CHARLES GUÉRARD (FRENCH, 1846–1897)
The Assault of the Shoe, 1888. Etching, with open bite, in light red on cream wove paper; image: 11 × 21 cm (4 5⁄16 × 8 ¼ in.); plate: 16.6 × 25.2 cm (6 9⁄16 × 9 15⁄16 in.); sheet: 34.4 × 49.2 cm (13 9⁄16 × 19 ⅜ in.). The Art Institute of Chicago, restricted gift of Anne Searle Bent, 2009.661.

CHICAGO
NOT IN CAT.

~

HENRI CHARLES GUÉRARD (FRENCH, 1846–1897)
The Assault of the Shoe, 1888. Etching, with open bite, in black on cream wove paper; image: 16.7 × 25.4 cm (6 9⁄16 × 10 in.); sheet: 35.5 × 49 cm (14 × 19 5⁄16 in.). The Art Institute of Chicago, restricted gift of Anne Searle Bent, 2009.662.

CHICAGO
CAT. 115

~

HENRI-CHARLES GUÉRARD (FRENCH, 1846–1897)
The Assault of the Shoe, 1888. Etching, with open bite, in light red and black on cream laid paper; image/plate: 16.7 × 25.2 cm (6 9⁄16 × 9 15⁄16 in.); sheet: 19.9 × 28.1 cm (7 13⁄16 × 11 1⁄16 in.). The Art Institute of Chicago, restricted gift of Anne Searle Bent, 2009.663.

NEW YORK, CHICAGO
CAT. 114

— 1890 —

~

Drawers, c. 1890. French. White plain weave cotton and lace. The Metropolitan Museum of Art, New York, gift of Mrs. Jan Juta, 1950, C.I.50.23.3.

CHICAGO
CAT. 63

— 1894 —

~

Description: The Milliner by Vallotton, Félix

FÉLIX VALLOTTON (SWISS, 1865–1925)
The Milliner, 1894. Woodcut in black on ivory wove paper; image: 18 × 22.6 cm (7 ⅛ × 8 15⁄16 in.); sheet: 25.1 × 32.8 cm (9 ⅞ × 12 15⁄16 in.). The Art Institute of Chicago, Joseph Brooks Fair Memorial Collection, 1947.460.

NOT IN EXHIBITION
NOT IN CAT.

— 1912 —

~

Description: Boulevard de Strasbourg (Corsets) by Atget, Eugène

JEAN-EUGÈNE-AUGUSTE ATGET (FRENCH, 1857–1927)
Boulevard de Strasbourg (Corsets), 1912. Gelatin silver printing-out paper print; 22.9 × 18 cm (9 × 7 ⅛ in.). The Art Institute of Chicago, Julien Levy Collection, gift of Jean and Julien Levy, 1975.1130.

CHICAGO
NOT IN CAT.

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