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Cheryl Finley
Description: Committed to Memory: The Art of the Slave Ship Icon
Committed to Memory: The Art of the Slave Ship Icon
Image Credits
Author
Cheryl Finley
PublisherPrinceton University Press
CopyrightCopyright © 2018 by Princeton University Press
Stable URL: https://aaeportal.com/?id=-21716
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fig. I.3. The British Museum. Acquired with contributions from the British Museum Friends and the Art Fund. © Romuald Hazoumé.
fig. I.5. Photograph: Cheryl Finley.
fig. I.6. AP Photo / The Times, Jessica Leigh.
fig. I.7. Massimo Sestini / Polaris.
fig. I.9. Photograph: Rodney D. Moore.
fig. 1.1. © Religious Society of Friends (Quakers) in Britain.
fig. 1.3. © Religious Society of Friends (Quakers) in Britain.
fig. 1.4. By permission of the College of Arms, London. Photograph: Plymouth City Council (Arts & Heritage Service), England.
fig. 1.5. Access. #: 1983–110 DJ. The Menil Collection, Houston.
fig. 1.6. © Religious Society of Friends (Quakers) in Britain.
fig. 1.7. © Château des ducs de Bretagne, Musée d’histoire du Nantes, Alain Guillard.
fig. 1.8. The Library Company of Philadelphia.
fig. 1.9. Historical Society of Pennsylvania.
fig. 1.10. © Religious Society of Friends (Quakers) in Britain.
fig. 1.11. © Religious Society of Friends (Quakers) in Britain.
fig. 1.12. © Religious Society of Friends (Quakers) in Britain.
fig. 1.13. © Religious Society of Friends (Quakers) in Britain.
fig. 2.1. Beinecke Rare Book and Manuscript Library, Yale University.
fig. 2.4. National Maritime Museum, Greenwich, London, Michael Graham-Stewart Slavery Collection. Acquired with the assistance of the Heritage Lottery Fund.
fig. 2.5. Bibliothèque nationale de France.
fig. 2.6. © Hull City Art Museums. Photograph: Cheryl Finley.
fig. 3.5. © Religious Society of Friends (Quakers) in Britain.
fig. 3.8. National Maritime Museum, Greenwich, UK.
fig. 3.9. © National Portrait Gallery, London.
fig. 3.10. Museum of Fine Arts, Boston, Henry Lillie Pierce Fund.
fig. 3.11. © Hull City Museums and Art Galleries, Wilberforce House.
fig. 4.10. Corcoran Collection. Museum purchase and partial gift from Thurlow Evans Tibbs Jr., The Evans-Tibbs Collection. National Gallery of Art, Washington, DC.
fig. 4.11. © Granger Historical Picture Archive, the Granger Collection.
fig. 5.1. Photograph: Jack Manning / The New York Times / Redux.
fig. 5.2. © Joe Overstreet. Access. #: 1970–156 DJ. Photograph: Paul Hester. The Menil Collection, Houston.
fig. 5.3. Courtesy of the artist. Collection of University of California, Berkeley Art Museum; purchased with the aid of funds from the National Endowment for the Arts (selected by The Committee for the Acquisition of Afro-American Art). Courtesy of Michael Rosenfeld Gallery LLC, New York, NY. Photograph by Joshua Nefsky.
fig. 5.6. James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
fig. 5.9. Photograph: Don Hogan Charles / The New York Times / Redux.
fig. 5.10. Archives of American Art, Smithsonian Institution.
fig. 5.11. Museum of Modern Art, New York, NY. Gift of Barbara Jakobson and John R. Jakobson. Digital image © The Museum of Modern Art / Licensed by SCALA / Art Resource, NY.
fig. 5.12. Whitney Museum of American Art, New York; purchase, with funds from the Larry Aldrich Foundation Fund 69.77.
fig. 6.1. Courtesy of the artist and Zak Ove. © Horace Ove.
fig. 6.2. Courtesy of the artist. © Ingrid Pollard.
fig. 6.3. Courtesy of the artist. © Isaac Julien.
fig. 6.4. Courtesy of the artist. © Keith Piper.
fig. 6.5. © Tate, London 2016. © Estate of Donald Rodney.
fig. 6.6. © Tate, London 2016. © Estate of Donald Rodney.
fig. 6.7. © Tate, London 2016. © Estate of Donald Rodney.
fig. 6.8. © Tate, London 2016. © Keith Piper.
fig. 6.9. © Keith Piper. Courtesy of the artist and the African and Asian Visual Artist Archive.
fig. 6.10. Courtesy of the artist. © Roshini Kempadoo.
fig. 6.11. Courtesy of the artist. © Joy Gregory.
fig. 6.12. Courtesy of the artist. © Joy Gregory.
fig. 6.13. Courtesy of the artist. © Godfried Donkor.
fig. 6.14. Courtesy of the artist. © Godfried Donkor.
fig. 6.15. Courtesy of the artist. © Godfried Donkor.
fig. 6.16. Photograph credit: P. Gorman. Courtesy of the artist. © Mary Evans.
fig. 6.17. Photography credit: M. Hood. Courtesy of the artist. © Mary Evans.
fig. 6.18. Courtesy of the artist. © Mary Evans.
fig. 8.1. © 2017 Willie Cole. The Museum of Modern Art. Acquired through the generosity of Agnes Gund.
fig. 8.2. © 2017 Willie Cole. Courtesy of the artist and Alexander and Bonin.
fig. 8.3. © 2017 Willie Cole. The Museum of Modern Art. Jaqueline Brody Fund and the Friends of Education Fund.
fig. 8.4. © 2017 Willie Cole. Herbert F. Johnson Museum, Cornell University. Acquired through the generosity of Truman W. Eustis III, Class of 1951. Photography courtesy of the Herbert F. Johnson Museum of Art, Cornell University.
fig. 8.5. Courtesy of the artist.
fig. 8.6. Courtesy of the artist.
fig. 8.7. Courtesy of the artist.
fig. 8.8. Courtesy of the artist.
fig. 8.9. Smithsonian Museum of American Art. Gift of Delta Sigma Theta Sorority, Inc. 1983.95.178.
fig. 8.10. Courtesy of the artist and Michael Rosenfeld Gallery LLC, New York, NY.
fig. 8.11. Courtesy of the artist and Michael Rosenfeld Gallery LLC, New York, NY.
fig. 8.12. Courtesy of the artist and Michael Rosenfeld Gallery LLC, New York, NY.
fig. 8.13. Courtesy of the artist and Michael Rosenfeld Gallery LLC, New York, NY.
fig. 9.1. Courtesy of the artist and the Vancouver Art Gallery.
fig. 9.2. Courtesy of the artist.
fig. 9.3. Courtesy of the artist.
fig. 9.5. Yale University Art Gallery. Janet and Simeon Braguin Fund.
fig. 9.6. Courtesy of the artist.
fig. 9.7. Courtesy of the New Museum, New York.
fig. 9.8. Photograph: Cheryl Finley.
fig. 9.9. Tom Feelings, illustration from The Middle Passage: White Ships, Black Cargo, 1995, pen and ink drawing. With special permission granted by Dianne Johnson-Feelings and the Tom Feelings Collection, LLC. Tom Feelings Artwork, James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
fig. 9.10. Photograph: Cheryl Finley.
fig. 9.11. Courtesy of the artist and Grand Arts, Kansas City.
fig. 9.12. Courtesy of the artist and Grand Arts, Kansas City.
fig. 9.13. The Menil Archives. Courtesy of the Menil Collection, Houston.
fig. 9.14. Courtesy of the artists.
fig. 9.15. Courtesy of the artist.
fig. 9.16. Courtesy of the artist and the John and Mable Ringling Museum of Art. Photograph: Giovanni Lunardi.
fig. 9.17. Museum of Fine Arts, Boston. Bequest of Maxim Karolik, 64.619.
fig. 10.1. Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY.
fig. 10.2. Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY.
fig. 10.3. Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY.
Fig.10.4. Courtesy Bob Marley Foundation.
fig. 10.4. Beinecke Rare Book and Manuscript Library, Yale University.
fig. 10.6. Courtesy of the artist and Jack Shainman Gallery.
fig. 10.7. Photograph: Cheryl Finley.
fig. 10.8. Courtesy of the artist and Jack Shainman Gallery.
fig. 10.9. Courtesy of the artist.
fig. 10.10. Yale University Art Gallery, Janet and Simeon Braguin Fund.
fig. 11.1. Photograph: Franklin Reyes, Associated Press.
fig. 11.2. Photograph: Cheryl Finley.
fig. 11.3. Photograph: Cheryl Finley.
fig. 11.4. Photograph: Cheryl Finley.
fig. 11.7. © Yinka Shonibare MBE. All Rights Reserved, DACS 2015. Image courtesy Stephen Friedman Gallery, London, and James Cohan Gallery, New York.
fig. A.1. Yale University Art Gallery. Gift of The Woodward Foundation.
COMMITTED TO MEMORY
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