https://aaeportal.com/?id=19803
Please wait while we complete your search...
Please wait while we complete your search...
Yale University Press
Accessibility Options
AA
Site search
  • Return to previous
  • Page

Portraits in an Office, New Orleans

Image details
Description: Portraits in an Office, New Orleans
Related content: Chapters (4) Images (35)

Select a chapter below to view this image within the text.


Description: The Painted Face: Portraits of Women in France, 1814–1914
~~IN 1889 MARY CASSATT, EVA GONZALÈS’S erstwhile contemporary and fellow Realist, was occupied with the last of four portraits in oil that she painted of her mother, Katherine Cassatt, then aged 74...
PublisherYale University Press
Related print edition pages: pp.101-137
https://doi.org/10.37862/aaeportal.00298.3
Description: Art and the French Commune: Imagining Paris after War and Revolution
~First, it is necessary to examine the situation of the various members of the French avant-garde at the time of the establishment of the Commune and their response to it. This in turn cannot be discussed independently of the Franco-Prussian war which immediately preceded the Commune and with which it is inescapably attached. The presence of Prussian...
PublisherPrinceton University Press
Related print edition pages: pp.46-76
https://doi.org/10.37862/aaeportal.00021.006
Description: Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French...
FANTIN-LATOUR has been the core of every chapter in this book so far. Courbet, Manet, and Degas have all been significant parts of the story, but it is in Fantin’s work that my key arguments have found their root. He has been my focus because his work’s engagement with group dynamics is the most deep and sustained, and because his painting’s best expose the...
PublisherPrinceton University Press
Related print edition pages: pp.203-227
https://doi.org/10.37862/aaeportal.00049.008
Free
Description: Impressionism: Art, Leisure, and Parisian Society
The flâneur, the purposeful male stroller, was a principal performer in the theater of daily life in Paris in mid-century, if we judge by his importance in writings of the era. A journalist, writer, or illustrator, he looked about with the acute eye of a detective, sizing up persons and events with a clinical detachment as though natural events could tell him their own...
PublisherYale University Press
Related print edition pages: pp.33-57
https://doi.org/10.37862/aaeportal.00067.006

Note: Some of the images of artworks presented on this platform were not sourced from the original print publication. However, in order to preserve the scholarly record of the print publication, all original image captions and credit lines have been retained on the platform. Learn more about our image policies.

Loading image