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Description: Paul Rand: A Designer’s Art
Color theories of Goethe, Chevreul, Ostwald, Rood, or Munsell, among others, are not much help when facing a blank canvas. Color is objective; color is subjective. A color that is perfect in one instance is useless in another. Color is complexity personified. The use of color implies a knowledge, or at least an awareness, not only of the mechanics of color, but also of the formal, psychological, and cultural problems involved. Color cannot be separated from its physical environment without …
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PublisherYale University Press
Related print edition pages: pp.225-226
https://doi.org/10.37862/aaeportal.00092.025

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