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Portrait of Fath Khan, son of Malik Ambar

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Description: Portrait of Fath Khan, son of Malik Ambar
Related content: Chapters (12) Images (15)

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Description: Indian Painting from Cave Temples to the Colonial Period
THROUGHOUT EVEN THE MOST dominant periods of Mughal rule in northern India, a group of kingdoms to the immediate south managed to resist conquest...
PublisherMuseum of Fine Arts, Boston
Related print edition pages: pp.80-89
https://doi.org/10.37862/aaeportal.00248.004
Chapter subject tags:Deccani paintingHindu art
Free
Description: The Image of the Black in Western Art, Volume IV: From the American Revolution to...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908-1997) and her husband, John (1904-1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for art led them...
Author
PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00144.002
Free
Description: The Image of the Black in Western Art, Volume III: From the “Age of...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908-1997) and her husband, John (1904-1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for art led them...
Author
PublisherHarvard University Press
Related print edition pages: pp.ix-xxi
https://doi.org/10.37862/aaeportal.00142.003
Description: The Image of the Black in African and Asian Art
India is perhaps unique as a place outside Africa where sub-Saharan Africans ruled largely non-African populations for a considerable time...
PublisherHarvard University Press
Related print edition pages: pp.254-294
https://doi.org/10.37862/aaeportal.00136.013
Free
Description: The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 2: The...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), more than fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their...
Author
PublisherHarvard University Press
Related print edition pages: pp.vii-xix
https://doi.org/10.37862/aaeportal.00146.002
Free
Description: The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
Related print edition pages: pp.vii-xix
https://doi.org/10.37862/aaeportal.00145.002
Free
Description: The Image of the Black in Western Art, Volume III: From the “Age of...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
Related print edition pages: pp.vii-xix
https://doi.org/10.37862/aaeportal.00141.002
Free
Description: The Image of the Black in Western Art, Volume IV: From the American Revolution to...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
Related print edition pages: pp.vii-xix
https://doi.org/10.37862/aaeportal.00143.002
Free
Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00139.002
Free
Description: The Image of the Black in Western Art, Volume III: From the “Age of...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
Related print edition pages: pp.vii-xix
https://doi.org/10.37862/aaeportal.00140.002
Free
Description: The Image of the Black in Western Art, Volume II: From the Early Christian Era to...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
https://doi.org/10.37862/aaeportal.00138.002
Free
Description: The Image of the Black in Western Art, Volume I: From the Pharaohs to the Fall of...
The Image of the Black in Western Art was conceived by the late Dominique Schlumberger de Menil (1908–1997) and her husband, John (1904–1973), fifty years ago. The de Menils were known internationally for their patronage of artists such as René Magritte and Max Ernst as early as the 1930s, and eventually for the size and range of their art collection. Their passion for...
Author
PublisherHarvard University Press
Related print edition pages: pp.vii-xix
https://doi.org/10.37862/aaeportal.00137.002

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