Selected Bibliography

Kasson, Joy S.

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Selected Bibliography

Joy S. Kasson

Marble Queens and Captives: Women in Nineteenth-Century American Sculpture

Selected Bibliography

Author

Joy S. Kasson

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-31609

Selected Bibliography

NINETEENTH-CENTURY AMERICAN CULTURE

Ahlstrom, Sydney. A Religious History of the American People. New Haven and London: Yale University Press, 1972.

Ahlstrom, Sydney E., and Jonathan S. Carey. An American Reformation: a Documentary History of Unitarian Christianity. Middletown, Conn.: Wesleyan University Press, 1985.

Allen, Virginia. The Femme Fatale, Erotic Icon. Troy, N.Y.: Whitston, 1983.

Ariès, Philippe. Western Attitudes toward DEATH: From the Middle Ages to the Present. Trans. Patricia M. Ranum. Baltimore: Johns Hopkins University Press, 1974.

Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Cambridge, Mass.: Harvard University Press, 1982.

Bade, Patrick. Femme Fatale: Images of Evil and Fascinating Women. New York: Mayflower, 1979.

Berger, John. Ways of Seeing. London: Penguin, 1972.

Bourdieu, Pierre. “Cultural Reproduction and Social Reproduction.” In Knowledge, Education and Cultural Change: Papers in the Sociology of Education, ed. Richard Brown. London: Tavistock, 1973.

———. Distinction: A Social Critique of the Judgement of Taste. Trans. Richard Nice. Cambridge, Mass.: Harvard University Press, 1984.

Branca, Patricia. “Image and Reality: The Myth of the Idle Victorian Woman.” In Clio’s Consciousness Raised: New Perspectives on the History of Women, ed. Mary S. Hartman and Lois Banner, 17991. New York: Harper & Row, 1974.

Cixous, Helene, and Catherine Clement. The Newly Born Woman. Minneapolis: University of Minnesota Press, 1986.

Cott, Nancy. “Passionlessness: An Interpretation of Victorian Sexual Ideology.” Signs 4 (1978): 219–36.

de Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984.

Degler, Carl. At Odds: Women and the Family in America from the Revolution to the Present. New York: Oxford University Press, 1980.

Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siecle Culture. New York: Oxford University Press, 1986.

DiMaggio, Paul. “Cultural Entrepreneurship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America.” Media, Culture and Society 4 (1982): 33–50.

Douglas, Ann. The Feminization of American Culture. New York: Alfred A. Knopf, 1977.

———. “Heaven Our Home: Consolation Literature in the Northern United States, 1830–1880.” American Quarterly 26 (December 1974): 496–515.

Fiedler, Leslie. Love and Death in the American Novel. Rev. Ed. New York: Stein and Day, 1966.

French, Stanley. “The Cemetery as Cultural Institution: The Establishment of Mount Auburn and the ‘Rural Cemetery’ Movement.” In Death In America, ed. David E. Stannard. [Philadelphia]: University of Pennsylvania Press, 1975.

Fryer, Judith. The Faces of Eve, Women in the Nineteenth-Century American Novel. New York: Oxford University Press, 1976.

Gay, Peter. Education of the Senses: The Bourgeois Experience, Victoria to Freud. Vol. 1. New York: Oxford University Press, 1984.

———. The Tender Passion: The Bourgeois Experience, Victoria to Freud. Vol. 2. New York: Oxford University Press, 1986.

———. “Victorian Sexuality: Old Texts and New Insights.” American Scholar 49 (Summer 1980): 372–78.

Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven and London: Yale University Press, 1979.

Gordon, Michael, ed. The American Family in Social-Historical Perspective. 3d ed. New York: St. Martin’s, 1983.

Gorer, Geoffrey. “The Pornography of Death.” In Death, Grief, and Mourning. New York: Doubleday, 1965.

Haller, John S., and Robin M. Haller. The Physician and Sexuality in Victorian America. Champaign, Ill.: University of Illinois Press, 1974.

Halttunen, Karen. Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830–1870. New Haven and London: Yale University Press, 1982.

Heath, Stephen. “Difference.” Screen 19 (Autumn 1978): 53–55.

Howe, Daniel Walker. The Unitarian Conscience: Harvard Moral Philosophy, 1805–1861. 1970. Rpt. Middletown, Conn.: Wesleyan University Press, 1988.

Hutchinson, William R. The Transcendentalist Ministers: Church Reform in the New England Renaissance. New Haven and London: Yale University Press, 1959.

Hyman, Linda. “The Greek Slave by Hiram Powers: High Art as Popular Culture.” College Art Journal 35 (Spring 1976): 216–23.

Jacobus, Mary. Reading Women: Essays in Feminist Criticism. New York: Columbia University Press, 1986.

Jameson, Mrs. [Anna]. Memoirs of Celebrated Female Sovereigns. 2 vols. London: Henry Colburn and Richard Bentley, 1831.

Jeffrey, Kirk. “The Family as Utopian Retreat from the City.” In The Family, Communes, and Utopian Societies, ed. Sallie TeSelle, 2141. New York: Harper & Row, 1972.

Jehlen, Myra. “Archimedes and the Paradox of Feminist Criticism.” Signs 6 (Summer 1980): 575–601.

Kappeler, Suzanne. The Pornography of Representation. Minneapolis: University of Minnesota Press, 1986.

Kelley, Mary. “The Sentimentalists: Promise and Betrayal in the Home.” Signs 4 (Spring 1979): 434–46.

Kennedy, J. Gerald. Poe, Death, and the Life of Writing. New Haven and London: Yale University Press, 1987.

Kingsbury, Martha. “The Femme Fatale and Her Sisters.” In Woman as Sex Object: Studies in Erotic Art, 1730–1970. Art News Annual 38, ed. Hess Thomas B. and Linda Nochlin. New York: Newsweek, 1972.

Kolodny, Annette. “Dancing Through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism.” Feminist Studies 6 (1980): 1–25.

———. The Land Before Her: Fantasy and Experience of the American Frontiers, 1630–1860. Chapel Hill: University of North Carolina Press, 1984.

———. “Turning the Lens on ‘The Panther Captivity’: A Feminist Exercise in Practical Criticism.” Critical Inquiry 8 (Winter 1981): 329–45.

Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press, 1988.

———. “William Shakespeare and the American People: A Study in Cultural Transformation.” American Historical Review 89:1 (February 1984): 34–66.

Lewis, R. W. B. The American Adam: Innocence, Tragedy, and Tradition in the Nineteenth Century. Chicago: University of Chicago Press, 1955.

Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16 (Autumn 1975).

Nissenbaum, Stephen. Sex, Diet, and Debility in Jacksonian America. Westport, Conn.: Greenwood Press, 1980.

Norton, Frank H., ed. Frank Leslie’s Historical Register of the United States Centennial Exposition, 1876. New York: Frank Leslie’s, 1877.

Panofsky, Dora, and Erwin Panofsky. Pandora’s Box: the Changing Aspects of a Mythical Symbol. Bollingen Series 52. New York: Pantheon, 1956.

Penny, Nicholas. Church Monuments in Romantic England. New Haven and London: Yale University Press, 1977.

———. “English Church Monuments to Women who Died in Childbed Between 1780 and 1835.” Journal of the Warburg and Courtauld Institutes 38 (1975): 314–32.

Pessen, Edward. Riches, Class and Power Before the Civil War. Lexington, Mass.: D. C. Heath, 1973.

Phillips, J. A. Eve: The History of an Idea. San Francisco: Harper & Row, 1984.

Praz, Mario. The Romantic Agony. 2d ed. 1951. Rpt. London: Oxford University Press, 1970.

Rosenberg, Charles E. “Sexuality, Class and Role in Nineteenth-Century America.” American Quarterly 25 (May 1975): 131–53.

Said, Edward. Orientalism. New York: Pantheon, 1978.

Sandhurst, Phillip T., and others. The Great Centennial Exhibition. Philadelphia: P. W. Ziegler, 1876.

Saum, Lewis O. “Death in the Popular Mind of Pre-Civil War America.” In Death in America, ed. David E. Stannard. Philadelphia: University of Pennsylvania Press, 1975.

Scott, Joan W. “Gender: A Useful Category of Historical Analysis.” The American Historical Review 91:5 (December 1986): 1053–75.

Showalter, Elaine. The Female Malady: Women, Madness and Culture in England, 1830–1980. New York: Pantheon, 1985.

Slotkin, Richard. Regeneration Through Violence: The Mythology of the American Frontier, 1600–1860. Middletown, Conn.: Wesleyan University Press, 1973.

Smith-Rosenberg, Carroll. Disorderly Conduct: Visions of Gender in Victorian America. New York: Alfred A. Knopf, 1985.

———. “The Hysterical Woman: Sex Roles and Role Conflict in Nineteenth-Century America.” Social Research 39 (Winter 1972): 652–78.

Smith-Rosenberg, Carroll, and Charles Rosenberg. “The Female Animal: Medical and Biological Views of Woman and Her Role in Nineteenth-Century America.” Journal of American History 60 (September 1973): 332–56.

Stone, Lawrence. The Family, Sex and Marriage in England 1500–1800. New York: Harper and Row, 1977.

Strahan, Edward [Earl Shinn]. The Masterpieces of the Centennial International Exhibition. Illustrated Vol. 1, Fine Art. Philadelphia: Gebbie & Barrie, 1875.

Swan, Mabel Munson. The Athenaeum Gallery, 1827–1873: The Boston Athenaeum as an Early Patron of Art. Boston: Boston Athenaeum, 1940.

Thomas, Clara. Love and Work Enough: The Life of Anna Jameson. Toronto: University of Toronto Press, 1967.

Tompkins, Jane. Sensational Designs: The Cultural Work of American Fiction. New York: Oxford University Press, 1985.

Türck, Hermann. “The Myths of Pandora and the Fall of Man.” In The Man of Genius, trans. George J. Tamson. 1896. Rpt. London: Adam and Charles Black, 1914.

Welter, Barbara. “The Cult of True Womanhood.” American Quarterly 18 (Summer 1966): 151–74.

———. “Female Complaints: Medical Views of American Women (1790–1865).” In Dimity Convictions: The American Woman in the Nineteenth Century, 57–70. Athens, Ohio: Ohio University Press, 1976.

Wolff, Janet. The Social Production of Art. London: Macmillan, 1981.

AMERICAN IDEAL SCULPTURE

Albee, John. Henry Dexter, Sculptor, A Memorial. Cambridge, Mass.: John Wilson and Son, 1898.

American Art Association. Catalogue of the A. T. Stewart Collection. New York: J. J. Little, 1887.

Artistic Houses, Being a Series of Interior Views of a Number of the Most Beautiful and Celebrated Homes in the United States, With a Description of the Art Treasures Contained Therein. 2 vols. New York: D. Appleton, 1883–84.

Atkinson, J. Beavington. “Modern Sculpture of all Nations, in the International Exhibition, 1862.” Art-Journal Illustrated Catalogue of the International Exhibition 1862. 1862. Rpt. East Ardley, Wakefield: E. P. Publishing, 1973.

Barnett, Louise K. “American Novelists and the Portrait of Beatrice Cenci.” New England Quarterly 53 (June 1980): 168–83.

“The Beatrice Cenci.” The Crayon 4 (December 1857): 379.

Bellows, Henry W. “Seven Sittings with Powers, the Sculptor.” Appleton’s Journal of Popular Literature, Science, and Art (June 12, 19, 26, July 10, August 7, 28, September 11, 1869).

[Benjamin, Daniel G. W.] “Sculpture in America.” Harper’s New Monthly Magazine 68 (April 1879): 657–72.

[Bigelow, L. J.] “Palmer, the American Sculptor.” The Continental Monthly 5 (1864): 263.

Booth, Rosemary. “A Taste for Sculpture.” In A Climate for Art: The History of the Boston Athenaeum Gallery, 1827–1873. Boston: Thomas Todd, 1980.

[Brackett, Edward Augustus]. Brackett’s Works. Boston: n.p., 1844.

———. Twilight Hours; or Leisure Moments of an Artist. Boston: Freeman and Bolles, 1845.

———. My House; Chips the Builder Threw Away. Boston: Richard G. Badger, Gorham, 1904.

Carr, Cornelia, ed. Harriet Hosmer: Letters and Memories. New York: Moffat, Yard, 1912.

Carved and Modeled: American Sculpture, 1810–1940. April 20–June 4, 1982. New York: Hirschl & Adler Galleries, 1982.

Catalogue of Marble Statuary, Comprising Eleven Pieces by the late Joseph Mozier, esq . . . . New York: n.p., 1873.

Catalogue of the Palmer Marbles at the Hall Belonging to the Church of the Divine Unity, 548 Broadway, New York, November 1856. Albany: J. Munsell, 1856.

Child, L. Maria. “Harriet E. Hosmer: A Biographical Sketch.” The Ladies’ Repository 21 (January, 1861): 5.

———. “Miss Harriet Hosmer.” Littell’s Living Age 56 (March 13, 1868): 697.

Civosky, Nicolai Jr., Marie H. Morrison, and Carol Ockman. The White, Marmorean Flock. Introduction by William H. Gerdts, Jr. Catalog of an Exhibition at Vassar College Art Gallery, April 4–April 30, 1972, Poughkeepsie, New York.

Clark, Kenneth. The Nude: A Study in Ideal Form. Bollingen Series 35.2. New York: Pantheon, 1956.

Clark, T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton: Princeton University Press, 1984.

Clark, William J., Jr. Great American Sculptures. Philadelphia: Gebbie & Barrie, 1878.

Crane, Sylvia. White Silence: Greenough, Powers, and Crawford, American Sculptors in Nineteenth-Century Italy. Coral Gables, Fla.: University of Miami Press, 1972.

Craven, Wayne. Sculpture in America. New York: Thomas Y. Crowell, 1968.

Crawford, John S. “The Classical Tradition in American Sculpture: Structure and Surface.” American Art Journal 11 (July 1979): 38–54.

Curren, Joseph L. “Hosmeriana: A Guide to Works by and about Harriet G. Hosmer.” 1975.

Dewey, Orville. “Powers’ Statues.” Union Magazine of Literature and Art 1 (October 1847): 160–61.

DiFederico, Frank R., and Julia Markus. “The Influence of Robert Browning on the Art of William Wetmore Story.” Browning Institute Studies 1 (1973): 63–85.

Duganne, Augustin. “Ode to the Greek Slave, Dedicated to the Cosmopolitan Art and Literary Association.” In The Cosmopolitan Art Association Illustrated Catalogue, 1854, 25. New York: John A. Gray, 1854.

Dunlap, William. History of the Rise and Progress of the Arts of Design in the United States, ed., with additions, Frank W. Bayley and Charles Goodspeed. 3 vols. (1834. Rpt. Boston: C. E. Goodspeed, 1918).

Dwight, John S. “The Greek Slave.” The Harbinger 7 (July 8, 1848).

Edward A. Brackett’s Marble Group of the Shipwrecked Mother and Child [New York]: n.p., n.d.

“Edward S. Bartholomew.” Cosmopolitan Art Journal 2 (September 1858): 184–85.

Ellet, Mrs. Women Artists in All Ages and Countries. New York: Harper & Brothers, 1859.

“Florentia.” “A Walk Through the Studios of Rome.” The Art Journal n.s. 6 (1854): 184–87, 287–89, 322–24, 350–55, and The Art-Journal n.s 1 (1855): 225–28.

[Fryd], Vivien Green. “Hiram Powers’s Greek Slave, Emblem of Freedom.” American Art Journal 14 (Autumn 1982): 31–39.

———. “Two Sculptures for the Capitol: Horatio Greenough’s Rescue and Luigi Persico’s Discovery of America,” American Art Journal 19:2 (1987): 16–39.

Fusco, Peter, and H. W. Janson, eds. The Romantics to Rodin: French Nineteenth-Century Sculpture from American Collections. Los Angeles, Calif.: Los Angeles County Art Museum and George Braziller, 1980.

Gale, Robert L. Thomas Crawford, American Sculptor. [Pittsburgh]: University of Pittsburgh Press, 1964.

Gardner, Albert TenEyck. American Sculpture: A Catalogue of the Collection of the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1965.

———. “Memorials of an American Romantic.” Metropolitan Museum of Art Bulletin new series 3 (October 1944): 54–59.

———. “William Story and Cleopatra.” Metropolitan Museum of Art Bulletin n.s. 2 (December 1943): 147–52.

Gerdts, William. American Neoclassic Sculpture: The Marble Resurrection. New York: Viking, 1973.

———. “American Sculpture: The Collection of James H. Ricau.” Antiques 86 (September 1964): 291–98.

———. “Chauncey Bradley Ives, American Sculptor.” Antiques 94 (November 1968): 714–18.

———. The Great American Nude: A History in Art. New York: Praeger, 1974.

———. “Marble and Nudity.” Art in America 59 (June 1971): 60–67.

———. “The Marble Savage.” Art in America (July/August 1974): 64–70.

———. “The Medusa of Harriet Hosmer.” Bulletin of the Detroit Institute of Arts 56 (1978): 96–107.

———. A Survey of American Sculpture: Late Eighteenth Century to 1962. Newark, N.J.: Newark Museum, 1962.

———. “William Wetmore Story.” American Art Journal 4 (November 1972): 16–33.

Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. The A. W. Mellon Lectures in the Fine Arts, 1956. National Gallery of Art, Washington, D.C. Princeton: Princeton University Press, 1960.

Greenthal, Kathryn, Paula M. Kozol, and Jan Seidler Ramirez. American Figurative Sculpture in the Museum of Fine Arts Boston. Boston: Museum of Fine Arts, 1986.

Groseclose, Barbara. “Harriet Hosmer’s Tomb to Judith Falconnet: Death and the Maiden.” American Art Journal 12 (Spring, 1980): 78–89.

“Harriet Hosmer.” Cosmopolitan Art Journal 3 (December 1859): 216.

“Harriet Hosmer, the Woman Eminent in Sculpture.” The Phrenological Journal and Life Illustrated 54 (March 1872): 169–71.

Harris, Neil. The Artist and American Society: The Formative Years, 1790–1860. New York: George Braziller, 1966.

Hennessey, William J. “White Marble Idealism: Four American Neo-Classical Sculptors.” Worcester Art Museum Bulletin, n.s. 2 (November 1972): 1–9.

Hiram Powers’ Paradise Lost. New York: Hudson River Museum. 1985.

Hudson, Gertrude Reese, ed. Browning to His American Friends: Letters Between the Brownings, the Storys, and James Russell Lowell, 1841–1890. New York: Barnes and Noble, 1965.

Hyman, Linda. “The Greek Slave by Hiram Powers: High Art as Popular Culture.” College Art Journal 35 (Spring 1976): 216–23.

James, Henry. William Wetmore Story and His Friends. 2 vols. Boston: Houghton Mifflin, 1903.

Janson, H. W. Nineteenth-Century Sculpture. New York: Harry N. Abrams, 1985;

“Joseph Mozier.” The Art-Journal n.s. 10 (1871): 6.

Kellogg, Miner. Justice to Hiram Powers: Address to the Citizens of New Orleans, 1848. Cincinnati, 1848.

———. Mr. Miner K. Kellogg to His Friends. Paris: Simon Racon, 1858.

L. E. “To Powers’ ‘Greek Slave.’” The Cosmopolitan Art Journal 2 (March and June 1858), 68.

Leach, Joseph. “Harriet Hosmer: Feminist in Bronze and Marble.” Feminist Art Journal 5 (Summer 1976): 9–13 and 44–45.

Leland, Charles G. “Brackett’s Wreck.” Sartain’s Magazine 6 (May 1850): 370–74.

Lester, C. Edwards. The Artist, the Merchant, and the Statesman, of the Age of the Medici, and of our Own Times. 2 vols. New York: Paine & Burgess, 1845.

Lewis, E. Anna. “Art and Artists of America: Hiram Powers.” Graham’s Magazine 48 (November 1855): 397–401.

[Ludlow, FitzHugh]. “Art: Harriet Hosmer’s Zenobia.” The Atlantic Monthly 15 (February 1865): 248–50.

“Masters of Art and Literature: Chauncey B. Ives.” Cosmopolitan Art Journal 4 (December 1860): 163–64.

Miller, Lillian B. Patrons and Patriotism: The Encouragement of the Fine Arts in the United States, 17901860. Chicago: University of Chicago Press, 1966.

“Miss Louisa Lander’s Work.” Cosmopolitan Art Journal 4 (March 1860): 31.

“ ‘Most Famous of American Women Sculptors,’ Miss Harriet Hosmer of Watertown.” Boston Sunday Globe. March 1, 1908: 11.

Nochlin, Linda. “Eroticism and Female Imagery in Nineteenth-Century Art.” In Woman as Sex Object: Studies in–Erotic Art, 1730–1970. Art-News Annual 38, ed. Thomas B. Hess and Linda Nochlin. New York: Newsweek, 1972.

[Osgood, Samuel]. “American Artists in Italy.” Harper’s New Monthly Magazine 41 (August 1870): 420–25.

Palmer, Erastus Dow. “Philosophy of the Ideal.” Crayon 3 (January 1856): 18–20.

“The Palmer Marbles.” Cosmopolitan Art Journal 1 (March 1857): 85.

“The Palmer Marbles.” The Crayon 4 (January 1857): 18–19.

Palmer’s Statue: The White Captive, on Exhibition at Schaus’ Gallery, 629 Broadway, n.p., n.d.

“Parmer’s ‘White Captive.’” The Atlantic Monthly 5 (January, 1860): 108–9.

Phillips, Mary E. Reminiscences of William Wetmore Story. Chicago: Rand, McNally, 1897.

“Powers’ Greek Slave.” Putnam’s Monthly Magazine 4 (December 1854): 666.

Powers’ Statue of the Greek Slave. New Orleans: Norman’s, 1848.

Powers’ Statue of the Greek Slave. New York: R. Craighead, 1847.

Powers’ Statue of the Greek Slave, Exhibiting at the Pennsylvania Academy of the Fine Arts. Philadelphia: T. K. and P. G. Collins, 1848.

[Ramirez], Jan Seidler. A Critical Reappraisal of the Career of William Wetmore Story (1819–1895): American Sculptor and Man of Letters. Ph.D. diss., Boston University, 1985.

———. “The ‘Lovelorn Lady’: A New Look at William Wetmore Story’s Sappho.” American Art Journal 14 (Summer 1983): 80–90.

[Ramirez], Jan Seidler, and Kathryn Greenthal. The Sublime and the Beautiful: Images of Women in American Sculpture, 1840–1930. Boston: Museum of Fine Arts, 1979.

Read, Benedict. Victorian Sculpture. New Haven and London: Yale University Press. Published for the Paul Mellon Centre for Studies in British Art, 1982.

Reynolds, Donald Martin. Hiram Powers and His Ideal Sculpture. New York: Garland, 1977.

———. “The ‘Unveiled Soul’: Hiram Powers’ Embodiment of the Ideal.” The Art Bulletin 59 (September 1977): 394–414.

Roberson, Samuel A., and William H. Gerdts. “ ‘. . . So Undressed, Yet So Refined . . .’ The Greek Slave.” The Museum 17 (Winter–Spring, 1965): 1–29.

Rogers, Millard F., Jr. Randolph Rogers, American Sculptor in Rome. Amherst: University of Massachusetts Press, 1971.

Roos, Jane Mayo. “Another Look at Henry James and the ‘White, Marmorean Flock,’ ” Women’s Art Journal 4 (Spring/Summer 1983): 29–34.

Rosenblum, Robert. “Caritas Romana after 1760: Some Romantic Lactations.” In Woman As Sex Object: Studies in Erotic Art, 1730–1970. Art News Annual 38, ed. Thomas B. Hess and Linda Nochlin. New York: Newsweek, 1972.

Rosenblum, Robert, and H. W. Janson. Nineteenth-Century Art. Englewood Cliffs, N.Y.: Prentice-Hall, and New York: Harry N. Abrams, 1984.

Rusk, William Sener. William Henry Rinehart, Sculptor. Baltimore: Norman T. A. Munder, 1939.

[Sanborn, Frank]. “The Late Edward Brackett and How He Made the Marble Bust of John Brown.” Boston Evening Transcript, March 23, 1908. Reprinted from the Springfield Republican.

Scharf, Frederic A. “ ‘A More Bracing Morning Atmosphere’: Artistic Life in Salem, 1850–1859.” Essex Institute Historical Collections 95 (April, 1959): 149–64.

———. “The Garden Cemetery and American Sculpture: Mount Auburn.” Art Quarterly 24 (Spring 1961): 80–88.

Sheirr, Rodman J. “Joseph Mozier and His Handiwork.” Potter’s American Monthly 6 (January 1876): 26.

Sigourney, L. H. “Virginia Dare.” Graham’s Magazine 41 (October 1852): 442–43.

Statues de Chair, Sculptures de James Pradier (1790–1852) Genève, Musée d’art et d’histoire, 17 octobre 1985–2 février 1986; Paris, Musée du Luxembourg 28 février–4 mai 1986.

Story, William Wetmore. Excursions in Art and Letters. 1891. Rpt. Boston: Houghton Mifflin, 1899.

———. Graffiti D’Italia. New York: Charles Scribner, 1868.

Strahan, Edward [Earl Shinn]. The Art Treasures of America 3 vols. Philadelphia: George Barrie, 1879–82.

———. The Masterpieces of the Centennial International Exhibition. Vol. 1. Fine Art. Philadelphia: Gebbie & Barrie, 1875.

Taft, Lorado. The History of American Sculpture. New York: Macmillan, 1903.

Taylor, J. Bayard. “The ‘Eve’ of Powers.” Godey’s Magazine and Lady’s Book 34 (1847): 12.

Thorp, Margaret Farrand. The Literary Sculptors. Durham, N.C.: Duke University Press, 1965.

Thurston, R. B. “Harriet G. Hosmer.” In James Parton, et al., Eminent Women of the Age. Hartford, Conn.: S. M. Betts, 1869.

Tuckerman, Henry. Book of the Artists: American Artist Life. New York: G. P. Putnam & Son, 1867, 1870.

[———.], “The Sculptor of Albany.” Putnam’s Monthly Magazine (April 1856): 394–400.

Vindication of Hiram Powers in the ‘Greek Slave’ Controversy. Cincinnati: Office of the Great West, 1849.

W. H. F. “Art Review, The Greek Slave.” The Harbinger 7 (June 24, 1848): 62.

[Walker, Katharine C.]. “American Studios in Rome and Florence.” Harper’s New Monthly Magazine 33 (June 1866): 101–5.

Wallace, David H. John Rogers, The People’s Sculptor. Middletown, Conn.: Wesleyan University Press, 1967.

Waller, Susan. “The Artist, the Writer, and the Queen: Hosmer, Jameson, and Zenobia.” Woman’s Art Journal 4 (Spring/Summer 1983): 21–28.

Webster, J. Carson. Erastus D. Palmer. Newark: University of Delaware Press, 1983.

Wright, Nathalia. Horatio Greenough: The First American Sculptor. Philadelphia: University of Pennsylvania Press, 1963.

Wright, Nathalia, ed. Letters of Horatio Greenough, American Sculptor. University of Wisconsin Press, 1972.

Yarnall, James L., and William H. Gerdts. The National Museum of American Art’s Index to American Art Exhibition Catalogues From the Beginning Through the 1876 Centennial Year. 5 vols. Boston: G. K. Hall, 1986.

“Zenobia by Harriet Hosmer,” ([Boston]: n.p., [1863]), Boston Public Library.

Zenobia, by Harriet Hosmer, Now on Exhibition at the Fine Art Institute, Derby Galleries, No. 625 Broadway, New York (n.p., n.d.). Schlesinger Library, Radcliffe College.

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