Illustrations

Kasson, Joy S.

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Illustrations

Joy S. Kasson

Marble Queens and Captives: Women in Nineteenth-Century American Sculpture

Illustrations

Author

Joy S. Kasson

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-31597

Illustrations

CHAPTER 1

1. Tompkins H. Matteson, A Sculptor’s Studio. Collection of the Albany Institute of History & Art, Gift of Walter Launt Palmer.

CHAPTER 2

2. Mr. Henry C. Gibson’s Dining Room. Artistic Houses, Being a Series of Interior Views of a Number of the Most Beautiful and Celebrated Homes in the United States, with a Description of the Art Treasures Contained Therein, 2 vols. (New York: D. Appleton, 1883–84), 1:152.

3. Mr. F. W. Hurtt’s Parlor. Artistic Houses, 1:59.

4. Mrs. Bloomfield Moore’s Hall. Artistic Houses, 1:156.

5. “The Stewart Art Gallery.” Harper’s Weekly 23 (May 3, 1879): 348–49.

6. Mrs. A. T. Stewart’s Picture-Gallery. Artistic Houses, 1:14.

7. Mrs. A. T. Stewart’s Hall. Artistic Houses, 1:9.

8. “Interior View of Gallery—The East Room.” Cosmopolitan Art Journal 1 (October 1856): 64.

9. “Interior View of the New Gallery.” Cosmopolitan Art Journal 1 (October 1856): 32.

10. “Lost in Wonder.” Norton, Frank Leslie’s Historical Register of the United States Centennial Exposition, 54.

11. “Sketch in the Art Gallery.” Phillip T. Sandhurst and others, The Great Centennial Exhibition (Philadelphia: P. W. Ziegler, 1876), 593.

12. “Lyall’s Positive Motion Looms.” Frank Leslie’s Historical Register, 304.

13. “The Indian Department, in the United States Government Building.” Frank Leslie’s Historical Register, 100.

14. “Character Sketches in Memorial Hall and the Annex.” Frank Leslie’s Historical Register, 144.

15. “The Art Department in the Woman’s Pavillion.” Frank Leslie’s Historical Register, 208.

CHAPTER 3

16. Hiram Powers, The Greek Slave. Yale University Art Gallery, Olive Louise Dann Fund.

17. Thomas Rowlandson, The Harem, engraving. Courtesy of the Trustees of the British Museum.

18. Jean-Auguste-Dominique Ingres, Odalisque with the Slave. Fogg Art Museum, Harvard University, Cambridge, Massachusetts, Bequest of Grenville L. Winthrop.

19. James Pradier, Odalisque. Museum of Fine Arts, Lyon.

20. Jaroslav Čermák, Episode in the Massacre of Syria, engraving. Strahan, Art Treasures of America, 1: opp. 137.

21. Hiram Powers, The Greek Slave, engraving. Art-Journal 12 (1850), opp. 56.

22. “The Virginian Slave, Intended as a Companion to Powers’ ‘Greek Slave,’ “engraving. Punch 20 (1851): 236.

23. George Baxter, The Genius of the Great Exhibition, Number 3, chromolithograph. Metropolitan Museum of Art, the Elisha Whittelsey Collection, Elisha Whittelsey Fund, 1955.

24. The Greek Slave, engraving. Cosmopolitan Art Journal 2 (December 1857), between 40 and 41.

CHAPTER 4

25. Erastus Dow Palmer, The White Captive. Metropolitan Museum of Art, Gift of the Hon. Hamilton Fish, 1894.

26. Louisa Lander, Virginia Dare. Elizabethan Gardens of the Garden Club of North Carolina.

27. Erastus Dow Palmer, Indian Girl, or the Dawn of Christianity. Metropolitan Museum of Art, Gift of the Hon. Hamilton Fish, 1894.

28. Hiram Powers, The Last of the Tribes. National Museum of American Art, Smithsonian Institution, Museum Purchase.

29. Joseph Mozier, Pocahontas. Collection of Hirschl & Adler Galleries, New York.

30. Joseph Mozier, The Wept of Wish-ton-Wish. Collection of Hirschl & Adler Galleries, New York.

31. Chauncey Ives, The Willing Captive. Lincoln Park, Newark, New Jersey. Photo courtesy of the Newark Museum.

CHAPTER 5

32. Edward A. Brackett, Shipwrecked Mother and Child. Worcester Art Museum, Worcester, Massachusetts.

33. John Gibson, Model for the Monument to Sarah Byron. Royal Academy of Arts, London.

34. Henry Dexter, Emily Binney, engraving. A Concise History of, and Guide Through, Mount Auburn (Boston: Nathaniel Dearborn, 1843), 59.

35. Thomas Banks, Monument to Penelope Boothby. Ashbourne Church, Derbyshire. Photo courtesy of Royal Commission on the Historical Monuments of England.

36. Francis Chantrey, The Sleeping Children. Litchfield Cathedral, Staffordshire. Photo courtesy of Royal Commission on the Historical Monuments of England.

37. Horatio Greenough, Medora. Cloisters Children’s Museum, Baltimore. On extended loan to The Baltimore Museum of Art.

38. Erastus Dow Palmer, Grace Williams Memorial, Grace Church, Utica, New York. Photo courtesy of Index of American Sculpture, University of Delaware.

39. Erastus Dow Palmer, Sleep. New York State Office of Parks, Recreation and Historic Preservation, Olana State Historic Site.

40. Harriet Hosmer, Judith Falconnet. Church of St. Andrea del Fratte, Rome. Photo courtesy of Soprintendenza per I Beni Ambientali e Architettonici del Lazio.

41. P. Hollins, The Monument to Mrs. Thompson, engraving. Art-Journal 13 (1851), opp. 44.

42. J. Edwards, The Last Dream, engraving. Art-Journal n.s. 4 (1858): opp. 24.

43. Francis Chantry, Resignation, engraving. Art-Union 9 (1847): opp. 204.

44. Harriet Hosmer, Beatrice Cenci. From the Collections of the St. Louis Mercantile Library Association.

45. Guido Reni, attrib., Beatrice Cenci, engraving. Art-Journal n.s. 7 (1861), 104.

46. Edward A. Brackett, “The Guardian Angel.” Brackett’s Works.

47. Edward A. Brackett, “Excelsior.” Brackett’s Works.

48. Edward A. Brackett, “The Ascension.” Brackett’s Works.

49. Benjamin West, Death on the Pale Horse. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia.

50. Nicholas Poussin, The Plague at Ashdod. Louvre. Photo courtesy of Réunion des Musées Nationaux.

51. Eugène Delacroix, The Massacre at Chios. Louvre. Photo courtesy of Réunion des Musées Nationaux.

52. David D’Angiers, Barra, engraving. Art-Union 9 (1847): 281.

53. Giovanni Dupré, The Dead Abel. Louvre. Photo courtesy of Réunion des Musées Nationaux.

54. Auguste Clésinger, Woman Bitten by a Snake. Orsay Museum. Photo courtesy of Réunion des Musées Nationaux.

55. John Singleton Copley, Watson and the Shark. Photo courtesy of Museum of Fine Arts, Boston. Gift of Mrs. George van Lengerke Meyer.

56. Théodore Géricault, Raft of the Medusa. Louvre. Photo courtesy of Réunion des Musées Nationaux.

57. T. Johannot and E. Isabey, from Jacques-Henri Bernardin de Saint-Pierre, Paul et Virginie (Paris: L. Curmer, 1838): opp. 255. From copy in Rare Book Collection, UNC Library, Chapel Hill.

58. Winslow Homer, “The Wreck of the Atlantic—Cast Up by the Sea.” Harper’s Weekly 17 (April 26, 1873): 345.

CHAPTER 6

59. Harriet Hosmer, Zenobia. Photo from Taft, History of American Sculpture, 209.

60. Harriet Hosmer, Medusa. Founders Society Purchase, Robert H. Tannahill Foundation Fund, Detroit Institute of Arts.

61. Harriet Hosmer, Oenone. Collection of Washington University, St. Louis.

62. Harriet Hosmer and Her Workmen, photo. Schlesinger Library, Radcliffe College.

63. “The Prince of Wales at Miss Hosmer’s Studio.” Harper’s Weekly 3 (May 7, 1859): 293.

64. C. Von Piloty, Thusnelda, engraving. Strahan, Art Treasures of America, 1:26.

65. Harriet Hosmer at Work on Her Statue of Senator Benton, photo. Schlesinger Library, Radcliffe College.

66. Harriet Hosmer, Queen Isabella. Schlesinger Library, Radcliffe College.

CHAPTER 7

67. Chauncey Ives, Undine Receiving Her Soul. Yale University Art Gallery, Gift of Mrs. Alice A. Allen, in memory of her father Simon Sterne.

68. Joseph Mozier, Undine. University of Dayton, Dayton, Ohio.

69. Eugène Delaplanche, Eve Before the Fall. Orsay Museum. Photo courtesy of Réunion des Musées Nationaux.

70. Hiram Powers, Eve Tempted. National Museum of American Art, Smithsonian Institution. Museum purchase in memory of Ralph Cross Johnson.

71. Bertel Thorwaldsen, Aphrodite with the Apple, engraving. Strahan, Art Treasures of America, 1:3.

72. Hiram Powers, Eve Disconsolate. Collection of the Hudson River Museum of Westchester, Gift of the Berol Family in memory of Mrs. Gella Berolzheimer, 1951.

73. Hiram Powers, La Penserosa. High Museum of Art. Lent by the West Foundation. (EL 139.1986)

74. Edward Sheffield Bartholomew, Repentant Eve. Wadsworth Atheneum, Hartford.

75. Joseph Bailly, Paradise Lost, the Expulsion. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia. Bequest of Henry C. Gibson.

76. Joseph Bailly, The First Prayer. Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia. Bequest of Henry C. Gibson.

77. Antoine Étex, Cain and His Family. Museum of Fine Arts, Lyon.

78. Watcomb Terra Cotta Company, Eve Nursing Cain and Abel. Sandhurst and others, Great Centennial Exhibition, 167.

79. Chauncey B. Ives, Pandora, first version. Virginia Museum of Fine Arts, Gift of Mrs. William A. Willingham.

80. Chauncey B. Ives, Pandora’s Box, second version. Photo courtesy of Museum of Fine Arts, Boston, Gift of Mr. and Mrs. Edward L. Stone and a Friend of the Department.

81. Jean Cousin, Eva Prima Pandora. Louvre. Photo courtesy of Réunion des Musées Nationaux.

82. Jean-Pierre Cortot, Pandora. Museum of Fine Arts, Lyon.

83. Richard Westmacott, Psyche, engraving. Art-Union 10 (1848): opp. 20.

84. W. Von Höyer, Psyche, engraving. Art-Journal n.s. 3 (1857): opp. 334.

CHAPTER 8

85. William Wetmore Story, Cleopatra. Metropolitan Museum of Art, Gift of John Taylor Johnson, 1888.

86. Guido Reni, The Death of Cleopatra, engraving. Art-Journal n.s. 7 (1861): opp. 260.

87. Guido Reni, attrib., Cleopatra Applying the Asp, engraving. Cosmopolitan Art Journal 3 (December 1858), opp. 1.

88. Antonio Canova, The Mother of Napoleon, engraving. Art-Journal n.s. 4 (1852): opp. 272.

89. James Pradier, Sappho. Orsay Museum. Photo courtesy of Réunion des Musées Nationaux.

90. William Wetmore Story, Dalilah. Fine Arts Museums of San Francisco, Gift of M. H. de Young.

91. William Wetmore Story, Medea. Metropolitan Museum of Art, Gift of Henry Chauncey, 1894.

92. Medea, Copy. Original first century B.C. Museo Archaeologica Nazionale, Naples.

93. Eugène Delacroix, Medea. Museum of Fine Arts, Lille.

94. James Pradier, Medea. Museum of Art and History, Geneva.

95. Ristori as Medea, engraving. Harvard Theatre Collection.

96. Ristori as Medea, engraving. Harvard Theatre Collection.

97. Ristori as Medea with children, photo. Harvard Theatre Collection.

98. Nicaise de Keyser, Murder of the Innocents, engraving. Art-Journal n.s. 5 (1866), 6.

99. Jules Cambos, The Erring Wife, engraving. Strahan, Masterpieces of the Centennial International Exhibition, 169.

100. A. Perrault, The Bather, engraving. Strahan, Centennial International Exhibition, opp. 292.

101. V. C. Prinsep, The Death of Cleopatra, engraving. Strahan, Centennial International Exhibition, 202–3.

102. Enrico Braga, Cleopatra, engraving. Strahan, Centennial International Exhibition, 143.

103. George Becker, Rizpah Protecting the Bodies of Her Sons, engraving. Strahan, Centennial International Exhibition, 33.

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