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List of illustrations

  • A Sculptor's Studio
  • Mr. Henry C. Gibson's Dining Room
  • Mr. F. W. Hurtt's Parlor
  • Mrs. Bloomfield Moore's Hall
  • The Stewart Art Gallery
  • Mrs. A. T. Stewart's Picture-Gallery
  • Mrs. A. T. Stewart's Hall
  • Interior View of Gallery—The East Room
  • Interior View of the New Gallery
  • Lost in Wonder
  • Sketch in the Art Gallery
  • Lyall's Positive Motion Looms
  • The Indian Department, in the United States Government Building
  • Character Sketches in Memorial Hall and the Annex
  • The Art Department in the Women's Pavilion
  • Greek Slave
  • The Harem
  • Odalisque with Slave
  • Odalisque
  • Episode in the Massacre of Syria
  • The Greek Slave
  • The Virginian Slave, Intended as a Companion to Powers' Greek Slave
  • The Genius of the Great Exhibition, Number 3
  • The Greek Slave on View in the Dusseldorf Gallery
  • White Captive
  • Virginia Dare
  • Indian Girl, or Dawn of Christianity
  • The Last of the Tribes
  • Pocahontas
  • The Wept of Wish-ton-Wish
  • The Willing Captive
  • Shipwrecked Mother and Child
  • Model for the Monument to Sarah Byron
  • Emily Binney
  • Monument to Penelope Boothby
  • The Sleeping Children
  • Medora
  • Grace Williams Memorial
  • Sleep
  • Judith Falconett
  • Monument to Mrs. Thompson
  • The Last Dream
  • Resignation
  • Beatrice Cenci
  • Beatrice Cenci
  • The Guardian Angel
  • Excelsior
  • The Ascension
  • Death on the Pale Horse
  • The Plague at Ashdod
  • Scenes from the Scio Massacres
  • Barra
  • The Dead Abel
  • Woman Bitten by a Snake
  • Watson and the Shark
  • The Raft of the Medusa
  • Paul et Virginie
  • The Wreck of the Atlantic—Cast Up by the Sea
  • Zenobia
  • Medusa
  • Oenone
  • Harriet Hosmer and Her Italian Workmen
  • The Prince of Wales at Miss Hosmer's Studio
  • Thusnelda
  • Harriet Hosmer at Work on Her Statue of Senator Benton
  • Queen Isabella
  • Undine Rising from the Waters
  • Undine
  • Eve Before the Fall
  • Eve Tempted
  • Aphrodite with the Apple
  • Eve Disconsolate
  • La Penserosa
  • Repentant Eve
  • Paradise Lost: The Expulsion
  • The First Prayer
  • Cain and His Family
  • Eve Nursing Cain and Abel
  • Pandora
  • Pandora's Box
  • Eva Prima Pandora
  • Pandora
  • Psyche
  • Psyche
  • Cleopatra
  • The Death of Cleopatra
  • Cleopatra Applying the Asp
  • The Mother of Napoleon
  • Sappho
  • Dalilah
  • Medea
  • Medea
  • Medea
  • Medea
  • Ristori as Medea
  • Ristori as Medea
  • Ristori as Medea with children
  • Murder of the Innocents
  • The Erring Wife
  • The Bather
  • The Death of Cleopatra
  • Cleopatra
  • Rizpah Protecting the Bodies of Her Sons
Free
Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Contents
PublisherYale University Press
Free
Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Illustrations
PublisherYale University Press
Free
Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Like everyone who attempts to be a scholar and a parent at the same time, I am especially grateful for the gift of time. During most of the decade I worked on this book, I relied on the devoted childcare provided by Mrs. Charlotte Regester. I would like to thank the University of North Carolina at Chapel Hill for the support provided by a Pogue Leave in...
PublisherYale University Press
Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
This book examines the cultural history of a group of art objects and their reception in nineteenth-century America.An exploration of the assumptions shared by viewer and...
PublisherYale University Press
Related print edition pages: pp.1-4

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Although nineteenth-century American sculptors supported themselves primarily by sales of artworks to individual buyers, they also earned money and gained fame by exhibiting their works publicly. To understand the cultural significance of these works, we must know more about who viewed them, under what circumstances, and with what assumptions about art and what...
PublisherYale University Press
Related print edition pages: pp.21-45

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
No nineteenth-century artwork tells us more about the cultural construction of gender than Hiram Powers’ The Greek Slave of 1844 (fig. 16). This life-sized standing nude woman...
PublisherYale University Press
Related print edition pages: pp.46-72

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
The tremendous popularity of The Greek Slave inspired other American sculptors to explore the subject of the endangered but ennobled female captive. Striving for artistic recognition and social respectability, these sculptors created works that told stories of fear and desire. Captive women, caught between two worlds, raised the question of the stability of...
PublisherYale University Press
Related print edition pages: pp.73-100

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
A fascination with female victimization dominated American ideal sculpture in the mid–nineteenth century, most notably in such captivity subjects as The Greek Slave, but also in a variety of works that represented women in peril.Randolph...
PublisherYale University Press
Related print edition pages: pp.101-140

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Nineteenth-century spectators, male and female, read in ideal sculpture compelling narratives of gender. In a variety of female subjects they saw qualities and situations that they associated with their real-life attempts to understand woman’s nature and place in society. But did men and women interpret these sculptures in the same way? Or did their differing...
PublisherYale University Press
Related print edition pages: pp.141-165

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
During the years of its greatest popularity, ideal sculpture provided an occasion for its makers, purchasers, and viewers to elaborate a narrative central to nineteenth-century culture: the story of woman’s nature and woman’s destiny. Transformed into a spectacle in the most literal sense, the sculptured woman invited responses that tapped her...
PublisherYale University Press
Related print edition pages: pp.166-202

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Popular writer Grace Greenwood articulated the horror many mid-century American men and women felt about the possibility that women might display a dark and passionate, even demonic nature...
PublisherYale University Press
Related print edition pages: pp.203-240

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Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
The taste for ideal sculpture was already beginning to wane when William Wetmore Story exhibited Medea at the Centennial Exhibition in Philadelphia in 1876, and in the next few years American sculpture moved toward the more elegant beaux-arts...
PublisherYale University Press
Related print edition pages: pp.241-244

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Free
Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Selected Bibliography
PublisherYale University Press
Free
Description: Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
Index
PublisherYale University Press
Marble Queens and Captives: Women in Nineteenth-Century American Sculpture
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