List of Illustrations

Campbell, C. Jean

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List of Illustrations

C. Jean Campbell

The Game of Courting and the Art of the Commune of San Gimignano, 1290–1320

List of Illustrations

Author

C. Jean Campbell

PublisherPrinceton University Press

Stable URL: https://aaeportal.com/?id=-23577

List of Illustrations

1. Memmo di Filippuccio (attrib.), tower room decorations, north wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

2. Memmo di Filippuccio (attrib.), Bathhouse Romance (detail): The Bath, tower room, east wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

3. Romance of the Donna del Verzù, bedroom decorations, fresco, late fourteenth century, Palazzo Davanzati, Florence (Photo: Kunst-historisches Institut, Florence, by permission)

4. Council hall decorations, east wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

5. Lippo Memmi, Maestà, council hall, south wall, fresco, c. 1317, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

6. Plan of San Gimignano

7. Communal Palace, San Gimignano, begun c. 1288 (Photo: Fotografia Lensini, Siena)

8. Plans of the second and third floors, Communal Palace, San Gimignano, begun c. 1288 (Adapted from the plans published by Niccolò Rodolico and Giuseppe Marchini in I palazzi del popolo nei comuni toscani nel Medio Evo [Milan: Electa, 1962] and by Ivo Ceccarini in Palazzo Comunale di S. Gimignano [Poggibonsi: Arti grafiche Nencini, 1983])

9. Festive Cortège (detail): King and Falconers, council hall, east wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

10. Surrender of a Castle in the Sienese Territory, fresco, 1310–30, Sala del Mappamondo, Palazzo Pubblico, Siena (Photo: Fotografia Lensini, Siena)

11. Memmo di Filippuccio (attrib.), Prodigal Son: The Departure, tower room, north wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

12. Diagram of council hall decorations, Communal Palace, San Gimignano

13. Jousting and Hunting, council hall, north wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

14. Jousting and Hunting, council hall, north wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

15. Jousting and Hunting, council hall, north wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

16. Centaur Shooting a Dragon and Hunting Scene, council hall, north wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

17. Ambrogio Lorenzetti, Sala dei Nove decorations, fresco, 1338–40, Palazzo Pubblico, Siena (Photo: Fotografia Lensini, Siena)

18. Jousting and Man with Lion, council hall, south wall, fresco, 1290–91, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

19. Seal of the Guelph Party of Siena, mid-thirteenth century, Museo Civico, Siena (Photo: Fotografia Lensini, Siena)

20. Matthew Paris, Offa before King Warmund, drawing from the Lives of the Two Offas, thirteenth century, The British Library, London, MS Nero D I, fol. 2v (Photo: The British Library, by permission of The British Library)

21. Betrothal of David and Michal, illumination from an Old Testament Picture Book (the “Maciejowski Bible”), French, thirteenth century, The Pierpont Morgan Library, New York, MS 638, fol. 29v (Photo: The Pierpont Morgan Library, by permission)

22. Investiture of Charles of Anjou, fresco, late thirteenth century, Tour Ferrande, Pernes (Photo: Giraudon/Art Resource, N.Y.)

23. Courting a Lady, fresco, thirteenth century, Palazzo Finco, Bassano del Grappa (Photo: Ministero per i Beni Culturali ed Ambientali, Soprintendenza S.B.A.S. del Veneto, neg. no. 73806, by permission)

24. Storming of the Castle of Love, lid of a casket with scenes of romance, ivory, French, c. 1330–50, The Walters Art Gallery, Baltimore, no. 71.264 (Photo: The Walters Art Gallery, by permission)

25. Ambrogio Lorenzetti, Effects of Good Government in the Countryside, Sala dei Nove, fresco, 1338–40, Palazzo Pubblico, Siena (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

26. Ambrogio Lorenzetti, Effects of Good Government in the City, Sala dei Nove, fresco, 1338–40, Palazzo Pubblico, Siena (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

27. Ambrogio Lorenzetti, The Composition of Siena’s Sovereignty, Sala dei Nove, fresco, 1338–40, Palazzo Pubblico, Siena (Photo: Fotografia Lensini, Siena)

28. Ambrogio Lorenzetti, The Composition of Siena’s Sovereignty (detail): Procession of Citizens, Sala dei Nove, fresco, 1338–40, Palazzo Pubblico, Siena (Photo: Fotografia Lensini, Siena)

29. Tino da Camaino, Tribute to Charles of Calabria, tomb monument for Charles of Calabria, 1328, Santa Chiara, Naples (Photo: Foto Marburg/Art Resource, N.Y.)

30. Simone Martini, Maestà, fresco, begun 1315, Sala del Mappamondo, Palazzo Pubblico, Siena (Photo: Fotografia Lensini, Siena)

31. Diagram of tower room decorations, Communal Palace, San Gimignano

32. Adenès “le Roi” before Marie de Brabant, frontispiece for the poem Cléomadès from a manuscript collection of poetry, French, thirteenth century, Bibliothèque de l’Arsenal, Paris, MS 3142, fol. Ir (Photo: Bibliothèque Nationale, Paris, by permission)

33. Statutes of the Commune of San Gimignano, 1314, rub. 239, with marginal drawing of istrio/podestà, Archivio Storico Comunale, San Gimignano, no. 4 (MM8), fol. 103r (Photo: Fotografia Lensini, Siena)

34. Memmo di Filippuccio (attrib.), Fictive Drapery, tower room, reveal of the north window, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

35. Deodato Orlandi, Life of John the Baptist, panels, early fourteenth century, Gemäldegalerie, Staatliche Museen, Preussischer Kulturbesitz, Berlin (Photo: Staatliche Museen, Berlin, by permission)

36. Memmo di Filippuccio (attrib.), Seduction of Aristotle: Aristotle Ridden, tower room, north wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

37. Memmo di Filippuccio (attrib.), Seduction of Aristotle: The Seduction, tower room, north wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

38. Seduction of Aristotle and Fountain of Youth, front of a casket with scenes of romance, ivory, French, fourteenth century, The Walters Art Gallery, Baltimore, no. 71.264 (Photo: The Walters Art Gallery, by permission)

39. Seduction of Aristotle, detail of an embroidery with scenes of famous lovers (the “Malterer Embroidery”), German, 1310–20, Augustinermuseum, Freiburg i. Br. (Photo: Augustinermuseum, by permission)

40. Memmo di Filippuccio (attrib.), Prodigal Son: The Seduction, tower room, north wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

41. Memmo di Filippuccio (attrib.), Prodigal Son: The Expulsion, tower room, north wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

42. Prodigal Son Story, casket, ivory, French, 1325–50, Metropolitan Museum of Art, New York, no. 41.100.159, Gift of George Blumenthal, 1941 (Photos: Metropolitan Museum of Art, by permission)

43. Prodigal Son Story, fragments of a casket, front and back, ivory, French, early fourteenth century, Musée du Louvre, Paris, no. OA 2589 (Photo: Reunion des Musées Nationaux, by permission)

44. Prodigal Son Story, wax tablet covers, ivory, French, mid-fourteenth century: (left) The Walters Art Gallery, Baltimore, no. 71.279 (Photo: The Walters Art Gallery, by permission); (right) The British Museum, London, no. I.C. 365 (Photo: The British Museum, by permission of the Trustees of the British Museum)

45. Madonna della Misericordia, panel, Sienese, early fourteenth century, Pinacoteca Nazionale, Siena (Photo: Alinari/Art Resource, N.Y.)

46. Memmo di Filippuccio (attrib.), Bathhouse Romance: The Meeting, tower room, east wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

47. Memmo di Filippuccio (attrib.), Bathhouse Romance: The Bath, tower room, east wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

48. Memmo di Filippuccio (attrib.), Bathhouse Romance: The Bedding, tower room, east wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

49. Memmo di Filippuccio (attrib.), Bathhouse Romance(?): Military Adventure, tower room, south wall, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Archivio fotografico della Soprintendenza ai Beni artistici e storici di Siena)

50. Romance of Jason and Medea: Meeting at the Banquet, illumination from a manuscript of Benoit de Sainte-Maure’s Roman de Troie, Bolognese, second quarter of the fourteenth century, National Library of Russia, St. Petersburg, MS Fr. v XIV no. 3, fol. 8r (Photo: National Library of Russia, by permission)

51. Romance of Jason and Medea: Leaving the Banquet, illumination from a manuscript of Benoit de Sainte-Maure’s Roman de Troie, Bolognese, second quarter of the fourteenth century, National Library of Russia, St. Petersburg, MS Fr. v XIV no. 3, fol. 9r (Photo: National Library of Russia, by permission)

52. Romance of Jason and Medea: Medea Staring at the Moon and The Invitation to Jason, illumination from a manuscript of Benoit de Sainte-Maure’s Roman de Troie, Bolognese, second quarter of the fourteenth century, National Library of Russia, St. Petersburg, MS Fr. v XIV no. 3, fol. 9v (Photo: National Library of Russia, by permission)

53. Romance of Jason and Medea: Jason in Medea’s Bedchamber and Jason’s oath, illumination from a manuscript of Benoît de Sainte-Maure’s Roman de Troie, Bolognese, second quarter of the fourteenth century, National Library of Russia, St. Petersburg, MS Fr. v XIV no. 3, fol. 10r (Photo: National Library of Russia, by permission)

54. Romance of Jason and Medea: Medea Gives Jason the Magic Charm, illumination from a manuscript of Benoît de Sainte-Maure’s Roman de Troie, Bolognese, second quarter of the fourteenth century, National Library of Russia, St. Petersburg, MS Fr. v XIV no. 3, fol. 10v (Photo: National Library of Russia, by permission)

55. Romance of Jason and Medea: Jason’s Return from His Adventures and His Departure, illumination from a manuscript of Benoit de Sainte-Maure’s Roman de Troie, Bolognese, second quarter of the fourteenth century, St. Petersburg, National Library of Russia, MS Fr. v XIV no. 3, fol. 12v (Photo: National Library of Russia, by permission)

56. Memmo di Filippuccio (attrib.), Owl and Magpies, tower room, transom over doorway, fresco, c. 1305–15, Communal Palace, San Gimignano (Photo: Fotografia Lensini, Siena)

57. After Herrad of Landsberg, Solomon’s Entertainment and Wheel of Fortune, from the Hortus deliciarum, twelfth century, tracing from the Bastard Calques, nineteenth century, Bibliothèque Nationale, Paris, Cabinet des Estampes, Ad. 144. a. Fol., pl. 90 (Photo: Bibliothèque Nationale, Paris, by permission)

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