Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Image Credits
Anthea Callen
Description: Looking at Men: Anatomy, Masculinity and the Modern Male Body
Looking at Men: Anatomy, Masculinity and the Modern Male Body
~Every effort has been made to contact the relevant copyright holders for the images in this book. Any queries should be addressed to the author.
Author
Anthea Callen
PublisherYale University Press
Copyright© 2018 Anthea Callen
Stable URL: https://aaeportal.com/?id=-22340
View chapters with similar subject tags
Chapter images ()
Loading image navigation...
No image index could be found for this publication.
Close this Panel
Show previous images Show next images
Image Credits
Every effort has been made to contact the relevant copyright holders for the images in this book. Any queries should be addressed to the author.
© 2018 Kunsthaus Zürich: fig. 5.1
© Addison Gallery of American Art,
Phillips Academy, Andover, MA / Art Resource, NY: fig. 2.38
© Amon Carter Museum, Fort Worth, Texas: fig. 2.31
Archives de la préfecture de police, Paris, boîte Bertillon 1: fig. 4.9a
Art Gallery of New South Wales. Purchased 1888. Photo: Diana Panuccio: figs 1.1, 3.11
© Beaux-Arts de Paris, Dist. RMN-Grand Palais / image Beaux-arts de Paris: figs 0.3a, 0.3b, 0.4a, 0.11, 1.7, 1.8, 1.9, 1.11, 1.12, 1.13, 1.20, 1.22, 1.23, 1.24, 1.26, 1.27, 1.30, 4.11, 4.18, 4.29, 6.1
© Bibliothèque nationale de France, Estampes et photographie: figs 4.21, 4.22
© BnF, Dist. RMN-Grand Palais: figs 0.9, 2.1c, 2.2, 2.7
© Coll. Kröller-Mü ller Museum, Otterlo: fig. 4.38
Collection Musée Rodin, Paris: fig. 2.39
Collection Sprookjes NV, Antwerp, photo courtesy Susan Coolen: fig. 5.6
© Collection of Phoenix Art Museum, Museum purchase: fig. 2.45
Courtesy Dahesh Museum of Art, New York, 2002.30: fig. 0.5a
Courtesy Dr Andrew Bamji at the Gillies Archives: fig. 5.31
Courtesy John Locke, via magazineart.org, Erik Tweed at The Magazine in San Francisco, Michael Ward, and EphemeraForever.com: figs 4.1, 6.3
Courtesy Suzannah Biernoff: fig. 5.33
Courtesy UNISON COLOUR, Northumberland: fig. 5.30
Courtesy of the University of Pennsylvania Art Collection, Philadelphia, Pennsylvania: figs 3.1, 3.5
© Courtesy of York Museums and Gallery Trust: fig. 2.20
Courtesy Société Française de Photographie: figs 4.9b, 4.13
© Dittrick Medical History Center and Museum of Case Western Reserve University, Cleveland, Ohio: fig. 1.19
© Enrique Simonet Lombardo, VEGAP, Málaga 2004: fig. 3.7
© Gaston Paris / Coll. Roger-Viollet: fig. 2.13
Gift of the Alumni Association to Jefferson Medical College in 1878 and purchased by the Pennsylvania Academy of the Fine Arts and the Philadelphia Museum of Art: fig. 3.6
Gothenburg Museum of Art, Sweden: fig. 1.15
© Guildhall Art Gallery / City of London Corporation: fig. 2.30
© Harvard Art Museums/Fogg Museum, Gift of Mr and Mrs F. Meynier de Salinelles: fig. 2.27
Hôpital Saint Louis, Paris: fig. 5.24
© The Hunterian Museum at the Royal College of Surgeons: figs 5.17, 5.21, 5.25, 5.27, 5.32a, 5.32b
Imperial War Museum.
© IWM (Art.IWM ART 1460): fig. 5.35
© The J. Paul Getty Museum. Digital image courtesy of the Getty’s Open Content Program: figs 2.11, 2.32, 4.32
© Los Angeles County Museum of Art. Gift of Cecile C. Bartman and The Cecile and Fred Bartman Foundation (M.2007.1): fig. 2.12b
© Mauritshuis, The Hague: fig. 1.4
© Metropolitan Museum of Art: fig. 2.9 (Gift of David and Constance Yates, in honor of Karen Cohen, 1998), fig. 2.19 (Rogers Fund, 1922)
© Musée Fabre de Montpellier Méditerranée Métropole – photographie Frédéric Jaulmes: figs 2.35, 5.3
© Museo Nacional del Prado: fig. 5.26 © Museo Thyssen-Bornemisza, Madrid: fig. 5.18
Museum of Classical Archaeology, University of Cambridge: fig. 2.4
© Museum of Fine Arts Boston: fig. 2.46 (acc. no. 2011.231), fig. 4.31 (Gift of Quincy Adams Shaw through Quincy Adams Shaw, Jr., and Mrs Marian Shaw Haughton 17.1485)
Museum of Fine Arts Ghent
© Lukas-Art in Flanders vzw, photo Hugo Maertens: fig. 5.10
© National Galleries of Scotland. Purchased 1925: fig. 2.25 ©
National Gallery of Art, Washington: fig. 0.1 (Gift of the Knoxville Academy of Medicine, Knoxville, Tennessee), fig. 2.21 (Chester Dale Collection), fig. 4.30 (Paul Mellon Fund. 2001.96.13) National Gallery of Australia, Canberra. Purchased 1993: fig. 3.8
© National Gallery, London. Bought, Courtauld Fund, 1924: fig. 2.24
© National Museum of Wales, Cardiff: figs 2.8, 4.5
© Nationalmuseum, Stockholm: fig. 5.2
© The Ohio State University Medical Heritage Center: fig. 5.23
© Ordrupgaard Museum / Photo: Anders Sune Berg: fig. 2.3
© Philadelphia Museum of Art: fig. 1.17 (Gift of R. Sturgis and Marion B. F. Ingersoll, 1944), fig. 1.25 (Purchased with the SmithKline Corporation Funds, 1984)
Photo by Library of Congress/Corbis/VCG via Getty Images: fig. 2.47
Private Collection. Courtesy Brame and Lorenceau: fig. 1.10.
Private Collection. Image reproduced by permission of Sotheby’s: fig. 2.14
Public domain / Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966, 83.96: fig. 2.12a
Public domain / Library of Congress: fig. 1.16 (90708835), fig. 2.41 (2014635569), fig. 4.28 (90713111), fig. 6.2 (© F.W. Guerin, St. Louis)
Public domain / The Metropolitan Museum of Art: fig. 0.12 (H. O. Havemeyer Collection, Bequest of Mrs H. O. Havemeyer, 1929), fig. 4.3 (Bequest of Lillie P. Bliss, 1931), fig. 4.4 (Gift of Mr and Mrs Charles Wrightsman, 1973), fig. 4.14 (Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel and Rogers Fund, 1987)
Public domain / The Athenaeum / Private Collection: fig. 2.34
Public domain / WikiCommons: fig. 0.2 (Andreagrossman), fig. 4.39 (Coyau), fig. 2.16 (Jebulon), fig. 4.7a (Marie-Lan Nguyen), fig. 4.20a (Siren-Com), fig. 3.3 (Szczebrzeszynski), fig. 2.22 (OQHZqgs15ztIXQ, via Google Art Project)
Royal College of Physicians, London: fig. 3.10
© RMN-Grand Palais (Cité de la céramique, Limoges) / Tony Querrec: fig. 4.12a
© RMN-Grand Palais (Musée BonnatHelleu, Bayonne) / René-Gabriel Ojéda: figs 2.18, 4.26
© RMN-Grand Palais (Musée de l’Oise, Beauvais) / René-Gabriel Ojéda: fig. 2.33
© RMN-Grand Palais (Palais des Beaux-Arts, Lille) / René-Gabriel Ojéda: fig. 4.35
© RMN-Grand Palais (Musée des Beaux-Arts, Lyon) / René-Gabriel Ojéda: fig. 4.37
© RMN-Grand Palais (Musée d’Orsay): fig. 3.13 (A. Danvers); fig. 3.4 (Gérard Blot / Hervé Lewandowski); figs 2.10, 2.29, 2.36, 2.37, 4.2, 4.33, 5.20 (Hervé Lewandowski); fig. 4.34 (Jean-Gilles Berizzi); figs 2.23, 4.8 (Patrice Schmidt), fig. 2.26 (Tony Querrec)
© RMN-Grand Palais (Musée du Louvre) / D. Arnaudet: fig. 5.11
© Royal Academy of Arts, London. Photo: R.A./Paul Highnam: fig. 1.14
© Science Museum, London / Wellcome Collection. CC by 4.0: fig. 0.6
© Tate, London 2018: fig. 5.19
© Trustees of the British Museum: figs 0.5b, 1.6, 4.19, 4.24, 4.25 © Victoria and Albert Museum, London: fig. 2.6 © Wellcome Collection: figs 0.7, 0.8a, 0.8b, 1.3a, 1.3b, 1.5, 1.21, 1.28, 2.1a, 2.1b, 2.5a, 2.15, 2.17, 2.40, 2.43, 2.44, 4.7b, 4.10a, 4.20b, 4.23, 4.27, 5.4, 5.5a, 5.5b, 5.7, 5.8, 5.9, 5.12, 5.13, 5.14, 5.15, 5.16, 5.34a, 5.34b
Image Credits
Previous chapter