List of Illustrations

Rosenblum, Robert

Save Cite Share

Free

List of Illustrations

Robert Rosenblum

Transformations in Late Eighteenth-Century Art

List of Illustrations

Author

Robert Rosenblum

PublisherPrinceton University Press

Stable URL: https://aaeportal.com/?id=-22166

List of Illustrations

1. Joseph-Marie Vien, Selling of Cupids, Salon of 1763. Fontainebleau, Château

2. Selling of Cupids, engraving by C. Nolli (From Le Antichità di Ercolano, III, 1762, pl. VII)

3. Christian Gottfried Jüchtzer, Who’ll Buy Cupids?, 1785

4. Henry Fuseli, Selling of Cupids, ca. 1775. New York, Coll. Robert Halsband

5. Jacques-Louis David, Drawing after Selling of Cupids, ca. 1776 (From J. Adhémar, ed., David; naissance du génie d’un peintre, Monte Cario, 1953, pl. 199)

6. John Hamilton Mortimer, Sextus the Son of Pompey Applying to Erictho to Know the Fate of the Battle of Pharsalia, 1771. Formerly Coll. Appleby

7. Nicolai Abildgaard, Philoctetes, 1775. Copenhagen, Statens Museum for Kunst

8. John Flaxman, Fury of Athamas, 1790–1793. Suffolk, Ick-worth House

9. Antonio Canova, Hercules and Lichas, 1795–1815. Rome, Gallería Nazionale d’Arte Moderna

10. Warrior and Youth (Hector and Troilus?). Naples, Museo Nazionale

11. Benjamin West, Eagle Bringing the Cup to Psyche, 1805. Princeton University, The Art Museum

12. Jacques Gamelin, Torture of a Vestal Virgin, ca. 1798. Orléans, Musée des Beaux-Arts

13. Jean-François-Pierre Peyron, Athenian Youths Drawing Lots, engraving, ca. 1798

14. Pierre-Narcisse Guérin, Clytemnestra, Salon of 1817. Paris, Louvre

15. Joseph-Marie Vien, Love Fleeing Slavery, Salon of 1789. Toulouse, Musée des Augustins

16. Joseph Wright of Derby, Corinthian Maiden, 1782–1784. Upperville, Va., Coll. P. Mellon

17. Angelica Kauffmann, Ariadne. Dresden, Gemäldegalerie

18. Antoine-Jean Gros, Sappho, Salon of 1801. Bayeux, Musée de Peinture

19. François-André Vincent, Zeuxis Choosing as Models the Most Beautiful Girls of Crotona, Salon of 1789. Paris, Louvre

20. Ferdinand Hartmann, Hector’s Farewell, 1800. Dessau, Gemäldegalerie

21. Franz and Johannes Riepenhausen, Reconstruction of Polygnotos’ Sack of Troy (From F. and J. Riepenhausen, Gemählde des Polygnotos . . ., Göttingen [1805])

22. Louis-Joseph Le Lorrain, Reconstruction of Polygnotos’ Sack of Troy (From Histoire de l’Académie Royale des Inscriptions et Belles-Lettres; Mèmoires, XXVII, 1761)

23. Gavin Hamilton, Andromache Bewailing the Death of Hector, engraving by D. Cunego, 1764 (after painting of ca. 1761)

24. Jacques-Louis David, Drawing after a Roman Conclamatio, ca. 1777. Paris, Louvre

25. Nicolas Poussin, Death of Germanicus, ca. 1627. Minneapolis Institute of Arts

26. Heinrich Füger, Death of Germanicus, 1789. Vienna, Österreichische Galerie

27. Thomas Banks, Death of Germanicus, 1774. Norfolk, Holkham Hall

28. José de Madrazo, Death of Viriathus, 1818. Madrid, Museo de Arte Moderno

29. Nicolas-Guy Brenet, Death of Du Guesclin, 1778. Dunkirk, Musée des Beaux-Arts

30. François Ménageot, Death of Leonardo da Vinci, Salon of 1781. Amboise, Musée de l’Hôtel de Ville

31. Pierre-Nolasque Bergeret, Homage Offered to Raphael after His Death, Salon of 1806. Malmaison, Château

32. Jean-Baptiste Greuze, Punished Son, 1778. Paris, Louvre

33. Pierre-Alexandre Wille fils, Last Moments of a Beloved Wife, Salon of 1785. Cambrai, Musée Municipal

34. Louis Hersent, Death of Xavier Bichat, Salon of 1817. Paris, Faculté de Médecine

35. Jean-Baptiste Greuze, Inconsolable Widow, ca. 1763. London, Wallace Collection

36. Jean-Baptiste Pigalle, Tomb of Comte Henri-Claude d’Harcourt, 1771–1776. Paris, Notre-Dame

37. Jacques-Louis David, Andromache Mourning Hector, 1783. Paris, École des Beaux-Arts

38. Angelica Kauffmann, Andromache and Hecuba Weeping over the Ashes of Hector, engraving by Thos. Burke, 1772

39. Benjamin West, Agrippina with the Ashes of Germanicus, 1768. Burghley House (Northants)

40. Fleury François Richard, Valentine de Milan, engraving by C. Normand after painting at Salon of 1802 (From C. P. Landon, Annales . . . , IV, Paris, 1803, p. 13)

41. Jean-Jacques Lagrenée l’aîné, Two Widows of a Hindu Officer, Salon of 1783. Dijon, Musée des Beaux-Arts

42. Joseph Wright of Derby, Indian Widow, 1785. Derby, Museum and Art Gallery

43. Elisabeth Harvey, Malvina Mourning Oscar, Salon of 1806. Paris, Musée des Arts Décoratifs

44. François Boucher, Pastorale, Salon of 1761. London, Wallace Collection

45. Jean-Baptiste Greuze, Village Bride, Salon of 1761. Paris, Louvre

46. Anton Raphael Mengs, Parnassus, 1761. Rome, Villa Albani

47. Joseph-Marie Vien, Christ Healing the Paralytic, Salon of 1759. Marseilles, Musée des Beaux-Arts

48. Jean-Germain Drouais, Prodigal Son, 1782. Paris, St. Roch

49. Benjamin West, Elisha Raising the Shunammite’s Son, 1766. Louisville, Ky., J. B. Speed Art Museum

50. Jean-Baptiste Greuze, Septimius Severus and Caracalla, Salon of 1769. Paris, Louvre

51. Noël Hallé, Justice of Trajan, Salon of 1765. Marseilles, Musée des Beaux Arts

52. Joseph-Marie Vien, Marcus Aurelius Distributing Food and Medicine, Salon of 1765. Amiens, Musée de Picardie

53. Nicolas-Guy Brenet, Continence of Scipio, Salon of 1789. Strasbourg, Musée des Beaux-Arts

54. Nicolas-Guy Brenet, Caius Furius Cressinus Accused of Sorcery, Salon of 1777. Toulouse, Musée des Augustins

55. Jean-François-Pierre Peyron, Curius Dentatus Refusing the Gifts of the Samnites, Salon of 1787. Marseilles, Musée des Beaux-Arts

56. Louis Durameau, Continence of Bayard, Salon of 1777. Grenoble, Musée de Peinture et de Sculpture

57. Edward Penny, Generosity of Johnny Pearmain, R.A., 1782. Upperville, Va., Coll. P. Mellon

58. Louis Lagrenée l’aîné, Fabricius Luscinus Refusing the Gifts of Pyrrhus, Salon of 1777. Libourne, Musée René-Princeteau

59. Nëel Hallé, Cornelia, Mother of the Gracchi, Salon of 1779. Montpellier, Musée Fabre

60. Nicolas-Bernard Lépicié, Courage of Portia, Salon of 1777. Lille, Palais des Beaux-Arts

61. Jean-François-Pierre Peyron, Cimon and Miltiades, 1782. Paris, Louvre

62. Nicolas-Bernard Lépicié, Zeal of Mattathias, Salon of 1783. Tours, Musée des Beaux-Arts

63. Louis Lagrenée l’aîné, Fidelity of a Satrap of Darius, Salon of 1787. Aurillac, Musée Hippolyte-de-Parieu

64. Antoine-Jean Gros, Antiochus and Eleazar, 1792. St. Lô, Musée

65. Nathaniel Dance, Death of Virginia, engraving by John Gottfried Haid, 1767, after painting exhibited in 1761

66. Benjamin West, Leónidas and Cleombrotus, R.A., 1770. London, Tate Gallery

67. Jean-Simon Berthélemy, Manlius Torquatus Condemning His Son to Death, Salon of 1785. Tours, Musée des Beaux-Arts

68. Anne-Louis Girodet, Death of Camilla, 1785. Montargis, Musée

69. Jacques-Louis David, Oath of the Horatii, 1784 (Salon of 1785). Paris, Louvre

70. Gavin Hamilton, Oath of Brutus (Death of Lucretia), 1763–1764. London, Drury Lane Theatre

71. Benjamin West, Hannibal Taking the Oath, R.A., 1771. London, Kensington Palace

72. Henry Fuseli, Oath on the Rütli, 1778–1781. Zurich, Rathaus

73. Jacques-Louis David, Death of Seneca, 1773. Paris, Petit Palais

74. Jacques-Louis David, Death of Socrates, Salon of 1787. New York, Metropolitan Museum

75. Jean-François Sané, Death of Socrates, engraving by Jacques Danzel, 1786, after painting of 1762

76. Benjamin West, Death of Socrates, 1756. Nazareth, Pennsylvania, Coll. Mrs. Thos. H. A. Stites

77. Daniel Chodowiecki, Farewell of Calas, 1767. Berlin, Deutsches Museum

78. Jacques-Louis David, Lictors Returning to Brutus the Bodies of His Sons, Salon of 1789. Paris, Louvre

79. Jacques-Louis David, Triumph of the French People, 17931794. Paris, Musée Carnavalet

80. Jacques-Louis David, Tennis Court Oath. Versailles

81. Detail of Fig. 79

82. Jacques-Louis David, Death of Marat, 1793. Brussels, Musée Royal des Beaux-Arts

83. Stefano Maderno, Saint Cecilia, 1600. Rome, Santa Cecilia in Trastevere

84. Jacques-Louis David, Death of Bara (Viala?), 1794. Avignon, Musée Calvet

85. Jean-Alexandre-Joseph Falguière, Tharsicus, 1868. Paris, Louvre

86. Nicolas-Guy Brenet, Piety and Generosity of Roman Women, Salon of 1785. Fontainebleau, Château

87. Patriotic Donation by Famous Frenchwomen, September 21, 1789, engraving. Paris, Bibliothèque Nationale

88. Louis Gauffier, Generosity of Roman Women, Salon of 1791. Poitiers, Musée des Beaux-Arts

89. Anne-Louis Girodet, Drawing for Hippocrates Refusing the Gifts of Artaxerxes, 1791. Bayonne, Musée Bonnat

90. Pierre-Narcisse Guérin, Return of Marcus Sextus, Salon of 1799. Paris, Louvre

91. François Watteau de Lille, Departure of the Volunteer, ca. 1792. Paris, Musée Carnavalet

92. Jacques-Louis David, Sabines, 1799. Paris, Louvre

93. Jean-Jacques-François Le Barbier, Heroism of the Young Déstiles at the Affair of Nancy, August 30, 1790 (drawing for painting exhibited at Salon of 1795). Paris, Musée Carnavalet

94. Jean-Joseph Taillasson, Timoleon and the Syracusans, Salon of 1796. Tours, Musée des Beaux-Arts

95. François-André Vincent, Agriculture, Salon of 1796. Bordeaux, Musée des Beaux-Arts

96. Jacques-Louis David, Distribution of Eagles, December 5, 1804, Salon of 1810. Paris, Louvre

97. Antoine-Jean Gros, Napoleon in the Pesthouse at Jaffa, Salon of 1804. Paris, Louvre

98. Jean Defraine, Act of Humanity, engraving of 1783 by R. De Launay le jeune. Paris, Bibliothèque Nationale

99. Francis Wheatley, Mr. Howard Offering Relief to Prisoners, R.A., 1788. Coll. Earl of Harrowby

100. Antoine-Jean Gros, Napoleon at Eylau, Salon of 1808. Paris, Louvre

101. Battle at Eylau, Commemorative Medallion (From Ernest Babelon, Les Médailles historique du règne de Napoléon le Grand, Paris, 1922, p. 285)

102. Charles Meynier, Return of Napoleon to Isle of Lobau, Salon of 1812. Versailles

103. Pierre-Narcisse Guérin, Napoleon Pardoning the Rebels at Cairo, Salon of 1808. Versailles

104. Charles Lafond le jeune, Clemency of Napoleon toward Mile, de Saint-Simon, Who Asks Pardon for Her Father, Salon of 1810. Versailles

105. Nicolas-Guy Brenet, Metellus Saved by His Son, Salon of 1779. Nîmes, Musée des Beaux-Arts

106. Charles Lafond le jeune, Josephine at the Hospice de la Maternitè, Salon of 1806. Dunkirk, Musée des Beaux-Arts

107. Louis Hersent, Louis XVI Distributing Alms to the Poor during the Winter of 1788, Salon of 1817. Versailles

108. Eugène Delacroix, Justice of Trajan, Salon of 1840. Rouen, Musée des Beaux-Arts

109. Joseph Sylvestre, Death of Seneca, Salon of 1875. Béziers, Musée des Beaux-Arts

110. William Holman Hunt, Awakening Conscience, R.A., 1854. London, Coll. Sir Colin Anderson

111. Edouard Manet, Execution of Maximilian, 1867. Mannheim, Kunsthalle

112. Sir John Soane and pupils, Drawing of Buildings at Kew Gardens, ca. 1815 (From Sir John Soane, Lectures on Architecture, ed. Arthur T. Bolton, London, 1929, pl. 84)

113. Thomas Cole, Architect’s Dream, 1840. Toledo Museum of Art

114. Robert Adam, Osterley Park, façade. Begun 1761

115. Robert Adam, Osterley Park, Etruscan Room. 1775–1778

116. Louis-François Petit-Radel, Remodeling of Choir, St. Médard, Paris. 1784

117. P. Martini, Frontispiece to the Comte de Volney, Les Ruines . . . , 1792 (2nd ed.)

118. Wilhelm Tischbein, Goethe in the Roman Campagna, 17861787. Frankfurt-am-Main, Städelsches Kunstinstitut

119. Giovanni Battista Piranesi, Ruins of Paestum (etching), 1778

120. Hubert Robert, Ruins of a Temple, Amiens, Musée de Picardie

121. Gabriel de Saint-Aubin, Parc Monceau, 1778. Whereabouts unknown

122. Thomas Cole, Desolation (from the Course of Empire), 1836. New York Historical Society

123. François Racine de Monville, Dèsert de Retz (near Chambourcy), Column House. 1771

124. Ermenonville, Temple de la Philosophie moderne, ca. 1780

125. Joseph Vernet, Temple of the Sibyl, Tivoli (drawing). Paris, École des Beaux-Arts

126. Ermenonville, Tomb of Rousseau, ca. 1778, engraving by Mérigot fils (From Promenade ou Itinéraire des jardins d’Ermenonville, Paris, 1788, pl. 10)

127. Joseph Wright of Derby, Virgil’s Tomb, 1779. Coll. John Crompton-Inglefield

128. François Gérard, Corinne at Cape Miseno, 1822. Lyons, Musée des Beaux-Arts

129. Thévenin, Rambouillet, Laiterie. 1784

130. Claude-Louis Chatelet, Le Rocher, Folie Sainte-James, Neuilly. Coll. Jacques Lebel

131. Claude-Nicolas Ledoux, Barriere de Courcelles (destroyed), Paris (From Raval, Ledoux, Fig. 269)

132. Claude-Nicolas Ledoux, Hôtel de Thélusson, Paris. 17781781

133. Jean Barbault, Circus of Maxentius (From Les plus beaux monuments de Rome ancienne, 1761)

134. Claude-Nicolas Ledoux, Project for La Maison du Bûcheron, Saline de Chaux (From Ledoux, l’Architecture considérée . . . , Paris, 1804, pl. 102)

135. Claude-Nicolas Ledoux, Project for La Maison des Gardes Agricoles at Maupertuis

136. Claude-Nicolas Ledoux, Project for a Hospice, Saline de Chaux (From Ledoux, L’Architecture considérée . . . , Paris, 1804, pl. II)

137. Louis Le Masson, SS. Pierre et Paul, Courbevoie. 1789

138. Pierre Rousseau, Hôtel de Salm (now Palais de la Légion d’Honneur), Paris. 1782

139. Jacques-Louis David, Oath of the Horatii (drawing). Lille, Palais des Beaux-Arts

140. Claude-Nicolas Ledoux, Barriére de Clichy, Paris (drawing) (From Raval, Ledoux, Fig. 295)

141. Jean-Joseph Taillasson, Timoleon (study). Montauban, Musée Ingres

142. Jean-Jacques Lequeu, House for. M X***, 1788. Paris, Bibliothèque Nationale

143. Pierre-Adrien Pâris, Hôtel des Menus-Plaisirs, Versailles. 1787

144. Claude Cochet le jeune, Design for Revolutionary Pageant, Lyons, May 30, 7790, engraving by Gentot fils

145. Bernard Poyet (?), Rue des Colonnes, Paris. ca. 1798

146. Friedrich Gilly, Rue des Colonnes, Paris (drawing). 17971798. Berlin, Technische Hochschule, Bibliothek

147. Pierre Vignon, La Madeleine, Paris. Begun 1808

148. Alexandre-Théodore Brongniart, La Bourse, Paris. Begun 1808

149. Charles Percier and Pierre François Léonard Fontaine, Rue de Castiglione, Paris, engraving by Himely after drawing by Gilio

150. Charles Percier and Pierre François Léonard Fontaine, Arc de Triomphe du Carrousel, Paris. 1806

151. J.-A. Alavoine, Place de la Bastille in 1814 (watercolor). Paris, Musée Carnavalet

152. Jean-Auguste-Dominique Ingres, Apotheosis of Homer, 1827. Paris, Louvre

153. Jean-Auguste-Dominique Ingres, Antiochus and Stratonice, 1840. Chantilly, Musée Condé

154. Gustave Boulanger, Rehearsal of “Le Joueur de flûte” and “La Femme de Diomède” Salon of 1861. Versailles

155. Friedrich von Gartner, Pompeianum, Aschafíenburg. 1842

156. Karl Friedrich Schinkel, Design for a Museum, 1800. Radensleben bei Neuruppin, Coll. von Quast

157. Leo von Klenze, Glyptothek, Munich. 1816–1830

158. John Russell Pope, National Gallery of Art, Washington, D.C. 1937

159. Horace Trumbauer and Associates, Philadelphia Museum of Art. Begun 1919

160. Leo von Klenze, Walhalla, near Regensburg. 1816–1842

161. J. M. W. Turner, Opening of the Walhalla in 1842, R.A. 1843. London, The Tate Gallery

162. James Stuart, Temple, Hagley Park, Worcs. 1758

163. Sir William Chambers, Primitive Buildings (From Treatise on Civil Architecture, 1759, facing p. 1)

164. Sir John Soane, Project for a Dairy at Hammels, Herts (From Plans, Elevations, and Sections of Buildings, London, 1788, pl. 44)

165. Temple Rustique, Ermenonville, engraving by Mérigot fits (From Promenade ou itinéraire des jardins d’Ermenonville, Paris, 1788, pl. 12)

166. Johann Gottfried Grohmann, Tahitian Hut (From Ideenmagazine für Liebhaber von Gärten . . . , XXV, Leipzig, 1799, pl. 9)

167. John Cozens, Paestum, 1782. Oldham, Municipal Gallery

168. William Playfair, Royal Institution, Edinburgh. 1822–1836

169. John Constable, Stonehenge, 1836. London, Victoria and Albert Museum

170. Joseph Gandy, Origins of Architecture, 1838. London, Sir John Soane’s Museum

171. Antonio Gaudi, Hypostyle Hall, Park Güell, Barcelona. 1900–1914

172. Antonio Gaudí, Galleries, Park Güell, Barcelona. 1900–1914

173. Johann August Arens, Roman House, Weimar, Park. 1791–1797

174. Johann August Arens, Roman House (basement level), Weimar, Park. 1791–1797

175. Friedrich Weinbrenner, Design for an Arsenal, 1795 (From Valdenaire, Weinbrenner, Fig. 26)

176. Friedrich Gilly, Design for a Gatehouse. Berlin, Technische Hochschule, Bibliothek

177. Carl August Ehrensvärd, “Egyptian” Architecture in a Nordic Landscape (watercolor). Stockholm, Nationalmuseum

178. Étienne-Louis Boullée, Design for a Cemetery Entrance. Paris, Bibliothèque Nationale

179. Étienne-Louis Boullée, Design for a City Gate. Paris, Bibliothèque Nationale

180. Giotto, Meeting at the Golden Gate. Padua, Arena Chapel

181. Johann Wolfgang Goethe, Altar of Good Fortune, Weimar, Park, 1777

182. Peter Speeth, Women’s Prison (formerly Casern), Würzburg, 1809

183. Sir John Soane, Gatehouse, Tyringham, Bucks. 1794

184. William Blake, Breach in a City the Morning after the Battle, 1784. Pittsburgh, Coll. Charles Rosenbloom

185. George Romney, Death of Cordelia (drawing), ca. 1789. Liverpool, Walker Art Gallery

186. William Blake, Songs of Experience (title page), 1794

187. John Flaxman, Thetis Finds Achilles Mourning over the Corpse of Patroclus (from the Iliad, 1st ed., 1793)

188. John Flaxman, Design for a Commemorative Arch, 1799. Princeton University, Art Museum

189. John Flaxman, Prayer of the Daughters of Danaüs (from the Suppliants) (drawing), ca. 1793. British Museum

190. John Flaxman, Elektra Leading Procession to Agamemnon’s Tomb (from the Choëphoroe, 1st ed., 1795)

191. William Blake, Procession from Calvary, ca. 1800. London, Tate Gallery

192. John Flaxman, Oath of the Seven Against Thebes (from the Seven Against Thebes, 1st ed., 1795)

193. George Cumberland, Figures from Ghiberti’s “Gates of Paradise” (drawing). London, British Museum

194. John Flaxman, Thetis Calling Briareus to the Aid of Jupiter (from the Iliad, 1st ed., 1793)

195. Lorenzo Ghiberti, Jacob and Esau (detail) from Gates of Paradise. Florence, Baptistery

196. John Flaxman, Fall of Lucifer from La Divina Commedia (Purgatorio, Canto XII), 1st ed., 1793(?)

197. John Flaxman, Limbo, the Guiltless Throng from La Divina Commedia (Purgatorio, Canto VII), 1st ed., 1793(?)

198. John Flaxman, Celestial Steps from La Divina Commedia (Paradiso, Canto XXI), 1st ed., 1793(?)

199. John Flaxman, Circle of Angels around the Sun from La Divina Commedia (Paradiso, Canto X), 1st ed., 1793(?)

200. John Flaxman, Beatific Vision from La Divina Commedia (Paradiso, Canto XXXIII), 1st ed., 1793(?)

201. Mme. Giacomelli, Death of Jocasta (from Compositions d’après les tragedies de Sophocle, Paris, 1808)

202. John Flaxman, Lucifer from La Divina Commedia (Inferno, Canto XXXIV), 1st ed., 1793(?)

203. Sofia Giacomelli, Lucifer (From Collection de cent figures . . . pour orner la Divine Comédie du Dante . . . , Paris, 1813)

204. D. P. G. Humbert de Superville, Allegory (etching), 1801

205. Bénigne Gagneraux, Venus Wounded by Diomedes (From Dix-huit estampes au trait composées et gravées à Rome par Gagneraux [1792])

206. Francisco Goya, Procession of Monks (drawing), 1795. Madrid, Biblioteca Nacional

207. John Flaxman, Hypocrites from La Divina Commedia (Inferno, Canto XXIII), 1st ed., 1793(?)

208. Asmus Jakob Carstens, Heroes in the Tent of Achilles, 1794. Weimar, Schlossmuseum

209. Asmus Jakob Carstens, Jason’s Arrival at Iolcos. Weimar, Schlossmuseum

210. Jean-Auguste-Dominique Ingres, Venus Wounded by Diomedes, ca. 1803. Basel, Coll. Baron Robert von Hirsch

211. Pierre-Nolasque Bergeret, Battle of Austerlitz, 1806. Sèvres, Manufacture Nationale

212. William Blake, A Vision (drawing). Formerly Coll. W. Graham Robertson

213. Georges Braque, Houses at L’Estaque, 1908. Bern, Coll. H. Rupf

214. Jean-Auguste-Dominique Ingres, Room at San Gaätano (drawing), 1807. Montauban, Musée Ingres

215. Henri Matisse, Red Studio, 1911. New York, Museum of Modern Art

Previous chapter

Base text size -

Chapter images ()