Photographic Credits

Vogel, Susan Mullin

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Photographic Credits

Susan Mullin Vogel

Baule: African Art, Western Eyes

Photographic Credits

Author

Susan Mullin Vogel

PublisherYale University Art Gallery

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-22161

Photographic Credits

Photographs on the following pages were taken especially for this publication by Jerry L. Thompson: 7, 15, 25, 26, 27, 28, 29, 41, 55, 61, 70, 81, 86 (top), 95, 96, 121, 128, 135, 142, 160, 161 (right), 164, 165, 174 (bottom right), 194, 195, 198, 200 (left), 201 (top), 205, 208, 212, 222, 229 (top and middle), 230, 260, 261, 262, 271, 274, 275, 276, 282, 283, 293

The remaining photographs have been supplied by the owners of the works reproduced. Exceptions and additional credits are listed below by page number:

Hélène Adant Paris: 152 (top)

Roger Asselberghs, Brussels: 281

Ronald Atwood: 200 (right)

S. Autrum-Mulzer: 71, 168, 229 (bottom), 263

Chester Brummel: 113

Bart van Bussel: 125, 189, 291, 292

Michael Cavanagh and Kevin Montague: 187, 289

Hugues Dubois, Brussels: 129, 163, 241, 277, 283 (pins)

Alain Germond, Neuchâtel: 271 (right)

Robert Hashimoto: 202

Beatrice Hatala: 87

Fotostudio Herrebrugh: 31, 162, 276 (center)

Hickey-Robertson, Houston: 175 (bottom left)

Franko Knoury, National Museum of African Art, Eliot Elisofon Photographic Archives, Smithsonian Institution: 228

Paul Macapia: 244 (right), 273

Peter Nebel: 280

Marc-Laurent Riviere, Paris: 99, 288

Steve Tatum: 223 (left)

Sarah Wells, NY, NY: 199

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Book details

BOOKBaule: African Art, Western Eyes

Susan Mullin Vogel

https://doi.org/10.37862/aaeportal.00287

Stable URL: https://aaeportal.com/?id=-22140

The superb sculptures of the Baule people of the Ivory Coast have long been recognized in Europe and the United States as one of Africa's most significant art traditions. The work of many modern artists—Amedeo Modigliani in particular—reflects the direct influence of Baule invention and forms. This original book, filled with the insights of an author who has lived with the Baule and studied their art for more than twenty-five years, explores for the first time the full texture and details of Baule life and art. Abundant illustrations include field photographs showing artworks in the intimacy of daily lives and public performances, and museum photographs of Baule sculptures.

Susan Vogel focuses on the creation and uses of Baule works of art apart from their definition as "art" in Western eyes. She establishes a means for understanding Baule expressive culture from the perspective of the Baule individuals. In an extensive discussion of Baule experiences of art objects, she finds different kinds of looking and seeing—art that is watched (mask dances and entertainment performances), that is seen without looking (works of art too sacred or awesome to be scrutinized), that is glimpsed (sculptures made for personal shrines and kept in private rooms), and that is visible to all (elaborately decorated objects that fulfill the desire for beauty and for open display of talents).

Author

Susan Mullin Vogel

PublisherYale University Art Gallery

Yale University Press

Print publication date October 1997 (out of print)

Print ISBN 9780300073171

EISBN 9780300266498

Illustrations 237

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

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