Photographic Credits

Glass, Aaron

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Photographic Credits

Aaron Glass (Editor)

Description: Objects of Exchange: Social and Material Transformation on the Late...

Objects of Exchange: Social and Material Transformation on the Late Nineteenth-Century Northwest Coast

Photographic Credits

Author

Aaron Glass (Editor)

PublisherBard Graduate Center

Stable URL: https://aaeportal.com/?id=-21895

Photographic Credits

Photographs were taken or supplied by the lending institutions, organizations, or individuals credited in the picture captions and are protected by copyright; many names are not repeated here. Individual photographers are credited below. Permission has been sought for the use of all copyrighted illustrations in this volume. In several instances, despite extensive research, it has not been possible to locate the original copyright holder. Copyright owners of these works should write the Bard Graduate Center, 18 West 86th Street, New York, NY, 10024. Please note that all figure numbers ending with a letter refer to comparative illustrations in the catalogue section of the book.

Denis Finnin © American Museum of Natural History: Cats. 1, 2, 3, 4, 5, 6, 7, 8, 9, 9a, 10, 11, 12, 12c, 13, 13b, 14, 15, 16, 16b, 17, 17b, 18, 18b, 19, 20, 21, 21b, 22, 23, 23a, 24, 25, 25a, 25b, 26, 26a, 27, 28, 29, 30, 31, 32

Erik Gould, courtesy of the Museum of Art, Rhode Island School of Design: Cat. 17a

Dietrich Graf: Cat. 16a

Jonathan Henriksen: Cat. 19a

Donald Hurlbert: Cat. 24a

Paul Macapia: Cat. 18a

NMAI Photo Services Staff: Figs. 3.3, 5.2, 5.4

Howard Roloff: Cat. 11a

Arthur Tilley: Cat. 2a

John Weinstein: Cat. 30a

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Book details

BOOKObjects of Exchange: Social and Material Transformation on the Late Nineteenth-Century Northwest Coast

Aaron Glass (Editor)

https://doi.org/10.37862/aaeportal.00276

Stable URL: https://aaeportal.com/?id=-21877

The late nineteenth century was a period of rapid colonization and dramatic change for the indigenous peoples of the Northwest Coast of America. Objects of Exchange approaches the material culture of the period as visual evidence of shifting intercultural relations. Drawing on the collection of the American Museum of Natural History—from decorated clothing to containers, ceremonial regalia to trade goods—this book reveals the artistic traces of dynamic indigenous activity whereby objects were altered, repurposed, and adapted to meet the challenges of the time. Rather than treating the period as a climax of “traditional” art and culture, the authors suggest that we view its objects as witnesses to the dawn of an indigenous modernity. This remarkable book includes an intimate family portrait of the renowned Haida artist Charles Edenshaw; a discussion of the use of silver in economic and ceremonial contexts; and an exploration of the ways in which Tlingit women adapted beadwork to crest display as well as the tourist trade.

*This eBook is available exclusively on the A&AePortal.*

Author

Aaron Glass (Editor)

PublisherBard Graduate Center

Print publication date February 2011 (out of print)

Print ISBN 9780300174427

EISBN 9780300265989

Illustrations 152

Print Status out of print

Publisher (out of print)

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Google Books

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