Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
Aaron Glass (Editor)
Description: Objects of Exchange: Social and Material Transformation on the Late...
Bibliography
Author
Aaron Glass (Editor)
PublisherBard Graduate Center
View chapters with similar subject tags
Bibliography
Abbott, D. N. ed. The World is as Sharp as a Knife: An Anthology in Honour of Wilson Duff. Victoria: British Columbia Provincial Museum, 1982.
Abbott, Helen, Steven Brown, Lorna Price, and Paula Thurman, eds. The Spirit Within: Northwest Coast Native Art from the John. H. Hauberg Collection. Seattle: Seattle Art Museum, 1995.
Ames, Michael. Cannibal Tours and Glass Boxes: The Anthropology of Museums. Vancouver: University of British Columbia Press, 1992.
Anderson, Margaret, and Marjorie Halpin. Potlatch at Gitsegulka: William Beynon’s 1945 Field Notebooks. Vancouver: University of British Columbia Press, 2000.
Appadurai, Arjun, ed. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986.
Appleton, Le Roy H. Indian Art of the Americas. London: Charles Scribner’s Sons, 1950.
Arima, Eugene, and John Dewhirst. “Nootkans of Vancouver Island.” In Suttles, Handbook, 490.
Arnold, David. “Work and Culture in Southeastern Alaska: Tlingits and the Salmon Fisheries.” In Brian Hosmer and Colleen O’Neill, eds. Native Pathways: American Indian Culture and Economic Development in the Twentieth Century, 156–83. Boulder: University of Colorado Press, 2004.
Askren, Mique’l. “Bringing our History into Focus: Re-developing the Work of B.A. Haldane, 19th Century Tsimshian Photographer.” Backflash 24, no. 3 (2007): 41–47.
Augaitis, Daina, ed. Raven Travelling: Two Centuries of Haida Art. Exh. cat. Vancouver: Vancouver Art Gallery, 2006.
Barbeau, Marius. “Bear Mother.” The Journal of American Folklore 59 (January–March 1946): 1–12. Barbeau, Marius. Totem Poles. Vols. 1 and 2. Hull: Canadian Museum of Civilization, 1950; reprinted 1990.
Barbeau, Marius. Haida Myths: Illustrated in Argillite. National Museum of Canada Bulletin no. 127, Anthropological Series 32. Ottawa: Department of Northern Affairs and National Resources, 1953.
Barbeau, Marius. Haida Carvers in Argillite. National Museum of Canada Bulletin 139. Anthropological Series 38. Ottawa: Department of Northern Affairs and National Resources, 1957.
Barbeau, Marius. Medicine-Men on the North Pacific Coast. National Museum of Canada Bulletin 152. Anthropological Series 42. Ottawa: Department of Northern Affairs and National Resources, 1958.
Barnett, Homer. “The Nature of the Potlatch.” American Anthropologist 40 (1938): 349–58.
Baudelaire, Charles. The Painter of Modern Life and Other Essays. Edited and translated by Jonathan Mayne. London: Phaidon Press, 1964.
Berio, Janet, and Ruth Phillips. Native North American Art. Oxford: Oxford University Press, 1998.
Berman, Marshall. All that is Solid Melts into Air: The Experience of Modernity. New York: Simon and Schuster, 1982.
Beyer, Andreas, et al. The Two Art Histories: The Museum and the University. Charles W. Haxthausen, ed. Proceedings from the Clark Conference, April 9–10, 1999. Williamstown, MA: Sterling and Francine Clark Art Institute, 1999.
Bishop, Robert. American Folk Sculpture. New York: E. P. Dutton, 1974.
Black, Martha. “Displays and Captures: Some Historic Photographs from the Northwest Coast.” American Indian Art Magazine 18, no. 1 (1992): 68–80.
Black, Martha. Bella Bella: A Season of Heiltsuk Art. Toronto: Royal Ontario Museum, 1997.
Black, Martha, ed. Huupukʷanum Tupaat/Out of the Mist: Treasures of the Nuu-chah-nulth Chiefs. Exh. cat. Victoria: Royal British Columbia Museum, 1999.
Blackman, Margaret. “Totems to Tombstones: Culture Change as Viewed through the Haida Mortuary Complex 1877–1971.” Ethnology 12 (1973): 47–56.
Blackman, Margaret. “Creativity in Acculturation: Art, Architecture and Ceremony from the Northwest Coast.” Ethnohistory 23, no. 4 (1976): 387–413.
Blackman, Margaret. Window on the Past: The Photographic Ethnohistory of the Northern and Kaigani Haida. Canadian Ethnology Service, paper no.74. Mercury Series. Ottawa: National Museum of Man, 1981.
Blackman, Margaret. “Copying People: Northwest Coast Native Response to Early Photography.” BC Studies 52 (Winter 1981/82): 86–112.
Blackman, Margaret. “Haida: Traditional Culture.” In Suttles, Handbook, 255–57.
Blackman, Margaret. During My Time: Florence Edenshaw Davidson, A Haida Woman. 2nd ed. Seattle: University of Washington Press, 1992.
Boas, Franz. “Museums of Ethnology and their Classification.” Science 9 (1887): 587–89, 614.
Boas, Franz. “The Houses of the Kwakiutl Indians, British Columbia.” Proceedings of the United States National Museum, XI (1888), 197–213. Washington DC: Government Printing Office, 1889.
Boas, Franz. “First General Report on the Indians of British Columbia.” Report of the British Association for the Advancement of Science, Newcastle-Upon-Tyne Meeting, 5–59. London: Offices of the Association, 1889.
Boas, Franz. “The Decorative Arts of the Indians of the North Pacific Coast.” Bulletin of the AMNH 9 (1897): 123–176.
Boas, Franz. The Social Organization and the Secret Societies of the Kwakiutl Indians. Washington: Government Printing Office, 1897.
Boas, Franz. “Kwakiutl of Vancouver Island.” Memoirs of the American Museum of Natural History. Vol. 8, part 2, 301–522. Leiden: E.J. Brill; New York: G. E. Stechert, 1909.
Boas, Franz. Primitive Art, 1927. Reprint, New York: Dover Publications, 1955.
Boas, Franz. Kwakiutl Ethnography. Edited by Helen Codere. Chicago: University of Chicago Press, 1966.
Boas, Franz. A Franz Boas Reader: The Shaping of American Anthropology, 1883–1911. Edited by George Stocking. Chicago: University of Chicago Press, 1974.
Boas, Franz. “Facial Paintings of the Indians of Northern British Columbia.” In Jonaitis, Wealth of Thought, 107–26.
Boas, Franz, and George Hunt. “Kwakiutl Texts, Second Series,” Publications of the Jesup North Pacific Expedition. Vol. 10, part 1, 60–79. Leiden: E.J. Brill; New York: G.E. Stechert, 1906.
Boas, Franz, and George Hunt. Kwakiutl Tales. New York: Columbia University Press, 1910.
Boast, Robin, Michael Bravo, and Ramesh Srinivasan. “Return to Babel: Emergent Diversity, Digital Resources, and Local Knowledge.” The Information Society 23, no. 5 (2007): 395–403.
Bourdieu, Pierre. Homo Academicus. Stanford, CA: Stanford University Press, 1984.
Bourdieu, Pierre. The Field of Cultural Production. New York: Columbia University Press, 1993.
Boyd, Robert. The Coming of the Spirit of Pestilence: Introduced Infectious Diseases and Population Decline among Northwest Coast Indians, 1774–1874. Vancouver: University of British Columbia Press, 1999.
Bracken, Christopher. The Potlatch Papers: A Colonial Case History. Chicago: University of Chicago Press, 1997.
Brotherton, Barbara, ed. S’abadeb, The Gifts: Pacific Coast Salish Art and Artists. Exh. cat. Seattle: University of Washington Press, 2008.
Brown, Steven. Native Visions: Evolution in Northwest Coast Art from the 18th through the 20th Century. Exh. cat. Seattle: Seattle Art Museum, 1998.
Brown, Steven, et al. Art of Magic and Power 1750–1850: Masterpieces of Northwest Coast Art from the Erika and Alan R. Sawyer Collection. Duncan, BC: Howard Roloff and Son, 2006.
Brown, Steven. Transfigurations: North Pacific Coast Art. Seattle: Marquand Books, 2006.
Brown, Steven. “Tlingit Chilkat Robe.” In American Indian Art Including Property from the Collection of Frieda and Milton Rosenthal. New York: Sotheby’s, 2009.
Bunn-Marcuse, Kathryn. “Northwest Coast Silver Bracelets and the Use of Euro-American Designs.” American Indian Art Magazine 25, no. 4 (2000): 66–73, 84.
Bunn-Marcuse, Kathryn. “Precious Metals: Silver and Gold Bracelets from the Northwest Coast.” PhD dissertation. Seattle: University of Washington, 2007.
Canadian Museum of Civilization. Curatorship: Indigenous Perspectives in Post-Colonial Societies. Mercury Series, Directorate, Paper 8. Hull: Canadian Museum of Civilization, 1996.
Carlson, Roy, ed. Indian Art Traditions of the Northwest Coast. Burnaby, BC: Archaeology Press, Simon Fraser University, 1983.
Chalker, Kari, ed. Totems to Turquoise: Native North American Jewelry Arts of the Northwest and Southwest. Exh. cat. New York: Harry N. Abrams, 2004.
Christen, Kimberly. “Review of ‘Ara Irititja: Protecting the Past, Accessing the Future—Indigenous Memories in a Digital Age.’” Museum Anthropology 29, no. 1 (2006): 56–59.
Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature and Art. Cambridge MA: Harvard University Press, 1988.
Clifford, James. “Museums as Contact Zones.” In James Clifford, Routes: Travel and Translation in the Late Twentieth Century, 188–219. Cambridge MA: Harvard University Press, 1997.
Codere, Helen. Fighting with Property: A Study of Kwakiutl Potlatching and Warfare 1792–1930. Monographs of the American Ethnological Society 18. New York: J.J. Augustin, 1950.
Cole, Douglas. Captured Heritage: The Scramble for Northwest Coast Artifacts. Seattle: University of Washington Press, 1985; reprint, Norman: University of Oklahoma Press, 1995.
Cole, Douglas. Franz Boas: The Early Years, 1858–1906. Seattle: University of Washington Press, 1999.
Cole, Douglas, and Ira Chaikin. An Iron Hand upon the People: The Law against the Potlatch on the Northwest Coast. Vancouver: Douglas & McIntyre, 1990.
Collison, Nica. “Everything Depends on Everything Else.” In Augaitis, Raven Travelling, 57–69.
Collison, W. H. In the Wake of the War Canoe: A Stirring Record of Forty Years’ Successful Labour, Peril & Adventure Amongst the Savage Indian Tribes of the Pacific Coast, and the Piratical Head-Hunting Haidas of the Queen Charlotte Islands. B.C. London: Seeley Service, 1915.
Cranmer, Barbara, director. Gwishalaayt: The Spirit Wraps Around Us. (Film, 47 min). Produced by Nimpkish Wind Productions Inc., 2002.
Cruikshank, Julie. “Oral Tradition and Material Culture: Multiplying Meanings of ‘Words’ and ‘Things.’” Anthropology Today 8, no. 3 (June 1992): 5–9.
Cruikshank, Julie. “Imperfect Translations: Rethinking Objects of Ethnographic Collection.” Museum Anthropology 19, no. 1 (March 1995): 25–38.
Cruikshank, Julie. “Negotiating with Narrative.” American Anthropologist 99, no. 1 (1997): 56–69.
D’Harnoncourt, René. “Living Arts of the Indians.” Magazine of Art 34, no. 2 (1941): 7.
Dauenhauer, Nora Marks. “Tlingit At.oów: Traditions and Concepts.” In Abbott et al., The Spirit Within, 20–30.
Dauenhauer, Nora Marks, Richard Dauenhauer, and Lydia Black, eds. Anóoshi Lingít Aaní Ká/Russians in Tlingit America: The Battles of Sitka, 1802 and 1804. Seattle: University of Washington Press, 2008.
Dawn, Leslie. “K’san: Artistic, Museum, and Cultural Activity among the Gitksan Indians of the Upper Skeena River, 1920–1973.” MA thesis. University of Victoria, 1981.
Dawn, Leslie. National Visions, National Blindness: Canadian Art and Identities in the 1920s. Vancouver: University of British Columbia Press, 2006.
Deans, James. Tales from the Totems of the Haidery. Vol. 2. Edited by Oscar Lovele Triggs. Chicago: Archives of the International Folk-Lore Association. 1899.
De Laguna, Frederica. Under Mount Saint Elias: The History and Culture of the Yakutat Tlingit. Washington: Smithsonian Institution Press, 1972.
De Laguna, Frederica. “Tlingit.” In Suttles, Handbook, 212.
Delanty, Gerard. “Modernity.” In Blackwell Encyclopedia of Sociology. Edited by George Ritzer. Malden, MA: Blackwell Publishing, 1997.
DeMott, Barbara, and Maureen Milburn. Beyond the Revival: Contemporary North West Native Art. Exh. cat. Vancouver: Charles H. Scott Gallery, 1989.
Drew, Leslie and Douglas Wilson. Argillite: Art of the Haida. North Vancouver, BC: Hancock House, 1980.
Drucker, Philip. Indians of the Northwest Coast. AMNH Handbook. New York: American Museum Science Books, 1955.
Drucker, Philip. Cultures of the North Pacific Coast. Scranton, PA: Chandler Publishing Co., 1965.
Drucker, Philip, and Robert Heizer. To Make My Name Good: A Reexamination of the Southern Kwakiutl Potlatch. Berkeley: University of California Press, 1967.
Duff, Wilson. The Indian History of British Columbia. Vol. 1, The Impact of the White Man. Victoria: Provincial Museum of British Columbia, 1964.
Duff, Wilson. Arts of the Raven: Masterworks by the Northwest Coast Indian. Exh. cat. Vancouver: Vancouver Art Gallery, 1967.
Duff, Wilson. Images. Stone. BC: Thirty Centuries of Northwest Coast Indian Sculpture. Exh. cat. Seattle: University of Washington Press, 1975.
Duffek, Karen. “The Contemporary Northwest Coast Indian Art Market.” MA thesis. University of British Columbia, 1983.
Duffek, Karen, and Charlotte Townsend-Gault, eds. Bill Reid and Beyond: Expanding on Modern Native Art. Vancouver: Douglas & McIntyre, 2004.
Duncan, Kate. Northern Athapaskan Art: A Beadwork Tradition. Seattle: University of Washington Press, 1989.
Dyson, Laurel, Max Hendriks, and Stephen Grant, eds. Information Technology and Indigenous Peoples. Hershey, PA: Information Science Publishing, 2007.
Emmons, George, and Franz Boas. “The Chilkat Blanket.” Memoirs of the American Museum of Natural History. Vol. 3, part 4, 329–404. New York: American Museum of Natural History, 1907.
Emmons, George, and Frederica de Laguna. The Tlingit Indians. Seattle: University of Washington Press, 1991.
Ernst, Alice Henson. The Wolf Ritual of the Northwest Coast. Eugene: University of Oregon Press, 1952.
“Faculty and Student Initiatives,” University of Chicago, Smart Museum, http://smartmuseum.uchicago.edu/learn/university/.
Fairbanks, Jonathan, and Elizabeth Bidwell Bates. American Furniture: 1620 to the Present. New York: R. Marek, 1987
Farrand, Livingston. “Basketry Designs of the Salish Indians.” Memoirs of the American Museum of Natural History. Vol. 2, part 5, 391–399. New York: American Museum of Natural History, 1900.
Feest, Christian. “From North America.” In William Rubin, ed. “Primitivism” in 20th Century Art: Affinities of the Tribal and the Modern, 85–97. Exh. cat. New York: Museum of Modern Art, 1983.
Fisher, Robin. Contact and Conflict: Indian-European Relations in British Columbia, 1774–1890. Vancouver: University of British Columbia Press, 1977.
Fitzhugh, William, and Aron Crowell, eds. Crossroads of Continents: Cultures of Siberia and Alaska. Exh. cat. Washington DC: Smithsonian Institution Press, 1988.
Foucault, Michel. The Archaeology of Knowledge. New York: Pantheon Books, 1972.
Fowler, Bridget. Pierre Bourdieu and Cultural Theory: Critical Investigations. London: SAGE Publications, 1997. Francis, Daniel. Copying People: Photographing British Columbia First Nations, 1860–1940. Saskatoon: Fifth House Publishers, 1996.
Francis, Peter Jr. “Beads and Bead Trade in the North Pacific Region.” In William Fitzhugh and Aron Crowell, eds. Crossroads of Continents, 341.
Galois, Robert. Kwakwa̱ka̱’wakw Settlements, 1775–1920: A Geographical Analysis and Gazetteer. Vancouver: University of British Columbia Press. 1994.
Galois, Robert. “Colonial Encounters: The Worlds of Arthur Wellington Clah, 1855–1881.” BC Studies 115/116 (1997–98): 105–47.
Gaonkar, Dilip Parameshwar, ed. Alternative Modernities. Durham: Duke University Press, 2001.
Gell, Alfred. Art and Agency: An Anthropological Theory. Oxford: Clarendon Press, 1998.
Giddens, Anthony. Conversations with Anthony Giddens: Making Sense of Modernity. Stanford: Stanford University Press, 1998.
Glass, Aaron. “The Intention of Tradition: Contemporary Contexts and Contests of the Hamat’sa Dance.” In Mauzé, Coming to Shore, 279–304.
Glass, Aaron. “Was Bill Reid the Fixer of a Broken Culture or a Culture Broker?” In Duffek and Townsend-Gault, Bill Reid and Beyond, 190–206.
Glass, Aaron. “(Cultural) Objects of (Cultural) Value: Commodification and the Development of a Northwest Coast Artworld.” In Jessup and Bagg, On Aboriginal Representation in the Art Gallery, 93–114.
Glass, Aaron. ‘“The Thin Edge of the Wedge’: Dancing around the Potlatch Ban, 1922–1951.” In Naomi Jackson, ed. Dancing for Rights/Rights to Dance, 51–82. Banff, Alberta: Banff Centre Press, 2004.
Glass, Aaron. “From Cultural Salvage to Brokerage: The Mythologization of Mungo Martin and the Emergence of Northwest Coast Art.” Museum Anthropology 29, no.1 (2006): 20–43.
Glass, Aaron. “A Cannibal in the Archive: Performance, Materiality, and (In) visibility in Unpublished Edward Curtis Photographs of the Hamat’sa.” Visual Anthropology Review 25, no. 2 (2009): 128–49.
Glass, Aaron. “Frozen Poses: Hamat’sa Dioramas, Recursive Representation, and the Making of a Kwakwa̱ka̱’wakw Icon.” In Christopher Morton and Elizabeth Edwards., eds. Photography, Anthropology, and History: Expanding the Frame, 86–116. London: Ashgate Press, 2009.
Glass, Aaron. “History and Critique of the ‘Renaissance’ Discourse.” In Charlotte Townsend-Gault, Jennifer Kramer, and Ki-ke-in (Ron Hamilton), eds. The Idea of Northwest Coast Native Art: An Anthology. Vancouver: University of British Columbia Press, (in press).
Glass, Aaron, and Aldona Jonaitis. “A Miniature History of Totem Poles.” In Hall and Glascock, The Model Totem Pole (in press).
Glass, Aaron. “Indigenous Ontologies, Digital Futures: Plural Provenances and the Kwakwa̱ka̱’wakw collection in Berlin and Beyond.” In Raymond Silverman, ed. Translating Knowledge: Global Perspectives on Museum and Community (in preparation, 2011).
Gmelch, Sharon Bohn. The Tlingit Encounter with Photography. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2008.
Goddard, Pliny. Indians of the Northwest Coast. AMNH Handbook Series 10. New York: American Museum of Natural History, 1924, 1934, 1945.
Goodyear, Conger A. The Museum of Modern Art: The First Ten Years. New York: A. Conger Goodyear, 1943.
Gosden, Chris, and Frances Larson, eds. Knowing Things: Exploring the Collections at the Pitt Rivers Museum 1884–1945. Oxford: Oxford University Press, 2007.
Graburn, Nelson H. H., ed. Ethnic and Tourist Arts: Cultural Expressions from the Fourth World. Berkeley: University of California Press, 1976.
Grinev, Andrei Val’terovich. The Tlingit Indians in Russian America, 1741–1867. Lincoln: University of Nebraska, 2005.
Guédon, Marie-Françoise. “An Introduction to Tsimshian World View and Its Practitioners.” In Seguin, The Tsimshian, 137–59.
Gunther, Erna. Indians of the Northwest Coast. Exh. cat. Colorado Springs and Seattle: Taylor Museum of Colorado Springs Arts Center and Seattle Museum, 1951.
“Haida Manga.” N.d. Haida Managa. http://haidamanga.com. Accessed November 1, 2010.
Hall, Edwin Jr., Margaret Blackman, and Vincent Rickard. Northwest Coast Indian Graphics: An Introduction to the Silkscreen Print. Seattle: University of Washington Press, 1981.
Hall, June. Alaska Souvenir Spoons and the Early Curio Trade. Juneau: Gastineau Channel Historical Society, 2004.
Hall, Michael, and Pat Glascock, eds. The Model Totem Pole. Exh. cat. Saskatoon: Mendel Art Gallery (in press).
Halpin, Marjorie. “The Tsimshian Crest System: A Study Based on Museum Specimens and the Marius Barbeau and William Beynon Field Notes.” PhD dissertation. University of British Columbia, 1973.
Halpin, Marjorie. “William Beynon, Ethnographer.” In Margot Liberty, ed. American Indian Intellectuals, 141–56. St. Paul: West Publishing Co., 1976.
Halpin, Marjorie. “Viewing Objects in a Series: The Raven Rattle.” UBC Museum of Anthropology Museum Note 6. 1978.
Halpin, Marjorie. “‘Seeing in Stone’: Tsimshian Masking and the Twin Stone Masks.” In Seguin, The Tsimshian, 281–308.
Halpin, Marjorie. “A Critique of the Boasian Paradigm for Northwest Coast Art.” Culture 14, no. 4 (1994): 5–16.
Hammond, Anna, et al. “The Role of the University Art Museum and Gallery.” Art Journal 65, no. 3 (2006): 20–39.
Harkin, Michael. The Heiltsuks: Dialogues of Culture and History on the Northwest Coast. Lincoln: University of Nebraska Press, 1997.
Harris, Cole. Making Native Space: Colonialism, Resistance, and Reserves in British Columbia. Vancouver: University of British Columbia Press, 2002.
Harris, Nancy. “Reflections on Northwest Coast Silver.” In Holm, Box of Daylight, 132–36.
Harrison, Charles. Ancient Warriors of the North Pacific: The Haidas, Their Laws, Customs and Legends, with Some Historical Account of the Queen Charlotte Islands. London: H. F. & G. Witherby, 1925.
Haslehurst, Mary Alice. Days Forever Flown. New York: Gilliss Brothers, 1892.
Hawker, Ronald. Tales of Ghosts: First Nations Art in British Columbia, 1922–61. Vancouver: University of British Columbia Press, 2003.
Hawthorn, Audrey. Kwakiutl Art. Vancouver: University of British Columbia Press, 1979.
Herbst, Tony, and Joel Kopp. The Flag in American Indian Art. Cooperstown: New York State Historical Association, 1993.
Hinckley, Ted. The Canoe Rocks: Alaska’s Tlingit and the Euroamerican Frontier, 1800–1912. Lanham, MD: University Press of America, 1996.
Hobsbawm, Eric, and Terrence Ranger, eds. The Invention of Tradition. Cambridge: Cambridge University Press, 1983.
Holm, Bill. Northwest Coast Indian Art: An Analysis of Form. Seattle: University of Washington Press, 1965.
Holm, Bill. “Some More Conundrums in Northwest Coast Indian Art: a strange Kwakiutl mask, decorations on Northern carved dishes, and some more on the Copper.” Paper read at the Symposium on Northwest Coast Indian Art at UCLA, February 1975.
Holm, Bill. “Objects of Unique Artistry.” In Vaughan and Holm, Soft Gold, 31–167.
Holm, Bill. “Will the Real Charles Edenshaw Please Stand Up?: The Problem of Attribution in Northwest Coast Indian Art.” In Abbott, The World is as Sharp as a Knife, 175–200.
Holm, Bill, et al. Box of Daylight: Northwest Coast Indian Art. Exh. cat. Seattle: University of Washington Press with Seattle Art Museum, 1983.
Holm, Bill. Spirit and Ancestor: A Century of Northwest Coast Indian Art at the Burke Museum. Seattle: University of Washington Press, 1987.
Holm, Bill. “Art and Culture Change at the Tlingit-Eskimo Border.” In Fitzhugh and Crowell, Crossroads of Continents, 281–93.
Holm, Bill, and Bill Reid. Indian Art of the Northwest Coast: A Dialogue on Craftsmanship and Aesthetics. Houston: Rice University Institute for the Arts, 1975. Hoover, Alan. “Notes on the Iconography of the Haida Moon.” In Abbott, The World is as Sharp as a Knife, 143–52.
Hoover, Alan. “Charles Edenshaw: His Art and Audience.” American Indian Art Magazine 20, no. 3 (1995): 44–53.
Institut de Cultura. The Human Condition: The Dream of a Shadow. Exh. cat. Barcelona: Institut de Cultura: Museu d’Historia de la Ciutat de Barcelona, 2004.
Jacknis, Ira. “Franz Boas and Exhibits: On the Limitations of the Museum Method of Anthropology.” In Stocking, Objects and Others, 75–111.
Jacknis, Ira. “George Hunt, Collector of Indian Specimens.” In Jonaitis, Chiefly Feasts, 177–224.
Jacknis, Ira. The Storage Box of Tradition: Kwakiutl Art, Anthropologists, and Museums, 1881–1981. Washington DC: Smithsonian Institution Press, 2002.
Jensen, Doreen, and Polly Sargent. Robes of Power: Totem Poles on Cloth. Museum Note 17. Vancouver: University of British Columbia Press, 1986.
Jessup, Lynda, and Shannon Bagg, eds. On Aboriginal Representation in the Art Gallery. Hull: Canadian Museum of Civilization, 2002.
Jonaitis, Aldona. From the Land of the Totem Poles: The Northwest Coast Indian Art Collection at the American Museum of Natural History. New York: American Museum of Natural History, 1988.
Jonaitis, Aldona. Art of the Northern Tlingit. Seattle: University of Washington Press, 1989.
Jonaitis, Aldona. “Franz Boas, John Swanton, and the New Haida Sculpture at the American Museum of Natural History.” In Janet Berio, ed. The Early Years of Native American Art History, 22–61. Seattle: University of Washington Press, 1992.
Jonaitis, Aldona. Art of the Northwest Coast. Seattle: University of Washington Press, 2006.
Jonaitis, Aldona. “Smoked Fish and Fermented Oil: Taste and Smell among the Kwakwa̱ka̱’wakw.” In Elizabeth Edwards, Chris Gosden, and Ruth Phillips, eds. Sensible Objects: Colonialism, Museums and Material Culture, 141–168. London: Berg, 2006.
Jonaitis, Aldona, ed. Chiefly Feasts: The Enduring Kwakiutl Potlatch. Exh. cat. Seattle: University of Washington Press; New York: American Museum of Natural History, 1991.
Jonaitis, Aldona, ed. A Wealth of Thought: Franz Boas on Native American Art. Seattle: University of Washington Press, 1995.
Jonaitis, Aldona, and Aaron Glass. The Totem Pole: An Intercultural History. Seattle: University of Washington Press, 2010.
Joseph, Robert. “Behind the Mask.” In Macnair, Down From the Shimmering Sky, 18–35.
Joseph, Robert, ed. Listening to Our Ancestors: The Art of Native Life along the North Pacific Coast. Exh. cat. Washington DC: National Museum of the American Indian, 2006.
Kamenskii, Anatolii. Tlingit Indians of Alaska, trans. Sergei Kan. Reprint Fairbanks: University of Alaska Press, 1985.
Kan, Sergei. Symbolic Immortality: The Tlingit Potlatch of the 19th Century. Washington DC: Smithsonian Institution Press, 1989.
Kan, Sergei. Memory Eternal: Tlingit Culture and Russian Orthodox Christianity through Two Centuries. Seattle: University of Washington Press, 1999.
Kaplan, Susan, and Kristen Barsness, eds. Raven’s Journey: The World of Alaska’s Native People. Exh. cat. Philadelphia: University Museum, University of Pennsylvania, 1986.
Kaufmann, Carole N. “Functional Aspects of Argillite Carvings.” In Nelson H. H. Graburn, ed. Ethnic and Tourist Arts: Cultural Expressions from the Fourth World, 56–69. Berkeley: University of California Press, 1976.
Keane, Webb. “Money Is No Object: Materiality, Desire, and Modernity in an Indonesian Society.” In Fred Myers, ed. The Empire of Things: Regimes of Value and Material Culture, 65–90. Santa Fe: School of American Research Press, 2001.
Keddie, Grant. Songhees Pictorial: A History of the Songhees People as seen by Outsiders, 1790–1912. Victoria: Royal BC Museum, 2003.
Kendall, Laurel, and Igor Krupnik. Constructing Cultures Then and Now: Celebrating Franz Boas and the Jesup North Pacific Expedition. Washington DC: Arctic Studies Center, 2003.
Kendall, Laurel, Barbara Mathé, and Thomas Ross Miller. Drawing Shadows to Stone: The Photography of the Jesup North Pacific Expedition, 1897–1902. Exh. cat. New York: American Museum of Natural History, 1988.
King, Jonathan C.H. “Tradition in Native American Art.” In Edwin Wade, ed. The Arts of the North American Indian: Native Traditions in Evolution, 65–92. New York: Hudson Hills Press, 1986.
Koyama-Richard, Brigitte. One Thousand Years of Manga. Paris: Flammarion. 2007.
Kramer, Jennifer. Switchbacks: Art, Ownership, and Nuxalk National Identity. Vancouver: University of British Columbia Press, 2006.
Krupnik, Igor, and William Fitzhugh, eds. Gateways: Exploring the Legacy of the Jesup North Pacific Expedition, 1897–1902. Washington DC: Arctic Studies Center, 2001.
La Farge, Oliver. A Pictorial History of the American Indian. New York: Crown Publishers, 1957.
Lash, Scott, and Jonathan Friedman, eds. Modernity and Identity. Oxford: Blackwell, 1992.
Lee, Molly, and Nelson Graburn. “Diffusion and Colonial Anthropology: Theories of Change in the Context of Jesup I.” In Kendall and Krupnik, Constructing Cultures, 79–87.
Lee, Molly, ed. Not Just a Pretty Face: Dolls and Human Figurines in Alaska Native Cultures. Exh. cat. Fairbanks: University of Alaska Museum, 2000.
Lévi-Strauss, Claude. The Way of the Masks. Translated by Sylvia Modelski. Seattle: University of Washington Press, 1982.
Lidchi, Henrietta, and Hulleah J. Tsinhnahninnie, eds. Visual Currencies: Reflections on Native Photography. Edinburgh: National Museums of Scotland, 2009.
Lippard, Lucy. Partial Recall: Photographs of Native North Americans. New York: The New Press, 1992.
Lips, Julius. The Savage Hits Back. New Haven: Yale University Press, 1937.
Little, Nina Fletcher. Country Arts in Early American Homes. New York: E. P. Dutton, 1975.
Lohse, E. S., and Frances Sundt. “History of Research: Museum Collections.” In Suttles, Handbook, 88–97.
Lord, John Keast. The Naturalist in Vancouver Island and British Columbia. Vol. 1. London: Richard Bentley, 1866.
Lutz, John Sutton. Makuk: A New History of Aboriginal-White Relations. Vancouver: University of British Columbia Press, 2008.
MacDonald, George. “Cosmic Equations in Northwest Coast Indian Art.” In Abbott, The World is as Sharp as a Knife, 225–38.
MacDonald, George. Haida Monumental Art. Vancouver: University of British Columbia Press, 1983.
MacDonald, George. “Painted Houses and Woven Blankets: Symbols of Wealth in Tsimshian Art and Myth.” In Jay Miller and Carol M. Eastman, eds. The Tsimshian and Their Neighbors of the North Pacific Coast, 109–36. Seattle: University of Washington Press, 1984.
MacDonald, George. Haida Art. Seattle: University of Washington Press, 1996. Reprint, Vancouver: Douglas & McIntyre, 2006.
MacDonald, Joanne. “From Ceremonial Object to Curio: Object Transformation at Port Simpson and Metlakatla, British Columbia in the Nineteenth Century.” The Canadian Journal of Native Studies, 10, no. 2 (1990): 193–217.
Macnair, Peter. “From the Hands of Master Carpenter.” In Augaitis, Raven Travelling, 82–125.
Macnair, Peter, and Alan Hoover. The Magic Leaves: A History of Haida Argillite Carving. Victoria: British Columbia Provincial Museum, 1984.
Macnair, Peter, Alan Hoover, and Kevin Neary, eds. The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Exh. cat. Vancouver: Douglas & McIntyre, 1984.
Macnair, Peter, Robert Joseph, and Bruce Grenville. Down from the Shimmering Sky: Masks of the Northwest Coast. Exh. cat. Vancouver: Douglas & McIntyre, 1998.
Malin, Edward. Totem Poles of the Pacific Northwest Coast. Portland OR: Timber Press, 1986.
Malin, Edward. Northwest Coast Indian Painting: House Fronts and Interior Screens. Portland OR: Timber Press, 1999.
Malloy, Mary. Souvenirs of the Fur Trade: Northwest Coast Indian Art and Artifacts Collected by American Mariners 1788–1844. Cambridge MA: Peabody Museum of Archaeology and Ethnology, 2000.
“Manga Iconography.” N.d. Wikipedia, The Free Encyclopedia. http://en.wikipedia.org/wiki/Manga_iconography. Accessed November 1, 2010.
“Manga University.” N.d. How to Draw Manga, http://www.howtodrawmanga.com. Accessed November 1, 2010.
Manovich, Lev. The Language of New Media. Cambridge MA: MIT Press, 2001.
Marx, Karl. Capital: A Critique of Political Economy (1867). Translated by Ben Fowkes. Vol. 1, A Critical Analysis of Capitalist Production. Reprint, New York: Penguin, 1976.
Mattison, David, and Dan Savard. “The North-west Pacific Coast: Photographic Voyages 1866–81.” History of Photography 16 (1992): 268–88.
Mauss, Marcel. The Gift: The Form and Reason for Exchange in Archaic Societies (1925). Reprint, New York: W.W. Norton, 1990.
Mauzé, Marie, ed. The Present is Past: Some Uses of Tradition in Native Societies. Lanham: University Press of America, 1997.
Mauzé, Marie, Michael Harkin, and Sergei Kan, eds. Coming to Shore: Northwest Coast Ethnology, Tradition and Visions. Lincoln: University of Nebraska Press, 2004.
McIlwraith, T.F. The Bella Coola Indians. 2 vols. Toronto: University of Toronto Press, 1948.
McLennan, Bill. “A Matter of Choice.” In Duffek and Townsend-Gault, Bill Reid and Beyond, 37–43.
McLennan, Bill, and Karen Duffek. The Transforming Image: Painted Arts of Northwest Coast First Nations. Vancouver: University of British Columbia Press, 2000.
Meuli, Jonathan. Shadow House: Interpretations of Northwest Coast Art. Amsterdam: Harwood Academic Publishers, 2001.
Milburn, Maureen. “Louis Shotridge and the Objects of Everlasting Esteem.” In Kaplan and Barsness, Raven’s Journey, 54–90.
Miller, Daniel. Material Culture and Mass Consumption. Oxford: Blackwell, 1987.
Miller, Daniel, ed. Worlds Apart: Modernity through the Prism of the Local. London: Routledge, 1995.
Miller, Jay. Tsimshian Culture: A Light through the Ages. Lincoln: University of Nebraska Press, 1997.
Mitchell, Donald. “Sebassa’s Men.” In Abbott, The World is as Sharp as a Knife, 79–86.
Myers, Fred. “Introduction: Around and About Modernity: Some Comments on Themes of Primitivism and Modernism.” In Lynda Jessup, Antimodernism and Artistic Experience: Policing the Boundaries of Modernity, 13–25. Toronto: University of Toronto Press, 2001.
Myers, Fred. Painting Culture: The Making of an Aboriginal High Art. Durham: Duke University Press, 2002.
National Museum of the American Indian. The Changing Presentation of the American Indian: Museums and Native Cultures. Washington DC: National Museum of the American Indian, 2000.
Newcombe, Charles. “Newcombe Family, Correspondance.” British Columbia Archives, 1890s–1930s.
Neylan, Susan. The Heavens Are Changing: Nineteenth-Century Protestant Missions and Tsimshian Christianity. Montreal: McGill-Queen’s University Press, 2003.
“Notes on Haida Manga.” N.d. Geist. http://www.geist.com/photo-essays/notes-haida-manga. Accessed November 1, 2010.
“Objects of Exchange.” N.d. Bard Graduate Center Gallery. http://www.bgc.bard.edu/gallery.html. Accessed November 1, 2010.
Olson, Ronald. “Black Market in Prerogatives among the Northern Kwakiutl.” Kroeber Anthropological Society Papers, no. 1. Berkeley: University of California Press, 1950.
Ostrowitz, Judith. Privileging the Past: Reconstructing History in Northwest Coast Art. Seattle: University of Washington Press, 1999.
Ostrowitz, Judith. Interventions: Native American Art for Far-Flung Territories. Seattle: University of Washington Press, 2009.
Ostrowitz, Judith, and Aldona Jonaitis. “Postscript: Treasures of the Siwidi,” in Jonaitis, Chiefly Feasts, 251–74.
Pagh, Nancy. “An Indescribable Sea: Discourse of Women Traveling the Northwest Coast by Boat.” Frontiers: A Journal of Women’s Studies 20, no. 3 (1999): 7–11.
Penny, David, and George Longfish. Native American Art. New York: Hugh Lauter Levin Associates, 1994.
Pellizzi, Francesco, ed. Res: Journal of Anthropology and Aesthetics 52 (Autumn 2007).
Pethick, Derek. S.S. Beaver: The Ship that Saved the West. Vancouver: Mitchell Press Limited, 1970.
Phillips, Ruth B. Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700–1900. Seattle: University of Washington Press, 1998.
Phillips, Ruth B., and Christopher B. Steiner, eds. Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds. Berkeley: University of California Press, 1999.
Pohrt, Richard A. The American Indian: The American Flag. Flint, MI: Flint Institute of Arts, 1976.
Powell, Israel. Annual Report of the Department of Indian Affairs for the Year Ended 31st of December, 1881. Ottawa: Dominion of Canada, 1881.
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. London: Routledge, 1992.
Raibmon, Paige. Authentic Indians: Episodes of Encounter from the Late-Nineteenth-Century Northwest Coast. Durham: Duke University Press, 2005.
“The Relational Museum.” N.d. The Pitt Rivers Museum. http://www.prm.ox.ac.uk/RelationalMuseum.html. Accessed November 1, 2010.
Rosman, Abraham, and Paula Rubel. Feasting with Mine Enemy: Rank and Exchange among Northwest Coast Societies. New York: Praeger, 1971.
Roth, Christopher. Becoming Tsimshian: The Social Lives of Names. Seattle: University of Washington Press, 2008.
Sahlins, Marshall. Historical Metaphors and Mythical Realities. Ann Arbor: The University of Michigan Press, 1981.
Samuel, Cheryl. The Chilkat Dancing Blanket. Seattle: Pacific Search Press, 1982.
Savard, Dan. Images from the Likeness House. Victoria: Royal British Columbia Museum, 2010.
Scidmore, Eliza Ruhamah. Alaska: Its Southern Coast and the Sitkan Archipelago. Boston: D. Lothrop Company, 1885.
Scidmore, Eliza Ruhamah. “The First District of Alaska from Prince Frederick Sound to Yakutat Bay.” In Report on Population and Resources of Alaska at the Eleventh Census: 1890. Washington DC: U.S. Government Printing Office, 1893.
Scidmore, Eliza Ruhamah. “Additional to First District: The Natives.” In Report on Population and Resources of Alaska at the Eleventh Census: 1890. Washington DC: U.S. Government Printing Office, 1893.
Seguin, Margaret, ed. The Tsimshian: Images of the Past; Views for the Present. Vancouver: University of British Columbia Press, 1984.
Sewid-Smith, Daisy. Prosecution or Persecution. Cape Mudge BC: Nu-yum-balees Society, 1979.
Shane, Audrey P.M. “Power in Their Hands.” In Seguin, The Tsimshian, 160–73.
Simpson, Moira. Making Representations: Museums in the Post-Colonial Era. London: Routledge, 1996.
Sleeper-Smith, Susan, ed. Contesting Knowledge: Museums and Indigenous Perspectives. Lincoln: University of Nebraska Press, 2009.
Smetzer, Megan. “Assimilation or Resistance: The Production and Consumption of Tlingit Beadwork.” PhD dissertation, University of British Columbia, 2007.
Smetzer, Megan. “Tlingit Dance Collars and Octopus Bags: Embodying Power and Resistance.” American Indian Art Magazine 34, no.1 (2008): 64–73.
Smith, Harlan. “Primitive Industries as a Normal College Course.” Anthropological Essays: Putnam Anniversary Volume, 487–520. New York: G.E. Stechert and Co, 1909.
Smith, Harlan. “A Visit to the Indian Tribes of the Northwest Coast,” The American Museum Journal 10, no. 2 (1910): 31–42.
Spate, O.H.K. Paradise Found and Lost: The Pacific since Magellan. Vol. 3. Minneapolis: University of Minnesota Press, 1989.
Steiner, Christopher. African Art in Transit. Cambridge: Cambridge University Press, 1994.
Stewart, Hilary. Looking at Indian Art of the Northwest Coast. Vancouver: Douglas & McIntyre, 1979.
Stocking, George, ed. Objects and Others: Essays on Museums and Material Culture. Madison: University of Wisconsin Press, 1985.
Strasser, Susan. Waste and Want: A Social History of Trash. New York: Henry Holt, 2000.
Suttles, Wayne. “The Halkomelem Sxwayxwey.” American Indian Art Magazine 8, no. 1 (1982): 56–65.
Suttles, Wayne, ed. The Northwest Coast. Vol. 7. The Handbook of North American Indians. Washington DC: Smithsonian Institution Press, 1990.
Swan, James. “Indians of Cape Flattery, at the entrance to the Strait of Fuca, Washington Territory.” In Contributions to Knowledge 16, no. 8, 1–106. Washington DC: Smithsonian Institution, 1870.
Swanton, John. “Contributions to the Ethnology of the Haida” (also known as “The Haida of Queen Charlotte Islands”). Memoirs of the American Museum of Natural History. Vol. 8, part 1. Leiden: E. J. Brill; New York: G. E. Stechert, 1905.
Swanton, John. “Haida Texts—Masset dialect.” Memoirs of the American Museum of Natural History. Vol. 14, part 2, 273–812. Leiden: E. J. Brill; New York: G. E. Stechert, 1908.
Taylor, Colin F., ed. The Native Americans: The Indigenous People of North America. London: Salamander, 1991.
Thom, Ian. Challenging Traditions: Contemporary First Nations Art of the Northwest Coast. Vancouver: Douglas & McIntyre, 2009.
Thomas, Nicholas. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Cambridge MA: Harvard University Press, 1991.
Thomas, Nicholas, and Diane Losche, eds. Double Vision: Art Histories and Colonial Histories in the Pacific. Cambridge: Cambridge University Press, 1999.
Townsend-Gault, Charlotte. “Rethinking Food Vessels: The Interpretation of a Category of Kwakiutl Property.” PhD dissertation, University College London, 1988.
Townsend-Gault, Charlotte. “Northwest Coast Art: The Culture of the Land Claims.” American Indian Quarterly 18, no. 4 (1994): 445–67.
Townsend-Gault, Charlotte. “Art, Argument and Anger on the Northwest Coast.” Contesting Art: Art, Politics and Identity in the Modern World. Edited by Jeremy MacClancy, 131–64. Oxford: Berg, 1997.
Townsend-Gault, Charlotte. “Circulating Aboriginality.” Journal of Material Culture 9, no. 2 (2004): 183–202.
Turner, Robert. The Pacific Princess: An Illustrated History of Canadian Pacific Railway’s Princess Fleet on the Northwest Coast. Victoria: Sono Nis Press, 1977.
Van Dyke, Beth. “Northwest Coast Indian Silver in the Nineteenth Century.” MA thesis, University of San Francisco, 1975.
Vaughn, Thomas, and Bill Holm. Soft Gold: The Fur Trade and Cultural Exchange on the Northwest Coast of America (1982). Exh. cat. Reprint, Portland: Oregon Historical Society, 1990.
Victor-Howe, Anne-Marie. Feeding the Ancestors: Tlingit Carved Horn Spoons. Cambridge, MA: Peabody Museum Press, 2007.
Wardwell, Allen. Objects of Bright Pride: Northwest Coast Indian Art from the American Museum of Natural History. Exh. cat. New York: Center for Inter-American Relations, 1978.
Wardwell, Alan. Tangible Visions: Northwest Coast Indian Shamanism and its Art. New York: Monacelli Press with the Corvus Press, 1996.
Webster, Gloria Cranmer. “The Contemporary Potlatch.” In Jonaitis, Chiefly Feasts, 227–48.
Weiner, Annette. Inalienable Possessions: The Paradox of Keeping-While-Giving. Berkeley: University of California Press, 1992.
White, James, ed. “Handbook of Indians of Canada.” Appendix to the Tenth Report of the Geographic Board of Canada, 260–61. Ottawa: Geographic Board of Canada, 1913.
White, Richard. The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815. Cambridge: Cambridge University Press, 1991.
“Wiki: What Is Wiki.” N.d. Wiki, http://www.wiki.org/wiki.cgi?WhatIsWiki. Accessed November 1, 2010.
“Wikidot – Free and Pro Wiki Hosting.” N.d. Wikidot. http://www.wikidot.com/. Accessed November 1, 2010.
Willard, Mrs. Eugene. Life in Alaska. Philadelphia: Presbyterian Board of Publication, 1884.
Williams, Carol J. Framing the West: Race, Gender, and the Photographic Frontier in the Pacific Northwest. Oxford: University of Oxford Press, 2003.
Williams, Maria Shaa Tláa, ed. The Alaska Native Reader: History, Culture, Politics. Durham: Duke University Press, 2009.
Wright, Robin K. “Anonymous Attributions: A Tribute to a Mid-Nineteenth Century Haida Argillite Pipe Carver, the Master of the Long Fingers.” In Holm, Box of Daylight, 139–42.
Wright, Robin K. “Haida Argillite Pipes.” MA thesis. University of Washington, 1977.
Wright, Robin K. “Haida Argillite Ship Pipes.” American Indian Art Magazine 5, no. 1 (1979): 40–47.
Wright, Robin K. “Hlgas7agaa: Haida Argillite.” In Abbott et al., The Spirit Within, 131–41.
Wright, Robin K. “Two Haida Artists from Yan: Will John Gwaytihl and Simeon Stilthda Please Step Apart?” American Indian Art Magazine 23, no. 3 (1998): 42–57, 106–7.
Wright, Robin K. “Edenshaw, Charles.” In Dictionary of Canadian Biography Online. University of Toronto/Université Laval, 2000. [http://www.biographi.ca/009004–119.01-e.php?&id_nbr=7354. Accessed November 1, 2010].
Wright, Robin K. Northern Haida Master Carvers. Seattle: University of Washington Press, 2001.
Wright, Robin K. “Nineteenth Century Haida Argillite Carvings: Documents of Cultural Encounter.” In Mary Louise Krumrine and Susan Clare Scott, eds. Art and the Native American: Perceptions, Reality, and Influence, 224–45. University Park: Pennsylvania State Press, 2002.
Wyatt, Victoria. Shapes of Their Thoughts: Reflections on Culture Contact in Northwest Coast Indian Art. Exh. cat. New Haven: Peabody Museum of Natural History, 1984.
Wyatt, Victoria. Images from the Inside Passage: An Alaskan Portrait by Winter & Pond. Exh. cat. Seattle: University of Washington Press, 1989.
Yahgulanaas, Michael Nicoll. Red: A Haida Manga. Vancouver: Douglas & McIntyre, 2009.
Yahgulanaas, Michael Nicoll, with Wangari Maathai and His Holiness the Dalai Lama. Flight of the Hummingbird: A Parable for the Environment. Vancouver: Douglas & McIntyre, 2008.
Zamir, Shamoon. “Native Agency and the Making of The North American Indian: Alexander B. Upshaw and Edward S. Curtis.” American Indian Quarterly 31, no. 4 (2007): 613–53.
Interview References
Brown, Pam (Heiltsuk). Interviewed by Aaron Glass, July 29, 2009.
Chuuchkamalthnii/Ron Hamilton (Nuu-chah-nulth). Interviewed by Aaron Glass, July 13, 2010.
Cranmer, Donna (Kwakwa̱ka̱’wakw). Interviewed by Aaron Glass, July 20, 2009, and July 11, 2010.
Crosby, Marcia (Haida/Tsimshian). Interviewed by Aaron Glass, July 26, 2009, and July 5, 2010.
Davidson, Florence (Haida). Interviews by Margaret Blackman, 1977–79.
Dick, Beau (with Kerrie Dick and Wayne Alfred; Kwakwa̱ka̱’wakw). Interviewed by Aaron Glass, July 17, 2009, and July 10, 2010.
Nicolson, Marianne (Kwakwa̱ka̱’wakw). Interviewed by Aaron Glass, October 3, 2009.
Wasden, William Jr. (Kwakwa̱ka̱’wakw). Interviewed by Aaron Glass, July 20 and 22, 2009.
Wilson, Lyle (Haisla). Interviewed by Aaron Glass, July 27, 2009, and July 2, 2010.
Yahgulanaas, Michael Nicoll (Haida). Class visit on October 22, 2009, and interviewed by Aaron Glass on July 4, 2010.
Group of Haida women including Ina Bell, Lucy Bell, Joyce Bennett, Carrie Carty, Christine Carty, Leona Clow, Amy Edgars, Sandy Gagnon, Clara Hugo, Arianne Medley, Goldie Swanson, Mary Swanson, and Candace Weir. Collection visit to AMNH with Laila Williamson and Aaron Glass, November 9, 2009.