Selected Bibliography

Mancini, JoAnne Marie

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Selected Bibliography

JoAnne Marie Mancini

Description: Pre-Modernism: Art-World Change and American Culture from the Civil War to the...

Pre-Modernism: Art-World Change and American Culture from the Civil War to the Armory Show

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Author

JoAnne Marie Mancini

PublisherPrinceton University Press

https://doi.org/10.37862/aaeportal.00096.012

Stable URL: https://aaeportal.com/?id=-18517

Selected Bibliography

Abbott, Andrew D. The System of Professions: An Essay on the Expert Division of Labor. Chicago: University of Chicago Press, 1988.

Abrahams, Edward. The Lyrical Left: Randolph Bourne, Alfred Stieglitz, and the Origins of Cultural Radicalism in America. Charlottesville: University Press of Virginia, 1986.

Abrams, Ann Uhry. “Catalyst for Change: American Art and Revolution, 1906-1915.” Ph.D. diss., Emory University, 1975.

Acton, David. A Spectrum of Innovation: Color in American Printmaking, 1890-1960. New York: W. W. Norton and Company, 1990.

Adams, Clinton, ed. Second Impressions: Modern Prints and Printmakers Reconsidered. Albuquerque: University of New Mexico Press, 1996.

Agee, William C. “New Perspectives: Stanton Macdonald-Wright in the Twentieth Century.” In Color, Myth, and Music: Stanton Macdonald-Wright and Synchromism, ed. Will South. Raleigh: North Carolina Museum of Art, 2001.

———. “Willard Huntington Wright and the Synchromists: Notes on the Forum Exhibition.” Archives of American Art Journal 24, no. 3 (1984): 10-15.

Allaback, Sarah. “‘Better than Silver and Gold’: Design Schools for Women in America, 1848-1860.” Journal of Women’s History 10, no. 1 (spring 1998): 88-107.

Altshuler, Bruce. The Avant-Garde in Exhibition: New Art in the Twentieth Century. Berkeley and Los Angeles: University of California Press, 1998.

Anderson, Benedict. Imagined Communities. London: Verso, 1983.

Antliff, Allan. Anarchist Modernism: Art, Politics, and the First American Avant-Garde. Chicago: University of Chicago Press, 2001.

Arrowsmith, Alexandra, and Thomas West, eds. Two Lives: A Conversation in Paintings and Photographs. New York: HarperCollins in association with the Phillips Collection, Washington, D.C., 1992.

Auther, Elissa. “Materials That Make a Difference: Non-Art, Media, and the Hierarchy of Art and Craft in American Art of the 1960s and ’70s.” Ph.D. diss., University of Maryland, 2001.

Baigell, Matthew. “American Landscape Painting and National Identity: The Stieglitz Circle and Emerson.” Art Criticism 4, no. 1 (1987): 27-47,

Bailyn, Bernard. The Ideological Origins of the American Revolution. Cambridge, Mass.: Harvard University Press, 1967.

Barnhill, Georgia Brady, Diana Korzenik, and Caroline F. Sloat, eds. The Cultivation of Artists in Nineteenth-Century America. Worcester, Mass.: American Antiquarian Society, 1997.

Battersby, Christine. Gender and Genius: Toward a Feminist Aesthetics. London: Women’s Press, 1989.

Baxandall, Michael. Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. New York: Oxford University Press, 1972.

Beard, Rick, and Leslie Cohen Berlowitz, eds. Greenwich Village: Culture and Counterculture. New Brunswick, N.J.: Rutgers University Press in association with the Museum of the City of New York, 1993.

Becker, Howard S. Art Worlds. Berkeley and Los Angeles: University of California Press, 1982.

Beckert, Sven. The Monied Metropolis: New York City and the Consolidation of the American Bourgeoisie, 1850-1896. New York: Cambridge University Press, 2001.

Bender, Thomas. New York Intellect: A History of Intellectual Life in New York City, from 1750 to the Beginnings of Our Own Time. New York: Knopf, 1987.

Bendix, Deanna Marohn. Diabolical Designs: Paintings, Interiors, and Exhibitions of James McNeill Whistler. Washington, D.C.: Smithsonian Institution Press, 1995.

Benjamin, Walter. Illuminations. Ed. Hannah Arendt. Trans. Harry Zohn. New York: Schocken Books, 1969.

Benson, Susan Porter. Counter Cultures: Saleswomen, Managers, and Customers in American Department Stores, 1890-1940. Urbana: University of Illinois Press, 1986.

Berger, Klaus. Japonisme in Western Painting from Whistler to Matisse. New York: Cambridge University Press, 1980.

Berlant, Jeffrey Lionel. Profession and Monopoly: A Study of Medicine in the United States and Great Britain. Berkeley and Los Angeles: University of California Press, 1975.

Bienenstock, Jennifer A. Martin. “The Formation and Early Years of the Society of American Artists, 1877-1884.” Ph. D. diss., City University of New York, 1983.

Bing, Samuel. Artistic America, Tiffany Glass, and Art Nouveau. Ed. Robert Koch. Cambridge, Mass.: MIT Press, 1970.

Bixler, Paul. “Little Magazine, What Now?” Antioch Review 8, no. 1 (spring 1948). Reprinted in “1941-1950: The First Decade.” Antioch Review 50, nos. 1-2 (winter-spring 1992): 75-88.

Blanchard, Mary W. “Embroidery, Enterprise, and the Modernist Vision in Gilded Age America.” American Quarterly 54, no. 4 (Dec. 2002): 661-79.

———. “‘It Is Surprising That There Are Any Happy Wives’: The Art Interchange, 1878-1886.” Journal of Women’s History 8, no. 3(1996): 36-65.

Blaugrund, Annette. “The Tenth Street Studio Building.” Ph.D. diss., Columbia University, 1987.

———. “The Tenth Street Studio Building: A Roster, 1857-1895.” American Art Journal 14, no. 2 (1982): 64-71.

———, ed. Paris 1889: American Artists at the Universal Exposition. Philadelphia and New York: Pennsylvania Academy of the Fine Arts and Harry N. Abrams, 1989.

Bledstein, Burton. The Culture of Professionalism. New York: W. W. Norton, 1976.

Blesh, Rudi. Modern Art USA: Men, Rebellion, and Conquest, 1900-1956. New York: Alfred A. Knopf, 1956.

Bogardus, R. F. “The Reorientation of Paradise: Modern Mass Media and Narratives of Desire in the Making of American Consumer Culture.” American Literary History 10, no. 3 (1998): 508-23.

Bogart, Michele K. Advertising, Artists, and the Borders of Art. Chicago: University of Chicago Press, 1995.

———. Public Sculpture and the Civic Ideal in New York, 1880-1930. Chicago: University of Chicago Press, 1989.

Boime, Albert. The Academy and French Painting in the Nineteenth Century. New Haven, Conn., and London: Yale University Press, 1986.

Boris, Eileen. Art and Labor: Ruskin, Morris, and the Craftsman Ideal in America. Philadelphia: Temple University Press, 1986.

Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Trans. Richard Nice. Cambridge, Mass.: Harvard University Press, 1984.

Bowman, Leslie Greene. American Arts and Crafts: Virtue in Design. Los Angeles: Los Angeles County Museum of Art in association with Bulfinch Press/Little, Brown and Company, 1990.

Brennan, Marcia. “Abstract Passion: Images of Embodiment and Abstraction in the Art and Criticism of the Alfred Stieglitz Circle.” Ph.D. diss., Brown University, 1997.

Briggs, Charles, and Richard Bauman. “‘The Foundation of All Future Researches’: Franz Boas, George Hunt, Native American Texts, and the Construction of Modernity.” American Quarterly 51, no. 3 (Sept. 1999).. 479-528.

Brooks, Van Wyck. Fenollosa and His Circle. New York: E. P. Dutton and Co., 1962.

Brown, JoAnne. The Definition of a Profession: The Authority of Metaphor in the History of Intelligence Testing, 1890-1930. Princeton, N. J.: Princeton University Press, 1992.

Brown, Milton. The Story of the Armory Show. Greenwich, Conn.: New York Graphic Society, 1963.

———. American Painting from the Armory Show to the Depression. Princeton, N.J.: Princeton University Press, 1955.

Bryant, Keith L., Jr. William Merritt Chase, A Genteel Bohemian. Columbia: University of Missouri Press, 1991.

Bunnell, Peter C. Degrees of Guidance: Essays in Twentieth-Century American Photography. New York: Cambridge University Press, 1993.

———, ed. A Photographic Vision: Pictorial Photography, 1889-1923. Salt Lake City: Peregrine Smith, Inc., 1980.

Bürger, Peter. Theory of the Avant-Garde. Trans. Michael Shaw. Minneapolis: University of Minnesota Press, 1984.

Burke, Doreen Bolger, ed. In Pursuit of Beauty: Americans and the Aesthetic Movement. New York: The Metropolitan Museum of Art and Rizzoli, 1986.

Burns, Sarah. Inventing the Modern Artist: Art and Culture in Gilded Age America. New Haven, Conn., and London: Yale University Press, 1996.

———. Pastoral Inventions: Rural Life in Nineteenth-Century American Art and Culture. Philadelphia: Temple University Press, 1989.

Burt, Nathaniel. Palaces for the People: A Social History of ‘the American Art Museum. Boston: Little, Brown, 1977.

Busby, Ken, and Anne Morand. “Art and the Critic.” Gilcrease Journals, no. 2 (2000-2001): 18-35.

Bushell, S. W. Oriental Ceramic Art: Illustrated by Examples from the Collection of W. T. Walters, with One Hundred and Sixteen Plates in Colors and Over Four Hundred Reproductions in Black and White. New York: D. Appleton and Co., 1897.

Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham, N.C.: Duke University Press, 1987.

Calo, Mary Ann. “African American Art and Critical Discourse between World Wars.” American Quarterly 51, no. 3 (Sept. 1999): 586-87.

———. “Bernard Berenson and America.” Archives of American Art Journal 36, no. 2 (1996): 8-18.

———. Bernard Berenson and the Twentieth Century. Philadelphia: Temple University Press, 1994.

Cary, Richard. The Genteel Circle: Bayard Taylor and His New York Friends. Ithaca, N.Y.: Cornell University Press, 1952.

Chen, Constance Jing Shue. “From Passion to Discipline: East Asian Art and the Culture of Modernity in the United States, 1876-1945.” Ph.D. diss., University of California, Los Angeles, 2000.

Chesterton, Laura Prieto. “A Cultural History of Professional Women Artists, 1830 to 1930.” Ph.D. diss., Brown University, 1998.

Clapper, Michael Roy. “I Was Once a Barefoot Boy!’: Cultural Tensions in a Popular Chromo.” America n Art 16, no. 2 (summer 2002).

———. “Popularizing Art in Boston, 1865-1910: L. Prang and Company and the Museum of Fine Arts.” Ph.D. diss., Northwestern University, 1997.

———. “Art, Industry, and Education in Prang’s Chromolithograph Company.” Proceedings of the American Antiquarian Society 105, no. 1 (1995): 145-61.

Clark, Eliot Can dee. History of the National Academy of Design, 1825-1953. New York: Columbia University Press, 1954.

Clark, Lenore. “Forbes Watson: Independent Revolutionary.” Ph.D. diss., University of Oklahoma, 1995.

Clark, T. J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton, N. J.: Princeton University Press, 1984.

Clarke, Robert Judson, ed. The Arts and Crafts Movement in America, 1876-1916. Princeton, N.J.: Princeton University Press, 1972.

Cole, Jr., David Allen. “The Rhetoric of Degeneracy and Evolutionism in the American Critical Response to Modern Art, 1908-1921.” Ph.D. diss., University of Texas-Austin, 1996.

Coleman, Laurence Vail. The Museum in America: A Critical Study. Washington, D.C.: American Association of Museums, 1939.

Conn, Steven. Museums and American Intellectual Life, 1876-1926. Chicago: University of Chicago Press, 1998.

Conrads, Margaret C. Winslow Homer and the Critics: Forging a National Art in the 1870s. Princeton, N.J.: Princeton University Press in association with the Nelson-Atkins Museum of Art, 2001.

Cook, Clarence Chatham. Transformations and Migrations of Certain Statues in the Cesnola Collection. New York: Gaston L. Feuardent, 1881(?).

Corn, Wanda. The Great American Thing: Modern Art and National Identity, 1915-1935. Berkeley and Los Angeles: University of California Press, 1999.

———. “Coming of Age: Historical Scholarship in American Art.” Art Bulletin 70, no. 2 (June 1988): 188-207.

———. The Color of Mood: American Tonalism, 1880-1920. San Francisco: M. H. de Young Memorial Museum and the California Palace of the Legion of Honor, 1972.

Corneh, Alice M., ed. Art as Image: Prints and Promotion in Cincinnati, Ohio. Athens: Ohio University Press in association with the University of Cincinnati Digital Press, 2001.

Cowdrey, Mary Bartlett, et al. American Academy of Fine Arts and American Art-Union. New York: New York Historical Society, 1953.

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. New York: Cambridge University Press, 1990.

Crosby, Everett U. Chromos. Nantucket, Mass.: Tetaukimmo Press, 1954.

Crow, Thomas. “The Birth and Death of the Viewer: On the Public Function of Art.” In DIA Foundation Discussions in Contemporary Culture, no. 1, ed. Hal Foster, 1-9. Seattle: Bay Press, 1987.

Crunden, Robert. American Salons: Encounters with European Modernism, 1885-1917. New York: Oxford University Press, 1993.

———. Ministers of Reform: The Progressives’ Achievement in American Civilization, 1889-1920. New York: Basic Books, 1982.

Currie, Gregory. An Ontology of Art. Basingstoke, United Kingdom: Macmillan in association with the Scots Philosophical Club, 1989.

Danto, Arthur C, ed. The Wake of Art: Criticism, Philosophy, and the Ends of Taste. Amsterdam: G + B Arts International, 1998.

Davidson, Abraham. Early American Modernist Painting, 1910-1935. New York: Harper and Row, 1981.

Davidson, Cathy N. Revolution and the Word: The Rise of the Novel in America. New York: Oxford University Press, 1986.

Deardourff, Elisabeth Griffith. “The New Spirit: The Armory Show and Its Impact on Modern Art in America, 1913-1929.” M.A. thesis, Johns Hopkins University, 1973.

Dearinger, David B., ed. Rave Reviews: American Art and Its Critics, 1826-1925. New York: National Academy of Design, 2000.

Dijkstra, Bram. The Hieroglyphics of a New Speech: Cubism, Stieglitz, and the Early Poetry of William Carlos Williams. Princeton, N.J.: Princeton University Press, 1969.

DiMaggio, Paul J. “Cultural Entrepreneur-ship in Nineteenth-Century Boston: The Creation of an Organizational Base for High Culture in America.” In Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies, ed. Chandra Mukerji and Michael Schudson, 374-97. Berkeley and Los Angeles: University of California Press, 1991.

Dinnerstein, Lois. “Opulence and Ocular Delight, Splendor and Squalor: Critical Writings in Art and Architecture by Mariana Griswold Van Rensselaer.” Ph.D. diss., City University of New York, 1979.

Docherty, Linda Jones. “A Search for Identity: American Art Criticism and the Concept of the Native School, 1876-1893.” Ph.D. diss., University of North Carolina at Chapel Hill, 1985.

Doss, Erika. Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism. Chicago: University of Chicago Press, 1991.

Douglas, Ann. Terrible Honesty: Mongrel Manhattan in the 1920s. New York: Farrar, Straus, and Giroux, 1995.

———. The Feminization of American Culture. New York: Knopf, 1977.

Drucker, Johanna. Theorizing Modernism: Visual Art and the Critical Tradition. New York: Columbia University Press, 1994.

———. The Visible Word: Experimental Typography and Modern Art, 1909-1923. Chicago: University of Chicago Press, 1994.

Duncan, Carol, and Alan Wallach. “The Universal Survey Museum.” Art History 3, no. 4 (Dec. 1980): 448-74.

Dunlop, Ian. The Shock of the New: Seven Historic Exhibitions of Modern Art. London: Weidenfeld and Nicolson, 1972.

Edsforth, Ronald, and Larry Bennett, eds. Popular Culture and Political Change in Modern America. Albany: State University of New York Press, 1991.

Egbert, Donald D. “The Idea of ‘Avant-Garde’ in Art and Politics.” American Historical Review 73 (Dec. 1967): 339-66.

Einreinhofer, Nancy. The American Art Museum: Elitism and Democracy. London and Washington, D.C.: Leicester University Press, 1997.

Eisenman, Stephen F., et al. Nineteenth-Century Art: A Critical History. London: Thames and Hudson, 1994.

Eldredge, Charles C. “The Arrival of European Modernism.” Art in America 61 (July-Aug. 1973): 34-41.

Evans, Paul. Art Pottery of the United States. New York: Feingold and Lewis Publishing, 1987.

Everdell, William. The First Moderns: Profiles in the Origins of Twentieth-Century Thought. Chicago: University of Chicago Press, 1997.

Ewen, Stuart. All Consuming Images: The Politics of Style in Contemporary Culture. New York: Basic Books, 1988.

Fanning, Kathryn. “American Temples: Presidential Memorials of the American Renaissance.” Ph.D. diss., University of Virginia, 1996.

Faulkner, Peter. Modernism. New York: Routledge, 1977.

Fay, Stephanie Wasielewski. “American Pictorial Rhetoric: Describing Works of Art in Fiction and Art Criticism, 1820-1875.” Ph.D. diss., University of California at Berkeley, 1982.

Ferber, Linda S., and William H. Gerdts, eds. The New Path: Ruskin and the American Pre-Raphaelites. New York: Schocken Books and the Brooklyn Museum, 1985.

Fidler, Patricia. Art with a Mission: Objects of the Arts and Crafts Movement. Lawrence, Kan.: Spencer Museum of Art, 1991.

Fink, Lois Marie. Academy: The Academic Tradition in American Art. Washington, D.C.: Smithsonian Institution Press, 1975.

Finlay, Nancy. “Some Influences on the Color Woodcuts of Arthur Wesley Dow.” Harvard Library Bulletin 35, no. 2 (1987): 184-200.

———. Artists of the Book in Boston, 1890-1910. Boston: Houghton Library, 1985.

Fiske, John. Understanding Popular Culture. Boston: Unwin Hyman, 1989.

Floyd, Margaret Henderson. “A Terra-Cotta Cornerstone for Copley Square: Museum of Fine Arts, Boston, 1870-1876, by Sturgis and Brigham.” Journal of the Society of Architectural Historians 32, no. 2 (May 1973): 83-103.

Fox, Richard Wightman, and T. J. Jackson Lears, eds. The Power of Culture: Critical Essays in American History. Chicago: University of Chicago Press, 1993.

———. The Culture of Consumption: Critical Essays in American History, 1880-1980. New York: Pantheon Books, 1983.

Frank, Waldo, et. al. America and Alfred Stieglitz: A Collective Portrait. Garden City, N.Y.: Doubleday, Doran and Co., 1934.

Frederickson, George. The Inner Civil War: Northern Intellectuals and the Crisis of the Union. New York: Harper and Row, 1965.

Freeman, Larry. Louis Prang: Color Lithographer, Giant of a Man. Watkins Glen, N. Y.: Century House, 1971.

Fried, Michael. Art and Objecthood: Essays and Reviews. Chicago: University of Chicago Press, 1998.

Garvey, Ellen Gruber. The Adman in the Parlor: Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996.

Gee, Malcolm, ed. Art Criticism since 1900. Manchester, England: Manchester University Press, 1993.

Gerdts, William H., et al. Ten American Painters. New York: Spanierman Gallery, 1990.

Goldwater, Robert. “Problems of Criticism, I: Varieties of Critical Experience.” Artforum (Sept. 1967).

Goodrich, Lloyd. Pioneers of Modern Art in America: The Decade of the Armory Show, 1910-1920. New York: Praeger/Whitney Museum of American Art, 1963.

Green, Jonathan. Camera Work: A Critical Anthology. Millerton, N.Y.: Aperture, 1973.

Green, Martin. New York 1913: The Armory Show and the Paterson Strike Pageant. New York: Scribner’s, 1988.

Green, Nancy E. Arthur Wesley Dow and His Influence. Ithaca, N.Y.: Herbert F. Johnson Museum of Art, 1990.

Green, Nancy E., and Jessie Poesch. Arthur Wesley Dow and American Arts and Crafts. New York: American Federation of Arts in association with Harry N. Abrams, 1999.

Greenberg, Clement. “Avant-Garde and Kitsch.” In Clement Greenberg: The Collected Essays and Criticism, vol. 1., ed. John O’Brien. Chicago: University of Chicago Press, 1986.

Greene, Theodore P. America’s Heroes: The Changing Models of Success in American Magazines. New York: Oxford University Press, 1970.

Gross, Larry, ed. On the Margins of Art Worlds. Boulder, Colo.: Westview Press, 1995.

Guilbaut, Serge. How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War. Trans. Arthur Goldhammer. Chicago: University of Chicago Press, 1983.

Haber, Samuel. The Quest for Authority and Honor in the American Professions, 1750-1900. Chicago: University of Chicago Press, 1991.

Haines, Robert. The Inner Eye of Alfred Stieglitz. Washington, D.C.: University Press of America, 1982.

Hall, Peter Dobkin. The Organization of American Culture, 1700-1900: Private Institutions, Elites, and the Origins of American Nationality. New York: New York University Press, 1982.

Halle, David. Inside Culture: Art and Class in the American Home. Chicago: University of Chicago Press, 1993.

Halligan, Emily Julia. “Art Criticism in America before The Crayon: Perceptions of Landscape Painting, 1825-1855.” Ph.D. diss., University of Delaware, 2000.

Haltunnen, Karen. Confidence Men and Painted Women: A Study of Middle-Class Culture in America, 1830-1870. New Haven, Conn., and London: Yale University Press, 1982.

Hamburger, Robert. Two Rooms: The Life of Charles Erskine Scott Wood. Lincoln: University of Nebraska Press, 1998.

Harbert, Earl, and Ellen Harbert. “Art Criticism in America, 1865-1880: The Early Voices of Dis sent.” Journal of American Studies 8 (Aug. 1974): 203-10.

Harris, Neil. Cultural Excursions: Marketing Appetites and Cultural Tastes in Modern America. Chicago: University of Chicago Press, 1990.

———. The Artist in American Society: The Formative Years, 1790-1860. Chicago: University of Chicago Press, 1982.

———. Humbug: The Art of P. T. Barnum. Chicago: University of Chicago Press, 1973.

———. “The Gilded Age Revisited: Boston and the Museum Movement.” American Quarterly 14 (winter 1962): 545-66.

Haskell, Thomas. The Emergence of Professional Social Science: The American Social Science Association and the Nineteenth-Century Crisis of Authority. Urbana: University of Illinois Press, 1977.

———, ed. The Authority of Experts: Studies in History and Theory. Bloomington: Indiana University Press, 1984.

Hatch, Nathan O., ed. The Professions in American History. Notre Dame, Ind.: University of Notre Dame Press, 1988.

Herwitz, Daniel. Making Theory/Constructing Art: On the Authority of the Avant-Garde. Chicago: University of Chicago Press, 1993.

Hiesinger, Ulrich W. Impressionism in America: The Ten American Painters. Munich: Prestel, 1991.

Hills, Patricia. Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910. New York: Whitney Museum of Art, 1977.

Holton, Robert J. “Multicultural Citizenship: The Politics and Poetics of Public Space.” In. Democracy, Citizenship, and the Global City, ed. Engin F. Isin, 189-202. London: Routledge, 2002.

Homer, William Innes. Alfred Stieglitz and the Photo-Secession. Boston: Little, Brown, 1983.

———. Alfred Stieglitz and the American Avant-Garde. Boston: New York Graphic Society, 1977.

———. Robert Henri and His Circle. Ithaca, N.Y.: Cornell University Press, 1969.

———, ed. Avant-Garde Painting and Sculpture in America 1910-1925. Wilmington: Delaware Art Museum, 1975.

Hook, Dorothy Jean. “Fenollosa and Dow: The Effect of an Eastern and Western Dialogue on American Art Education.” Ph.D. diss., Pennsylvania State University, 1998.

Horowitz, Helen Lefkowitz. Culture and the City: Cultural Philanthropy in Chicago from the 1880s to 1917. Lexington: University Press of Kentucky, 1976.

Howe, Winifred. A History of the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 1913.

Hughes, Edan Milton. Artists in California, 1786-1940. Ann Arbor, Mich.: Braun-Brumfield, 1989.

Jay, Martin. “Modernism and the Specter of Psychologism.” Modernism/Modernity 3, no. 2 (1996): 93-111.

Johns, Elizabeth. Thomas Eakins: The Heroism of Modern Life. Princeton, N. J.: Princeton University Press, 1983.

Kaplan, Wendy. The Art That Is Life: The Arts and Crafts Movement in America, 1875-1920. Boston: Museum of Fine Arts, 1987.

Karl, Frederick R. Modern and Modernism: The Sovereignty of the Artist, 1885-1925. New York: Atheneum, 1985.

Karp, Ivan, and Steven D. Lavine, eds. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, D.C.: Smithsonian Institution Press, 1991.

Kaufmann, Edgar, Jr. “Frank Lloyd Wright’s Mementos of Childhood.” Journal of the Society of Architectural Historians 41, no. 3 (1982): 232-37.

———. “Form Became Feeling: A New View

of Froebel and Wright.” Journal of the Society of Architectural Historians 40, no. 2(1981) .-130-37.

Keen, Kirsten Hoving. American Art Pottery, 1875-1930. Wilmington: Delaware Art Museum, 1978.

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Kern, Stephen. The Culture of Time and Space, 1880-1918. Cambridge, Mass.: Harvard University Press, 1983.

Kiefer, Geraldine Wojno. “Alfred Stieglitz, Camera Work, and Cultural Radicalism.” Art Criticism 7, no. 2 (1992): 1-20.

Kimball, Bruce A. The “True Professional Ideal” in America: A History. Cambridge, Mass.: Blackwell, 1992.

Kinnard, Cynthia D. “Mariana Griswold Van Rensselaer, 1851-1934: America’s First Professional Woman Art Critic.” In Women as Interpreters of the Visual Arts, 1820-1979, ed. Claire Richter Sherman with Adele Holcomb, 181-205. Westport, Conn.: Greenwood Press, 1981.

———. “The Life and Works of Mariana Griswold Van Rensselaer, American Art Critic.” Ph.D. diss., Johns Hopkins University, 1977.

Kinsey, Joni Louise. Thomas Moran and the Surveying of the American West. Washington, D.C., and London: Smithsonian Institution Press, 1992.

Korzenik, Diana. Drawn to Art: A Nineteenth-Century American Dream. Hanover, N.H.: University Press of New England, 1985.

Krauss, Rosalind. The Originality of the Avant-Garde and Other Modernist Myths. Cambridge, Mass.: MIT Press, 1985.

Kuspit, Donald. The Cult of the Avant-Garde Artist. New York: Cambridge University Press, 1993.

Landgren, Marchai E. Years of Art: The Story of the Art Students’ League of New York. New York: R. M. McBride& Company, 1940.

Lang, Gladys Engel, and Kurt Lang. Etched in Memory: The Building and Survival of Artistic Reputation. Chapel Hill: University of North Carolina Press, 1990.

Larkin, Oliver. Art and Life in America. New York: Holt, Rinehart, and Winston, 1960.

Larson, Magali Sarfatti. The Rise of Professionalism. Berkeley and Los Angeles: University of California Press, 1977.

Lears, T. J. Jackson. “The Concept of Cultural Hegemony.” American Historical Review go (June 1985): 567-93.

———. No Place of Grace: Antimodernism and the Transformation of American Culture, 1880-1920. New York: Pantheon Books, 1981.

Leja, Michael. “Modernism’s Subjects in the United States.” Art Journal 55, no. 2 (summer 1996): 65-72.

———. Reframing Abstract Expressionism: Painting and Subjectivity in the 1940s. New Haven, Conn., and London: Yale University Press, 1993.

Levine, Lawrence. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America. Cambridge, Mass.: Harvard University Press, 1988.

Livingston, James. Pragmatism and the Politicai Economy of Cultural Revolution, 1850-1940. Chapel Hill: University of North Carolina Press, 1994.

Longwell, Dennis. Steichen: The Master Prints, 1895-1914. Boston: New York Graphic Society, 1978.

Loughery, John. “Charles Caffin and Willard Huntington Wright, Advocates of Modern Art.” Arts 59, no. 5 (1985): 103-9.

Lowe, Sue Davidson. Stieglitz: A Memoir/Biography. New York: Farrar, Straus, and Giroux, 1983.

Ludington, Townsend. Marsden Hartley: The Biography of an American Artist. Boston: Little, Brown, 1992.

Lynes, Barbara Buhler. O’Keeffe, Stieglitz, and the Critics, 1916-1929. Chicago: University of Chicago Press, 1989.

Lynes, Russell. The Tastemakers. New York: Harper, 1954.

Macbeth Gallery. Fiftieth Anniversary Exhibition, 1892-1942. New York: Macbeth Gallery, 1942.

MacDonald, Stuart. The History and Philosophy of Art Education. New York: American Elsevier Publishing, 1970.

Macleod, Dianne Sachko. Art and the Victorian Middle Class: Money and the Making of Cultural Identity. Cambridge: Cambridge University Press, 1996.

MacLeod, Glen. Wallace Stevens and Modern Art: From the Armory Show to Abstract Expressionism. New Haven, Conn., and London: Yale University Press, 1993.

Mansfield, Elizabeth, ed. Art History and Its Institutions: Foundations of a Discipline. London: Routledge, 2002.

Marchand, Roland. Advertising the American Dream: Making Way for Modernity, 1920-1940. Berkeley and Los Angeles: University of California Press, 1985.

Marzio, Peter. The Democratic Art: Pictures for a 19th-Century America. Boston: David R. Godine, 1979.

Masten, April F. “The Work of Art: American Women Artists and Market Democracy, 1820-1880.” Ph.D. diss., Rutgers University, 1999.

———. “Art, Money, and Cultural Power in America.” Reviews in American History 21 (1993): 69-74.

McCabe, Cynthia Jaffee. The Golden Door: Artist-Immigrants of America, 1876-1976. Washington, D.C.: Smithsonian Institution Press, 1976.

McCarthy, Kathleen D. Women’s Culture: American Philanthropy and Art, 1830-1930. Chicago: University of Chicago Press, 1991.

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