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Index
JoAnne Marie Mancini
Description: Pre-Modernism: Art-World Change and American Culture from the Civil War to the...
Pre-Modernism: Art-World Change and American Culture from the Civil War to the Armory Show
Index
Author
JoAnne Marie Mancini
PublisherPrinceton University Press
Copyright© 2005 Princeton University Press
https://doi.org/10.37862/aaeportal.00096.013
Stable URL: https://aaeportal.com/?id=-18518
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Index
Note: American regional art associations, institutions, schools, and exhibitions are listed under individual cities.
Adams, Adeline, 150–51
Adams, Charles L., 59–60
Agee, William, 192
The Aldine, 62
Alexander, John White, 31–33, 42, 57, 85, 94, 190
and Armory Show, 141–42, 147
portrait of A. H. Stephens, 31
Alsop-Robineau, Adelaide, 53, 94, 94
Treatment of Cup and Saucer, 54, fig. 29
American Academy of Arts and Letters, 101–2
American Academy of the Fine Arts, 46
American Architect and Building News, 102
American Art, 62
The American Art Printer, 62, 80, 87, 90, 200
color series, 195–96, 199
“Specimens,” 64–65, fig. 37
The American Art Review, 27–28, 36, 42–43, 62, 75, 142, 173, 195, figs, 2, 15, 18, 24, 36, 42
“American Art Chronicle,” 28, 72, 90
content of, 26, 28, 71–72, 76, 91, 97
“Notes on Hokusai,” 12
“original etchings” for, 52, 71, 86–87
and Christmas card contests, 41, 77
reviews in, 33, 64, 71–72, 102, 111
American Association of Painters and Sculptors, 133, 140–42
American Baptist Publishing Society, 75
American Federation of Art, 137
American Water-Color Society, 50, 63, 73
LAnnée Artistique, 73
Anthony, Susan B., 209
Antliff, Allan, 201
Arensberg, Walter, 152
Armory Show (International Exhibition of Modern Art), 7, 77, 131, 133–57, 162, 188, 216, 235n.9
commemorative stamp for, 132, 134, 142, fig. 61
Arnold, Matthew, 208
The Art Age, 62
The Art Amateur, 27–28, 62, 90–94, 102, 112, 116, 131, figs. 1, 8, 87, 53, 54, 55
advertising in, 94–95, fig. 55
“Art Publications,” 26
“Art Supplement,” 80
content of, 26, 28, 36, 57, 87–88, 91–94, 97, 102
design of, 21
“Fancy Work,” 22, fig. 8
Menu Cards, 6, 12, fig. 1
“Working Designs,” 91–92, fig. 53
Art and Progress, 137
The Art Critic, 63
art criticism, 9–11, 26–27, 33, 62–68, 115, 142, 160
and Armory Show, 136–57, 188
Greenberg on, 112–15
and institution-building, 125, 138, 141–43, 145, 152, 157. 160, 167
language of, 64, 100, 145–55, 157
and Modern Art tables, 26–27
and modernism, 104, 114–16, 138–39, 144–57, 176–79, 188, 215
and museums, 66–68
professionalism in, 9, 64, 101–7, 109–12, 115–16, 120–21, 124–25, 138–39, 147, 149, 152, 155, 160
and postmodernism, 216–17
and Serra’s Tilted Arc, 216–20
Art Education, 57
art education, 53–62, 87, 186, 220
and art schools, 9–10, 46, 54–55
and Boston School Committee, 38, 62
and color study, 38–39, 194–201
Cook on, 106, 109
and kindergarten movement, 39, 200, 220
and Massachusetts Drawing Act, 38, 46, 55–60, 62, 87, 109, 196
materials for public schools, 9, 38–39, 196–97
in military academies, aio
and museums, 48–49, 58
for professional artists, 54, 100, na
and public schools, 38, 46, 55, 85, 210
training teachers for, 56. See also art schools
The Art Folio, 62
Art Index, 73
The Art Interchange, 42, 62, 90
Artists’ Fund Society, 232n.20
The Art Journal, 62
Art Notes, 52
The Art Review, 62
The Arts, 63
The Art Student, 62
Art Students League, 31, 185
The Art Union, 36–37, 43, 66, 91, 228n.76
Art Union of Philadelphia, 228n.76
The Art Worker, 62, 90
Associated Artists firm, 42
Atlantic Monthly, 46, 102, 210
Avery, Samuel Putnam, 232n.43
Ball, Katherine M., 22–23
Baltimore, Md., Decorative Arts Society, 78
Barnum, P. T., 43
Barnumesque, 130–31, 147
Barr, Alfred H., n, 182
Bartholomew, W. H., 80
Bartholomew, W. N., 90
Barye, Antoine Louis, Study of a Tiger, 152
Baudrillard, Jean, 202
Beard, J. C, Painting on Chinalo Beard, William H., artist after, “Main Entrance and Building” of The Metropolitan Museum, 66–67, fig. 38
Beardsley, Aubrey, 26, 224n.5
Beckwith, J. Carroll, 77
Bellows, George, 51, 202
Belmont, August, 72
Bender, Thomas, 99
Benjamin, S. G. W., 64, 103, 111, 172
Benjamin, Walter, 81, 118
Benton, Thomas Hart, 207
Bezold, Wilhelm von, The Theory of Color, 41, 80, 194–95
Bierstadt, Albert, 25, 43, 78
Heart of the Andes, 170
The Rocky Mountains, Lander’s Peak, 170
Blake, Casey Nelson, 216
Blanchard, Mary, 42, 97
Blashfield, Edwin H., 133, 139, 143–44, 154, 182
Blaugrund, Annette, 31, 43
Bluemner, Oscar, 201
Blumenschein, Ernest, 154
Bogart, Michelle, 37
Bonheur, Rosa, Horse Fair, 130
Boston, Mass.: Boston Society of Architects’ Decorative Arts Exhibition, 63
Rowland Gallery, 185
St. Botolph Club, 51, 59, 78, 185–87. See also Museum of Fine Arts, Boston
Bouguereau, Adolphe-William, 78
Bouvy, Firmin, 104
Bowditch, Henry Inger soil, 76
Bowditch, Nathaniel, 76
Bowles, Janet Payne, 20, 53, 84, 94, 97
Bowles, Joseph Moore, 17–21, 26, 32, 42
and Camera Work, 178–79
and McClure’s, 28, 42
and Modern Art, 17–21, 23–28, 34–35, 37, 42, 84, 178–79
Bradley, Milton, 38–41, 84–85, 97, 177, 205, 209
color system of, 60, 195–97, 200
Elementary Color, 38–39, 195
games of, 40, 87
Lincoln, lithograph of, 39
Paradise of Childhood, 39
photograph of, 39, fig. 20
Two-Axel Color Mixing Device, 195
Water Colors in the Schoolroom, 38
and Work and Play, 40
Bradley, Milton, & Co. See Milton Bradley & Co.
Brady, Matthew, 121
Brandt, Carl A., 66
Brennan, Alfred Laurens, 70
Bridgman, Frederick Arthur, 83
Brinton, Christian, 155–57
Brooklyn, N.Y.: Art Association, 31
Pratt Institute, 57
Brown, Jo Anne, 100
Browne, Ella O., 51
Brush and Pencil, 28, 63, 90–91, 225n.46
Büchloh, Benjamin, 216–17
Buffalo, N.Y., Academy of Fine Arts, 72
Bull, Mrs. Ole, 185
Burns, Sarah, 37
Caffin, Charles, 28, 101, 103, 238n.25
and Camera Work, 166, 171, 174–75, 178
and Herzog, 174–75
Photography as a Fine Art, 238n.25
and Photo-Secession, 165, 171–72
Calinescu, Matei, 14
Calo, Mary Ann, 160
Camera Notes, 163–64
Camera Work, 20–21, 160, 163–69, 171, 173–78, 186, 237nn. 4, 7, 238n.13
Alfred Stieglitz, by De Zayas, 158, fig. 64
cover of, 163, fig. 65
Carman, Bliss, 189
Carmel, Calif., artists colony, 31
Carnegie Corporation, 52
Carpenter, F. B., 121–22
Carter, Grace, Peach Blossom, 78–79, fig. 46
Cary, Elizabeth Luther, 101
Cassatt, Mary, 12, 36, 77, 111
Under the Lamp, 41–42, fig. 22
Cedar Falls, Iowa, State Normal School, 194
Century, 27, 31, 64, 69–70, 102, 109, 152, 235n.41
Cesnola, Luigi Palma di, 125–31, 193, 216
Cézanne, Paul, 139, 141, 152
Chamberlin, J. E., 176
Chap-Book, 21
Chapman, John Gadsby, 90
Chase, William Merritt, 31–32, 41–43, 71, 152, 170, 185
Dora Wheeler, 42, fig. 23
Juengling after, Portrait of a Lady, 64, fig. 36
Mettais after, View in the Studio ofWm. M. Chase, 32, fig. 15
Chevreul, Michel Eugène, 194
Chicago, 111.:
Art Institute of Chicago, 31, 33, 46
Interstate Industrial Exhibition, 73, 172, 231n.193
Kindergarten Institute, 60–61
University of Chicago, Manual Training School, 57. See also World’s Columbian Exposition
Child, Theodore, 177
chromolithography, 9, 18, 25, 38, 78–79, 82–83, 193, 198–99
and the “chromo-civilization,” 17, 26, 119
criticism of, 117–19. See also L. Prang & Co.
Church, Frederic Edwin, 23, 25, 43, 170
Cincinnati, Ohio: Art Museum of Cincinnati, 27–28, 47, 94, 152, fig. 12
Cincinnati Museum Association, 47–48
Evening School for Mechanics, 88
McMicken School of Design, 87–88
Ninth Cincinnati Exposition, 47
Ohio Valley Centennial, 63, 88
Women’s Art Museum Association, 47
Clark, Mrs. Helen M., 95
Cleveland, Ohio, School of Art, 185–86
Clurman, Harold, 237n.5
Cole J. Foxcraft, 83
Colman, Samuel, 85
Columbia Teachers College, 61
Columbus, Ohio: Columbus Art Association, 55
Columbus Art School, 55
Conn, Steven, 48
The Connoisseur, 62
Conway, Moncure D., 64, 208–9
Cook, Clarence Chatham, 99, 101–9, 112, 119, 166, 171, 233n.62
on architecture, 233n.65, 233–34n.83
on authenticity in art, 116–23, 125, 130–31
and Cesnola, 125–31, 234n.109, fig. 60
The House Beautiful, 98, 103–6, fig. 57
Cooke, Jay, 86
Corcoran Art Galleries, Washington, D.C., 169
Cornell University, art courses, 54
Cortissoz, Royal, 139–40, 235n.27, 236n.66;
“The Post-Impressionism Illusion,” 145–46
Cosmopolitan, 27
Cosmopolitan Art Journal, 62
Courbet, Gustave, 77
Cox, Kenyon, 136–37, 144, 182, 185–86
Crane, Hart, Eight Bells Folly: Memorial to Hart Crane, by Hartley, 180, 185, 187, fig. 67
Crane, Walter, Marsh after, My Lady’s Chamber, 98, fig. 57
Crayon, 27, 62
The Critic, 62
Cross, Anson K., 57
Crow, Thomas, 235n.7
Crystal Palace Exhibition, London, 48
Cubism, 139, 141, 147, 149, 192
Current Opinion, 140
Currier and Ives, 193
Daniel, Charles, 187
Daniels, Fred H., 57
Davies, Arthur B., 133, 141
Day, F. Holland, 72, 238n.13
Dearinger, David, 33
Degas, Edgar, 177
Delacroix, Eugène, 77
Denver, Colo., Academy of Fine Arts, 54–55
Dewing, Thomas Wilmer, 77
Dial, 27
Dielman, Frederick, 51, 77, 88
DiMaggio, Paul, 9, 38, 52–53, 68–69
Dobbie, William James, 195
Dodge, Mabel, 7–8, 185, 191, 212, 235nn. 9, 10
Dow, Arthur Wesley, 12, 41, 59, 61, 83–84, 122–23
Along Ipswich River, 19–20, 196, fig. 6
Composition, 20–21, 71, 196–97, figs. 7, 70
Modern Art (lithograph), 34–35, fig. 16
and Modern Art (magazine), 20–21, 25–26
“Pain ting with Wooden Blocks,” 20–21, 196
students of, 20, 53
Drake, Alexander Wilson, 69–70, 80–82, 116
Drucker, Johanna, 11
DuBois, W.E.B., 134
Duchamp, Marcel, 202, 208
Nude Descending a Staircase, 142, 150, 236n.68
Duncan, Carol, 66
Dürer, Albrecht, 52, 79
Duveneck, Frank, 111
Eakins, Thomas, 83
motion studies, 83
Seventy Years Ago, 83, fig. 47
Fifty Years Ago (Young Girl Meditating), 83, fig. 48
Eaton, Wyatt, 46–47
The Eight, 52
Eliot, George, 236n.62
Emerson, Ralph Waldo, 23, 75
Emmet, Rosina, 77–78, 85
Eugene, Frank, 238n.13
Exposition Universelle (1889), Paris, 53, 75, 94
Failing, Henry, 219
Farrer, Henry, 107
Fay, Luella, 39
Fenollosa, Ernest, 12
Feuardent, Gaston, 125, 127, 131
Field, Sara Bard, 212
Fields, James T., 109 Fine Arts, 62
Fisher, Ellen Bowditch Thayer, 78
Fitch, Mrs. N. M., 95
Fitzgerald, Charles, 169
FitzGerald, Desmond, 185, 187, 212
Forsyth, William, 17, 31–33, 84
“The Hoosier Folk-Child,” by Riley, decorations for, 30, fig. 14
“Secession: The New Movement in the Art of Germany,” 21, 30
Forum, 153
Fox, Charles, 185
Frackelton, Susan Stuart Goodrich, 53, 94, 97, 104–5
Tried by Fire, 53, 71, 94, 105, fig. 58
Freer, Charles Lang, 211
Frick, Henry, 211
Fried, Michael, 11, 235n.7
Froebel, Friedrich, 39, 41
Fry, Roger, n, 146
Futurism, 141, 192, 236n.66
Galton, Francis, 200
Gauguin, Paul, 133, 139, 141, 146, 236n.68
Gee, Malcolm, 11
Geiger, Willi, 238n.13
Gellatly, John, 90
Gibson, Charles Dana, 190
Gifford, R. Swain, 46, 50, 71, 83
The Path to the Shore, 71, fig. 42
Glackens, William, 51
Godkin, Edwin Lawrence, 17–18, 118–20
Godkin, James, 119
Gogh, Vincent van, 139–41, 236n. 66
Goldman, Emma, 211, 242n.106
Goncourt, Edmond de, 236n.48
Goya, Francisco, 77
Grace, Trudie, 50
Grant, Ulysses S., 210
Gray Collection, 119
Green, Martin, 135
Greenberg, Clement, 11, 112–15, 123, 235n.7
Grolier Club, New York, 193
Prang exhibition, 75, 77–78, 152
Guibaut, Serge, 113
Haie, Edward Everett, 186
Hale, Ellen Day, 51, 185
Hale, Philip Leslie, 185–87
Hall, G. Stanley, 200
Halle, David, 11
Hamburger, Robert, 211
Harper, William St. John, In the National Academy of Design, 50, fig. 28
Harper’s Monthly, 26–27, 52, 63
Harper’s Weekly, 31, 64, 79, 152, 238n.25
Harrison, Mrs. Burton, 85
Hartley, Marsden, 163, 183–88, 203, 207–8, 212–13, 237n.5
Eight Bells Folly: Memorial to Hart Crane, 180, 185, 187, fig. 67
Hartmann, Sadakichi, 20, 26, 101, 103, 159, 177–78, 209
Haskell, Barbara, 186
Hassam, Childe, 85, 89, 209
artist after, Salutation!, 89, fig. 51
Hassard J.R.G., 67
Hayden, Ferdinand V., 86
Henri, Robert, 51–52, 152, 171, 189, 192, 202
Higginson, Col., 81
Higginson, Henry Lee, 38–39, 75–76
photograph of, 76, fig. 44
Higginson, Thomas Wentworth, 75, 119
Hills, Laura C, 78
Hitchcock, Hiram, 127
Hoe, Robert, 75, 152, 193
Hokusai, 236n.48
artist after, Yamato-Daké No Mikoto, 12–13, fig. 2
Homer, Winslow, 57, 83, 88–89, 187;
Campaign Sketches, 76–77, fig. 45
Eight Bells, 89, 187
Hoosier Group artists, 32
Hosmer, Harriet, 47
Hovendon, Thomas, 85
Breaking Home Ties, 202
Howells, William Dean, 190
Hoxie, Jane L., Hand Work for Kindergartens and Primary Schools, 198, 200, fig. 71
Humphrey, Elizabeth Bullock, 78
Humphreys, M. G., 67–68
Huneker, James Gibbons, 101, 103, 171
Hunt, Richard Morris, 43, 75, 233n.65, 234n.83
Hutchinson, Charles, 33
Indianapolis, Ind.: Indianapolis Art Association, 26, 28–29, fig. 13
Indianapolis School of Art, 32
Ingersoll, Robert Green, 75
Inglis, Jimmie, 209, 211
Inness, George, 57
The Lackawanna Valley, 83
Irish, Carol, 97
Jackson, Helen Hunt, 189
Jacksonville, III., Art Association, 51
James, William, 182
Japanese art, 12, 20
collectors of, 75
and Composition, by Dow, 196–97, fig. 70
influence of, 12, 84, 114, 236n.48
and L. Prang & Co., 75
Jarves, James Jackson, 67, 233n.62
Johnson, Eastman, 78, 83
artist after, The Barefoot Boy, 18, 37, fig. 4
The Boyhood of Lincoln, 37
Shirlaw after, The Reprimand, 36–37
Johnston, James Boorman, 43
Johnston, John Taylor, 43, 126
Journal of Commerce, 64
Juengling, Frederick, after Chase, Portrait of a Lady, 64, fig. 36
Käsebier, Gertrude, 26
Kaufmann ‘s American Painting Book, 23
Keiley, Joseph T., 167–69, 238n.13
Kennedy, Albert J., 206
Kent, Rockwell, 182, 187
Keppel, David, 52
Keppel, Frederick, 52–53
Keppel, Frederick Paul, 52–53, 89, 119–20, 202, 220–21
Keramic Studio, 53, 80, 90, 94–96, figs. 29, 56
Kinsey, Joni Louise, 85
Knoblauch, Mrs. Charles, 202
Knoedler, M.,75
Koehler, Sylvester Rosa, 70–75, 103–4, 107, 202, 204
and American Art Review, 27, 41, 64, 70–74, 102, 104
as curator, MFA, 36, 41, 70, 87
Exhibition of American Etchings, 36, 70, 77, 88
and graphic arts, 36, 52, 70–71, 79–80, 87–88, 172
Illustrations of the History of Art, 41
on NYSDA, 72, 97, 110
photograph of, 70, fig. 41
and Prang, 41, 64, 70, 75–78, 82–83, 86–88
and reproductions of artworks, 70–71, 79–82, 116
“Statistical Table of Exhibitions,” 171
and The Theory of Color, by Von Bezold, translation of, 41, 80, 194–95
The United States Art Directory and Year-Book, 73–74, 80, 97, 104
Women Etchers of America, 36, 41, 88, 94, 102
Korzenik, Diana, 90
Krohn, William O., 200
Kruell, G., woodcut after Vedder, 77
Kuhn, Walt, 133, 141
La Farge, John, 50, 97, 122
Ladies Home Journal, 100
Lathrop, F., “Portrait Class, School of Design for Women,” 47, fig. 26
Lathrop, Francis, 47
Lathrop, George Parsons, 45–47, 62, 64, 80, 103, 194, 205
Laurvik, J. N., 176
Lears, Jackson, 87, 97
Lehmbruck, Wilhelm, Kneeling Woman, 147–48, fig. 62
Leveille, A., Portrait of Proust, by Rodin, 92–93, fig. 54
Levine, Lawrence, 9, 38
Lincoln, Abraham, 37, 39, 76, 121, 193
Linked Ring, 173
Linton, W. J., 71
Little Galleries (291), 134, 160, 163–64, 169–73, 237n.7, 238n.13, 239n.38
Hartley exhibition, 185
opening exhibition of, 171–72, fig. 66
Rodin exhibition, 162–64, 176, 238n.13
Longfellow, Henry Wadsworth, 75, 120
Longwood, Joseph, 94
Los Angeles, Calif.: Los Angeles Art Association, 192
The Los Angeles School of Art and Design, 192. See also Western Graphic
Low, Will H., 70
L. Prang & Co., 74–78, 81, 193, figs. 4, 5, 10, 11, 19, 31, 43, 45, 46, 49, 51, 59
Christmas card contests, 36, 41, 43, 75, 77–78, 88
Homer’s Campaign Sketches, 76–77, fig. 45
E. B. Humphrey’s works, 78
Japanese ceramics chromos, 75
Japanesque Design cards, 12, 75
Johnson’s The Boyhood of Lincoln, 37
Lincoln, images of, 37, 193
Oriental Ceramic Art, 38, fig. 19
“Our New Publishing-House,” 74–75, fig. 43
Outdoor Scenes, from American Album, 24, fig. 10
Prang’s Aids for Object Teaching, 83–84, fig. 49
“Prang’s American Chromos,” 78, 86
Prang’s Chromo, 74–75, fig. 43
Pratt, Baby’s Lullaby Book, 193
psalligraphy instruction manual, 114–15, fig. 59
“Santa Claus “on Bicycle, 18, fig. 5
Smith’s art education series, 38, 196–97
“Union of Lines,” The American Text-Books of Art Education, 58–59, fig. 31
The Yellowstone National Park, 86. See also Prang, Louis
Ludington, Townsend, 184–86
Luks, George, 51
Macbeth, Robert, 89
Macbeth, William, 52, 89, 119, 202
MacColl, D.W., 153–55
Macdonald-Wright, Stanton, 183, 185, 188, 190–93, 203, 207–8, 212–13
and Synchromism, 60, 188, 192, 199–200
“This Is Not a Plate of Tripe,” 155–56, fig. 63
Treatise on Color, 60
Willard Huntington Wright, 188, fig. 68
Macomber, M. L., 91
Maksymowicz, Virginia, 218
Manet, Edouard, 11, 77, 209, 236n.68
Maratta, H. G., 201
Marsh, Henry, after Crane, My Lady’s Chamber, 98, fig. 57
Massachusetts Art Teachers’ Association, 58
Massachusetts Institute of Technology, Cambridge, Mass., 59
Massachusetts State Normal Art School (Massachusetts College of Art), 56–59, 72, 78, 87, 109
The Masses, 211
New Masses, 202, 211
Mather, Frank Jewett, 139, 182, 235n. 21
Matisse, Henri, 133, 136, 141, 143, 153, 162–63
Blue Nude, 236n.68
McBride, Henry, 26–27, 203
McCabe, Cynthia Jaffee, 201
McCarthy, Kathleen, 97
McCauley, Lena May, 235n.14
McCausland, Elizabeth, 184 McClure’s, 28, 42, 100
McCormick, W.B., 176
McCutcheon, George B., 190
McLaughlin, M. Louise, 48, 53, 94–95, 97
McMicken School of Design, 87–88
Mechlen, Leila, 137
Mencken, H. L. 189
Metropolitan Museum of Art, New York, 43, 64, 75, 125, 152, 193
Alsop-Robineau retrospective, 94
Cesnola Collection, 108, 125–31
collections of, 43, 48, 84, 152, 161, 182
design for main entrance and building, 66–67, fig. 38
and education, 48
establishment of, 46
Ryder retrospective, 89
C. Wheeler exhibition, 97
Mettais, Charles, after Chase, View in the Studio of Wm. M. Chase, 32, fig. 15
Meyer, Eugene, Jr., 211
Miller, Leslie W., 60
Milton Bradley & Co., 39–41, 84–85, fig. 50
The Checkered Game of Life, 40, fig. 21. See also Bradley, Milton
Milwaukee, Wis.: Milwaukee Industrial Exposition Association, 53
Milwaukee Museum of Fine Arts, 48
Modern Art, 17–43, 59, 62, 142, 185, figs. 3, 6, 9, 12, 13, 14, 16, 17, 69
“American Museums,” 27–28, fig. 12
art reviews in, 33, 177
cover of, 16, fig. 3
design of, 21–23, 26, 34, 42, 84
giveaways and supplements, 91
Indianapolis Art Association, 28–29, fig. 13
“Modern Art Prize Competitions,” 34–36, fig. 17
“Modern Symbolism,” 23, fig. 9
and Prang, 18–20, 22–26, 42, 77
regional coverage of, 28–31, 33
“Table of Art Exhibits,” 26–28, 33
“Table of Art Reading,” 26–27, 33, 178
Monet, Claude, 141, 152
Monroe, Harriet, 211, 235n.14
Montz, Katherine, Instrumental Music, 199–200, fig. 72
Moore, Sarah, 31, 33
Moran, Mary Nimmo, 52, 71, 203
Solitude, 36–37, fig. 18
Moran, Peter, 52, 83, 203
after Van Marcke, Landscape and Cattle, 52
Noonday-Rest, 52
Moran, Thomas, 52, 83, 85–86, 203
Chasm of the Colorado, 122
The Passaic Meadows, 52
engraving after, Walls of the Grand Cañón, 52
with Hayden, The Yellowstone National Park, 25, 86, fig. 11
Morgan, J. P., 94
Morghen, Raphael, 117, 119–20
Morris, John T., 94
Morris, William, 21, 26, 84
Morse, Edward Sylvester, 12, 70, 75
Mosher, Thomas B., The Bibelot, 28
Muncie, Ind., art school, 32
Munsell, Albert Henry, 58–62, 187
Atlas of the Munsell Color System, 59–60, fig. 33
A Color Notation, 59–60, 195–96
color system of, 59–62, 196–97, 200–201, fig. 34
Munsell Crayons No. 3 Box, 22 Colors, 44, 59, 61–62, figs. 25, 32
photograph of, 58, fig. 30
Museum of Fine Arts, Boston, 38, 46–47, 68, 74
collections of, 47, 88, 91
“Companion to the Catalogue,” 67
curators of, 12, 36, 41, 70–71
donors to, 75
and education, 48–49
establishment of, 46
Exhibition of American Etchings, 36, 70, 77, 88
exterior view, 67, fig. 39
floor plan, 48–49, fig. 27
profiled in Modern Art, 28
School of Drawing and Painting, 57, 186–87
Women Etchers of America, 36, 41, 88, 94, 102
Museum of Modern Art, New York, 160, 182, 217
museums, 9–10, 46, 66–69, 208, 220–21
and art criticism, 66
and copies of artworks, 80
design of, 66–68
and education, 48–49, 52–54
as Propylaeum, 29, 38
as temple or palace, 67–68, 130
Myers, Jerome, 241n.78
Nathan, George Jean, 190
Nation, 119–20, 139
National Academy of Design, New York, 32–33, 73, 141–42, 164, 185, 235n.9
criticism of, 33, 72, 136, 140–41
exhibitions of, 50, 52, 63, 71, 107, 141, 171, 231n.193
In the National Academy of Design, by Harper, 50, 171, fig. 28
National Manufacturing and Mining Exhibition, 172
National Society of Mural Painters, 182
New Orleans, La., Newcomb College, 57
The New Path, 117
New York City, N.Y.: Columbia Teachers College, 61
Cooper Union, 46–47, fig. 26
Forum Exhibition of Modern American Painters, 188–89, 203, 207
Ladies’ Art Association, 73
New York Etching Club Exhibition, 73
New York Exchange for Woman’s Work, 42
New York Society of Decorative Art, 42, 72, 97, 110, 125, 231n.193. See also Grolier Club; Little Galleries; Metropolitan Museum of Art; Museum of Modern Art; National Academy of Design; People’s Art Guild; Society of American Artists; the Ten; Tenth Street Studio Building
Newcomb College, New Orleans, 57
Ninth Cincinnati Exposition, 47
North American Review, 63
Norton, Charles Eliot, 119
Official Museum Directory, 73
Ohio Valley Centennial, Cincinnati, 63, 88
O’Keeffe, Georgia, 20, 159, 163
Osgood, James R., 51
Outlook, 52, 140, 149
Pach, Gotthelf, 152, 182
Pach, Walter, 133, 151–52, 182
Pach Brothers, 79, 152
Pacific Monthly, 66, 210
Palmer, Laura E., 57
Parkman, Francis, 51
Pasadena, Calif., Throop Polytechnic Institute (California Institute of Technology), 57
Pascin, Jules, 202
Paz, Octavio, 7
Peck, Amelia, 97
Pedestal Fund Art Loan Exhibition, 31
Peet, Phyllis, 36
People’s Art Guild, 183, 202–6, 241n.78
Perkins, Charles Callahan, 38–39
Perry, Curtis, 185
Philadelphia Art-Union Reporter, 62
Philadelphia, Pa.: Pennsylvania Academy of the Fine Arts, 31, 71, 238n.25
—Photo-Secession exhibition, 167–68, 172, 238n.31
Pennsylvania Museum and School of Industrial Art (Philadelphia Museum of Art), 48, 60, 68, 94
Philadelphia School of Design for Women (Moore College of Art and Design), 46
Philadelphia Sketch Club, 107–8
Philadelphia Society of Artists, 73. See also United States Centennial Exposition
Phillips, Miss Helen D., 95
photography, 78, 81, 237n.4, 238n.9
as art, 83, 87, 121, 162–69, 172, 238nn. 25, 27
associations, 163–64
professionalism in, 166–67
reproduced in publications, 79, 152. See also Camera Work; Little Galleries; Photo-Secession; Stieglitz
Photo-Secession, 14, 26, 163–75, 178, 237n.7, 238n.13, 239n.38
exhibition, Buffalo, 172, 239n.33
exhibition, Pennsylvania Academy, 167–68, 172
Invitation Collections, 173
Picasso, Pablo, 133, 141, 162–63, 173, 217
Pindar, Peter, 120
Pittsburgh, Pa., Carnegie Art Galleries, 169
Pittsfield, Mass., Ladies’ Art Association, 51
Pollock, Jackson, 159
Portland, Maine, Art League, 67
Portland, Ore.: Portland Art Association, 209
Portland Art Museum, 47, 209
Post-Impressionism, 137, 139–40
Cortissoz on, 145–46
Prang, Louis, 37–39, 74–78, 85, 97, 108, 116, 119, 179, 202, 209
and chromolithography, 18, 23–25, 37, 75, 82–83, 88, 117–18, 125, 198–99
color system of, 60, 194, 197, fig. 69
and Grolier Club exhibition, 75, 77–78, 152
and Koehler, 41, 64, 70, 75–78, 82–83, 86–88
and Modern Art, 18–20, 22–26, 42, 77, 209
and Pach, 152
and patronage, 88
photograph of, 209, fig. 73. See also L. Prang & Co.
Prang, Mary Hicks, 197–98, 200
Pratt Institute, Brooklyn, 57
Prime, William C, 64, 126
Proust, Antoine, portrait by Rodin, 92–93, fig. 54
Providence, R.I., Art Club, 72
Pulitzer, William Randolph Hearst, 193
Putnam’s Magazine, 233n.62
Quinn, John, 134, 152
Raphael, 111, 120
Madonna di Foligno, 81
Read, Thomas Buchanan, The Wagoner of the Alleghanies, 85
Redon, Odilon, 77, 209
Reed, John, 211
Rembrandt van Rijn, 52, 79, 111, 173
reproductions of artworks, 78–83, 91, 116, 120, 172, 235n.41
and authenticity in art, 116–24, criticism of, 116–24
plaster casts as, 80, 117, 121
Riley, James Whitcomb, “The Hoosier Folk-Child,” 30, fig. 14
Riordan, Roger, 92–94
Robbins, Ellen, 81
Robinson, Mrs. Douglas, 210
Rochester, N.Y., Institute of Technology, color science library, 62
Rodin, Auguste: exhibition at 291, 162–64, 176, 238n.13
Portrait of Proust, by Rodin, by Leveille, 92–94, fig. 54
Rogers, Bruce, cover of Modern Art, 16, fig. 3
Rood, Ogden, Modern Chromatics, 195
Roosevelt, Theodore, 147–50, 210
Rosetti, Dante Gabriel, Beata Beatrix, 33
Rubens, Peter Paul, in Rudé, François, Neapolitan Fishermen, 152
Ruel, Durand, 141
Ruskinism, 27, 109, 117
Russell, Morgan, 188, 203
Ryder, Albert Pinkham, 89, 209
Jonah, 89–90, fig. 52
Saint-Gaudens, Augustus, 47, 50, 80, 182
Salon des Refusés, Paris, 173
Sargent, John Singer, 59, 146
Sarony, Napoleon, 79, 83
Savannah, Ga., Telfair Academy, 66
Schapiro, Meyer, 134
Sehaus, William, 75
Schmidt, George, Method of Teaching the Art of Psalligraphy, 114–15, fig. 59
Scribner’s Monthly, 63, 102, 104
Scribner’s, 2, 6–2, 7, 52, 86, 88
Secession, 91, 159, 161
and Forsyth, 21, 30, 32
Seely, George A., 238n.13
Semon, John, 185–86
Senie, Harriet, 216, 219–20
Serra, Richard, 215, 217
Tilted Arc, 216–20
Severance, Caroline, 209
Sheldon, George William, 50
Shinn, Earl, 81, 127–28
Shinn, Everett, 203
Shirlaw, Walter, 83
after Johnson, The Reprimand, 36–37
Skidmore, Steve, 219
Sloan, John, 188, 203
Smart Set, 189
Smith, Nannie Maole, 210
Smith, Walter, 45, 56, 196
art education books by, 38, 196–97
Société Anonyme, 203
Society for the Advancement of Truth in Art, 103, 117
Society of Amateur Photographers, 163
Society of American Artists, 14, 71, 103, 111, 142, 161, 164
exhibitions of, 71, 77–78, 88–90, 110–11, 163, 171–72
foundation of, 49–50
members of, 31, 73, 77–78, 80, 163, 182
Solomon-Godeau, Abigail, 217–18
Sousa-Cardozo, Amadeo de, Parade, 156, fig. 63
South, Will, 192
South Kensington Museum and School (Victoria and Albert Museum), London, 48, 64, 67, 78
Southern Art Teachers’ Association, 57
Springfield, Mass., Manual Arts High School, 39
Stallabrass, Julian, 220
Stansell, Christine, 181, 188, 190, 201, 213
Statistisches Handbuchfür Kunst u. Kunstgewerbe, 73
Steichen, Edward, 87, 169, 182, 238n.13
Stein, Gertrude, 7, 134, 202, 212, 235n.9, 237n.5
Stephanie, Barbara, 103
Stevens, Wallace, 211
Stieglitz, Alfred, 9, 28, 159–77, 179, 189, 207, 237n.5, 238n.25
Alfred Stieglitz, by De Zayas, 158, fig. 64
and avant-garde, organization of, 12, 159, 161–77, 207, 212
and Camera Work, 21, 160, 163–67, 173–74, 237n.7
and photography, recognition of, 87, 162, 166–67, 238n.9
and Photo-Secession, 14, 160, 163–74, 237n.7
and 291 gallery, 134, 160, 163, 169–73, 185
and C. H. White, 238n.13
Stillman, William James, 27
Stone & Kimball, 21, 28
Storer, Maria Longworth, 94
Stowe, Harriet Beecher, 75, 119
Strange, Robert, 17, 119–20
Strauss, Julius C, 166
Sumner, Charles, 23, 75, 119–20
Synchromism, 60, 153–54, 188, 192, 199
Tayloor, Bayard, 75, 126
Telfair Academy, Savannah, 66
the Ten, 88, 163–64, 235n.27
Tenth Street Studio Building, 31, 36, 43, 170
Thaxter, Celia, Verses, 85
Thayer, Abbott, 78
Thornbury, Walter, 85
Throop Polytechnic Institute (California Institute of Technology), 57
Tiffany, Louis Comfort, 42, 50, 97
Tiffany and Co., Menu Card, 6, 12, fig. 1
Tile Club, 31
Titian, 120
Tokuno, T., 71
Toulouse-Lautrec, Henri de, 177
Träubel, Horace, 187
Tudor-Hart, Ernest, 200
Turner, Joseph Mallord William, 48
Tuttle, Mary McArthur, Color, 195
Twachtman, John, 88
Dredging in New York Harbor, 64
Twachtman, Marthe Scudder, 88
Twain, Mark, 70
291. See Little Galleries (291)
Union League Clubs, 57, 81, 102
United States Centennial Exposition, Philadelphia, 12, 39, 63, fig. 35
Van Dyke, John, 101–2, 108
Van Rensselaer, Mariana Griswold, 27, 108–12, 116–17, 166
on abstraction, 124–25
on copies, 116–17
on imitation in art, 123–24
and professional criticism, 101–4, 110–11, 116
and professionalism in artworld, 108–12, 116, 125, 131
Vedder, Elihu, 77
The Rubáiyát of Omar Khayyam, ill. for, 85
The Sea Serpent, 77
Velasquez, Diego, 111
Vonnoh, Robert W., 57, 59
Waldeck, Nina, 185–87
Walkowitz, Abraham, 201–2
Wallach, Alan, 80
Walters, William T., Oriental Ceramic Art, 38, 75
Walworth, Anne, 185–87, 212
Warner, Olin Levi, 47, 50, 219
Skidmore Fountain, 209, 214, 218–19, fig. 75
Warren, Fuller & Co., 106–7
Washington, George, 182
Weber, Max, 20, 201
Weichsel, John, 183, 189, 201–8, 213, 241n.78
Weinberg, Jonathan, 184
Weir, John Ferguson, 12
Weir, Julian Alden, 12, 70, 77, 88, 210
Weir, Robert, 12, 210
Western Drawing Teachers’ Association, 57
Western Graphic (Los Angeles Graphic), 28, 192
Western Tract and Book Society, 75
Wheeler, Candace, 42–43, 53, 97, 110
Wheeler, Dora, 41–43, 51, 78
Initial I, 43, fig. 24
portrait by Chase, 42, fig. 23
Whistler, James Abbott McNeill, 11–12, 26, 52, 59, 77, 94, 170, 182
Historical & Legendary Ballads & Songs, ill. for, 85
Whitman, Walt, 213
Wilhelm, Leila Maude, Series I Curved Line Drawings (Smoke), 198, fig. 71
Willard, S. L., 168
Williams, William Carlos, 113, 237n.5
Wilson, Christopher, 100
women: as art entrepreneurs, 53, 97
in ceramics, 53
in decorative arts, 94–97, no, 112
design schools for, 46
in Free Evening Schools for Mechanical Drawing, 56–57
and Prang, 78
and free love, 190–91, 212
and professionalism in art, 112
Wood, Charles Erskine Scott, 64–66, 69–70, 80–81, 184, 208–13
and Homer, 89
photograph of, 210, fig. 74
and Ryder, 89–90
and Skidmore Fountain, by Warner, 209, 218–19
Woolf, Virginia, 8
Work and Play, 40
The Workshop, 62, 90
World’s Columbian Exposition, Chicago: “The ‘Art Palace’,” 68, fig. 40
decoration of, 238n.25
director of, 33
exhibitors at, 78, 202
prizes awarded by, 53, 94
reviews of, 33
as the White City, 8, 68, 208
World’s Fair, St. Louis, 172
Wright, Annie van Vranken, 191
Wright, Frank Lloyd, 12, 39, 159, 162
Wright, Ida, 212
Wright, Katherine Boynton, 189–91, 240n.38
Wright, Willard Huntington, 147, 153–55, 157, 183, 188–92, 208, 213, 240nn. 38, 41
and the Forum Exhibition, 188–89, 203, 207
The Future of Painting, 188
The Man of Promise, 190
Modern Painting, 188
portrait by Macdonald-Wright, 188, fig. 68
Wyant, A. H.,50
Yale Art School, 12, 238n.25
Yates, Cullen, 185–86
Zayas, Marius de, Alfred Stieglitz, 158, fig. 64
Zolberg, Vera, 11
Zuckmayer, Carl, 202