Photographic Acknowledgements

Hemingway, Andrew

I don't have an account

Create an account to save content, highlights, and notes to your personal bookshelf.

If you do not have access to the eBook content on the A&AePortal via an institutional subscription, you can purchase an individual subscription from your account. Learn more about subscriptions.

Purchase a subscription

Save Cite Share

Free

Photographic Acknowledgements

Andrew Hemingway

Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain

Photographic acknowledgements

Author

Andrew Hemingway

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00073.018

Stable URL: https://aaeportal.com/?id=-18012

Photographic Acknowledgements

Thomas Agnew & Sons Ltd, 26; Birmingham Museum & Art Gallery, 8; Royal Pavilion, Art Gallery and Museums, Brighton, 14, 15, 29, 30; Warren Collection, Courtesy Museum of Fine Arts Boston, 3; by permission of the British Library, 6, 9, 10, maps 2 & 4; Trustees of the British Museum, 24, 28, 38; Christie’s, Manson & Woods Ltd, 83, 107, 115; Courtauld Institute of Art, 70, 71; by permission of the Governors of Dulwich Picture Gallery, 84; East Sussex County Library, map 1; English Heritage, The Iveagh Bequest, Kenwood, 116, 118; reproduced by permission of the Syndics of the Fitzwilliam Museum, Cambridge, 86; courtesy Richard Green Gallery, 110; Huntington Library & Art Collections, 87; courtesy of Oscar & Peter Johnson Ltd., Lowndes Lodge Gallery, 44; Manchester City Art Galleries, 104; Leeds City Art Galleries, 1, 2; Paul Mellon Centre for Studies in British Art, 32, 60, 68, 69, 77; National Gallery of Ireland, 85; National Gallery of Scotland, 20; reproduced by permission of the National Gallery of Victoria, Melbourne, 61; Norfolk Museums Service (Norwich Castle Museum) 33, 34, 35, 36, 37, 39, 41, 42, 43, 92, 94, 95, 98, 101, 102, 103, 105, 106, 109, 111, 112, 113, 114, 117, 119, 120, maps 3 & 5; Phaidon Press Ltd, 40, 100; Royal Academy of Arts, London, 89; Scottish National Portrait Gallery, 7; Southampton Art Gallery, 108; by kind permission of Lady Ashcombe, Sudelcy Castle, Winchcombe, Gloucestershire, 74, 88; The Tate Gallery, London, 4, 5, 17, 18, 22, 25, 27, 59, 62, 64, 65, 66, 72, 75, 78, 82, 90, 96; by courtesy of the Board of Trustees of the Victoria & Albert Museum, 16, 19, 21, 23, 79, 91; Yale Center for British Art, Paul Mellon Collection, 76, 97, 99. Photographs by the author: 11, 12, 13, 31, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 63, 67, 73, 80, 81, 93.

Previous chapter

Book details

BOOKLandscape Imagery and Urban Culture in Early Nineteenth-Century Britain

Andrew Hemingway

https://doi.org/10.37862/aaeportal.00073

Stable URL: https://aaeportal.com/?id=-17994

Britain in the early nineteenth century, then the most advanced bourgeois society, saw the emergence of a new type of landscape painting, distinguished by its modern imagery and innovative naturalism. The transition was not straightforward; painters were faced with the problem of representing modern life within the landscape tradition, a tradition centred on the pastoral and the picturesque. It is the various methods by which artists negotiated this problem that provides the focus for this study. Andrew Hemingway interprets landscape painting of this period as an essentially urban phenomenon and demonstrates the ways in which painters sought to incorporate images of modern life into the tradition of landscape painting. Works by Turner, Constable and Crome, as well as many lesser known artists, are placed within the context of the London exhibition scene and the social world of the metropolis. Different class attitudes towards art and towards landscape painting in particular are explored through an analysis of contemporary art theory and criticism. The author draws upon the topographical literature of the period, as well as on poetry and social history, to illustrate his extensive account of landscape imagery: the seaside resort, the river and other scenes of modern leisure.

Author

Andrew Hemingway

PublisherYale University Press

Print publication date August 1992 (out of print)

Print ISBN 9780521391184

EISBN 9780300247398

Illustrations 125

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

Base text size -

Chapter images ()