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Hemingway, Andrew

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Plates

Andrew Hemingway

Landscape Imagery and Urban Culture in Early Nineteenth-Century Britain

Plates

Author

Andrew Hemingway

PublisherYale University Press

https://doi.org/10.37862/aaeportal.00073.002

Stable URL: https://aaeportal.com/?id=-17996

Plates

1 T. Girtin, An Overshot Mill in Devon, water-colour, 21.7 × 29.1cm, c. 1798, Leeds City Art Gallery

2 J. S. Cotman, The Ploughed Field, pencil and water-colour, 22.8 × 35cm, c. 1808–10, Leeds City Art Gallery

3 J. Constable, View of Dedham, oil on canvas, 55.3 × 78.1cm, exh. RA 1815, Warren Collection, Courtesy of Museum of Fine Arts, Boston

4 J. Linnell, Kensington Gravel Pits, oil on canvas, 70 × 105cm, exh. BI 1813, Tate Gallery

5 G. R. Lewis, Hereford, Dynedor, and Malvern Hills, from the Haywood Lodge, Harvest Scene, Afternoon, oil on canvas, 41.6 × 59.7cm, exh. Society of Painters in Oil and Water Colours 1816, Tate Gallery

6 W. B. Cooke after J. M. W. Turner, Battle Abbey, the Spot where Harold Fell, copper-plate engraving, from Views in Sussex, 1819

7 T. Heaphy, A Country Girl being Robbed by Two Boys, water-colour, 22 × 18ins, 1807, Private Collection, Scotland

8 W. Collins, The Reluctant Departure, oil on canvas, approximately 88.4 × 113.1cm, exh. RA 1815, Birmingham City Art Gallery

9 W. Daniell, Pier at Margate, aquatint, 1823 from R. Ayton, A Voyage Round Great Britain in 1813, vol. VII, 1824

10 W. Daniell, Hastings from near the White Rock, aquatint, 1823, from Ayton 1824

11 G. Cooke after J. M. W. Turner, Brighthelmston, Sussex, copper-plate engraving, 1825, from W. B. Cooke, Picturesque Views on the Southern Coast, 1814–26

12 G. Cooke after H. Edridge, The Beach at Brighton, Sussex, copper-plate engraving, from Cooke 1814–26

13 G. Cooke after J. M. W. Turner, Margate, Kent, copper-plate engraving, from Cooke 1814–26

14 G. Hunt after E. Fox, Marine Parade Brighton, aquatint, from Sickelmore’s Select Views of Brighton, c. 1827

15 W. Westall, Brighton from the Chain Pier, aquatint, 1833, Brighton Art Gallery

16 G. Rowe, Hastings from the Sea, lithograph, c. 1820, Victoria & Albert Museum

17 J. M. W. Turner, Margate, oil on canvas, 90.1 × 120.6cm, exh. Turner’s Gallery 1808, Petworth House

18 A. W. Callcott, Little Hampton Pier, oil on canvas, 105 × 139cm, exh. RA 1812, Tate Gallery

19 J. Cristall, The Fish-market, Hastings, water-colour, 76.2 × 102.8cm, exh. Society of Painters in Water Colours 1808, Victoria & Albert Museum

20 J. Cristall, Fleet Sailing up Channel off Hastings, water-colour, 38.4 × 65.7cm. exh. Society of Painters in Water Colours 1814, National Gallery of Scotland

21 J. J. Chalon, View of Hastings, oil on canvas, approx. 131.3 × 210cm, exh. RA 1819, BI 1820, Victoria & Albert Museum

22 J. Hoppner, A Gale of Wind, oil on canvas, 132 × 182cm, exh. RA 1794?, Tate Gallery

23 S. Prout, The Beach, Hastings, Sussex, water-colour, 1817?, 43 × 59.2cm, Victoria & Albert Museum

24 W. Collins, Shrimp Boys at Cromer, etching and mezzotint, 1820, after picture exh. RA 1816, British Museum

25 W. Collins, The Prawn Catchers, oil on wood, 43 × 57cm, exh. RA 1829?, Tate Gallery

26 J. Constable, Yarmouth Jetty, oil on canvas, 31.7 × 50.8cm, exh. BI 1823, Private Collection

27 J. Constable, The Beach at Brighton, the Chain Pier in the Distance, oil on canvas, 127 × 183cm, exh. RA 1827, BI 1828, Tate Gallery

28 F. Smith after J. Constable, View of Brighton with Chain Pier, copper-plate engraving, 1829, British Museum

29 R. Havell, Chain Pier from the Sands at Low Water, aquatint, from E. W. Brayley, Topographical Sketches of Brighthelmston, 1824

30 E. W. Cooke, Prawn Boats &c. Brighton Beach, etching, from E. W. Cooke, Twelve Plates of Coast Sketches, 1830

31 W. B. Cooke after H. Edridge, Brighton, copper-plate engraving, 1822, from Cooke 1814–26

32 J. M. W. Turner, Brighton from the Sea, oil on canvas, 63.5 × 132.1cm, c. 1829, Petworth House

33 R. Pollard after J. Butcher, A North West View of the Jetty at Yarmouth, aquatint, c. 1790, Norwich Castle Museum

34 I. Clark after J. Preston, Yarmouth Jetty and Roads, aquatint, from J. Preston, The Picture of Yarmouth, 1819

35 J. Lambert, Yarmouth Jetty, copper-plate engraving, from J. Lambert, Graphic Illustrations of Great Yarmouth, 1822

36 E. Finden after E. W. Cooke, Yarmouth Norfolk, steel engraving, c. 1830–5, Norwich Castle Museum

37 R. Ladbrooke, Yarmouth Beach, oil on canvas, 43.5 × 71.5cm, c. 1809, Great Yarmouth Museum

38 J. Crome, Yarmouth Jetty, pencil drawing, 22.9 × 42.5cm, c. 1806–7, British Museum

39 J. Crome, Yarmouth Jetty, oil on canvas, 44.8 × 58.3cm, c. 1812, Norwich Castle Museum

40 J. Crome, Yarmouth Beach, from the Pier, oil on canvas, 52.7 × 84.5cm, exh. NSA 1818?, Private Collection

41 G. Vincent, The Fish Auction, Yarmouth, oil on canvas, 102.5 × 128.3cm, 1827, Norwich Castle Museum

42 G. Vincent, Dutch Fair on Yarmouth Beach, oil on canvas, 111.5 × 143.2cm, exh. BI 1821, exh. NSA 1821, Great Yarmouth Museum

43 G. Vincent, View of Yarmouth Quay, oil on canvas, 77.2 × 103cm, exh. RA 1823, Norwich Castle Museum

44 G. Vincent (?), View of Yarmouth, oil on canvas, approximately 111.8 × 174.2cm, Private Collection

45 J. C. Stadler after J. Farington, Langley Ware, aquatint, 1793, from W. Combe, Boydell’s History of the River Thames, 1794

46 J. C. Stadler after J. Farington, Cliefden, aquatint, 1793, from Combe 1794

47 J. C. Stadler after J. Farington, View of Walton Bridge from Oatlands, aquatint, 1793, from Combe 1794

48 F. Jukes after E. Dayes, View of the Doward Rocks, aquatint, from F. Jukes, Views of the River Wye, 1797–1802

49 J. Wood, Aber-Dulas Mill, soft-ground etching, from J. Wood, The Principal Rivers of Wales Illustrated, 1813

50 J. Wood, Cyfarthfa Iron Works, soft-ground etching, from Wood 1813

51 W. B. Cooke after S. Owen, Walton Bridge, etching, 1810, from W. B. Cooke, The Thames, 1811

52 W. B. Cooke after S. Owen, Shipmeadow Lock, A Paper Mill, etching, from Cooke 1811

53 W. B. Cooke after S. Owen, London & Blackfriars Bridge from Hungerford, etching, from Cooke 1811

54 R. G. Reeve after W. Westall, Richmond, coloured aquatint, from W. Westall & S. Owen, Picturesque Tour of the River Thames, 1828

55 R. & D. Havell after W. Havell, Wallingford Castle taken in 1810 while the Bridge was Repairing, aquatint, from R. Havell, A Series of Picturesque Views of the River Thames, 1812

56 R. & D. Havell after W. Havell, An Island on the Thames near Park Place, Oxfordshire, aquatint, from Havell 1812

57 R. & D. Havell after W. Havell, Cliefden Spring and Woods, near Maidenhead, aquatint, from Havell 1812

58 R. & D. Havell after W. Havell, Windsor Castle, aquatint, from Havell 1812

59 J. M. W. Turner, Windsor Castle from the Thames, oil on canvas, 89 × 119.5cm, c. 1805, Petworth House

60 J. M. W. Turner, Walton Bridges, oil on canvas, 92.5 × 123.5cm, c. 1806, Loyd Collection

61 J. M. W. Turner, Walton Bridges, oil on canvas, 92 × 122.5cm, c. 1806, National Gallery, Victoria, Melbourne

62 J. M. W. Turner, Dorchester Mead, oil on canvas, 101.5 × 130cm, exh. Turner’s Gallery 1810, Clore Gallery for the Turner Collection, London

63 R. & D. Havell after W. Havell, Abingdon Bridge and Church, aquatint, from Havell 1812

64 J. M. W. Turner, Ploughing up Turnips, near Slough, oil on canvas, 102 × 130cm, exh. Turner’s Gallery 1809, Clore Gallery for the Turner Collection, London

65 J. M. W. Turner, Clieveden on Thames, oil on canvas, 38.5 × 58.5cm, c. 1807, Clore Gallery for the Turner Collection, London

66 J. M. W. Turner, Union of the Thames and the Isis, oil on canvas, 91 × 121.5cm, exh. Turner’s Gallery 1808, Clore Gallery for the Turner Collection, London

67 W. B. Cooke after S. Owen, Junction of the Thames & Isis, etching, from Cooke 1811

68 J. M. W. Turner, Grand Junction Canal at Southall Mill, oil on canvas, 92 × 122cm, exh. Turner’s Gallery 1810, whereabouts unknown

69 J. M. W. Turner, The Thames near Windsor, oil on canvas, 89 × 119.4cm, c. 1807, Petworth House

70 J. M. W. Turner, The Thames at Eton, oil on canvas, 59.5 × 90cm, exh. Turner’s Gallery 1808, Petworth House

71 J. M. W. Turner, Near the Thames’ Lock, Windsor, oil on canvas, 88.9 × 118cm, exh. Turner’s Gallery 1809, Petworth House

72 J. M. W. Turner, Richmond Hill and Bridge, oil on canvas, 81.5 × 122cm, exh. Turner’s Gallery 1808, Clore Gallery for the Turner Collection, London

73 C. Heath after T. C. Hofland, Richmond, from Twickenham Park, copper-plate engraving, 1825

74 J. M. W. Turner, View of Pope’s Villa at Twickenham during its Dilapidation, oil on canvas, 91.5 × 122cm, exh. Turner’s Gallery 1808, by kind permission of Lady Ashcombe, Sudeley Castle, Winchcombe, Gloucestershire

75 J. M. W. Turner, London, oil on canvas, 90 × 120cm, exh. Turner’s Gallery 1809, Clore Gallery for the Turner Collection, London

76 J. R. Cozens, London from Greenwich Hill, water-colour and pencil, 37.5 × 53.5cm, c. 1791, Yale Center for British Art

77 J. M. W. Turner, The Confluence of the Thames and the Medway, oil on canvas, 89 × 119.4cm, exh. Turner’s Gallery 1808, Petworth House

78 J. M. W. Turner, England: Richmond Hill on the Prince Regent’s Birthday, oil on canvas, 180 × 335cm, exh. RA 1819, Clore Gallery for the Turner Collection, London

79 J. Constable, Dedham Lock and Mill, oil on canvas, 53.7 × 76.2cm, 1820, Victoria & Albert Museum

80 J. C. Stadler after J. Farington, Junction of the Thames Canal near Lechdale, aquatint, from Combe 1794

81 R. & D. Havell after W. Havell, The Wier, from Marlow Bridge, aquatint, from Havell 1812

82 J. Constable, Scene on a Navigable River, (Flatford Mill), oil on canvas, 101.7 × 127cm, exh. RA 1817, Tate Gallery

83 J. Constable, A Water-Mill, oil on canvas, 65.7 × 89.4cm, exh. RA 1812, Private Collection

84 M. Hobbema, Woody Landscape with Water-Mill, oil on canvas, 63.7 × 87.1cm, Dulwich Picture Gallery

85 M. Hobbema, Road on a Dyke, oil on canvas, 93 × 128cm, 1663, National Gallery of Ireland, Dublin

86 J. Linnell, The River Kennet, near Newbury, oil on canvas on wood, 45.1 × 65.2cm., exh. Society of Painters in Oil and Water Colours 1816, Fitzwilliam Museum, Cambridge

87 J. Constable, A View on the Stour, near Dedham, oil on canvas, 129.5 × 188cm, exh. RA 1822, Huntington Art Gallery, San Marino, California

88 J. Constable, A Boat Passing a Lock, oil on canvas, 142.2 × 120.7cm, exh. RA 1824, Thyssen-Bornemisza Collection, Lugano, Switzerland

89 J. Constable, Landscape (The Leaping Horse), oil on canvas, 142.4 × 187.3cm, exh. RA 1825, Royal Academy, London

90 W. Mulready, Cottage and Figures, oil on board, 40.6 × 47.1cm, c. 1808, Tate Gallery

91 W. Mulready, Near the Mall, Kensington Gravel Pits, oil on canvas, 35.1 × 48.8cm, 1812–13, Victoria & Albert Museum

92 J. Crome, View of St Martin’s Gate, Norwich, oil on panel, 50.8 × 38cm, 1810–12, Norwich Castle Museum

93 F. Jukes after E. Dayes, View of Hereford, aquatint, from Jukes 1797–1802

94 J. Crome, New Mills – Men Wading, oil on panel, 28 × 35.5cm, exh. NSA 1813? Norwich Castle Museum

95 J. Crome, Back of the New Mills, Norwich, oil on canvas, 41.3 × 54cm, c. 1815, Norwich Castle Museum

96 J. S. Cotman, Norwich Market Place, pencil and water-colour, 40.6 × 64.8cm, exh. NSA 1809?, Tate Gallery

97 J. Crome, The Wensum, Norwich, oil on panel, 36.75 × 48.25cm, c. 1815, Yale Center for British Art

98 Unknown artist, View behind the New Mills, Norwich, aquatint, c. 1815–20, Norwich Castle Museum

99 J. Crome, Scene on the River at Norwich, oil on panel, 48 × 34.3cm, c. 1817, Yale Center for British Art

100 J. Crome, Norwich River: Afternoon, oil on canvas, approx. 71.5 × 101.4cm, exh. NSA 1819?, Private Collection

101 J. Thirtle, Thorpe, Norwich, water-colour, 26.3 × 41.4cm, c. 1815, Norwich Castle Museum

102 J. Thirtle, A View of Thorpe, with Steam Barge working up – Evening, water-colour, 46.9 × 76.8cm, exh. NSA 1815, Norwich Castle Museum

103 J. Thirtle, Rainbow Effect on the River, King Street, Norwich, water-colour, 42.5 × 64.9cm, exh. Norwich Society Secession 1817?, Norwich Castle Museum

104 J. Crome?, Houses and Wherries on the Wensum, water-colour, approx. 42.9 × 57.2cm, c. 1810, City Art Gallery, Manchester

105 J. Thirtle, View of the River near Cow’s Tower, pencil and water-colour, 40.5 × 54.8cm, exh. NSA 1810?, Norwich Castle Museum

106 J. Thirtle, Boat-Builder’s Yard, near the Cow’s Tower, Norwich, pencil and water-colour, 44.5 × 65.4cm, exh. NSA 1812, Norwich Castle Museum

107 G. Vincent, On the River Yare, Afternoon, oil on canvas, approx. 120.9 × 172.9cm, exh. BI 1819, Christie’s Sale, 16 November 1962 (81)

108 G. Vincent, View on the River Yare near Norwich, oil on canvas, 112.5 × 202cm, early 1820s, Southampton Art Gallery

109 G. Vincent, Trowse Meadows, near Norwich, oil on canvas, 73 × 109.5cm. exh. NSA 1828?, Norwich Castle Museum

110 J. Stark, Postwick Reach near Thorpe, oil on canvas, approx. 63 × 102.7cm, exh. BI 1824?, photograph courtesy of Richard Green Gallery

111 W. Forrest after J. Stark, Postwick Grove, copper-plate engraving, from J. W. Robberds, Scenery of the Rivers of Norfolk, 1834

112 W. Forrest after J. Stark, Shipmeadow Lock on the Waveney, copper-plate engraving, from Robberds 1834

113 W. Brandard after J. Stark, Harrison’s Wharf, King Street, Norwich, copper-plate engraving, from Robberds 1834

114 G. Cooke after J. Stark, Yarmouth Quay, copper-plate engraving, from Robberds 1834

115 J. Stark, Wroxham Regatta, oil on canvas, 88 × 138.5cm, exh. BI 1819? Christie’s Sale, 26 November 1986 (61)

116 J. B. Crome, Yarmouth Water Frolic, oil on canvas, 106 × 172.7cm, exh. NSA 1821, Iveagh Bequest, Kenwood House, London

117 J. Stannard, Thorpe Water Frolic – Afternoon, oil on canvas, 108 × 172.7cm, exh. NSA 1825, Norwich Castle Museum

118 A. Cuyp, View of Dordrecht, oil on canvas, 97.8 × 137.8cm, c. 1655, Iveagh Bequest, Kenwood House, London

119 R. Brandard after J. Stark, Yarmouth Regatta, copper-plate engraving, from Robberds 1834

120 G. Vincent, Distant View of Pevensey Bay, the Landing Place of King William the Conqueror, oil on canvas, 146.1 × 233.6cm, exh. BI 1824, Norwich Castle Museum

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