Photography Credits

Pascale, Mark; Adler, Esther; Kopp, Édouard

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Photography Credits

Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)

Joseph E. Yoakum: What I Saw

Photography Credits

Author

Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)

PublisherArt Institute of Chicago

Stable URL: https://aaeportal.com/?id=-100187

Photography Credits

Unless otherwise noted, photographs of artworks in the collection of the Art Institute of Chicago are copyrighted by the Art Institute of Chicago.

Every effort has been made to identify, contact, and acknowledge copyright holders for all reproductions; additional rights holders are encouraged to contact the Art Institute of Chicago. The following credits apply to all images in this book for which separate acknowledgment is due.

P. 18, fig. 4: Courtesy of the Roger Brown Study Collection of the School of the Art Institute of Chicago.

P. 29, fig. 2: Accessed via ancestry.com.

P. 29, fig. 3: From Paul S. Bliss, Victory: History of the 805th Pioneer Infantry, American Expeditionary Force (self-published, 1919), 50.

P. 32, fig. 6: Courtesy of the Roger Brown Study Collection of the School of the Art Institute of Chicago.

P. 32, fig. 7: Photo © MCA Chicago.

P. 38, fig. 4; 94, fig. 10 (bottom); 105, pl. 8; 115, pl. 18; 134, pl. 39; 150, pl. 55; 152, pl. 57; 161, pl. 65; 162, pl. 66; 174, pl. 81: Courtesy of The Museum of Modern Art, New York.

P. 41, fig. 8: Courtesy of the Newberry Library, Chicago.

P. 49, fig. 3: Courtesy of the Roger Brown Study Collection of the School of the Art Institute of Chicago.

P. 51, fig. 6: Mapping Specialists, LTD.

P. 52, fig. 7; 60, fig. 1: Photo by Robert Abbott Sengstacke/Getty Images.

P. 62, fig. 3: Photo courtesy of Tyler Fine Art, St. Louis, MO.

P. 70, fig. 6; 71, fig. 7: © Dickinson Research Center, National Cowboy and Western Heritage Museum, Oklahoma City, Oklahoma.

P. 77, fig. 2; 86, fig. 4: Charles Osgood/Chicago Tribune/TCA.

P. 86, fig. 1, left: Accessed via newspapers.com.

P. 156–57, pl. 61: Farzad Owrang.

P. 226, fig. 1: Image courtesy of the Elmhurst University Art Collection.

P. 230, fig. 3: Photo: Nathan Keay, © MCA Chicago.

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Book details

BOOKJoseph E. Yoakum: What I Saw

Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)

Stable URL: https://aaeportal.com/?id=-100167

Much of Joseph Elmer Yoakum’s story comes from the artist himself—and is almost too fantastic to believe. At a young age, Yoakum (1891–1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a “spiritual unfoldment”? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist’s work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography.

*This eBook is available exclusively on the A&AePortal.*

Author

Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)

PublisherArt Institute of Chicago

Print publication date July 2021 (in print)

Print ISBN 9780300257489

EISBN 9780300282191

Illustrations 193

Print Status in print

Publisher (in print)

WorldCat

Google Books

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