Selected Bibliography

Pitiot, Cloé; Stritzler-Levine, Nina

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Selected Bibliography

Cloé Pitiot (Editor), Nina Stritzler-Levine (Editor)

Eileen Gray

Selected Bibliography

Author

Cloé Pitiot (Editor), Nina Stritzler-Levine (Editor)

PublisherBard Graduate Center

Stable URL: https://aaeportal.com/?id=-100161

Selected Bibliography

A.S. “An Artist in Lacquer.” Vogue (London, August 1, 1917): 29.

Adam, Peter. Eileen Gray, une biographie. Paris: Editions Adam Biro, 1989.

Adam, Peter. Eileen Gray: Architect/Designer. London: Thames & Hudson; New York: Harry N. Abrams, 1987.

Adam, Peter. Eileen Gray: Her Life and Her Work. London: Thames & Hudson, 2009.

Adam, Peter. Eileen Gray: Sa Vie, son Œuvre. Paris: Editions de la Différence, 2012.

Alabaster, E. P. General Guide to the Art Collections, Japanese Art. Dublin: Science and Art Museum, 1905.

Aloi, Roberto. L’Arredamento Moderno. Milan: Ulrico Hoepli, 1934.

Aloi, Roberto. L’Arredamento Moderno, 2nd series. Milan: Ulrico Hoepli, 1939.

Aloi, Roberto. L’Arredamento Moderno, 3rd series. Milan: Ulrico Hoepli, 1947.

Ansermet, Ernest. “Emile Jacques-Dalcroze.” Le Rythme, special issue, no. 12. (Geneva, February 1924).

“Apartment of Mme J. Suzanne Talbot.” L’Illustration, no. 4708, May 27, 1933.

Appia, Adolphe. L’Œuvre d’Art Vivant. Geneva: Atar, 1921.

Archer-Shaw, Petrine. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s. London: Thames & Hudson, 2000.

Arnold, Bruce. Mainie Jellett and the Modern Movement in Ireland. New Haven and London: Yale University Press, 1991.

Artaud, Antonin. Le Théâtre et son double (1938, Paris: Gallimard, 1964); The Theater and its Double, trans. Mary Caroline Richards. New York: Grove Press, 1958.

Asie, Marc. “De l’évolution des styles.” L’Illustration, May 27, 1933.

Ayers, David. “H.D., Ezra Pound & Imagism.” In David Ayers, Modernism, A Short Introduction. New York: John Wiley and Sons, 2008.

Badovici, Jean. “Entretiens sur l’Architecture Vivante (Eileen Gray).” L’Architecture Vivante (Winter 1924): 27–28.

Badovici, Jean. “Erich Mendelsohn.” L’Architecture Vivante (Winter 1932): 33–38.

Badovici, Jean. “Frank Lloyd Wright.” L’Architecture Vivante (Summer 1930): 49–51.

Badovici, Jean. Intérieurs français. Paris: Éditions Albert Morancé, 1925.

Badovici, Jean. “Introduction.” Œuvre Plastique. Peintures et Dessins. Architecture, 11–26. Paris: Éditions Albert Morancé, 1938.

Badovici, Jean, ed. La Maison Suspendue: Recherche de Paul Nelson. Paris: Éditions Albert Morancé, 1939.

Badovici, Jean [and Eileen Gray?], “L’Architecture Utilitaire.” L’Architecture Vivante (Winter 1926): 17–24.

Badovici, Jean. “L’art de Eileen Gray.” Eileen Gray: Meubelen en interieurs. Special issue of Wendingen 6, no. 6 (1924): 12–15.

Badovici, Jean. “L’art de Frank Lloyd Wright.” L’Architecture Vivante (Winter 1924): 26–27.

Badovici, Jean. “Le pavillon de l’Esprit Nouveau, 1925, par Le Corbusier et P. Jeanneret,” L’Architecture Vivante (Winter 1925): 34.

Badovici, Jean. “L’Espace et le Temps, d’après Henri Poincaré.” L’Architecture Vivante (Fall–Winter 1924): 17–19.

Badovici, Jean. “Le Théâtre à l’Exposition Internationale des Arts Décoratifs de 1925” [typescript], Badovici dossier, Stassart collection, Vézelay. L’Œuvre, revue internationale des arts du théâtre 32, no. 75 (Spring/Summer 1925): 76–78.

Badovici, Jean. “Maison au bord du lac Léman, 1924, par Le Corbusier et Pierre Jeanneret,” L’Architecture Vivante (Winter 1925): 30–32, pls. 35–37.

Badovici, Jean. “Peinture murale ou peinture spatiale.” L’Architecture d’Aujourd’hui 8, no. 3 (March 1937): 75–78.

Baumeister, Mechthild, “Jean Dunand, A French Art Deco Artist Working With Asian Lacquer,” Postprints of the Wooden Artifacts Group, 30th Annual Meeting of the American Institute for Conservation, Miami, Florida, June 2002, pp. 2–16.

Benton, Tim. “E-1027 and the Drôle de Guerre.” AA Files 74 (2017): 123–54.

Bergson, Henri. Essai sur les données immédiates de la conscience. Paris: Presses Universitaires de France, 1959.

Binchy, Maeve. “A Far from Demure Life.” The Irish Times, February 16, 1976.

Blavatsky, H. P. The Voice of the Silence: being chosen fragments from the “Book of golden precepts” for the daily use of lanoos [disciples], Fragment Two: “The Two Paths.” London: Theosophical Publishing Co., 1889.

Blumenthal, Max. “Jean Badovici 1893–1956.” Techniques et Architecture 16, no. 4 (November 1956): 4.

Boesiger, W. ed. Le Corbusier: Œuvre complète 1938–1946. Zurich: Éditions d’Architecture, 1946.

Brah, Avat, and Ann Phoenix. “Ain’t I A Woman? Revisiting Intersectionality.” Journal of International Women’s Studies 5, no. 3 (May 2004): 75–86.

Brandt, Frederick R. Late 19th and Early 20th Century Decorative Arts: The Sydney and Frances Lewis Collection in the Virginia Museum of Fine Arts. Richmond, VA: Virginia Museum of Fine Arts, 1985.

Burke, Carolyn. Becoming Modern: The Life of Mina Loy. New York: Farrar, Straus and Giroux, 1996.

Calloway, Stephen. Le Style Liberty. Un siècle d’histoire d’un grand magasin londonien. Paris: Armand Colin, 1992.

Cantacuzino, Sherban. Welles Coates: A Monograph. London: Gordon Fraser, 1978.

Carpenter, John. Designing Nature: The Rinpa Aesthetic in Japanese Art. New York: Metropolitan Museum of Art, 2012.

Catalogue du VIIIe Salon du 22 février au 31 mars 191, Musée des Arts Décoratifs, Pavillon de Marsan, Paris. Paris: Société des artistes décorateurs, 1913.

Catalogue du Xe Salon du 28 mars au 31 avril 1919, Musée des Arts Décoratifs, Pavillon de Marsan, Paris. Paris: Societé des artistes décorateurs, 1919.

Catalogue du XIVe Salon du 3 mai au 1 juillet 1923, Paris, Grand Palais des Champs Elysées. Paris: Société des artistes décorateurs, 1923.

Cazelles, René. “De terre et d’Envolée.” In Gaston Bachelard, La Poétique de l’Espace. Paris: Presses Universitaires de France, 2015.

Chadwick, Whitney, and Tirza True Latimer, eds. The Modem Woman Revisited: Paris Between the Wars. New Brunswick, NJ, and London: Rutgers University Press.

Cinqualbre, Olivier. “Un centre de vacances.” In Eileen Gray. Edited by Cloé Pitiot. Exhibition catalogue. Paris: Éditions du Centre Pompidou, 2013.

Cinqualbre, Olivier, Frédéric Migaryou, and Anne-Marie Zucchelli. Union des Artistes Modernes: Une Aventure Moderne. Paris: Éditions Centre Pompidou, 1918.

Chareau, Pierre. “Meubles présentés par Pierre Chareau.” L’Art International d’Aujourd’hui. Paris: Charles Moreau, 1929.

Colomina, Beatriz. “War on Architecture: E.1027.” Assemblage, no. 20 (1993): 28-29.

Colomina, Beatriz. “Battle Lines: E. l027.” In The Sex of Architecture, 167–90. Edited by Diana Agrest, Patricia Conway, and Leslie Kanes Weisman. New York: Harry N. Abrams, 1996.

Constant, Caroline. “E 1027: The Nonheroic Modernism of Eileen Gray.” Journal of the Society of Architectural Historians 53, no. 3 (September 1994): 265–79.

Constant, Caroline. “Architecture and the Politics of Leisure.” In Form: Modernism and History, Festschrift in honor of Eduard F. Sekler. Edited by Alexander Von Hoffman. Cambridge, MA: Harvard University Graduate School of Design, 1996.

Constant, Caroline. Eileen Gray. London: Phaidon, 2000.

Constant, Caroline, and Wilfried Wang, eds. Eileen Gray: An Architecture for All Senses. Exhibition catalogue. Berlin: Wasmuth; Frankfurt am Main: Deutsches Architektur-Museum; Cambridge, MA: Harvard University Graduate School of Design, 1996.

Crowley, Aleister. The Confessions of Aleister Crowley. Edited by John Symonds and Kenneth Grant. London: Mandrake, 1929; reprint London: Bantam Press, 1971.

Dees, Jan. Facing Modern Times, The Revival of Japanese Lacquer. Rotterdam: Leiden University, 2007.

Delacroix, Henry. Intérieurs modernes. Vol. 3: Repertoire de l’architecture. Paris: Éditions S. de Bonadona, ca. 1934.

Delaunay, Sonia. Tapis et tissus. Vol. 15 of L’Art International d’Aujourd’hui. Paris: Éditions Charles Moreau, 1929.

Eileen Gray: Pioneer of Design. Exhibition catalogue. London: Heinz Gallery, Royal Institute of British Architects [RIBA] / Westerham Press Printed, 1973.

Ellis, Sylvia C. The Plays of W.B. Yeats. Yeats and the Dancer. London: Palgrave, 1995.

Esposito, Donato. “From Ancient Egypt to Victorian London. The Impact of Ancient Egyptian Furniture on British Art and Design, 1850–1900.” Journal of the Decorative Art Society, vol. 27 (2003): 81–93.

Evans, Robin. “The Developed Surface: An enquiry into the brief life of an eighteenth century drawing technique.” 9H no. 8 (1989): 120–47.

Fenollosa, Ernest. “The Chinese Written Character as a Medium for Poetry.” The Little Review 6 (September–December 1919): 5–8.

Fothergill, John. “The Principles of Teaching Drawing at the Slade School.” In The Slade. A Collection of Drawings and Some Pictures Done by Past and Present Students of the London Slade School. 1893–1907. London: The Slade School, 1907.

Fuller, Loïe. Quinze Ans de ma Vie. Paris: Karageorgevitch, 1908.

Fülöp-Miller, René. The Mind and Face of Bolshevism: An Examination of Cultural Life in Soviet Russia. London and New York: G. P. Putnam’s Sons [1927].

Gabet, Oliver. “Portrait de l’artiste and jeune fille: l’héritage d’Outre Manche.” In Eileen Gray. Edited by Cloé Pitiot. Exhibition catalogue. Paris: Centre Pompidou, 2013.

Galerie Vallois. Biennale 2000 Eileen Gray (catalogue accompanying Galerie Vallois installation at the Biennale des Antiquaires) Galerie Vallois: Paris, 2000.

Garner, Philippe. “The Lacquer Work of Eileen Gray and Jean Dunand.” The Connoisseur 183, no. 735 (May 1973): 3–11.

Garner, Philippe. Eileen Gray. Design and Architecture, 1878–1976. Cologne: Taschen, 1993, 2006.

Garnier, Bénédicte. Rodin, Le rêve japonais. Paris: Flammarion, Édition du Musée Rodin, 2007.

Ghys, Etienne. “Poincaré et les espaces.” L’espace-a-t-il trois dimensions. Paris: Académie des Sciences, 2017.

Gibson, Matthew. “Contradictory Images: The Conflicting Influences of Henri Bergson and William James on T. E. Hulme, and the Consequences on Imagism.”

The Review of English Studies 62 (April 2011): 275–295.

Goff, Jennifer. Eileen Gray: Her Work and Her World. Sallins: Irish Academic Press, 2015.

Gramont, Elisabeth de, Duchesse de Clermont-Tonnerre. “Les lacques d’Eileen Gray.” Feuillets d’Art 2, no. 3 (February–March 1922): 147–48; published in English as “The laquer [sic] work of Miss Eileen Gray.” The Living Arts no. 3 (March 1922): 147–48.

Gray, Eileen. “Projet pour un centre culturel.” L’Architecture d’Aujourd’hui, no. 82 (1959): xli.

Gray, Eileen. “Wohnhaus am Meeresufer bei Cap Martin.” Der Baumeister 28, no. 10 (October 1930): 421–24.

[Gray, Eileen] and Jean Badovici, “L’Architecture Utilitaire.” L’Architecture Vivante (Winter 1926): 23.

Gray, Eileen, and Jean Badovici. “De l’éclectisme au doute, in E1027, Maison en bord de mer.” L’Architecture Vivante (Winter 1929). Paris: Éditions Albert Morancé, 1929.

Gray, Eileen, and Jean Badovici. E. 1027: Maison en bord de mer. Special issue of L’Architecture Vivante (Winter 1929). Paris: Éditions Albert Morancé, 1929.

Gray, Eileen, and Jean Badovici. “Maison Minimum” L’Architec ture d’Aujourd’hui 1, no. 1 (November 1930): inset following 64.

Griffith, Roger, Margo Delidow, and Chris McGlinchey. “Peeling back the layers: Eileen Gray’s brick screens.” The International Institute for Conservation of Historic and Artistic Works, 2012.

Hecker, Stefan, and Christian Müller. Eileen Gray: Obras y proyectos / Works and Projects. Barcelona: Gustavo Gili, 1993.

Hecker, Stefan, and Christian Müller, eds. Eileen Gray: Une approche ludique de la modernité. Special issue of Archithese 21, no. 4 (July–August 1991).

Herbst, René. 25 Années U.A.M. Paris: Éditions du Salon des Arts Ménagers, 1956.

Hinako, Dr. Kawakami. “Sugawara Seizo no Rirek ni Kansuru ChousaShiryo.” Shukugawa Gakuin College, No. 34, Research Bulletin (rep. March 2006): 40.

Holland, Clive. “Student Life in Paris.” The Studio: An Illuminated Magazine of Fine and Applied Arts 27 (1903): 38.

Hudson, Derek. For the Love of Painting, The Life of Sir Gerald Kelly. London: Chaucer Press, 1975.

Hulme, T. E. “Bergson’s Theory of Art.” The Collected Writings of T. E. Hulme. London: Clarendon Press, 1994.

Impey, Oliver. Japanese Folding Screens from the Victoria and Albert Museum and Ashmolean Museum. 1997, reprint Boulder, CO: Weatherhill, 1999.

Itoh, Keiko. The Japanese Community in Pre-War Britain: From Integration to Disintegration. London: Routledge, 2001.

Jackson, Anna. “Indo Deco” and “Inspiration from the East.” In Art Deco, 1910–1939. Edited by Charlotte Benton, Timothy Benton, and Ghislaine Wood. London: Little, Brown, 2003.

Jackson, Anna. “Orient and Occident.” In Art Nouveau 1890–1914. Edited by Paul Greenhalgh. London: V & A Publications, 2000.

Jaffré, Alexandra. Seizô Sougawara maître laqueur d’Eileen Gray. Brussels: Mérode, 2018.

“Jean Dunand.” Art d’Aujourd’hui, no. 37 (Spring 1927).

Johnson, J. Stewart. Eileen Gray, Designer. London: Debrett’s Peerage for Museum of Modern Art (New York), 1979.

Joubin, André. “Le studio de Jacques Doucet.” L’Illustration, no. 4548 (May 3, 1930): 19.

Katayama, Kakichi. “Paris o Chushinatoshita Ōshūnagai Shikkouka Ryakuki.” Urushi to Kogei, no. 382 (1933): 19–20.

Kennet, Kathleen Bruce. Self-Portrait of an Artist: From the Diaries and Memoirs of Lady Kennet, Kathleen, Lady Scott. London: John Murray, 1949.

Koering, Elise. “Eileen Gray et Charlotte Perriand dans les années 20 et la question de l’intérieur corbuséen.” PhD diss., Université de Versailles, 2010.

“Lacquer Walls and Furniture Replace Old Gods in Paris and London.” Harper’s Bazar (September 1920): 130.

La Rampe: journal for theatre, music halls, concerts, and cinema (Paris, June 3, 1923).

La Renaissance de l’Art Français et des Industries de Luxe (Paris, July 1923): 7.

Lafosse, Jean. “Inagaki: Nostalgie du Pays Perdu, Ébénisterie et Ukiyo-e.” Unpublished memoirs.

Laurent, Jennifer. “Londres et Paris, les Premières Années.” In Eileen Gray. Edited by Cloé Pitiot, Exhibition catalogue. Paris: Centre Pompidou, 2013.

Lavin, Sylvia. “Colomina’s Web: Reply to Beatriz Colomina.” In The Sex of Architecture, 188. pp. 183–90. Edited by Diana Agrest, Patricia Conway, and Leslie Kanes Weisman. New York: Harry N. Abrams, 1996.

Le Corbusier, Almanach d’Architecture Moderne. Paris: G. Crès, 1925.

Le Corbusier. “Jean Badovici.” L’Architecture d’Aujourd’hui 27, nos. 67–68 (October 1956): ix.

Le Corbusier. Vers Une Architecture. Paris: G. Crès, revised edition, 1924.

Le Corbusier. La ville radieuse. Paris: Vincent, Fréal and Co., 1933.

Le Corbusier, Œuvre Complète. Vol. 4: 1938–46. Zurich: Les Éditions d’Architecture, 1946.

Le Corbusier, “Où en est l’architecture?” L’Architecture Vivante (Fall 1927): 12–18.

Le Corbusier. “Un Centre de Vacances,” Des canons, des munitions? Merci! Des logis . . S.V.P. Monographie du Pavillon des Temps Nouveaux à l’Exposition Internationale “Art et technique” de Paris 1927. Boulogne: Éditions de l’Architecture d’Aujourd’hui, 1938.

Le Corbusier and Amédée Ozenfant. Après le Cubisme. Paris, 1917.

Le Corbusier and Pierre Jeanneret. L’Œuvre Complete. Vol. 1: 1910–29. Zurich: Les Editions d’Architecture, 1974 (reprint).

Léger, Fernand. “Revival of Mural Art,” The Listener 18, no. 450 (August 25, 1937).

Les Années UAM. Paris: Éditions du Salon des arts ménagers, 1956.

“Le Théatre Intégral, par Walter Gropius.” L’Architecture Vivante (Fall 1929).

“Le XIVe Salon des artistes décorateurs.” L’Amour de l’Art (Paris, May 1923): 563.

Loos, Adolf. Ornament and Crime: Selected Essays, Adolf Opel, ed., Michael Mitchell, trans. (Riverside: Ariadne Press, 1998).

Lowell, Amy, ed. Some Imagist Poets, An Anthology. Boston: Houghton Mifflin Company, 1915.

Loye, Brigitte. “Eileen Gray, Un autre chemin pour la modernité . . . une idée chorégraphique.” PhD diss., University of Paris, 1980.

Loye, Brigitte. Eileen Gray 1879–1976: Architecture, design. Alençon, France: Analeph / J. P. Vigueir, 1984.

Lukács, Georg. The Theory of the Novel. London, Merlin Press, 1971.

Maugham, William Somerset. The Magician. 1908; reprint London: Vintage Books, 2000,

McDonald, Stuart. The History and Philosophy of Art Education. 1970; reprint Cambridge: Lutterworth Press, 2004.

McLeod, Mary. “Urbanism and Utopia: Le Corbusier from Regional Syndicalism to Vichy.” PhD diss., Princeton University, 1985.

Migayrou, Frédéric, and Olivier Cinqualbre, eds. Le Corbusier: Mesures de l’homme. Exhibition catalogue. Paris: Centre Pompidou, 2015.

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Rayon, Jean-Paul. “Eileen Gray: L’étoile du nord et l’étoile du sud.” In De Stijl et l’architecture en France, 126–29. Edited by YveAlain Bois and Bruno Reichlin. Liège: Pierre Mardaga, 1985. Translated as “Eileen Gray: The North Star and the South Star,” 9H, no. 8 (1989): 164–87.

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