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6. From the Second to the Fourth Dimension: Furniture in Perpetual Motion
Cloé Pitiot
Description: Eileen Gray
Eileen Gray
In French critical discourse of the 1920s, Eileen Gray’s furniture was portrayed as fundamentally different from that of other designers and architects. Her work was said to be unusual and curious as well as powerful. It also had a sense of harmony and seemed to be...
Author
Cloé Pitiot (Editor), Nina Stritzler-Levine (Editor)
PublisherBard Graduate Center
Copyright© 2020 Bard Graduate Center: Decorative Arts, Design History, Material Culture
Related print edition pages: pp.108-118
Stable URL: https://aaeportal.com/?id=-100147
Chapter subject tags:Gray, Eileen, 1878-1976Furniture design--History--20th centuryWomen designers--20th centuryLacquer and lacqueringDe Stijl (Art movement)Fourth dimensionE.1027 (Roquebrune-Cap-Martin, France)

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6. From the Second to the Fourth Dimension: Furniture in Perpetual Motion
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