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List of illustrations

  • Payne Whitney Gymnasium, Yale University
  • Pierson College, Yale University
  • Eero Saarinen with a scale model of the New Colleges (later named the Samuel F. B. Morse and Ezra Stiles Colleges)
  • Art and Architecture Building
  • Architecture studios in Louis I. Kahn’s annex to the Yale University Art Gallery
  • Cover of Perspecta 3
  • Cover of Space, Time and Architecture: The Growth of a New Tradition
  • Everett Victor Meeks
  • World War I Memorial Cenotaph
  • Everett Victor Meeks with his students in front of Weir Hall, Yale University
  • Architecture library (top) and drafting room (bottom) at Weir Hall, Yale University
  • Gallery of Fine Arts, Yale University
  • Prize-winning entries to the Beaux-Arts Institute of Design competition
  • Entries to the 1922 Chicago Tribune competition by John Mead Howells and Raymond Hood (left), Eliel Saarinen (middle), and Bertram Grosvenor Goodhue (right)
  • Sterling Law Building, Yale University
  • Cover of Quand les cathédrales étaient blanches
  • Sketch made during a lecture at Columbia University, October 1934, which contrasts engineering architecture (top) and academic Beaux-Arts architecture (bottom)
  • Aerial view of the Princeton University campus
  • Sketch Plan for Future Development of Yale University and Environs
  • Model of Harkness Memorial Quadrangle, Yale University
  • Wrexham Tower in the Harkness Memorial Quadrangle, Yale University
  • Harkness Memorial Quadrangle, Yale University, traceried windows above a moat wall along Elm Street
  • Harkness Tower, Yale University
  • Sterling Memorial Library, Yale University
  • Sterling Memorial Library, Yale University
  • Sterling Memorial Library, Yale University
  • Sterling Memorial Library, Yale University, first-floor plan
  • Sterling Memorial Library, Yale University
  • Sterling Memorial Library, Yale University, Linonia and Brothers Reading Room
  • Sterling Memorial Library main entrance viewed from across the campus
  • Bridge connecting the Yale University Art Gallery to the existing Street Hall housing at the School of Fine Arts
  • Gate to the Grove Street Cemetery, New Haven
  • Art vs. Yale University: Challenging Yale’s Girder Gothic and Its Builders
  • Art vs. Yale University: A Discussion of Yale’s Physical Expansion, and an Arrangement of Its Buildings
  • Art vs. Yale University: A Discussion of Yale’s Physical Expansion, and an Arrangement of Its Buildings
  • Henri Focillon at the Sorbonne
  • Untitled
  • Embouchure de l’oder à quimper
  • Henri Focillon (left) aboard the SS Paris
  • USA
  • Germans on Faculty at Black Mountain School; Josef and Frau Albers Named Instructors in Art There
  • Plaster casts on display in the 1920s at Street Hall, the home of the Yale School of Fine Arts
  • Katherine S. Dreier in the Société Anonyme exhibition at the Yale Art Gallery
  • Poster for the exhibition Modern Art from the Collection of the Société Anonyme: Museum of Modern Art
  • Modern Exhibition—Painting and Architecture, Yale University Art Gallery
  • Modern Exhibition—Painting and Architecture, Yale University Art Gallery
  • Invitation to Modern Exhibition—Painting and Architecture, Yale University Art Gallery
  • The Modern House Comes Alive exhibition, Yale University Art Gallery
  • Structural Constellation: Transformation of a Scheme No. 12
  • Drawing of envelopes for Josef Albers’s Basic Drawing course, Yale University
  • Paris, Notre Dame, 16.V.55
  • Article reporting on Susanne Langer’s lecture titled Art Symbol and Symbolism in Art
  • Anni Albers cardweaving at Black Mountain College
  • Open Letter
  • Diagram showing modified and composite weave
  • Illustration accompanying essay Monumentality (1944) depicting a section of Beauvais Cathedral after Auguste Choisy and a pointed arch of his own design
  • Louis Kahn (right) working with his student Bliss Woodruff on a student assignment for the UNESCO headquarters at Yale University
  • Newspaper article entitled Retiring Yale Professor Honored by Colleagues at Party
  • Plastics in Art and Industry exhibition at the Yale University Art Gallery
  • Yale University Art Gallery, perspective drawing
  • Yale University Art Gallery, façade facing Chapel Street
  • Unidentified art student constructing a geodesic dome out of cardboard on top of Weir Hall under R. Buckminster Fuller’s guidance, Yale University
  • Series of ceiling elevations depicting integrated environmental systems within the tetrahedral ceiling of the annex to the Yale University Art Gallery
  • Article reporting on Paul Weiss’s lecture at the Yale University Art Gallery
  • Cartoon accompanying the transcript of the panel On the Responsibility of the Architect
  • Cartoon accompanying the transcript of the panel On the Responsibility of the Architect
  • Yale Center for British Art, perspective drawing of the courtyard
  • Duomo of Casale Monferrato
  • Arch Argument: St. Louis Memorial Starts Architectural Squabble
  • Eero Saarinen with a model and sketches of arches
  • Sketch depicting a weighted catenary arch juxtaposed with Leonardo da Vinci’s Vitruvian Man
  • Entrance to the Temple of Warriors, Chichén-Itzá, Yucatán, Mexico
  • Cranbrook Academy of Art and School for Boys
  • Gateway Arch, St. Louis, under construction
  • Sketches depicting the history of architecture
  • First Christian Church, Columbus, Indiana
  • Cover of Where Today Meets Tomorrow
  • Original pencil sketch for the David S. Ingalls Hockey Rink, Yale University
  • New Colleges (later named the Samuel F. B. Morse and Ezra Stiles Colleges), Yale University, site plan
  • New Colleges (later named the Samuel F. B. Morse and Ezra Stiles Colleges), Yale University
  • César Pelli looking over a stone wall during the full-scale model construction of the New Colleges (later named the Samuel F. B. Morse and Ezra Stiles Colleges), Yale University
  • Double House, New Hope, Pennsylvania
  • George Kubler's notes on the Focillon method
  • A Modern Architect’s Own House: The Eero Saarinen Remade House, Victorian Outside, Modern Inside
  • Jewett Art Center, Wellesley College, Massachusetts, perspective rendering
  • Page from article The Six Determinants of Architectural Form
  • Mayor Richard C. Lee on a bulldozer in downtown New Haven
  • New Haven showing the Oak Street connector with parking lots in the front and Yale University in the background
  • Temple Street Garage, New Haven
  • Temple Street Garage, New Haven
  • Art and Architecture Building
  • Art and Architecture Building, Yale University, site plan
  • Art and Architecture Building, Yale University, third-floor plan
  • Art and Architecture Building, Yale University, section
  • Art and Architecture Building
  • Art and Architecture Building
  • Statue of Minerva being moved from the Yale University Art Gallery to the Art and Architecture Building
  • Art and Architecture Building with plaster casts on the third floor
  • Vincent Scully selecting images in the slide room at Street Hall, Yale University
  • Vincent Scully lecturing at the Sterling Law School Auditorium, Yale University
  • Piazza d’Oro, Hadrian’s Villa (left), and Philip Johnson’s Wiley House, New Canaan, Connecticut, 1953 (right)
  • Annex to the Yale University Art Gallery, interior
  • Page from Robert Venturi, Complexity and Contradiction in Architecture
  • Cover of The Shingle Style Today: Or, The Historian’s Revenge
  • Glazebrook House, Starksboro, Vermont
Free
Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Contents
PublisherYale University Press
Free
Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Untimely Moderns bears traces of several previous research projects on individual artists and architects, which at one point began to form an intellectual group biography. The seed was planted during the “Eero Saarinen: Shaping the Future” curatorial research project in the early 2000s. I thank Robert A. M. Stern...
PublisherYale University Press

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
An undated photograph shows the slightly stodgy Everett Victor Meeks dressed in a dapper Edwardian-style three-piece suit on the deck of an ocean liner (fig. 8). A scion of a wealthy New York family and a 1901 graduate of Yale College, Meeks represented the old Yale, which catered to the sons of old East Coast families whose bespoke...
PublisherYale University Press
Related print edition pages: pp.24-42

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
When Frank Lloyd Wright and Le Corbusier lectured at Yale in 1935, the architectural setting—the eight-hundred-seat auditorium of the Sterling Law Building, executed in the highly ornate Collegiate Gothic style—was the elephant in the room. The building’s completion date, 1931, made it one of the latest Gothic...
PublisherYale University Press
Related print edition pages: pp.43-65

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Around the time that Yale’s last neo-Gothic buildings were being completed, the university hired two prominent French scholars of medieval art, Henri...
PublisherYale University Press
Related print edition pages: pp.68-80

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
When asked in 1946 to comment on the state of architectural education at Yale, Charles H. Sawyer, the leading candidate to succeed Everett Victor Meeks as dean of the School of Fine Arts at that time, offered his verdict in no ambiguous terms:
PublisherYale University Press
Related print edition pages: pp.104-123

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Eero Saarinen’s winning entry to the Jefferson National Expansion Memorial design competition in 1948, titled “Gateway to the West,” launched his independent career in a spectacular manner: the thirty-eight-year-old architect’s team beat his seventy-five-year-old father, Eliel Saarinen, in the final round by proposing a 560-foot-high...
PublisherYale University Press
Related print edition pages: pp.124-148

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Known for his animated—and animating—lecture style, architectural historian Vincent Scully spent his career finding traces of the past in modern architecture. After gaining both...
PublisherYale University Press
Related print edition pages: pp.168-182

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Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Sigfried Giedion captures the dilemma at the heart of twentieth-century architecture—how to balance continuity and change—in his 1957 book The Eternal Present: The Beginnings of Art. A Contribution on Constancy and Change as follows:
PublisherYale University Press
Related print edition pages: pp.183-185

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Free
Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Index
PublisherYale University Press
Free
Description: Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
Illustration Credits
PublisherYale University Press
Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past
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