Save
Save chapter to my Bookmarks
Cite
Cite this book
Share
Share a link to this chapter
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
BOOKRichard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Jane Livingston (Editor), Andrea Liguori (Editor)
https://doi.org/10.37862/aaeportal.00309
Stable URL: https://aaeportal.com/?id=-22528
The celebrated American artist Richard Diebenkorn (1922–1993) was a singular figure in postwar American art. Early in his career, he created abstract paintings that combined landscape influence, aerial perspective, and a deeply personal calligraphic language. Then, in late 1955, he began working in a representational mode (landscapes, figure studies, and still lifes) and was associated with the Bay Area figurative movement. Diebenkorn later abandoned figurative references in the 1960s and embarked on monumental abstract, geometrical compositions, including his celebrated Ocean Park works.

This is the second volume of a four-volume catalogue raisonné: the definitive resource on Diebenkorn’s unique works, including his paintings, works on paper, and three-dimensional objects. This volume covers his student and early abstract works: cat. nos. 1535–3761.
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Print publication date October 2016 (in print)
Print ISBN 9780300184501
EISBN 9780300267914
Copyright© 2016 Richard Diebenkorn Foundation
Illustrations 1642
Print Status in print
Publisher (in print)
WorldCat
Google Books

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access

List of illustrations

  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Still Life with Vegetables
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Boat House
  • Untitled
  • Mushroom House
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Barn near Stanford
  • Untitled
  • Untitled
  • Marine Jacket
  • Untitled
  • Still Life with Knife and Wine Bottle
  • Untitled
  • View of Factories
  • View of Factories
  • Untitled
  • Telegraph Poles
  • Palo Alto Circle
  • Untitled
  • Untitled
  • Untitled
  • The Carpenter
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Robbie
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Duel at Dawn
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (cat. 400) with oval cutout at right
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • North Coast Storm
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • North Coast
  • Untitled
  • Untitled
  • Untitled
  • Dry Reef and Land Forms
  • Dry Reef and Land Forms, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Advancer
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled (Magician's Table)
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Sausalito #3)
  • Composition
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled #6
  • Untitled
  • Untitled
  • Untitled #22
  • Sausalito
  • Installation view of Paintings by Richard Diebenkorn, California Palace of the Legion of Honor, San Francisco
  • Untitled
  • Untitled
  • Untitled (Sausalito)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Sausalito)
  • Untitled (Sausalito)
  • Untitled (Sausalito)
  • Untitled (Sausalito)
  • Untitled (Sausalito)
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Sausalito)
  • Untitled
  • Untitled (Sausalito)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Sausalito)
  • Untitled (Sausalito)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • #2 (Sausalito)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Sausalito)
  • Untitled #3
  • Untitled
  • Sausalito
  • Untitled
  • Painting II
  • Untitled #2 (Sausalito)
  • Untitled #32 (Sausalito)
  • Untitled
  • Untitled (Sausalito)
  • Untitled
  • Sausalito
  • Untitled (Sausalito)
  • Untitled
  • Sausalito
  • Installation view of exhibition "Paintings and Sculpture" by Richard Diebenkorn and Hassel Smith, San Francisco
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled #11
  • Untitled #12
  • Untitled #21
  • Untitled #22
  • Untitled #17
  • Untitled #18
  • Untitled #3
  • Untitled #4
  • Untitled #1
  • Untitled #2
  • Untitled #15
  • Untitled #16
  • Untitled #9
  • Untitled #10
  • Untitled #27
  • Untitled #13
  • Untitled #14
  • Untitled #20
  • Untitled #19
  • Untitled #5
  • Untitled #6
  • Untitled #8
  • Untitled #7
  • Untitled #24
  • Untitled #23
  • Untitled #25
  • Franca Barbara
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • The Disintegrating Pig
  • Untitled
  • Untitled
  • Installation view of master’s degree exhibition, Fine Arts Gallery, University of New Mexico, Albuquerque
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled (Albuquerque)
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled with Diebenkorn in the foreground
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Diebenkorn's signature
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Albuquerque #X
  • Valentine Day
  • Untitled
  • Untitled, verso
  • Albuquerque
  • Albuquerque, verso
  • Untitled (Albuquerque)
  • Untitled (Albuquerque)
  • Albuquerque #3
  • Albuquerque #4
  • Albuquerque #5
  • Albuquerque #11
  • Untitled
  • Albuquerque #7
  • Albuquerque #8
  • Untitled
  • Albuquerque #10
  • Miller 22
  • Albuquerque
  • #22 (Albuquerque)
  • Albuquerque
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Albuquerque #9
  • Untitled (Albuquerque)
  • Albuquerque #20
  • The Green Huntsman
  • The Green Huntsman, verso
  • Albuquerque #24
  • Untitled
  • Untitled
  • Untitled (Albuquerque)
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled (Urbana)
  • Untitled
  • Untitled (Urbana)
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Urbana)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Inscape
  • A Day at the Race
  • Urbana
  • Urbana #1
  • Urbana #2 (The Archer)
  • Urbana #3
  • Urbana #4
  • Urbana #5 (Beach Town)
  • Urbana #6
  • Photograph of Urbana #6, showing early orientation
  • Photograph of Urbana #6, showing early orientation
  • Berkeley #1
  • Berkeley #2
  • Berkeley #3
  • Berkeley #4
  • Berkeley #5
  • Berkeley #6
  • Berkeley #7
  • Berkeley #9
  • Untitled (Phyllis)
  • Untitled (Shillelagh)
  • Untitled (Shillelagh) and Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Nude)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Ensenada–1954
  • Untitled
  • Untitled
  • Berkeley #8
  • Berkeley #11
  • Berkeley #12
  • Berkeley #13
  • Berkeley #13, verso
  • Berkeley #15
  • Berkeley #16
  • Berkeley #17
  • Diebenkorn home on Magnolia Street, Berkeley
  • Berkeley #19
  • Berkeley #20
  • Berkeley #21
  • Berkeley #22
  • Berkeley #24
  • Berkeley #25
  • Berkeley #26
  • Berkeley #33
  • Diebenkorn home on Magnolia Street, Berkeley
  • Untitled (Horse and Rider)
  • Untitled (Star)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Abstract Expressionist Painter)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Artist's slide of Hillcrest Road studio wall
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Landscape
  • Landscape, verso
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
  • Untitled
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled
  • Untitled (Berkeley)
  • Untitled (Berkeley)
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Artist's slide of Hillcrest Road studio wall
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Berkeley #23
  • Berkeley #27
  • Berkeley #31
  • Berkeley #32
  • Berkeley #36
  • Berkeley #37
  • Berkeley #39
  • Berkeley #39, reverse
  • Berkeley #42
  • Berkeley #42b
  • Berkeley #38
  • Berkeley #41
  • Hillcrest Studio
  • Berkeley #43
  • Berkeley #44
  • Berkeley #45
  • Berkeley #46
  • Berkeley #47
  • Berkeley #48
  • Berkeley #52
  • Berkeley #53
  • Berkeley #54
  • Berkeley #56
  • Berkeley #57
  • Berkeley #58
  • Berkeley #63
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled, verso
  • Untitled
  • Untitled
  • Untitled
  • Sausalito
  • Sausalito
  • Sausalito
  • Sausalito
  • Berkeley #29
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled
  • Untitled (Berkeley)
Free
Contents
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Contents
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Stable URL: https://aaeportal.com/?id=-22529
Read
Free
Guide to the Catalogue Entries
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
~The Richard Diebenkorn catalogue raisonné documents all of the artist’s unique works, including sketches; drawings; paintings on paper, board, or canvas; and sculptural objects known to the editors, project staff, and Catalogue Raisonné Committee. It is of course possible that works, even beyond ones we have indicated as whereabouts unknown,...
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Stable URL: https://aaeportal.com/?id=-22530
Read
Juvenilia (1933–1939)
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Juvenilia (1933–1939)
Untitled
1933
Graphite on paper
9 × 11⅞ in. (22.9 × 30.2 cm)
“rcd jr ’33” center right
Estate of the artist
Archival Study Collection
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Related print edition pages: pp.8-21
https://doi.org/10.37862/aaeportal.00309.1
Stable URL: https://aaeportal.com/?id=-22531
Chapter subject tags:Drawing, American--20th century

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access
Student and Wartime (1940–1945)
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Student and Wartime (1940–1945)
Untitled
c. 1940
Watercolor and graphite on paper mounted on paper
5⅞ × 8⅞ in. (14.9 × 22.5 cm)
“r.c.d..” lower right
Estate of the artist
Archival Study Collection
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Related print edition pages: pp.22-93
https://doi.org/10.37862/aaeportal.00309.2
Stable URL: https://aaeportal.com/?id=-22532
Chapter subject tags:Drawing, American--20th centuryPainting, American--20th centuryFactories in artPortrait drawing, AmericanWorld War, 1939-1945

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access
Postwar (1945–1946), Woodstock (1946–1947), and Sausalito (1947–1949)
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Postwar (1945–1946), Woodstock (1946–1947), and Sausalito (1947–1949)
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Related print edition pages: pp.94-219
https://doi.org/10.37862/aaeportal.00309.3
Stable URL: https://aaeportal.com/?id=-22533
Chapter subject tags:Modernism (Art)--United StatesPainting, American--20th centuryPainting, AbstractCubism--InfluenceGeometrical constructions in art

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access
Albuquerque (1950–1952), Urbana (1953), and Berkeley (1953–1955)
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Albuquerque (1950–1952), Urbana (1953), and Berkeley (1953–1955)
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Related print edition pages: pp.220-597
https://doi.org/10.37862/aaeportal.00309.4
Stable URL: https://aaeportal.com/?id=-22534
Chapter subject tags:Modernism (Art)--United StatesPainting, American--20th centuryPainting, Abstract

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access
Undated Works
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Undated Works
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Related print edition pages: pp.598-603
https://doi.org/10.37862/aaeportal.00309.5
Stable URL: https://aaeportal.com/?id=-22535
Chapter subject tags:Drawing, American--20th century

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access
Missing Works
Jane Livingston (Editor), Andrea Liguori (Editor)
Description: Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Missing Works
Author
Jane Livingston (Editor), Andrea Liguori (Editor)
PublisherYale University Press
Copyright© 2016 Richard Diebenkorn Foundation
Related print edition pages: pp.604-607
https://doi.org/10.37862/aaeportal.00309.6
Stable URL: https://aaeportal.com/?id=-22536
Chapter subject tags:Modernism (Art)--United StatesPainting, American--20th century

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Get access
Richard Diebenkorn: The Catalogue Raisonné (Volume 2: 1933–1955)
Next chapter