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The Painter's Studio

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Description: The Painter's Studio
Related content: Chapters (8) Images (141)

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Description: Naked Authority: The Body in Western Painting, 1830–1908
Manet has been a focus of attention for art historians during the past decade. In an important sense...
PublisherYale University Press
Related print edition pages: pp.113-134
Description: The Painted Face: Portraits of Women in France, 1814–1914
~~EDOUARD MANET’S Portrait of Mlle E. G., recognised by many critics as a painting of the young artist Eva Gonzalès when it was exhibited at the Salon of 1870,...
PublisherYale University Press
Related print edition pages: pp.59-99
https://doi.org/10.37862/aaeportal.00298.2
Description: The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media...
The nineteenth-century French press was decisively shaped by censorship....
PublisherPrinceton University Press
Related print edition pages: pp.75-113
https://doi.org/10.37862/aaeportal.00284.5
Description: The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media...
In the last two of Courbet’s autobiographical series of self-portraits, painted between 1842 and 1855, the artist portrayed himself not alone, but in the company of others: a patron, in The Meeting (La Rencontre; see fig. 80), and a...
PublisherPrinceton University Press
Related print edition pages: pp.45-74
https://doi.org/10.37862/aaeportal.00284.4
Description: Samuel F. B. Morse’s Gallery of the Louvre and the Art of Invention
~WHY DID the painter of Gallery of the Louvre (plate 1) invent the electromagnetic telegraph? To answer this question, we must go back to the fall of 1832, when these two inventions crossed paths.
PublisherTerra Foundation for American Art
Related print edition pages: pp.111-125
https://doi.org/10.37862/aaeportal.00223.008
Description: Fellow Men: Fantin-Latour and the Problem of the Group in Nineteenth-Century French...
FANTIN-LATOUR has been the core of every chapter in this book so far. Courbet, Manet, and Degas have all been significant parts of the story, but it is in Fantin’s work that my key arguments have found their root. He has been my focus because his work’s engagement with group dynamics is the most deep and sustained, and because his painting’s best expose the...
PublisherPrinceton University Press
Related print edition pages: pp.203-227
https://doi.org/10.37862/aaeportal.00049.008
Description: The Art of Impressionism: Painting Technique and the Making of Modernity
This is how Paillot de Montabert defined the term ‘support’ in his major treatise on painting in 1829. Paillot de Montabert 1829, vol. IX, p.io; cf. the definition in Gettens and Stout 1966, p. 258. The most typical supports for easel painting in the nineteenth century were canvas, panel, paper...
PublisherYale University Press
Related print edition pages: pp.15-29
https://doi.org/10.37862/aaeportal.00125.005
Description: Manet Manette
~Part one is a tale of two exhibitions, one monograph, and one novel. The first of the two...
PublisherYale University Press
Related print edition pages: pp.3-30
https://doi.org/10.37862/aaeportal.00080.004

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