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Young Women on the Banks of the Seine

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Description: Young Women on the Banks of the Seine
Related content: Chapters (6) Images (189)

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Description: Painted Love: Prostitution in French Art of the Impressionist Era
The existence of prostitution on a scale so widespread and obvious that it alarmed contemporaries was a distinctive and distinguishing feature of nineteenth-century Parisian culture...
PublisherYale University Press
Related print edition pages: pp.1-26
Description: The Painted Face: Portraits of Women in France, 1814–1914
~~EDOUARD MANET’S Portrait of Mlle E. G., recognised by many critics as a painting of the young artist Eva Gonzalès when it was exhibited at the Salon of 1870,...
PublisherYale University Press
Related print edition pages: pp.59-99
https://doi.org/10.37862/aaeportal.00298.2
Description: The Most Arrogant Man in France: Gustave Courbet and the Nineteenth-Century Media...
In a review of Jules Michelet’s Les Femmes de la révolution of 1854, the weathered journalist Jules Barbey d’Aurevilly remarked:
PublisherPrinceton University Press
Related print edition pages: pp.114-137
https://doi.org/10.37862/aaeportal.00284.6
Description: Manet and the Family Romance
WHEN THOMAS DE QUINCEY wrote of “the couch of Orestes” in the Confessions of an English Opium-Eater of 1821, he was calling up two images at once: on the one hand, the barrage of thoughts and dreams that tormented Orestes after his murder of his mother, and at the same time, the tender...
PublisherPrinceton University Press
Related print edition pages: pp.13-40
https://doi.org/10.37862/aaeportal.00272.002
Description: Realism in the Age of Impressionism: Painting and the Politics of Time
Jules Bastien-Lepage first showed Haymaking (Les Foins) at the Paris Salon of 1878 (fig. 5).See William Steven Feldman, “The Life and Work of Jules Bastien-Lepage (1848–1884),” (Ph.D. diss., New York University, 1973), 89–106; Marie-Madeleine Aubrun, Jules Bastien-Lepage, 1848–1884: Catalogue raisonné de...
PublisherYale University Press
Related print edition pages: pp.15-51
https://doi.org/10.37862/aaeportal.00100.004
Description: Impressionism: Art, Leisure, and Parisian Society
James McCabe, the American visitor, was convinced that Louis Napoleon had enacted Meryon’s “Loi Solaire.” His account of Second Empire Paris is especially revealing when placed alongside Henry Tuckerman’s. Tuckerman saw through the sheen of imperial splendor to the authoritarian power it disguised....
PublisherYale University Press
Related print edition pages: pp.141-193
https://doi.org/10.37862/aaeportal.00067.009

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