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La Grenouillère

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Description: La Grenouillère
Related content: Chapters (4) Images (28)

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Description: Monet’s Minutes: Impressionism and the Industrialization of Time
In 1880, Théodore Duret wrote one of the most emblematic characterizations of Monet ever committed to paper. Defending the artist’s singular vision of Impressionism, the critic explained: “As Corot and Courbet have...
PublisherYale University Press
Related print edition pages: pp.51-79
Description: Impressions of Light: The French Landscape from Corot to Monet
Impressions of Light presents a selection of more than eighty paintings and seventy works of graphic art by artists from Jean-Baptiste-Camille Corot to Claude Monet, as well as by figures of the generations before and after them who shared their inspiration...
PublisherMuseum of Fine Arts, Boston
Related print edition pages: pp.9-55
Description: The Art of Impressionism: Painting Technique and the Making of Modernity
The nineteenth century is characterised in art histories as an era of innovation: in the production of the artist’s materials, in their usage and in the ‘modern’ styles of painting they generated. Science and technology provided painters with a greatly extended range of artists’ materials and pigments, and colour-merchants retailed a burgeoning selection of ready-made...
PublisherYale University Press
Related print edition pages: pp.1-14
Description: Impressionism: Art, Leisure, and Parisian Society
In 1886, when Louis Barron published his book on the environs of Paris, the national census showed that only 20% of the inhabitants of the suburbs had been born in the commune they resided in. Another 24% had been born elsewhere in the suburbs or in Paris, so one could say that 44% were natives of the immediate region....
PublisherYale University Press
Related print edition pages: pp.195-263

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