Save
Save chapter to my Bookmarks
Cite
Cite this chapter
Print this chapter
Share
Share a link to this chapter
Free
List of Illustrations
Kenneth E. Silver
Description: Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War,...
Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1914–1925
List of Illustrations
Author
Kenneth E. Silver
PublisherPrinceton University Press
Copyright© 1989 by Kenneth E. Silver
Stable URL: https://aaeportal.com/?id=-32212
View chapters with similar subject tags
Chapter images ()
Loading image navigation...
No image index could be found for this publication.
Close this Panel
Show previous images Show next images
List of Illustrations
NOTE: Titles have been translated into English except where the original French forms part of the work (as in fig. 2 below) or where the French title is well known in the English-speaking world.
Plates
I. H. Matisse, The Piano Lesson, 1916. Museum of Modern Art, New York.
II. P. Abadie, Alphabet of the Army (L’Alphabet de l’Armée), 1916. Private Collection.
III. P. Picasso, Overture curtain for Parade, 1917. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
IV. G. Severini, Two Punchinellos, 1922. The City Museum, The Hague.
V. F. Léger, Mother and Child, 1922. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
VI. P. Picasso, Woman in White, 1923. Metropolitan Museum of Art, New York.
VII. J. Gris, The Open Window, 1921. M. Meyer Collection, Zurich.
VIII. A. Ozenfant, Glass and Bottles, 1922–26. Tate Gallery, London.
Figures
1. L. Sabattier, The Café de la Paix in Wartime, 1917. Reproduced in L’Illustration (26 January 1918).
2. L. d’Angel, Virtuous Germania (La Vertueuse Germania), 1917. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
3. Reims Cathedral (photo taken 19 September 1914, during bombardment by Germans). Postcard.
4. Anonymous (artist’s name illegible), Remember 1914! (Rappelez-vous 1914!), c. 1914–18. Commemorative stamp.
5. A. Willette, “It’s Not New!” (“Ce n’est pas nouveau!”), c. 191418. Photograph. Bibliothèque Nationale, Paris.
6. H. Léka, “The Boche Imperial Family Kubified” (“La Famille impériale boche kubistée”), 1914–15. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
7. J. Nam, “The Cubists!” (“Les Cubistes”). Back cover of La Baïonnette (23 November 1916).
8. L. Métivet, “Marianne and Germania.” Cover of La Baïonnette special issue (18 April 1918).
9. L. Métivet, “Marianne and Germania,” pp. 242–43.
10. L. Métivet, “Marianne and Germania,” pp. 244–45.
11. L. Métivet, “Marianne and Germania,” p. 248.
12. L. Métivet, “Marianne and Germania,” p. 252.
13. H. Léka, Intellectual and Soldier (Intellectuel et militaire), 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
14. L. Métivet, “Marianne and Germania,” p. 253.
15. G. Arnoux, Maurice Barrès, Patriot/Writer (Maurice Barrès, L’Ecrivain Patriote), c. 1914–18. Private Collection.
16. H. Matisse, The Red Studio, 1911. Museum of Modern Art, New York.
17. P. Picasso, Still-Life with Cards, Glasses, and Bottle of Rum (“Vive la France”), 1914–15. Private Collection.
18. P. Picasso, Guillaume Apollinaire, Artilleryman (Guillaume de Kostrowitzky, Artilleur), 1914. Private Collection, Paris.
19. R. Bonfils, Joffre, 1916. Private Collection.
20. R. Dufy, The Four Aymon Sons (Les 4 Fils Aymon), 1914. Musée d’Histoire Contemporaine — BDIC, Hôtel National des Invalides, Paris.
21. R. Dufy, The Allies (Les Alliés) (detail), c. 1916. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
22. A. Bourdelle, To the Deputies Slain for the Fatherland (Aux Députes, morts pour la patrie), c. 1918. Musée Bourdelle, Paris.
23. L. Marcoussis, Plan for artillery emplacement, 1915. Musée d’Histoire Contemporaine — BDIC, Hôtel National des Invalides, Paris.
24. R. Duchamp-Villon, Rooster (Gallic Cock), 1916 (cast 1919). Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
25. J. Dunand, Helmet design for French army, 1918. Private Collection, Paris.
26. A. Gleizes, Return (Le Retour), 1915. Reproduced in Le Mot no. 20 (July 1915).
27. R. de la Fresnaye, Conquest of the Air, 1913. Museum of Modern Art, New York.
28. R. Dufy, The End of the Great War (La Fin de la Grande Guerre), 1915. Reproduced in Le Mot no. 13 (6 March 1915). Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
29. A. Ozenfant, “Brow and Necklace of Victory” (“Front et collier de la Victoire”). Cover of L’Elan (15 April 1915).
30. J. Metzinger, Nurse, c. 1914–16. Reproduced in L’Elan (1 February 1916).
31. H. Matisse, Double Portrait (Mme. Juan Gris) (from the “Bohain Suite”), 1914–15. Museum of Modern Art, New York.
32. Anonymous, Cover of La Race (1 February 1916).
33. P. Picasso, The Painter and His Model, 1914. Musée Picasso, Paris.
34. P. Picasso, Poor People on the Seashore (The Tragedy), 1903. National Gallery of Art, Washington, D.C.
35. T. Géricault, Portrait of a Young Man in an Artist’s Studio, c. 1819–20. Musée du Louvre, Paris.
36. P. Cézanne, Seated Man (The Smoker), c. 1895–1900. Pushkin Museum, Moscow.
37. G. Courbet, The Studio of the Painter (detail), 1854–55. Musée d’Orsay, Paris.
38. P. Picasso, Bather, 1914. D’Offay Gallery, London.
39. P. Picasso, Portrait of Max Jacob, 1915. Private Collection, Paris.
40. P. Picasso, Portrait of Ambroise Vollard, 1915. Metropolitan Museum of Art, New York.
41. G. Severini, War (La Guerre), 1915. Present collection unknown.
42. G. Severini, Cannon in Action, 1915. Private Collection, Milan.
43. G. Severini, The Armored Train, 1915. Richard S. Zeisler Collection, New York.
44. F. Léger, The Card Party, 1917. Kroller-Müller Museum, Otter-loo.
45. J. Villon, At Ease (The Officers’ Bridge Game) (Au repos: Le bridge des Officiers). Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
46. F. Léger, Verdun, la rue Mazel, 1916. Galerie Claude Bernard, Paris.
47. A. Mare, Drawing, from notebook, 1914. Françoise Mare-Vène Collection, Paris.
48. A. Mare, Drawing, from notebook, 1918. Françoise Mare-Vène Collection, Paris.
49. A. Fraye, Scene of Battle, 1918. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
50. C. Fouqueray, Dixmude, 1915. Barbara DiBenedetto Collection.
51. G. Severini, Portrait of Jeanne, 1916. Severini Collection, Rome.
52. G. Severini, Motherhood, 1916. Museo dell’Academia, Cortona.
53. G. Quesnel, “In Front of the Ruins of the Colosseum” (“Devant les ruines du colisée”). Cover of Le Pêle-Mêle (14 November 1915).
54. J. Richard, “Their Culture” (“Leur Kulture”), c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides.
55. J. Cocteau, Dante on Our Side (Dante avec nous). Cover of Le Mot (15 June 1915).
56. G. Domergue, 1916 (New Year’s Greeting), 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
57. M. de Lambert, Guardian of the Valiantly Wounded, 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
58. H. Boutet, Untitled, 1917. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
59. L. Abbéma, Victory, 1916. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
60. H. Gerbault, Venus and Cupid, c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
61. Anonymous, Glory to You (Gloire à Vous), c. 1914–18. Postcard.
62. T. Steinlen, Illustration for Journée française du secours national, 1915. Postcard.
63. J. Nam, Verdun, 1916. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
64. P. Iribe, French Christmas: Victory (Le Noël de la France: la Victoire), 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
65. 0. Friesz, The Sower (Elle sême à tous vents), c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
66. J. Tournelle, The Best Defense (Le Meilleur Rempart), 1917. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
67. E. Benito, Immortality, c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
68. G. de Gennaro, Slain for the Fatherland (Mort pour La Patrie), 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
69. Anonymous (artist’s name illegible), “Go forth . . . Daughter of France, the time has come!” (“Va . . . fille de France, le temps est venu!”), 1915. Postcard.
70. T. Steinlen, La Marseillaise Rallying the Parisians, 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
71. P. Tavernier, Prisoner!, 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
72. Sem, Poster for War Loan, c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
73. C. Dupont, Vision of Exile (Vision d’Exil), 1916. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
74. C. Léandre, In the Manner of Puvis de Chavannes (A la manière de Puvis de Chavannes), c. 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
75. Reb, “Those who have seen,” 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides.
76. A. Ozenfant, “Un bel élan,” Cover of L’Elan (1 June 1915).
77. P. Picasso, Portrait of Jean Cocteau in Uniform, 1916. Private Collection, France.
78. P. Picasso, Portrait of Guillaume Apollinaire in Uniform, Bandaged, 1916. Private Collection.
79. P. Picasso, Portrait of Léonce Rosenberg in Uniform, 1916. Private Collection.
80. P. Picasso, Portrait of Riccioto Canudo in Uniform, 1918. Museum of Modern Art, New York.
81. P. Picasso, Set for Parade, 1917. Photograph. Private Collection.
82. P. Picasso, Costume for Parade: “Manager in Fancy Dress,” 1917. Photograph. Boris Kochno Collection, Bibliothèque de l‘Opéra, Paris.
83. P. Picasso, Costume for Parade: “Manager from New York,” 1917. Photograph. Boris Kochno Collection, Bibliothèque de l’Opéra, Paris.
84. A. Vianelli, Taverna, early 19th century. Postcard. Musée Picasso, Paris.
85. A. Watteau, The Delights of Life, c. 1715. Wallace Collection, London.
86. Anonymous, Grotesque Alphabet of the “Cris de Paris” 1858.
87. P. Picasso, Study for Manager in Parade, 1917. Bibliothèque de l’Opera, Paris—Dépot J. de Beistegui.
88. Anonymous, Photograph of cocoa vendor, Paris, Second Empire. Private Collection.
89. Anonymous, Photograph of homme-affiche, Paris, Second Empire. Private Collection.
90. P. Picasso, Costume for Parade: “Chinese Magician,” 1917. Private Collection.
91. Anonymous, Grotesque Alphabet of the “Cris de Paris,” 1858 (detail of fig. 86).
92. P. Picasso, Harlequin, 1915. Museum of Modern Art, New York.
93. P. Picasso, Harlequin, 1917. Museo Picasso, Barcelona.
94. A. Willette, “La Chanson de Pierrot,” 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
95. P. Picasso, Figure of Harlequin for Jean Cocteau’s Le Coq et L’Arlequin (1918).
96. P. Picasso, Figure of the Cock for Jean Cocteau’s Le Coq et l’Arlequin (1918).
97. P. Picasso, Italian Flower Girl, 1917. Marina Picasso Collection.
98. Anonymous, Italian Peasant Girl, late nineteenth or early twentieth century. Photograph. Private Collection.
99. P. Picasso, Drawing after Corot’s Mlle. de Foudras, 1920. Present collection unknown.
100. P. Picasso, L’Italienne, 1917. H. Bührle Collection, Zurich.
101. P. Picasso, Ma Jolie, 1912. Museum of Modern Art, New York.
102. P. Picasso, Villa Medici, Rome, 1917. Marina Picasso Collection.
103. P. Picasso, Portrait of Olga, 1917. Museo Picasso, Barcelona.
104. P. Picasso, Wall decorations for Errazuriz villa, La Mimoseraie, Biarritz, 1918. Private Collection.
105. P. Picasso, Wall decorations for Errazuriz villa, la Mimoseraie, Biarritz, 1918. Private Collection.
106. P. Picasso, Portrait of Olga, 1917. Musée Picasso, Paris.
107. P. Picasso, Drawing of the figure of Livia from J.A.D. Ingres’s Tu Marcellus Eris, 1917. Marina Picasso Collection.
108. J.A.D. Ingres, Tu Marcellus Eris, 1813. Royal Museum of Fine Arts, Brussels.
109. R. Delaunay, Study for Le Gitan, 1915. Collection Jacques Damase, Paris.
110. R. Delaunay, The City of Paris, 1912. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
111. R. Delaunay, Study for Portrait of Léonide Massine, 1918. Gulbenkian Foundation, Lisbon.
112. G. Severini, Mother and Child, c. 1916. Stieglitz Collection, Fisk University, Nashville, Tennessee.
113. G. Severini, Appearance of the Angel to Punchinello, 1917. Private Collection, Rome.
114. School of G. Bellini, Annunciation, c. 1500. Accademia, Venice.
115. J. Gris, Portrait of Josette, 1916. Prado Museum, Madrid.
116. J. Gris, Woman with Mandolin (after Corot), 1916. Kunstmuseum, Basel.
117. C. Corot, Girl with a Mandolin, c. 1860. St. Louis Museum of Art.
118. J. Gris, Harlequin with Guitar, 1917. Alex Hillman Family Collection, New York.
119. J. Gris, Drawing after P. Cézanne’s Self-Portrait (1886?), 1916. Art Institute of Chicago.
120. J. Gris, Drawing after P. Cézanne’s Bathers (c. 1875), 1916. Walter Feilchenfeldt, Zurich.
121. K. Jaeger, Vestibule, Exhibition of Munich Decorators, Paris, 1910.
122. E. von Seidel, Music Room, Exhibition of Munich Decorators, Paris, 1910.
123. Anonymous, Photograph of Nijinsky as the Golden Slave in Shéhérazade, 1910. Boris Kochno Collection, Bibliothèque de l’Opéra, Paris.
124. Anonymous, Photograph of Paul and Denise Poiret in costume for “1002nd Night” party, Paris, 24 June 1911.
125. P. Poiret, Sorbet, 1913.
126. G. Barbier, “Old Turkey” (“Vieille Turquie”), 1915. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
127. Gerda-Wegener, “They can hear the cannon in Constantinople” (“On entend le canon à Constantinople . . .”), c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
128. Arras, 1914. Postcard.
129. M. Rétif, Gassed Men (Les Gazés), 1918. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
130. Delegation of French Mutilés de Guerre, Congress of the Versailles Treaty, 28 June 1919. Postcard.
131. L. Lévy-Dhurmer, Motherhood (Maternité), c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
132. C. Le Vieil, For the War Loan, the Sacred Union (Pour l’emprunt, Union Sacrée), 1917. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
133. E. Benito, The Farewells, c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
134. C. Léandre, The Soil of France (La Terre de France), 1917. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
135. G. Arnoux, “The Good Frenchman contributes to the War Loan” (Le Bon Français souscrit à l’Emprunt) from Le Bon Français, c. 1914–18. Private Collection.
136. H.M.R., Images from French Women at Work for the Nation, c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
137. Gerda-Wegener, “La Mode Nationale.” Cover of La Baïonnette (27 December 1917).
138. Anonymous, Patriotic faïence, c. 1914–19. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
139. H. Matisse, The Music Lesson, 1917. Barnes Foundation, Mer-ion, Pennsylvania.
140. C. Huard, Holy France / The Knitter (Sainte France / La Tricoteuse), c. 1914–18. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
141. J. Marchand, The Guardian of the Home (La Gardienne de Foyer), c. 1915. Reproduced in L’Elan no. 3 (March 1915).
142. J. Metzinger, The Knitter, 1919. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
143. Anonymous, Seal of the City of Paris, n.d. Private Collection.
144. 0. Friesz, The Entry of the French into Strasbourg, 1918. Musée d’Histoire Contemporaine — BDIC, Hôtel National des Invalides, Paris.
145. E. Aubry, Medallion (La Somme) for the Peace Festivities, Paris, 14 July 1919. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
146. The Etoile—Arc de Triomphe during the Peace Festivities, Paris, 14 July 1919.
147. J. Galtier-Boissière, Procession of the Mutilés de Guerre, 14 July 1919. Musée d’Histoire Contemporaine—BDIC, Hôtel National des Invalides, Paris.
148. Marshals Foch and Joffre riding at head of parade for Peace Festivities, Paris, 14 July 1919.
149. G. Jaulmes, A. Mare, and L. Süe, Cenotaph for the War Dead, Peace Festivities, Paris, 14 July 1919.
150. A. Mare, Wallpaper design, “The Allies,” 1919. Françoise Mare-Vène Collection, Paris.
151. L. Sabattier, “France Victorious.” Cover of L’Illustration (5 July 1919).
152. C.-E. Jeanneret (Le Corbusier), Still-Life with Book, Glass, and Pipe, 1918. Fondation Le Corbusier, Paris.
153. P. Picasso, The Bottle of Pernod, 1912. Hermitage, Leningrad.
154. G. Braque, Memory of Corot: Woman with Mandolin, 1922–23. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
155. R. de la Fresnaye, Study after Le Sueur’s (or Vouet’s) Saint Sebastian Succored by Saint Irene, 1918. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
156. P. Picasso, The Peasants’ Repast (after Le Nain), 1917–18. Musée Picasso, Paris.
157. P. Picasso, Bathers, 1918. Musée Picasso, Paris.
158. P. Puvis de Chavannes, Young Girls by the Seashore, 1880. Musée du Louvre, Paris.
159. H. Rousseau, The Soccer Players, 1908. Solomon R. Guggenheim Museum, New York.
160. P. Picasso, Portrait of Renoir, 1919. Musée Picasso, Paris.
161. P. Picasso, Study after Renoir’s Le Ménage Sisley, 1919. Musée Picasso, Paris.
162. P. Picasso, Sleeping Peasants, 1919. Museum of Modern Art, New York.
163. P. Picasso, Ballet Dancers, 1919. Musée Picasso, Paris.
164. P. Picasso, Portrait of André Derain, 1919. Musée Picasso, Paris.
165. J. Gris, Portrait of Max Jacob, 1919. Museum of Modern Art, New York.
166. J. Gris, Portrait of D .-H. Kahnweiler, 1921. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
167. R. Delaunay, Portrait of Boris Kochno, c. 1922–23. Bibliothèque de l’Opéra, Paris.
168. R. de la Fresnaye, La Madelon, 1917. Philadelphia Museum of Art.
169. R. de la Fresnaye, Portrait of Jean-Louis Gampert, 1920. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
170. A. Gleizes, Self-Portrait, 1919. Musée d’Art Moderne de la Ville de Paris.
171. H. Matisse, The Plumed Hat, 1919. Museum of Modern Art, New York.
172. H. Matisse, Odalisque with Red Trousers, 1921–22. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
173. A. Renoir, Odalisque (Algerian Woman), 1870. National Gallery of Art, Washington, D.C.
174. H. Matisse, Odalisque with Green Sash, 1926–27. Baltimore Museum of Art: The Cone Collection.
175. J.A.D. Ingres, Odalisque and Slave, 1842. Walters Art Gallery, Baltimore.
176. Capiello, Poster for Exposition Coloniale (Marseille, 1922).
177. Jean Droit, Poster for Olympic Games (Paris, 1924).
178. J. Metzinger, Harlequinade, 1925. Present collection unknown.
179. A. Derain, Harlequin and Pierrot, 1924. Collection Jean Walter and Paul Guillaume, Musée de l’Orangerie, Paris.
180. J. Magrou, Monument to the Genius of the Latin People, 1921. Garden of the Palais Royal, Paris.
181. P. Picasso, Bathers, 1918. Fogg Art Museum, Cambridge, Mass.
182. P. Picasso, Bathers, 1921. Present collection unknown.
183. P. Picasso, La Source, 1921. Museum of Modern Art, New York.
184. P. Picasso, Three Women at the Spring, 1921. Museum of Modern Art, New York.
185. P. Picasso, La Liseuse, 1920. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
186. N. Poussin, The Arcadian Shepherds (Et in Arcadia Ego), 1638. Musée du Louvre, Paris.
187. P. Puvis de Chavannes, The Shepherd’s Song, 1891. Metropolitan Museum of Art, New York.
188. P. Puvis de Chavannes, La Source, 1869. Musée de Reims.
189. P. Picasso, The Pipes of Pan, 1923. Musée Picasso, Paris.
190. P. Picasso, Mother and Child, 1921. Art Institute of Chicago.
191. H. Lebasque, Poster for Peace Loan, 1920. Private Collection.
192. G. Severini, Study for Family of the Commedia dell’Arte, c. 1922. Severini Collection, Rome.
193. A. Gleizes, Mother and Child, 1920. Pochoir, published in Der Sturm, 1921.
194. R. de la Fresnaye, Mother and Child, 1923. Present collection unknown.
195. P. Picasso, Dancing Couple, 1921–22. Musée Picasso, Paris.
196. P. Puvis de Chavannes, Hope, 1871. Musée du Louvre, Paris.
197. P. Picasso, Drawing on fragment ofL’Excelsior (23 July 1923), 1923. Musée Picasso, Paris.
198. G. Braque, Canéphore, 1922–23. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
199. G. Braque, Canéphore, 1922–23. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
200. A. Bourdelle, Study for Noble Burdens, 1910–11. Musée d’Orleans.
201. R. de la Fresnaye, Les Palefreniers, 1922. Kunstmuseum, Berne.
202. R. de la Fresnaye, Portrait of Guynemer, 1922. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
203. R. de la Fresnaye, The Sick Man in Bed, 1922. Collection Françoise Mare-Vène, Paris.
204. R. de la Fresnaye, Self-Portrait, 1925. Present collection unknown.
205. P. Picasso, Curtain for Le Tricorne, 1919. Seagram Building, New York.
206. G. Braque, Curtain for Les Fâcheux, 1924. Sumner Collection, Wadsworth Atheneum, Hartford, Connecticut.
207. J. Gris, Costume design for Les Tentations de la bergère, 1924. Sumner Collection, Gift of Mr. and Mrs. John Lee Bruce in Memory of A. Everett Austin, Jr., Wadsworth Atheneum, Hartford, Connecticut.
208. F. Léger, Set design for La Création du Monde, 1923. Dansmuseet, Stockholm.
209. F. Picabia, Monument to Latin Stupidity (Monument à la Bêtise Latine), 1921. Reproduced in 391 no. 16 (10 July 1921).
210. J. Hugo, Costume design for Les Mariés de la tour Eiffel, 1921. Dansmuseet, Stockholm.
211. P. Picasso, Drawing of costume worn at the Beaumont Bal des Jeux, 1922. Collection H. de Beaumont, Paris.
212. F. Picabia, Portrait of Max Goth, 1917. Reproduced in 391 no. 1 (1 February 1917).
213. P. Picasso, Three Musicians, 1921. Museum of Modern Art, New York.
214. P. Picasso, Studies, 1920. Musée Picasso, Paris.
215. Caravaggio, The Calling of Matthew, 1599–1600. Contarelli Chapel, S. Luigi dei Francesi, Rome.
216. Anonymous, Calendar: “Pour que la France soit prospère,” 1920. Private Collection.
217. R. Delaunay, Eiffel Tower, 1911. Solomon R. Guggenheim Museum, New York.
218. R. Delaunay, Portrait of Mme. Mandel, 1923. Private Collection, Paris.
219. R. Delaunay, Eiffel Tower, 1926. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
220. R. Delaunay, The City of Paris: The Woman and the Tower, 1925. Private Collection, Paris.
221. F. Léger, La Ville (The City), 1919. Philadelphia Museum of Art.
222. F. Léger, Le Grand Déjeuner, 1921. Museum of Modern Art, New York.
223. Greek vase (South Italian), fourth century B.C. Museo Nazionale, Naples.
224. F. Léger, Women in an Interior, 1921. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
225. P. Picasso, Still-Life in Front of a Window at St. Raphaël, 1919. Formerly Paul Rosenberg Family Collection, New York.
226. G. Braque, Guitar and Compotier, 1919. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
227. R. de la Fresnaye, The Louis-Philippe Table, 1922. Gift of Pierre and Denise Lévy, Musée d’Art Moderne, Troyes.
228. J. Gris, Still-Life Before an Open Window: Place Ravignan, 1915. Louise and Walter Arensberg Collection, Philadelphia Museum of Art.
229. P. Picasso, Studio with Plaster Head, 1925. Museum of Modern Art, New York.
230. F. Léger, Still-Life with Statue, 1924. Private Collection.
231. J. Gris, The Musician’s Table, 1926. Private Collection.
232. General view: Esplanade des Invalides, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925.
233. View of the Porte d’Honneur (by Favier, Ventre, Brandt, Navarre, and Lalique): Pont Alexandre III, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925.
234. L. Süe and A. Mare, Architectures (Paris, 1921). Title page. Private Collection.
235. L. Süe and A. Mare, Desk, 1925. Metropolitan Museum of Art, New York.
236. Le Corbusier, Pavillon de l’Esprit Nouveau (destroyed), Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925.
237. Le Corbusier, “Eyes which do not see: Automobiles,” from Towards a New Architecture, 1927 (originally published in L’Esprit Nouveau, July 1921).
238. C.-E. Jeanneret (Le Corbusier), Still-Life with Pile of Plates, 1920. Museum of Modern Art, New York.
239. C.-E. Jeanneret (Le Corbusier), Still-Life with Numerous Objects, 1923. Musée National d’Art Moderne, Centre Georges Pompidou, Paris.
240. A. Ozenfant, Fugue, 1925. Museum of Modern Art, New York.
241. Le Corbusier, Urbanism display, L’Esprit Nouveau pavilion, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris, 1925.
242. Editorial defacing of Giorgio de Chirico, Orestes and Electra. La Révolution Surréaliste (1 March 1926).
243. P. Picasso, The Dance, 1925. Tate Gallery, London.
List of Illustrations
Previous chapter Next chapter