Selected Exhibitions

Baskett, John; Prown, Jules David; Robinson, Duncan

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Selected Exhibitions

John Baskett, Jules David Prown, Duncan Robinson, Brian Allen, William Reese

Paul Mellon’s Legacy: A Passion for British Art

Selected Exhibitions

Author

John Baskett, Jules David Prown, Duncan Robinson, Brian Allen, William Reese

PublisherYale Center for British Art

Stable URL: https://aaeportal.com/?id=-20907

Selected Exhibitions

As cited in abbreviated form in catalogue entries.

Ackermann, Racehorses, 1962: An Exhibition of Eighteenth- and Nineteenth-Century Oil Paintings of Celebrated Racehorses, Arthur Ackermann and Son, Ltd, London, 1962.

AFA, British Watercolors, 1985–86: British Watercolors: Drawings of the Eighteenth and Nineteenth Centuries from the Yale Center for British Art, American Federation of Arts, 1985–86. Catalogue by Scott Wilcox.

AGNSW, Eden, 1998: This Other Eden: Paintings from the Yale Center for British Art, Art Gallery of New South Wales, Sydney; Queensland Art Gallery, Brisbane; and Art Gallery of South Australia, Adelaide, 1998. Catalogue by Malcolm Warner et al.

Arts Council, British Painting, 1951: British Painting, 1925–1950, organized by the Arts Council and Manchester City Art Gallery for the Festival of Britain, 1951; New Burlington Galleries, London; and Manchester City Art Gallery, 1951.

Arts Council, James Ward, 1960: James Ward, 1769–1859, Arts Council of Great Britain, London, 1960.

Arts Council, Stubbs, 1958: George Stubbs: Rediscovered Anatomical Drawings from the Free Public Library, Worcester, Massachusetts, Arts Council of Great Britain, London, 1958.

Barbican, David Roberts, 1986: David Roberts, Barbican Art Gallery, London, 1986. Catalogue by Helen Guiterman and Briony Llewellyn.

Beinecke, America Pictured, 2002: America Pictured to the Life: Illustrated Works from the Bequest of Paul Mellon, Beinecke Rare Book and Manuscript Library, New Haven, 2002. Catalogue by George Miles and William Reese.

BFAC, Portrait Miniatures, 1889: Exhibition of Portrait Miniatures, Burlington Fine Arts Club, London, 1889.

BI: Annual exhibition, British Institution, London, various years.

BI, Reynolds, 1813: Pictures by the Late Sir Joshua Reynolds, Exhibited by Permission of the Proprietors, in Honour of the Memory of That Distinguished Artist, and for the Improvement of British Art, British Institution, London, 1813

Birmingham, Canaletto and England, 1993–94: Canaletto and England, Birmingham City Museum and Art Gallery, 1993–94. Catalogue by Michael Liversidge and Jane Farrington.

Birmingham, Reynolds, 1961: Exhibition of Works by Sir Joshua Reynolds, P. R. A., 1723–1792, Birmingham City Museum and Art Gallery, 1961. Catalogue by John Woodward, assisted by Malcolm Cormack.

Birmingham, Wilson, 1948–49: Richard Wilson and His Circle, Birmingham City Museum and Art Gallery, and Tate, London, 1948–49.

Blairman, Walton, 1946: Henry Walton, 1746–1813, H. Blairman & Sons Ltd, London, 1946.

BM, Drawing in England, 1987: Drawing in England: From Hilliard to Hogarth, British Museum, London, and Yale Center for British Art, New Haven, 1987. Catalogue by Lindsay Stainton and Christopher White.

BM, Palmer, 2005–6: Samuel Palmer: Vision and Landscape, British Museum, London, and Metropolitan Museum of Art, New York, 2005–6. Catalogue by William Vaughan et al.

Canberra and Melbourne, Turner, 1996: Turner, National Gallery of Australia, Canberra, and National Gallery of Victoria, Melbourne, 1996. Catalogue by Michael Lloyd.

Colnaghi, English Drawings and Watercolours, 1963: A Loan Exhibition of English Drawings and Watercolours in Memory of the Late D. C. T. Baskett, Colnaghi, London, 1963.

Colnaghi-Yale, English Drawings, 1964–65: English Drawings and Watercolours from the Collection of Mr. and Mrs. Paul Mellon, Colnaghi, London, and Yale University Art Gallery, New Haven, 1964–65.

Denver, Glorious Nature, 1993–94: Glorious Nature: British Landscape Painting, 1750–1850, Denver Art Museum, 1993–94. Catalogue by Katharine Baetjer et al.

Dresden and Berlin, Turner, 1972: William Turner, 1775–1851, Gemäldegalerie Neue Meister, Dresden, and Nationalgalerie Staatliche Museen Preussischer Kulturbesitz, Berlin, 1972. Catalogue by Joachim Uhlitzsch, Luke Herrmann, and James Millar.

Dublin, Irish Portraits, 1969: Irish Portraits, 1660–1860, National Gallery of Art, Dublin, 1969. Catalogue by Anne Crookshank and the Knight of Glin.

Edinburgh, British Portrait Miniatures, 1965: British Portrait Miniatures, The Arts Council Scottish Committee, Edinburgh, 1965.

Fitzwilliam, John Linnell, 1982: John Linnell: A Centennial Exhibition, The Fitzwilliam Museum, Cambridge, 1982. Catalogue by Katharine Crouan.

Frick, Rowlandson, 1990: The Art of Thomas Rowlandson, The Frick Collection, New York; The Frick Art Museum, Pittsburgh; and Baltimore Museum of Art, 1990. Catalogue by John Hayes.

Grand Palais, Gainsborough, 1981: Gainsborough, 1727–1788, Grand Palais, Paris, 1981. Catalogue by John Hayes.

Grand Palais, Turner, 1983–84: J. M. W. Turner, Grand Palais, Paris, 1983–84. Catalogue by John Gage et al.

Grolier, Fifty-five Books, 1968: Fifty-five Books Printed Before 1525, Representing the Works of England’s First Printers: An Exhibition from the Collection of Paul Mellon, Grolier Club, New York, 1968. Catalogue by Joan Crane.

Grosvenor, 1888: Grosvenor Gallery, London, 1888.

Grosvenor, Centenary, 1885: Centenary of British Art, 1737–1837, Grosvenor Gallery, London, 1885.

Grosvenor, Century of British Art, 1889: A Century of British Art (Second Series), Grosvenor Gallery, London, 1889.

Grosvenor, Gainsborough, 1885: Thomas Gainsborough, Grosvenor Gallery, London, 1885.

Grosvenor, Reynolds, 1883: Works of Sir Joshua Reynolds, Grosvenor Gallery, London, 1883.

Guildhall, Turner, 1899: J. M. W. Turner and His Contemporaries, Guildhall Art Gallery, London, 1899. Catalogue by A. G. Temple.

Hall and Knight, Fearful Symmetry, 2000: Fearful Symmetry: George Stubbs, Painter of the English Enlightenment, Hall and Knight, New York, 2000. Catalogue edited by Nicholas Hall.

Harewood, Girtin, 1999: Thomas Girtin: Genius in the North, Harewood House, 1999. Catalogue by David Hill.

Heim, John Flaxman, 1976: John Flaxman, Heim Gallery, London, 1976, introduction by David Bindman.

Hutchinson House, Sports and Pastimes, 1948: National Gallery of British Sports and Pastimes, Hutchinson House, UK, 1948.

LACMA, Visions of Antiquity, 1993–94: Visions of Antiquity : Neoclassical Figure Drawings, Los Angeles County Museum of Art, 1993; Philadelphia Museum of Art, 1993–94; and Minneapolis Institute of Arts, 1993–94. Catalogue by Richard J. Campbell and Victor Carlson.

Laing, Lewis, 1971: John Frederick Lewis, R. A., 1805–1976, Laing Art Gallery, Newcastle, 1971. Catalogue by Richard Green.

Leeds, Early English Water Colours, 1958: Early English Water Colours, City Art Gallery, Leeds, 1958.

Leeds, Exhibition of Paintings, 1839: Exhibition of Paintings, Curiosities . . . at the Music Hall for the Relief of the Mechanics’ Institute, Music Hall, Leeds, 1839.

Leeds, Wheatley, 1965: Francis Wheatley, R.A., . . . : An Exhibition Arranged by the Paul Mellon Foundation for British Art, Aldeburgh Festival of Music and Arts and the City Art Gallery, Leeds, 1965. Catalogue by Mary Webster.

Leicester, Victorian Romantics, 1949: The Victorian Romantics, Leicester Galleries, 1949.

London, Cooke, 1822: Exhibition of Drawings, W. B. Cooke’s Gallery, no. 9, Soho-Square, London, 1822.

London, Fawkes, 1819: A Collection of Watercolour Drawings in the Possession of Mr Fawkes, 45 Grosvenor Place, London, London, 1819.

Louvre, D’Après l’antique, 2000–01: D’Après l’antique, Musée du Louvre, Paris, 2000–01.

Manchester, Art Treasures, 1857: Art Treasures Exhibition, Manchester, 1857.

Manchester, Royal Jubilee, 1887: Royal Jubilee Exhibition, Manchester Art Gallery, 1887.

Manchester, 1956: Manchester Art Gallery, 1956.

Marble Hill, Jones, 1970 : Thomas Jones (1742–1803), Marble Hill House, Twickenham, and National Museum of Wales, Cardiff, 1970.

Mauritshuis and Tate, Shock of Recognition, 1970–71: Shock of Recognition: The Landscape of English Romanticism and the Dutch Seventeenth-Century School, Mauritshuis, The Hague, and Tate, London, 1970–71. Catalogue by A. G. H. Bachrach and Robin Campbell.

MC, Collections parisiennes, 1950: Chefs d’oeuvres des collections parisiennes, Musée Carnavalet, Paris, 1950.

MMA, Empire City, 2000: Art and the Empire City: New York, 1825–1861, Metropolitan Museum of Art, New York, 2000. Catalogue edited by Catherine Hoover Voorsanger and John K. Howat.

Munich, The Age of Rococo, 1958: The Age of Rococo: Art and Culture of the Eighteenth Century, The Residenz, Munich, 1958. Catalogue translation by Margaret D. Senft-Howie and Brian Sewell.

Munich, Englische Malerei, 1979–80: Zwei Jahrhunderte Englische Malerei: Britische Kunst und Europa 1680 bis 1880, Haus der Kunst, Munich, 1979–80.

NGA, Berenson, 1979: Berenson and the Connoisseurship of Italian Painting, National Gallery of Art, Washington D.C., 1979. Handbook by David Alan Brown.

NGA, Constable, 1969 John Constable: A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1969.

NGA, English Drawings, 1962: An Exhibition of English Drawings and Watercolours from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1962.

NGA, Gainsborough Drawings, 1983–84: Gainsborough Drawings, National Gallery of Art, Washington, D.C.; Kimbell Art Museum, Fort Worth; and Yale Center for British Art, New Haven, 1983–84. Catalogue by John Hayes and Lindsay Stainton.

NGA, Hogarth, 1971: William Hogarth: A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1971.

NGA, Orientalists, 1984: The Orientalists: Delacroix to Matisse: The Allure of North Africa and the Near East, National Gallery of Art, Washington D.C., 1984. Catalogue edited by MaryAnne Stevens.

NGA, Turner, 1968–69: J. M. W. Turner: A Selection from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1968–69. Catalogue by Ross Watson.

NGA, Wright of Derby, 1969–70: Joseph Wright of Derby: A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon, National Gallery of Art, Washington, D.C., 1969–70. Catalogue by R. Watson.

NMGW, Jones, 2003–4: Thomas Jones (1742–1803): An Artist Rediscovered, National Museum and Gallery of Wales, Cardiff; Whitworth Art Gallery, Manchester; and National Gallery, London, 2003–4. Catalogue by Ann Sumner and Greg Smith et al.

NMR, Munnings, 2000: The Mastery of Munnings, National Museum of Racing, Saratoga Springs, N.Y., 2000. Catalogue by Lorian Peralto-Ramos.

NPG, Treasures and Curiosities, 1968: Treasures and Curiosities: Drummonds at Charing Cross, 1717–1967, National Portrait Gallery, London, 1968. Catalogue by Hector Bolitho.

Ottawa, British Drawings, 2005; British Drawings from the National Gallery of Canada, National Gallery of Canada, Ottawa, 2005. Catalogue by Douglas E. Schoenherr.

Park Lane, Conversation Pieces, 1930: English Conversation Pieces: Exhibition in Aid of the Royal Northern Hospital, London, 1930.

Park Lane, Reynolds, 1937: Sir Joshua Reynolds: Loan Exhibition in Aid of the Royal Northern Hospital, London, 1937.

Petit Palais, Peinture Romantique, 1972: La Peinture Romantique anglaise et les préraphaélites, Musée du Petit Palais, Paris, 1972. Catalogue introduction by Kenneth Clark.

PML, Drake, 1988: Sir Francis Drake and the Age of Discovery, Pierpont Morgan Library, New York, 1988. Catalogue by Verlyn Klinkenborg.

PML, English Drawings, 1972: English Drawings and Watercolors, 1550–1850: In the Collection of Mr. and Mrs. Paul Mellon, Pierpont Morgan Library, New York, and Royal Academy, London, 1972. Catalogue by John Baskett and Dudley Snelgrove.

RA: Annual exhibition, Royal Academy, London, from 1769 onward.

RA, Bicentenary Exhibition, 1968–69: Bicentenary Exhibition, Royal Academy, London, 1968–69.

RA, British Portraits, 1956–57: British Portraits, Royal Academy, London, 1956–57.

RA, First Hundred Years, 1951: The First Hundred Years of the Royal Academy, 1769–1868, Royal Academy, London, 1951.

RA, Girtin Collection, 1962; The Girtin Collection: Watercolours by Thomas Girtin and Other Masters, Royal Academy, London, 1962.

RA, Great Age of British Watercolours, 1993: The Great Age of British Watercolours, 1750–1880, Royal Academy of Arts, London, and National Gallery of Art, Washington D.C., 1993. Catalogue by Andrew Wilton and Anne Lyles.

RA, Old Masters, 1876: Old Masters, Royal Academy of Arts, London, 1876.

RA, Painting in England, 1964–65: Painting in England, 1700–1850, from the Collection of Mr. and Mrs. Paul Mellon, Royal Academy, London, 1964–65. Catalogue by Basil Taylor.

RA, Paul Oppé Collection, 1958: Exhibition of Works from the Paul Oppé Collection: English Watercolours and Old Master Drawings, Royal Academy, London, 1958.

RA, Reynolds, 1986: Reynolds, Royal Academy, London, and Grand Palais, Paris, 1986. Catalogue by Nicholas Penny.

RISD, Victorian Bibliomania, 1987: Victorian Bibliomania: The Illuminated Book in Nineteenth-Century Britain, Rhode Island School of Design, Providence, 1987. Catalogue by Alice Beckwith.

SA: Annual exhibition, Society of Artists, London, from 1760 onward.

Salander-O’Reilly, Constable, 1988: John Constable, R.A. (1776–1837) : An Exhibition: Paintings, Drawings, Watercolors, Mezzotints, Salander-O’Reilly Galleries, New York, 1988. Catalogue by Charles Rhyne.

SBA: Annual exhibition, Society of British Artists, London, from 1824 onward.

Sheffield, Girtin Collection, 1953: Early Watercolours from the Collection of Thomas Girtin Jnr., Graves Art Gallery, Sheffield, 1953.

SNPG, Cosway, 1995: Richard and Maria Cosway: Regency Artists of Taste and Fashion, Scottish National Portrait Gallery, Edinburgh, 1995. Catalogue by Stephen Lloyd.

South Kensington, National Portraits, 1867: Catalogue of the Second Special Exhibition of National Portraits Commencing with the Reign of William and Mary and Ending with the Year 1800, South Kensington Museum, London, 1867.

South Kensington, Portrait Miniatures, 1865: Special Exhibition of Portrait Miniatures on Loan at the South Kensington Museum, South Kensington Museum, London, 1865.

South Kensington, Special Exhibition, 1862: Special Exhibition of Works of Art at the South Kensington Museum, South Kensington Museum, London, 1862.

South Kensington, 1880–83: South Kensington Museum, London, 1880–83.

Speed, British Watercolors, 1977: British Watercolors: A Golden Age, 1750–1850, J. B. Speed Museum, Louisville, Ky., 1977.

SPWC: Annual exhibition, Society of Painters in Water-Colours, London, from 1805 onward.

Tate, Blake, 1913–14: Works by William Blake, Tate, London; Whitworth Institute, Manchester; Art Museum, Nottingham Castle, 1913–14.

Tate, Blake, 2000: William Blake, Tate, London, and the Metropolitan Museum of Art, New York, 2000. Catalogue by Robin Hamlyn and Michael Phillips.

Tate, British Painting in the Eighteenth Century, 1957–58: British Painting in the Eighteenth Century: An Exhibition under the Gracious Patronage of Her Majesty the Queen, Tate, London; Montreal Museum of Fine Arts, Montreal; National Gallery of Canada, Ottawa; Art Gallery of Toronto; Toledo Museum of Art, Ohio, in collaboration with the British Council, 1957–58.

Tate, Constable, 1991: Constable, Tate, London, 1991. Catalogue by Leslie Parris and Ian Fleming-Williams.

Tate, Constable, 2006: Constable: The Great Landscapes, Tate, London, and National Gallery of Art, Washington, D.C., 2006; The Huntington Library, Art Collections, and Botanical Gardens, San Marino, Calif., 2007. Catalogue edited by Anne Lyles.

Tate, Cotman, 1922: Works by John Sell Cotman and Some Related Painters of the Norwich School, Tate, London, 1922.

Tate, Dadd, 1974–75; The Late Richard Dadd, 1817–1886, Tate, London, 1974–75. Catalogue by Patricia Allderidge.

Tate, Gainsborough, 1980–81: Thomas Gainsborough, Tate, London, 1980–81. Catalogue by John Hayes.

Tate, Gainsborough, 2002: Gainsborough, Tate, London, 2002. Catalogue by Michael Rosenthal and Martin Myrone.

Tate, James Gillray, 2001: James Gillray: The Art of Caricature, Tate, London, 2001. Catalogue by Richard Godfrey.

Tate, Manners and Morals, 1987–88: Manners and Morals: Hogarth and British Painting 1700–1760, Tate, London, 1987–88. Catalogue by Elizabeth Einberg.

Tate, Reynolds, 2005: Joshua Reynolds: The Creation of Celebrity, Tate, London, and Palazzo dei Diamanti, Ferrara, 2005. Catalogue edited by Martin Postle.

Tate, Stubbs, 1984–85: George Stubbs, 1724–1806, Tate, London, and Yale Center for British Art, New Haven, 1984–85. Catalogue by Judy Egerton.

Tate, Stubbs and Wedgwood, 1974: Stubbs and Wedgwood: Unique Alliance Between Artist and Potter, Tate, London, 1974. Catalogue by Bruce Tattersall.

Tate, Towne, 1997–98: Francis Towne, Tate, London, and Leeds City Art Gallery, 1997–98. Catalogue by Timothy Wilcox.

Tate, Turner and Venice, 2003–4: Turner and Venice, Tate, London, and Kimbell Art Museum, Fort Worth, 2003–4. Catalogue by Ian Warrell, with essays by David Laven, Jan Morris, and Cecilia Powell.

Tate, Wilson, 1982–83: Richard Wilson: The Landscape of Reaction, Tate, London, 1982–83. Catalogue by David Solkin.

Tate/RA, Turner, 1974: Turner, 1775–1851, Tate, London, and Royal Academy, London, 1974–75. Catalogue by Martin Butlin, John Gage, and Andrew Wilton.

Tokyo, Institute of Art Research, 1929: Loan Collection of English Water-Colour Drawings, Institute of Art Research, Tokyo, 1929.

Toronto and Ottawa, Turner, 1951: Paintings by J. M. W. Turner, Art Gallery of Toronto, and National Gallery of Canada, Ottawa, 1951.

V&A, Cotman, 1982–83: John Sell Cotman, 1782–1842, Victoria and Albert Museum, London; Whitworth Art Gallery, Manchester; and City of Bristol Museum and Art Gallery, 1982–83. Catalogue by Miklós Rajnai et al.

V&A, English Caricature, 1984: English Caricature, 1620 to the Present: Caricatures and Satirists, Their Art, Their Purpose and Influence, Victoria and Albert Museum, London, 1984.

V&A, Hilliard and Oliver, 1947: Nicholas Hilliard and Isaac Oliver: An Exhibition to Commemorate the 400th Anniversary of the Birth of Nicholas Hilliard, Victoria and Albert Museum, London, 1947. Catalogue by Graham Reynolds.

V&A, Palmer, 1926: Drawings, Etchings, and Woodcuts by Samuel Palmer and Other Disciples of William Blake, Victoria and Albert Museum, London, 1926.

V&A, Rococo, 1984: Rococo: Art and Design in Hogarth’s England, Victoria and Albert Museum, London, 1984.

Victoria, British Watercolour Drawings, 1971: British Watercolour Drawings in the Collection of Mr. and Mrs. Paul Mellon, The Art Gallery of Greater Victoria, Canada, 1971.

Villa Hügel, Metropole London, 1992: Metropole London: Macht und Glanz einer Weltstadt, 1800–1840, Villa Hügel, Essen, 1992. Catalogue by Celina Fox et al.

VMFA, Hogarth, 1967: William Hogarth, Virginia Museum of Fine Arts, Richmond, 1967. Catalogue edited by William Francis.

VMFA, Painting in England, 1963: Painting in England, 1700–1850: Collection of Mr. and Mrs. Paul Mellon, Virginia Museum of Fine Arts, Richmond, 1963. Catalogue by Basil Taylor.

VMFA, Sport and the Horse, 1960: Sport and the Horse, Virginia Museum of Fine Arts, Richmond, 1960.

Whitechapel, Turner, 1953: J. M. W. Turner, R.A., 1775–1851, Whitechapel Art Gallery, London, 1953.

Wildenstein, Constable, 1937: The Catalogue of a Centenary Memorial Exhibition of John Constable, R.A.: His Origins and Influence; Illustrating the Various Periods of His Work . . . , Wildenstein, London, 1937. Organized by Percy Moore Turner.

YCBA, Among the Whores and Thieves, 1997: Among the Whores and Thieves: William Hogarth and the Beggar’s Opera, Yale Center for British Art, New Haven, 1997. Catalogue edited by David Bindman and Scott Wilcox.

YCBA, The Art of James Ward, 2004: The Art of James Ward, Yale Center for British Art, New Haven, 2004.

YCBA, Behold, the Sea Itself 2003: Behold, the Sea Itself Yale Center for British Art, New Haven, 2003.

YCBA, Blake, 1982–83: William Blake: His Art and Times, Yale Center for British Art, New Haven, and Art Gallery of Ontario, Toronto, 1982–83. Catalogue by David Bindman.

YCBA, Bonington, 1991–92. Richard Parkes Bonington: “On the Pleasure of Painting,” Yale Center for British Art, New Haven, and Petit Palais, Paris, 1991–92. Catalogue by Patrick Noon.

YCBA, Canaletto, 2006: Canaletto in England: A Venetian Artist Abroad, 1746–1755, Yale Center for British Art, New Haven, and Dulwich Picture Gallery, London, 2006–07. Catalogue by Charles Beddington.

YCBA, Classic Ground, 1981: Classic Ground: British Artists and the Landscape of Italy, 1740–1830, Yale Center for British Art, New Haven, 1981. Catalogue by Duncan Bull et al.

YCBA, Color Printing, 1978: Color Printing in England, 1486–1870, Yale Center for British Art, New Haven, 1978. Catalogue by Joan Friedman.

YCBA, Compleat Horseman, 2001: “The Compleat Horseman”: Sporting Books from the Bequest of Paul Mellon, Yale Center for British Art, New Haven, 2001. Catalogue by Elisabeth Fairman.

YCBA, The Conversation Piece, 1980: The Conversation Piece: Arthur Devis and His Contemporaries, Yale Center for British Art, New Haven, 1980. Catalogue by Ellen D’Oench.

YCBA, Country Houses, 1979: Country Houses in Great Britain, Yale Center for British Art, New Haven, 1979. Catalogue by Joy Breslauer, Ellen D’Oench, and Mary Spivy.

YCBA, Cozens, 1980: The Art of Alexander and John Robert Cozens, Yale Center for British Art, New Haven, 1980. Catalogue by Andrew Wilton.

YCBA, English Landscape, 1977: English Landscape, 1630–1850: Drawings, Prints and Books from the Paul Mellon Collection, Yale Center for British Art, New Haven, 1977. Catalogue by Christopher White.

YCBA, English Portrait Drawings, 1979–80: English Portrait Drawings and Miniatures, Yale Center for British Art, New Haven, 1979–80. Catalogue by Patrick Noon.

YCBA, The Exhibition Watercolor, 1981: Works of Splendor and Imagination: The Exhibition Watercolor, 1770–1870, Yale Center for British Art, New Haven, 1981. Catalogue by Jane Bayard.

YCBA, Fairest Isle, 1989: Fairest Isle: The Appreciation of British Scenery, 1750–1850, Yale Center for British Art, New Haven, 1989.

YCBA, Fifty Beautiful Drawings, 1977: Exhibition of Fifty Beautiful Drawings, Yale Center for British Art, New Haven, 1977.

YCBA, First Decade, 1986: Acquisitions: The First Decade, 1977–1986, Yale Center for British Art, New Haven, 1986.

YCBA, Fuseli Circle, 1979: The Fuseli Circle in Rome: Early Romantic Art of the 1770s, Yale Center for British Art, New Haven, 1979. Catalogue by Nancy L. Pressly.

YCBA, Gilded Scenes, 1985; Gilded Scenes and Shining Prospects: Panoramic Views of British Towns, 1575–1900, Yale Center for British Art, New Haven, 1985. Catalogue by Ralph Hyde.

YCBA, Girtin, 1986: Thomas Girtin, 1775–1802, Yale Center for British Art, New Haven, 1986. Catalogue by Susan Morris.

YCBA, Great British Paintings, 2001: Great British Paintings from American Collections: From Holbein to Hockney, Yale Center for British Art, New Haven, 2001. Catalogue by Malcolm Warner and Robyn Asleson.

YCBA, Hollar, 1994; Wenceslaus Hollar: A Bohemian Artist in England, Yale Center for British Art, New Haven, 1994. Catalogue by Richard T. Godfrey.

YCBA, Human Form Divine, 1997: The Human Form Divine: William Blake from the Paul Mellon Collection, Yale Center for British Art, New Haven, 1997. Catalogue by Patrick Noon.

YCBA, Lear, 2000: Edward Lear and the Art of Travel, Yale Center for British Art, New Haven, 2000. Catalogue by Scott Wilcox.

YCBA, Line of Beauty, 2001: The Line of Beauty: British Drawings and Watercolors of the Eighteenth Century, Yale Center for British Art, New Haven, 2001. Catalogue by Scott Wilcox et al.

YCBA, Masters of the Sea, 1987: Masters of the Sea: British Marine Watercolours, Yale Center for British Art, New Haven, and National Maritime Museum, Greenwich, 1987. Catalogue by Roger Quarm and Scott Wilcox.

YCBA, Noble Exercise, 1982: Noble Exercise: The Sporting Ideal in Eighteenth-Century British Art, Yale Center for British Art, New Haven, 1982. Catalogue by Stephen Deuchar.

YCBA, Oil on Water, 1986: Oil on Water: Oil Sketches by British Watercolorists, Yale Center for British Art, New Haven, 1986. Catalogue by Malcolm Cormack.

YCBA, Paul Mellon Bequest, 2001: The Paul Mellon Bequest: Treasures of a Lifetime, Yale Center for British Art, New Haven, 2001. Catalogue by Malcolm Warner.

YCBA, Pleasures and Pastimes, 1990: Pleasures and Pastimes, Yale Center for British Art, New Haven, 1990. Catalogue by Elisabeth Fairman.

YCBA, Presences of Nature, 1982: Presences of Nature: British Landscape, 1780–1830, Yale Center for British Art, New Haven, 1982. Catalogue by Louis Hawes.

YCBA, Pursuit of Happiness, 1977: The Pursuit of Happiness: A View of Life in Georgian England, Yale Center for British Art, New Haven, 1977. Catalogue by J. H. Plumb, Edward J. Nygren, and Nancy L. Pressly.

YCBA, Romantic Vision, 1995–96: Romantic Vision: Responses to Change, Yale Center for British Art, New Haven, 1995–96.

YCBA, Rowlandson Drawings, 1977–78: Rowlandson Drawings from the Paul Mellon Collection, Yale Center for British Art, New Haven, 1977, and Royal Academy, London, 1978. Catalogue by John Riely.

YCBA, Sandby, 1985: The Art of Paul Sandby, Yale Center for British Art, New Haven, 1985. Catalogue by Bruce Robertson.

YCBA, Sensation and Sensibility, 2005: Sensation and Sensibility: Viewing Gainsborough’s Cottage Door, Yale Center for British Art, New Haven, and The Huntington Library, Art Collections, and Botanical Gardens, San Marino, Calif., 2005.

YCBA, Sir Thomas Lawrence, 1993: Sir Thomas Lawrence: Portraits of an Age, 1790–1830, Yale Center for British Art, New Haven; Kimbell Art Museum, Fort Worth; Virginia Museum of Fine Arts, Richmond, 1993. Catalogue by Kenneth Garlick.

YCBA, Stubbs, 1999: George Stubbs in the Collection of Paul Mellon: A Memorial Exhibition, Yale Center for British Art, New Haven, 1999, and Virginia Museum of Fine Arts, Richmond, 2000. Introductory essay by Malcolm Cormack; catalogue by Patrick McCaughey et al.

YCBA, Toil and Plenty, 1993–94: Toil and Plenty: Images of the Agricultural Landscape in England, 1780–1890, Nottingham University Art Gallery, and Yale Center for British Art, New Haven, 1993–94. Catalogue by Christiana Payne.

YCBA, Turner and the Sublime, 1980–81: Turner and the Sublime, Yale Center for British Art, New Haven; British Museum, London; and Art Gallery of Ontario, Toronto, 1980–81. Catalogue by Andrew Wilton.

YCBA, Visionary Company, 1997: The Visionary Company: Blake’s Contemporaries and Followers, Yale Center for British Art, New Haven, 1997. Checklist by Jessica Smith.

YCBA, Wheatley, 2005: The Worlds of Francis Wheatley, Yale Center for British Art, New Haven, 2005. Brochure by Cassandra Albinson.

YCBA, Wilde Americk, 2001: Wilde Americk: Discovery and Exploration of the New World, Yale Center for British Art, New Haven, 2001. Catalogue by Elisabeth Fairman.

YUAG, Painting in England, 1965: Painting in England, 1700–1850, from the Collection of Mr. and Mrs. Paul Mellon, Yale University Art Gallery, New Haven, 1965. Catalogue by Basil Taylor.

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