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Selected Bibliography
Peter John Brownlee (Editor)
Description: Samuel F. B. Morse’s Gallery of the Louvre and the Art of Invention
Samuel F. B. Morse’s Gallery of the Louvre and the Art of Invention
Selected Bibliography
Author
Peter John Brownlee (Editor)
PublisherTerra Foundation for American Art
Copyright© 2014, Terra Foundation for American Art
Stable URL: https://aaeportal.com/?id=-20708
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Selected Bibliography
ARCHIVAL SOURCES
Samuel F. B. Morse Papers, 1793–1944. Manuscript Division, Library of Congress, Washington, D.C., http://www.loc.gov/collection/samuel-morse-papers/.
Samuel F. B. Morse Papers. Academy Archives, National Academy of Design, New York.
WRITINGS BY MORSE
Morse, Samuel F. B. Lectures on the Affinity of Painting with the Other Fine Arts. 1826. Edited by Nicolai Cikovsky, Jr. Columbia: University of Missouri Press, 1983.
———. Academies of Art: A Discourse. New York: G. and C. Carvill, 1827.
———. Descriptive Catalogue of the Pictures, Thirty-seven in Number, from the Most Celebrated Masters, Copied into the Gallery of the Louvre. New York: Clayton and Van Norden, 1833.
———. Foreign Conspiracy against the Liberties of the United States: The Numbers of Brutus, Originally Published in the “New-York Observer.” New York: Leavitt, Lord, 1835.
———. Imminent Dangers to the Free Institutions of the United States through Foreign Immigration. 1835. Reprint, New York: Arno Press, 1969.
———. Speech to the National Academy of Design. In “Annual Supper of the National Academy of Design.” New-York Commercial Advertiser, April 27, 1840, 2.
———. Samuel F. B. Morse: His Letters and Journals. Edited by Edward Lind Morse. 2 vols. Boston: Houghton Mifflin, 1914.
BOOKS AND ARTICLES
Batchen, Geoffrey. Burning with Desire: The Conception of Photography. Cambridge, Mass.: MIT Press, 1997.
Coe, Lewis. The Telegraph: A History of Morse’s Invention and Its Predecessors in the United States. Jefferson, N.C.: McFarland, 1993.
Cooper, James Fenimore. Correspondence of James Fenimore-Cooper, Edited by His Grandson, James Fenimore Cooper. 2 vols. New Haven: Yale University Press, 1922.
———. The Letters and Journals of James Fenimore Cooper. Edited by James Franklin Beard. 2 vols. Cambridge, Mass.: Belknap Press of Harvard University Press, 1960–68.
Corbett, David Peters, and Sarah Monks. “Anglo-American: Artistic Exchange between Britain and the USA.” Art History 34 (September 2011): 641.
Cummings, Thomas S. Historic Annals of the National Academy of Design. 1865. Reprint, New York: Kennedy Galleries, 1969.
Cuzin, Jean-Pierre, and Marie-Anne Dupuy. Copier créer: De Turner à Picasso: 300 oeuvres inspirées par les maîtres du Louvre. Paris: Réunion des Musées Nationaux, 1993.
Cuzin, Jean-Pierre, Jean-René Gaborit, and Alain Pasquier. D’Après l’antique. Paris: Réunion des Musées Nationaux, 2000.
Dunlap, William. History of the Rise and Progress of the Arts of Design in the United States. 1834. Reprint, edited by Rita Weiss. 2 vols. New York: Dover, 1969.
Duro, Paul. “Copyists in the Louvre in the Middle Decades of the Nineteenth Century.” Gazette des Beaux-Arts 111 (April 1988): 249–54.
“Gallery of the Louvre.” Commercial Advertiser (New York), December 16, 1833.
Gilmore, Paul. Aesthetic Materialism: Electricity and American Romanticism. Stanford, Calif.: Stanford University Press, 2009.
Gitelman, Lisa. “Modes and Codes: Samuel F. B. Morse and the Question of Electronic Writing.” In This Is Enlightenment, edited by Clifford Siskin and William Warner, 120–35. Chicago: University of Chicago Press, 2010.
Greenough, Horatio. Letters of Horatio Greenough to His Brother, Henry Greenough. Edited by Frances Boott Greenough. Boston: Ticknor, 1887.
———. Letters of Horatio Greenough, American Sculptor. Edited by Nathalia Wright. Madison: University of Wisconsin Press, 1972.
Haskell, Francis, and Nicholas Penny. Taste and the Antique: The Lure of Classical Sculpture, 1500–1900. New Haven: Yale University Press, 1981.
Hochfelder, David. The Telegraph in America, 1832–1920. Baltimore: Johns Hopkins University Press, 2012.
Howe, Daniel Walker. What Hath God Wrought: The Transformation of America, 1815–1848. New York: Oxford University Press, 2007.
Johnston, Patricia. “Samuel F. B. Morse’s Gallery of the Louvre: Social Tensions in an Ideal World.” In Seeing High and Low: Representing Social Conflict in American Visual Culture, edited by Patricia Johnston, 42–65. Berkeley: University of California Press, 2006.
Kennedy, Elizabeth, and Olivier Meslay, eds. American Artists and the Louvre. Chicago: Terra Foundation for American Art; Paris: Musée du Louvre, 2006. Published in French as Les artistes américains et le Louvre. Paris: Hazan, 2006.
Kloss, William. Samuel F. B. Morse. New York: Harry N. Abrams in association with the National Museum of American Art, Smithsonian Institution, 1988.
Larkin, Oliver W. Samuel F. B. Morse and American Democratic Art. Edited by Oscar Handlin. Boston: Little, Brown, 1954.
Mabee, Carleton. The American Leonardo: A Life of Samuel F. B. Morse. New York: Alfred A. Knopf, 1943.
McClellan, Andrew. Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris. Cambridge: Cambridge University Press, 1994. Reprint, Berkeley: University of California Press, 1999.
McCullough, David. The Greater Journey: Americans in Paris. New York: Simon and Schuster, 2011.
Menke, Richard. Telegraphic Realism: Victorian Fiction and Other Information Systems. Stanford: Stanford University Press, 2008.
Morse, Jedidiah. The American Geography. 1789. Reprint, New York: Arno Press and the New York Times, 1970.
“Morse’s Magnetic Telegraph.” Niles’ National Register (Baltimore), June 22, 1844.
“Mr. Morse’s Gallery of the Louvre.” New-York Mirror: A Weekly Gazette of Literature and the Fine Arts 11 (November 2, 1833): 142.
Prime, Samuel Irenaeus. The Life of Samuel F. B. Morse, LL. D., Inventor of the Electro-Magnetic Recording Telegraph. New York: D. Appleton, 1875. Reprint, New York: Arno Press, 1974.
Read, Richard. “The Diastolic Rhythm of the Art Gallery: Originals, Copies and Reversed Paintings.” Australian and New Zealand Journal of Art 10, no. 1 (2010): 57–77.
Reid, James D. The Telegraph in America: Its Founders, Promoters, and Noted Men. New York: Derby Brothers, 1879. Reprint, New York: Arno Press, 1974.
Reynolds, Joshua. Discourses on Art. 1769–90. Edited by Pat Rogers. New York: Penguin Books, 1992.
Samuel F. B. Morse, Educator and Champion of the Arts in America. New York: National Academy of Design, 1982.
Schulten, Susan. Mapping the Nation: History and Cartography in Nineteenth-Century America. Chicago: University of Chicago Press, 2012.
Shiers, George, ed. The Electric Telegraph: An Historical Anthology. New York: Arno Press, 1977.
Silverman, Kenneth. Lightning Man: The Accursed Life of Samuel F. B. Morse. New York: Alfred A. Knopf, 2003.
Staiti, Paul J. Samuel F. B. Morse. Cambridge: Cambridge University Press, 1989.
Staiti, Paul J., and Gary A. Reynolds. Samuel F. B. Morse. New York: Grey Art Gallery and Study Center, New York University, 1982.
Tamarkin, Elisa. Anglophilia: Deference, Devotion, and Antebellum America. Chicago: University of Chicago Press, 2008.
Tatham, David. “Samuel F. B. Morse’s Gallery of the Louvre:
The Figures in the Foreground.” American Art Journal 13 (Autumn 1981): 38–48.
Wright, Nathalia. Horatio Greenough: The First American Sculptor. Philadelphia: University of Pennsylvania Press, 1963.
Selected Bibliography
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