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Anfam, David

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Reference Abbreviations

David Anfam

Mark Rothko: The Works on Canvas—Catalogue Raisonné

Reference Abbreviations

Author

David Anfam

PublisherNational Gallery of Art

PublisherYale University Press

Stable URL: https://aaeportal.com/?id=-20475

Reference Abbreviations

Ahearn 1991

Jonathan Ahearn, AI, 15 July 1991

Alloway and MacNaughton 1978

Lawrence Alloway and Mary Davis MacNaughton, Adolph Gottlieb: A Retrospective (New York, 1978)

Amishai-Maisels 1993

Ziva Amishai-Maisels, Depiction and Interpretation: The Influence of the Holocaust on the Visual Arts (Oxford, 1993)

Anfam 1984

David Anfam, “Clyfford Still” (unpublished Ph.D diss., Courtauld Institute of Art, University of London, 1984)

Anfam 1990

David Anfam, Abstract Expressionism (London, 1990)

Anfam 1990 (2)

David Anfam, review of “Mark Rothko: Subjects in Abstraction,” Burlington Magazine 132 (July 1990), pp. 502–503

Anfam 1993

David Anfam, “Beginning at the End: The Extremes of Abstract Expressionism,” in Christos M. Joachimides and Norman Rosenthal, eds., American Art in the 20th Century (Munich and London, 1993)

Anfam 1995

David Anfam, “The Art of Mark Rothko: Simplifying the Complex Thought,” in ISC Japan 1995

Anfam 1996

David Anfam, “Dark Illumination: The Context of the Rothko Chapel,” in Menil 1996

Anfam 1997

David Anfam, “A Note on Rothko’s ‘The Syrian Bull’,” Burlington Magazine 139 (September 1997), pp. 629–631

AoC 1945

Art of This Century, New York, Mark Rothko Paintings, 9 January–4 February 1945; catalogue with anonymous text

Arasse 1994

Daniel Arasse, Vermeer: Faith in Painting (Princeton, 1994)

Ashton 1958

Dore Ashton, “Art: Lecture by Rothko,” New York Times (31 October 1958), p. 26

Ashton 1979

Dore Ashton, “Rothko’s Passion,” Art International 22 (February 1979), p. 6–13

Ashton 1983

Dore Ashton, About Rothko (New York, 1983)

Ashton 1990

Dore Ashton, AI, 23 April 1990

Atlanta 1983

High Museum of Art, Atlanta, Mark Rothko: Subjects, 15 October–26 February 1983; catalogue with text by Anna C. Chave

Barnes 1925

Albert C. Barnes, The Art in Painting (New York, 1925; rev. edn. 1928)

Barnes 1989

Susan J. Barnes, The Rothko Chapel: An Act of Faith (Austin, 1989)

Basel 1962

Kunsthalle Basel, Mark Rothko, 3 March–8 April 1962; catalogue with texts by Robert Goldwater and Peter Selz and an exhibition checklist

Basel 1989

Kunsthalle Basel, Mark Rothko: Kaaba in New York, 19 February–7 May 1989; catalogue with texts by Michael Compton and Thomas Kellein and an interview with Dan Rice by Arnold Glimcher

Baxandall 1995

Michael Baxandall, Shadows and Enlightenment (New Haven and London, 1995)

Bersani 1993

Leo Bersani and Ulysse Dutoit, Arts of Impoverishment: Beckett, Rothko, Resnais (Cambridge, Ma., and London, 1993)

Beyeler 1990

Galerie Beyeler, Basel, Mark Rothko, November 1990–January 1991; catalogue with statements by Rothko

Blau 1993

Galerie Daniel Blau, Munich, Mark Rothko: “Multiforms,” Bilder von 1947–1949, 25 November 1993–19 February 1994; catalogue with texts by David Anfam, Andreas Franzke, Siegfried Gohr and Mark Stevens and statements by Rothko

Breslin 1986

James E. B. Breslin, “The Trials of Mark Rothko,” Representations 16 (Fall 1986), pp. 1–41

Breslin 1993

James E. B. Breslin, Mark Rothko: A Biography (Chicago and London, 1993)

Brooks 1992

Peter Brooks, Reading for the Plot: Design and Intention in Narrative (Cambridge, Ma., 1992)

Bruno 1993

Vincent J. Bruno, “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals,” in Russell T. Scott and Ann Reynolds Scott, eds., Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988) (Hanover and London, 1993)

Brussels 1962

Palais des Beaux-Arts, Brussels, Mark Rothko, 6–29 January 1962; catalogue with text by Peter Selz and an exhibition checklist

Butor 1961

Michel Butor, “Les mosquées de New-York ou l’art de Mark Rothko,” Critique 17 (October 1961), pp. 843–860

Cavaliere 1979

Barbara Cavaliere, “Notes on Rothko,” Flash Art 86/87 (January–February 1979), pp. 32–38

Cernuschi 1997

Claude Cernuschi, “Not an Illustration but the Equivalent “: A Cognitive Approach to Abstract Expressionism (Madison, 1997)

Chave 1989

Anna C. Chave, Mark Rothko: Subjects in Abstraction (New Haven and London, 1989)

Cheetham 1991

Mark A. Cheetham, The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting (Cambridge, 1991)

Cheney 1934

Sheldon Cheney, Expressionism in Art (New York, 1934)

Chicago 1954

Gallery of Art Interpretation, the Art Institute of Chicago, Recent Paintings by Mark Rothko, 18 October–31 December 1954; traveled to Museum of Art, Rhode Island School of Design, Providence, as Paintings by Mark Rothko, 19 January–13 February 1955; no catalogue

Clearwater 1984

Bonnie Clearwater, Mark Rothko: Works on Paper (New York, 1984); catalogue with texts by Dore Ashton and Bonnie Clearwater and an exhibition checklist

Cohn 1988

see Harvard 1988

Cologne 1988

Museum Ludwig, Cologne, Mark Rothko 1903–1970: Retrospective der Gemälde, 30 January–27 March 1988; catalogue with texts by Michael Compton and Robert Rosenblum and statements by Rothko

Compton 1988

Michael Compton, “Introduction” in Tate Liverpool 1988

Contemporary Arts 1933

Contemporary Arts Gallery, New York, An Exhibition of Oils, Water-Colors, Drawings by Marcus Rothkowitz, 20 November–9 December 1933; typed exhibition catalogue

Coolidge 1961

John Coolidge, undated memorandum of his conversation with Rothko on 12 December 1961, Fogg Art Museum

Cranmer 1987

Dana Cranmer, “Painting Materials and Techniques of Mark Rothko: Consequences of an Unorthodox Approach,” in Tate 1987

Delitzsch 1903

Friedrich Delitzsch, Babel and Bible: Two Lectures (New York, 1903)

Desroches-Noblecourt 1963

Christiane Desroches-Noblecourt, Life and Death of a Pharaoh: Tutankhamun (New York, 1963)

Doerner 1934

Max Doerner, The Materials of the Artist and Their Use in Painting with Notes on the Techniques of the Old Masters, trans. Eugen Neuhaus (New York, 1934)

Edwards and Pomeroy 1971

Roy Edwards and Ralph Pomeroy, “Working with Rothko: A Conversation between Roy Edwards and Ralph Pomeroy,” New American Review 12 (1971), pp. 108–121

Engelhard 1996

Günther Engelhard, “Abstraktion: Mark Rothko,” Art: das Kunstmagazin 7 (July 1996), pp. 14–27

Fineberg 1995

Jonathan Fineberg, Art Since 1940: Strategies of Being (Englewood Cliffs, N.J., 1995)

Fischer 1970

John Fischer, “The Easy Chair. Mark Rothko: Portrait of the Artist as an Angry Man,” Harper’s 241 (July 1970), pp. 16–17, 20–23.

Glimcher 1991

Marc Glimcher, ed., The Art of Mark Rothko: Into an Unknown World (New York, 1991)

Golding 1997

John Golding, “Paths to the Absolute: Newman, Rothko, Still and the Abstract Sublime,” Andrew W. Mellon lecture, National Gallery of Art, Washington, 11 May 1997

Gombrich 1995

Ernst Gombrich, Shadows: The Depiction of Cast Shadows in Western (London, 1995)

Gould 1989

Stephen Jay Gould, Wonderful Life: The Burgess Shale and the Nature of History (New York, 1989)

Gowing 1970

Lawrence Gowing, Vermeer (London, 1970)

Grunenberg 1988

Christoph Grunenberg, “Mark Rothko: Painting and Environment” (unpublished M.A. diss., Courtauld Institute of Art, University of London, 1988)

Harvard 1988

Marjorie B. Cohn, ed., Mark Rothko’s Harvard Murals (Cambridge, Ma., 1988); texts by Marjorie B. Cohn, Karyn Esielonis, Teresa Hensick, Mary E. Schneider and Paul M. Whitmore

Hayward 1972

Hayward Gallery, London, Mark Rothko, 2 February–12 March 1972; no catalogue, an exhibition checklist

Heller 1975

Erich Heller, The Disinherited Mind: Essays in Modern German Literature and Thought (New York, 1975)

Hersey 1988

George Hersey, The Lost Meaning of Classical Architecture: Speculations on Ornament from Vitruvius to Venturi (Cambridge, Ma., 1988)

Hess 1950

T.[homas] B. H.[ess], “Reviews and Previews,” Art News 48 (February 1950), p. 46

Hess 1970

Thomas B. Hess, “Rothko: A Venetian Souvenir,” Art News 69 (November 1970), pp. 40–41, 72–74

Hiromoto 1993

Nobuyuki Hiromoto, Mark Rothko (Tokyo, 1993)

Hiromoto 1995

Nobuyuki Hiromoto, “Toward the Authenticity of Painting,” in ISC Japan 1995

Hope Moncrieff 1934

A. R. Hope Moncrieff, Classic Myth and Legend (New York, 1934)

Houston 1957

Contemporary Arts Museum, Houston, Mark Rothko, 5 September–6 October 1957; catalogue with text by Elaine de Kooning, excerpted from “Two Americans in Action,” Art News Annual (1958) and an exhibition checklist

ISC Japan 1995

Mark Rothko, exhibition organized by the International Sculpture Center, Washington, and the Tokyo Shimbun with the collaboration of the participating museums; traveled to Kawamura Memorial Museum of Art, Sakura-Shi, Japan, 23 September–5 November 1995; Marugame Genichiro-Inokuma Museum of Contemporary Art, Marugame, Japan, 11 November–24 December 1995; Nagoya City Art Museum, Japan, 4 January–12 February 1996; Museum of Contemporary Art, Tokyo, 17 February–24 March 1996; catalogue with texts by David Anfam, Sumi Hayashi, Nobuyuki Hiromoto and Naoko Seki and statements by Rothko

Janis 1955

Sidney Janis Gallery, New York, Mark Rothko, 11 April–14 May 1955; no catalogue, an exhibition announcement and an exhibition checklist

Janis 1958

Sidney Janis Gallery, New York, New Paintings by Rothko, 27 January–22 February 1958; no catalogue, an exhibition announcement and an exhibition checklist

Katonah 1994

Katonah Museum of Art, N.Y., Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, 12 June–4 September 1994; catalogue with texts by David Anfam, Isabelle Dervaux and Jill Snyder and an exhibition checklist

Katz 1935

David Katz, The World of Colour, trans. R. B. Macleod and C. W. Fox (London, 1935)

Kellein 1989

Thomas Kellein, “Mark Rothko: sieben ‘Seagram Murals’ für Japan und zwei fehlende in London,” Kunst-Bulletin des Schweizerischen Kunstvereins, part 3 (March 1989), pp. 2–9

Kermode 1979

Frank Kermode, The Genesis of Secrecy: On the Interpretation of Narrative (Cambridge, Ma., 1979)

Koerner 1990

Joseph Leo Koerner, Caspar David Friedrich and the Subject of Landscape (New Haven and London, 1990)

Kolberg 1988

Gerhard Kolberg, “Mark Rothko: Meditationsbilder,” Kölner Museums-Bulletin, no. 1 (1988), pp. 22–33

Kunitz 1983

Stanley Kunitz, interview with Avis Berman, 8 December 1983, ROH, AAA

London 1964

Marlborough New London Gallery, London, Mark Rothko, February–March 1964; catalogue without text

Los Angeles 1965

Los Angeles County Museum of Art, New York School, The First Generation: Paintings of the 1940s and 1950s, 16 July–1 August 1965; catalogue with excerpts from earlier texts by Lawrence Alloway, Robert Goldwater, Clement Greenberg, Harold Rosenberg, William Rubin and Meyer Schapiro, statements by Rothko and other participating artists and an exhibition checklist

Lowe 1940

J.[eannette] L.[owe], “Three Moderns: Rothko, Gromaire and Solman,” Art News 38 (20 January 1940), p. 12

Madrid 1987

Fundación Juan March, Madrid, Mark Rothko, 23 September 1987–3 January 1988; catalogue with text by Michael Compton and statements by Rothko and an exhibition checklist

Mancusi-Ungaro 1990

Carol Mancusi-Ungaro, “The Rothko Chapel: Treatment of the Black-Form Triptychs,” John S. Mills and Perry Smith, eds., Cleaning, Retouching and Coatings (preprint of Brussels conference organized by the International Institute for Conservation of Historic and Artistic Works, London, 1990)

Meldrum 1923

D. S. Meldrum, Rembrandt’s Paintings: With an Essay on His Life and Work (New York, 1923)

Menil 1996

Menil Collection, Houston, Mark Rothko: The Chapel Commission, 12 December 1996–30 March 1997; catalogue with texts by David Anfam, Carol Mancusi-Ungaro and Paul Winkler and an exhibition checklist

Mitchell 1986

W. J. T. Mitchell, Iconology: Image, Text, Ideology (Chicago, 1986)

Mizue 1979

Teruo Fujieda, “Special Feature: Mark Rothko,” Mizue 888 (March 1979), pp. 5–57

MoMA 1961

The Museum of Modern Art, New York, Mark Rothko, 18 January–12 March 1961; catalogue with text by Peter Selz and an exhibition checklist

MoMA 1970

The Museum of Modern Art, New York, Mark Rothko 1903–1970, 26 March–31 May 1970; no catalogue, press release and an exhibition checklist

Morson 1994

Gary Saul Morson, Narrative and Freedom: The Shadows of Time (New Haven and London, 1994)

Murray 1940

Gilbert Murray, Aeschylus: The Creator of Tragedy (Oxford, 1940)

Narkiss 1982

Bezalel Narkiss, Hebrew Illuminated Manuscripts in the British Isles (Jerusalem and London, 1982), vol. 1: The Spanish and Portuguese Manuscripts

Newport Beach 1974

Newport Harbor Art Museum, Newport Beach, Ca., Mark Rothko: Ten Major Works, 30 January–10 March 1974; catalogue with texts by James B. Byrnes and Morton H. Levine, statements by Rothko and selected statements by critics and friends

NGA 1978

National Gallery of Art, Washington, American Art at Mid-Century: The Subjects of the Artist, 1 June 1978–14 January 1979; catalogue with texts by E. A. Carmean, Jr., Thomas B. Hess and Eliza E. Rathbone and an exhibition checklist

NGA 1992

National Gallery of Art, Washington, American Paintings: An Illustrated Catalogue (Washington, 1992)

NGA 1998

National Gallery of Art, Washington, Mark Rothko, 3 May–16 August 1998; planned to travel to the Whitney Museum of American Art, New York, 17 September–29 November 1998; Musée d’Art Moderne, Paris, 8 January–18 April 1999; catalogue with texts by John Gage, Carol Mancusi-Ungaro, Barbara Novak and Brian O’Doherty, and Jeffrey Weiss. Note: At the time of going to press, this exhibition was in progress in Washington with traveling venues planned but not finalized; entries under the relevant catalogue numbers should not therefore be taken to indicate that all the works were shown at all venues

NGA/NLS 1990

Mark Rothko: The Spirit of Myth. Early Paintings from the 1930s and 1940s, exhibition organized by the National Gallery of Art, Washington, circulated by the National Lending Service; traveled to Cedar Rapids Museum of Art, Ia., 1 September 1990–10 February 1991; Diggs Gallery, Winston Salem State University, N.C., 22 March–30 June 1991; Nassau County Art Museum, Roslyn, N.Y., 3 August–3 November 1991; Telfair Academy of Arts and Sciences, Savannah, Ga., 20 October–13 December 1992; Payne Gallery, Moravian University, Bethlehem, Pa., 29 January–28 February 1993; Art Museum of South Texas, Corpus Christi, Tx., 12 March–9 May 1993; Salina Art Center, Ks., 22 August–24 October 1993; Wallach Art Gallery, Columbia University, New York, 1 February–19 March 1994; Ball State University Museum of Art, Muncie, In., 8 April–15 May 1994; West Bend Gallery of Fine Arts, Wi., 6 June–19 July 1994; Marsh Gallery, University of Richmond, Va., 12 August–4 September 1994; Huntington Museum of Art, W.V., 25 September–5 December 1994; University of Arizona, Tucson, Az., 5 January–26 February 1995; San Diego Museum of Art, Ca., 18 March–28 May 1995; Norton Gallery of Art, West Palm Beach, Fl., 21 October–17 December 1995; Smart Museum of Art, University of Chicago, Il., 18 January–17 March 1996; St. John’s Museum of Art, Wilmington, N.C., 20 June–18 August 1996; Susquehanna University Gallery, Selinsgrove, Pa., 7 September–13 October 1996; Palm Springs Desert Museum, Ca., 9 November 1996–5 January 1997; Hearst Art Gallery, Moraga, Ca., 18 January–2 March 1997; Sheldon Memorial Art Gallery, Lincoln, Ne., 1 April–8 June 1997; Laguna Beach Art Museum, Ca., 28 June–7 September 1997; Midland Arts Center, Mi., 4 October–30 November 1997; Tulane University Art Gallery, New Orleans, La., 19 December 1997–20 February 1998 (as The Mythmakers: Mark Rothko & Adolph Gottlieb); and Arkansas Art Center, Little Rock, Ak., 19 March–3 May 1998; brochure (1991) with text by Christoph Grunenberg

Nietzsche (1872) 1967

Friedrich Nietzsche, The Birth of Tragedy (1872), trans. Walter Kaufmann (New York, 1967)

Nodelman 1997

Sheldon Nodelman, The Rothko Chapel Paintings: Origins, Structure, Meaning (Houston and Austin, 1997)

O’Doherty 1970

Brian O’Doherty, “Rothko,” Art International 14 (20 October 1970), pp. 30–44

O’Doherty 1973

Brian O’Doherty, American Masters: The Voice and the Myth (New York, 1973)

Pace 1978

The Pace Gallery, New York, Mark Rothko: The 1958–1959 Murals, 28 October–25 November 1978; brochure with an interview with Dan Rice by Arnold Glimcher

Pace 1981

The Pace Gallery, New York, Mark Rothko: The Surrealist Years, 24 April–30 May 1981; catalogue with text by Robert Rosenblum and an exhibition checklist

Pace 1983

The Pace Gallery, New York, Mark Rothko: Paintings 1948–1969, 1–30 April 1983; catalogue with text by Irving Sandler

Pace 1985

The Pace Gallery, New York, Mark Rothko: The Dark Paintings 1969–70, 29 March–27 April 1985; catalogue with text by Brian O’Doherty

Pace 1990

The Pace Gallery, New York, Mark Rothko: Multiforms, 12 January–10 February 1990; catalogue with text by Mark Stevens

Pace Wildenstein 1997

Wildenstein and Pace Wildenstein, New York, Bonnard/Rothko: Color and Light, 19 February–22 March 1997; catalogue with text by Bernice Rose

Panicelli 1977

Ida Panicelli, [Introduction], in Mark Rothko: Mostra Didattica, Galleria Civica d’Arte Moderna, Palazzo Te, Mantua, December 1977; catalogue with text by Ida Panicelli and statements by Rothko

Panofsky 1968

Erwin Panofsky, Idea: A Concept in Art Theory (Columbia, S.C., 1968)

Paris 1962

Musée d’Art Moderne de la Ville de Paris, Mark Rothko, 5 December 1962–13 January 1963; brochure with text by Peter Selz and an exhibition checklist

Paris 1972

Musée National d’Art Moderne, Paris, Mark Rothko, 23 March–8 May 1972; catalogue with texts by Werner Haftmann and Donald McKinney and a statement by Rothko

Parsons 1947

Betty Parsons Gallery, New York, Mark Rothko: Recent Paintings, 3–22 March 1947; no catalogue, an exhibition announcement and an exhibition checklist

Parsons 1948

Betty Parsons Gallery, New York, Mark Rothko: Recent Paintings, 8–27 March 1948; no catalogue, an exhibition announcement

Parsons 1949

Betty Parsons Gallery, New York, Mark Rothko: Recent Paintings, 28 March–16 April 1949; no catalogue, an exhibition announcement

Parsons 1950

Betty Parsons Gallery, New York, Mark Rothko, 3–21 January 1950; no catalogue

Parsons 1951

Betty Parsons Gallery, New York, Mark Rothko, 2–21 April 1951; no catalogue, an exhibition announcement

Phillips 1960

The Phillips Collection, Washington, Paintings by Mark Rothko, 4–31 May 1960; no catalogue, an exhibition announcement

Phillips 1970

Marjorie Phillips, Duncan Phillips and His Collection (Boston, 1970)

Plato 1974

Plato, The Republic, trans. Desmond Lee (London, 1974)

Polcari 1979

Stephen Polcari, “The Intellectual Roots of Abstract Expressionism: Mark Rothko,” Arts Magazine 54 (September 1979), pp. 124–134

Polcari 1988

Stephen Polcari, “Mark Rothko: Heritage, Environment and Tradition,” Smithsonian Studies in American Art 2 (Spring 1988), pp. 32–63

Polcari 1991

Stephen Polcari, Abstract Expressionism and the Modern Experience (Cambridge, Ma., 1991)

Rewald 1996

John Rewald, The Paintings of Paul Cézanne: A Catalogue Raisonné (New York, 1996)

Rice 1994

Dan Rice, AI, 15 June 1994

Rodman 1957

Seiden Rodman, Conversations with Artists (New York, 1957)

Rome 1962

Galleria Nazionale d’Arte Moderna, Rome, Mark Rothko, 27 April–20 May 1962; catalogue with text by Palma Bucarelli and an exhibition checklist

Rosenberg 1921

Adolph Rosenberg, The Work of Rembrandt, ed. W. R. Valentiner (3rd edn., New York, 1921)

Ross 1990

Clifford Ross, ed., Abstract Expressionism: Creators and Critics An Anthology (New York, 1990)

Rothko 1945

Mark Rothko, quoted in Personal Statement: Painting Prophecy 1950 (exh. cat., David Porter Gallery, Washington, 1945)

Rothko 1947/48

Mark Rothko, “The Romantics Were Prompted,” Possibilities 1 (Winter 1947/48), p. 84

Rothko 1951

Mark Rothko, statement in “A Symposium on How to Combine Architecture, Painting and Sculpture,” Interiors 110 (May 1951)

Rothko 1958

Mark Rothko, talk given at the Pratt Institute (1958); typescript in RA

Rothko and Gottlieb 1943

Marcus Rothko and Adolph Gottlieb (with the collaboration of Barnett Newman), letter of 7 June 1943 to Edward Alden Jewell, reprinted in Jewell, “The Realm of Art: A New Platform: ‘Globalism’ Pops Into View,” New York Times (13 June 1943)

Rothko and Gottlieb (radio broadcast, 1943)

Mark Rothko and Adolph Gottlieb, “The Portrait and the Modern Artist,” broadcast on Radio WNYC, Art in New York Program (13 October 1943), typescript in RA

Rothkowitz 1928

Marcus Rothkowitz Against Lewis Browne and the Macmillan Co., New York Supreme Court 1928, trial transcript

Rothkowitz 1934

Marcus Rothkowitz, “New Training for Future Artists and Art Lovers,” Brooklyn Jewish Center Review 14 (February–March 1934), pp. 10–11

San Francisco 1946

San Francisco Museum of Art, Oils and Watercolors by Mark Rothko, 16 August–8 September 1946; traveled in part to The Santa Barbara Museum of Art, September 1946; no catalogue, an exhibition checklist

San Francisco 1983

San Francisco Museum of Modern Art, San Francisco, Mark Rothko 1949: A Year in Transition/Selections from the Mark Rothko Foundation, 18 March 1983–16 September 1984 (following an act of vandalism the show actually closed on 12 May 1983); catalogue with text by Karen Tsujimoto and an exhibition checklist

Sandler 1970

Irving Sandler, The Triumph of American Painting: A History of Abstract Expressionism (New York, 1970)

Sawin 1995

Martica Sawin, Surrealism in Exile and the Beginnings of the New York School (Cambridge, Ma., 1995)

Scharf 1994

William Scharf, AI, 29 April 1994

Schwartz 1933

Jane Schwartz, “Around the Galleries,” Art News 32 (2 December 1933), pp. 8, 16

Schwartz 1996

Hillel Schwartz, The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles (New York, 1996)

Scott (1914) 1974

Geoffrey Scott, The Architecture of Humanism: A Study in the History of Taste (1914; rev. edn. 1924, repr. New York and London, 1974)

Seitz 1952

William Seitz, notes from Rothko interview (22 January 1952), AAA, Seitz Papers

Seitz 1983

William C. Seitz, Abstract Expressionist Painting in America (Cambridge, Ma., and London, 1983)

Seldes 1978

Lee Seldes, The Legacy of Mark Rothko (New York, 1978; rev. edn. 1996)

Shearman 1992

John Shearman, Only Connect: Art and the Spectator in the Italian Renaissance (Princeton, 1992)

SRGM 1978

Solomon R. Guggenheim Museum, N.Y., Mark Rothko, 1903–1970: A Retrospective, 27 October 1978–14 January 1979; traveled to The Museum of Fine Arts, Houston, 2 February–1 April 1979; Walker Art Center, Minneapolis, 21 April–10 June 1979; Los Angeles County Museum of Art, 3 July–26 September 1979; catalogue with texts by Bernard Malamud, Diane Waldman and Claire Zamoiski

Stedelijk 1961

Stedelijk Museum, Amsterdam, Mark Rothko, 24 November–27 December 1961; catalogue with text by Robert Goldwater

Steindecker 1996

Oliver Steindecker, AI, 9 February 1996

Stoichita 1997

Victor I. Stoichita, A Short History of the Shadow (London, 1997)

Tate 1987

The Tate Gallery, London, Mark Rothko 1903–1970, 17 June–1 September 1987; catalogue with texts by Bonnie Clearwater, Michael Compton, Dana Cranmer, Robert Goldwater, Robert Rosenblum, Irving Sandler and David Sylvester and an exhibition checklist

Tate Liverpool 1988

Tate Gallery, Liverpool, Mark Rothko: The Seagram Mural Project, 28 May 1988–12 February 1989; catalogue with text by Michael Compton and an exhibition checklist

Tate St. Ives 1996

Tate Gallery, St. Ives, Mark Rothko in Cornwall, 4 May–3 November 1996; catalogue with text by Chris Stephens

Terenzio 1992

Stephanie Terenzio, ed., The Collected Writings of Robert Motherwell (New York, 1992)

Tracy 1982

Sophie Tracy, notes of interview held at the MRF (9 June 1982)

Tuchman 1971

Maurice Tuchman, New York School, the First Generation: Paintings of the 1940s and 1930s (Greenwich, Ct., 1971; rev. edn. of Los Angeles, 1965)

Vasari 1987

Giorgio Vasari, Lives of the Artists (1550, rev. 1568), trans. George Bull (London, 1987)

Venice 1958

Venice, Italy, 29th Biennale internazionale d’arte, 14 June–19 October 1958; catalogue with text by Sam Hunter and an exhibition checklist

Venice 1970

Museo d’Arte Moderna Ca’Pesaro, Venice, Mark Rothko, 21 June–15 October 1970; traveled to Marlborough Gallery, New York, as Mark Rothko Paintings 1947–1970, 13 November–5 December 1970; catalogue with text by Guido Perocco

Waldman 1978

Diane Waldman, “Mark Rothko: The Farther Shore of Art,” in SRGM 1978

Waldman 1994

Diane Waldman, Mark Rothko in New York (New York, 1994)

Walker 1983

Walker Art Center, Minneapolis, Mark Rothko: Seven Paintings from the 1960s, 6 February27 March 1983; no catalogue, brochure with text by Bonnie Clearwater and an exhibition checklist

Whitechapel 1961

Whitechapel Art Gallery, London, Mark Rothko: A Retrospective Exhibition, Paintings 1943–1960, 10 October–12 November 1961; catalogue with texts by Robert Goldwater and Peter Selz

Wiedmann 1979

August K. Wiedmann, Romantic Roots in Modern Art: Romanticism and Expressionism, A Study in Comparative Aesthetics (London, 1979)

Wollheim 1973

Richard Wollheim, “The Work of Art as Object,” in On Art and the Mind: Essays and Lectures (London, 1973)

Yale 1971

Yale University Art Gallery, New Haven, Salute to Mark Rothko, 6 May–20 June 1971; no catalogue, brochure with text by Andrew Carnduff Ritchie and an exhibition checklist

Yale 1989

Yale University Art Gallery, New Haven, Paintings by Mark Rothko, 2–31 December 1989; no catalogue, brochure with a statement by Rothko and an exhibition checklist

Zanetti 1993

Paolo Serra Zanetti, “Rothko o la tragedia di un solitario,” Arte 23 (January 1993), pp. 52–57

Zurich 1971

Kunsthaus Zürich, Mark Rothko, 21 March–9 May 1971; traveled to Staatliche Museen Preussischer Kulturbesitz, Neue Nationalgalerie, Berlin, 26 May–19 July 1971; Städtische Kunsthalle Düsseldorf, 24 August–3 October 1971; Museum Boymans-van Beuningen, Rotterdam, 20 November 1971–2 January 1972; and in part to Hayward Gallery, London, 2 February–12 March 1972, and Musée National d’Art Moderne, Paris, 23 March–8 May 1972. The catalogue lists all references to the first four venues under Zurich 1971; the same catalogue was used at all four venues. Separate catalogue in language of each country with texts by Felix Baumann, Werner Haftmann and Donald McKinney and statements by Rothko

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