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List of illustrations

  • Portrait of Masuda Takashi
  • Portrait of Masuda Takashi
  • Portrait of Masuda Takashi
  • Portrait of Nagai Shige (Baroness Uryū) while a student at Vassar
  • Katatsuki Tea Caddy (Kitano)
  • Painting Party
  • Han-shan and Shih-te (J. Kanzan and Jittoku)
  • The Newly Opened Port of Yokohama in Kanagawa Prefecture, detail
  • Suzuribako with Design of Eight-Plank Bridge, from the Tales of Ise
  • Decorated Paper in the Shape of a Fan
  • Temmyō Water Kettle (Taya Itome)
  • Shino Plate with Half-Wheel Motif
  • Seto Tea Caddy (Hakuro)
  • Raku Teabowl (Dontarō)
  • E-Korai Teabowl
  • Ha-ha Bird
  • Dwelling in the Mountains
  • Shonzui Water Jar
  • The First Patriarch, the Great Master Bodhidharma
  • Bucket-shaped Shigaraki Water Jar
  • Black Raku Teabowl (Donko) and box
  • Mount Utsu, from The Tales of Ise
  • Pair of Teabowls with Overglaze Gold and Silver Enamels
  • Old Iga Flower Vase
  • Black Raku Teabowl (Shichiri)
  • Masuda Kantō (fragment of patola cotton)
  • The Tale of Genji, illustration from Suzumushi Chapter
  • The Story of Fukutomi, detail
  • Hell of Shrieking Sounds, detail
  • Portrait of Yasuda Zenjirō
  • Portrait of Inoue Kaoru
  • Kōya-gire, from the Kanbokujō Album of Calligraphy
  • Performance of Tsuchigumo by Kikugoro V at Inoue Kaour's Mansion
  • Bamboo Tea Scoop (Kiyomigaseki)
  • Old Seto Tea Caddy (Hirano) and Four Accompanying Brocade Bags
  • Buddha Śākyamuni Preaching on the Vulture Peak
  • Byakku-e Kannon, White-robed Bodhisattva of Compassion
  • Kujaku Myōō
  • Two-Character Fragment of Tsu yu Ming (Zayu no Mei)
  • Passage from Commentary on the Sutra of Golden Light
  • The Secret Five Bodhisattvas (Gohimitsu Bosatsu)
  • Iconographic Drawing of Daiitoku Myōō
  • Portrait of Masuda in Tearoom of His Odawara Estate
  • Lacquer Shrine Panels with Maki-e Design of Lotus Flowers and Bishamonten
  • Illustrated Sutra of Cause and Effects, Past and Present
  • Heavenly Musician (Apsaras) from Hōryūji
  • Heavenly Bird from Hōryūji
  • Fukūkenjaku Kannon
  • Statue of Tobatsu Bishamonten
  • Wing of a Portable Wooden Shrine
  • Portrait of Masuda Surrounded by Female Members of His Family
  • Kōchi Incense Container in Shape of a Tortoise
  • Tea Caddy (Kokushi Nasu)
  • Morning Dove on a Peach Branch
  • Lacquer Writing Box with Maki-e Design of Courtier under Cherry Tree
  • Bo Ya Plays the Qin as Zhong Ziqi Listens
  • Poetess Koigimi from Satake Version of Thirty-six Immortal Poets
  • Flower Container (Sekaiha)
  • Hawks, detail
  • Portrait of Masuda Takashi, His Brothers, and Two Guests at a Tea Gathering
  • Ōkyokan, exterior view
  • Ōkyokan, interior view
  • Haku'undō Teahouse
  • Rinshunkaku Villa
  • Old Ashiya Kettle (Nuregarasu)
  • Ernest F. Fenollosa
  • Portrait of Charles Freer with Hara Tomitarō and Family in Japan
  • Arhat Kanaka-Bhāradvāja
  • Lacquer Sutra Box with Maki-e Design of Lotus Waterfowl
  • Standing Images of Shō Kannon
  • The Deity Brahma, one of a pair
  • Standing Indra (Taishakuten), one of a pair
  • Poem Scroll with Deer, detail
  • Monument to Charles Lang Freer
  • Basket Used as a Flower Vase
  • Swift Bull, from the Ten Swift Bulls
  • Ishiyame-gire from the Anthology of Thirty-six Immortal Poets
Free
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Contents
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.001
Free
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Illustrations
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.002
Free
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Acknowledgments
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.003
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Masuda Takashi’s death on December 28, 1938, at the age of ninety brought to a close the golden age of Japanese art collecting...
PublisherPrinceton University Press
Related print edition pages: pp.3-13
https://doi.org/10.37862/aaeportal.00024.004

Access to this content is only available to subscribers. If you are at an institution that currently subscribes to the A&AePortal, please login to your VPN before accessing the site. If you have already purchased an individual subscription, please sign in to your account to access the content. Learn more about subscriptions.

Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Masuda’s lifelong passion for art collecting began in 1878 with the purchase of a lacquer box containing a writing brush, inkstone, inkwell, and inkstick—the implements traditionally used by the cultivated gentleman for writing and painting...
PublisherPrinceton University Press
Related print edition pages: pp.14-40
https://doi.org/10.37862/aaeportal.00024.005

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
If Masuda’s encounter with the West provoked his interest in art collecting, it did not guide it. His vision of himself as a collector...
PublisherPrinceton University Press
Related print edition pages: pp.41-71
https://doi.org/10.37862/aaeportal.00024.006

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
In 1869, when invited to the private apartment of his then employer, tea trader Nakaya Seibeie, Masuda mistook a bamboo tea scoop for a knife and, to the horror of the tea master Takahashi...
PublisherPrinceton University Press
Related print edition pages: pp.72-99
https://doi.org/10.37862/aaeportal.00024.007

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Masuda’s purchase of a calligraphic fragment by the ninth-century monk Kōbō Daishi (Kūkai: 774–835) was the impetus for his inauguration...
PublisherPrinceton University Press
Related print edition pages: pp.100-128
https://doi.org/10.37862/aaeportal.00024.008

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
During the first quarter of the twentieth century, when the personal fortunes of Japan’s leading entrepreneurs reached new heights...
PublisherPrinceton University Press
Related print edition pages: pp.129-160
https://doi.org/10.37862/aaeportal.00024.009

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Following his retirement from Mitsui in 1913, Masuda added to his renown as a businessman and collector a reputation as a leader...
PublisherPrinceton University Press
Related print edition pages: pp.161-191
https://doi.org/10.37862/aaeportal.00024.010

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Although it is generally acknowledged that the timetables of cultural and political change rarely coincide, it is widely held, both in Japan and in the West...
PublisherPrinceton University Press
Related print edition pages: pp.192-195
https://doi.org/10.37862/aaeportal.00024.011

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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Appendix A: Acquisition and Distribution of Japanese Art Abroad
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.012
Free
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Appendix B: Major Collectors
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.013
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Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Select Bibliography
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.014
Free
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Index
PublisherPrinceton University Press
https://doi.org/10.37862/aaeportal.00024.015
Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
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