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Index
Christine M. E. Guth
Description: Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Art, Tea, and Industry: Masuda Takashi and the Mitsui Circle
Index
Author
Christine M. E. Guth
PublisherPrinceton University Press
Copyright© 1993 by Princeton University Press
https://doi.org/10.37862/aaeportal.00024.015
Stable URL: https://aaeportal.com/?id=-19199
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Index
Alwin, Robert, 22–23
Anthology of the Thirty-six Immortal Poets. See Sanjūrokuninshū
art: legislation of, 9, 106–7, 163, 184, 190–91
Asabuki Eiji, 129, 140, 147–48, 178, 198
Ashikaga shoguns, 48, 55, 88, 102
collection of, 9, 47, 67, 69, 92, 137
Ashikaga Yoshimasa, 46–49, 54, 65
Ashikaga Yoshinori, 47, 94
auctions, 136–37
Akaboshi, 140
Date, 138–39
Satake, 141–12
bantō (chief clerk), 28, 131
Bigelow, William Sturgis, 36, 80, 172
Bincha, 76–77, 97
Binyon, Laurence, 145–56
Bizen ware, 44, 55, 58, 66
bokuseki (calligraphy by Zen monks), 55, 77, fig. 2-7
Boston Museum of Fine Arts, 104, 172–75, 179, 197, fig. 4-1, fig. 4-2
Bowes, James, 168–70
Brinkley, Frank, 170–71
Burty, Philippe, 36, 169–70
chadō (way of tea), 73
chakaiki (tea diaries), 10, 65, 67, 84–86, 88, 95, 201, 206n.11, 209n.32, 210n.42
chanoyu (tea ceremony): artistic requirements of, 41–46
definition of, 7
Chōshū, 19–20, 25, 29, 31, 92
Chūgai bukka shinpō (domestic and foreign price reports), 29–30, 31
connoisseurship, 5, 41, 65–68, 77, 82, 98–99, 125, 157
Cram, Ralph Adams, 80
Daishi kai, 8, 100, 117–28, 150, 151–60, 183, 189, 199
Daitokuji, 77, 85, 88
Dan Takuma, 114–17, 131, 140, 153, 157, 161, 173, 178, 198
Diary of Lady Murasaki, The. See Murasaki shikibu nikki
Don’o, 12, 95
Dontarō (teabowl), 5, 45, 70, 152, pl. 1
Eight Views of the Hsiao and Hsiang Rivers, 50–51, 69
Eikyūji, 103–4, 108
E-ingakyō (Illustrated Sutra of Cause and Effects), 5, 124, 154, 216n.50, pl. 8
Enshū kurachō (Record of Enshū’s storehouse), 97
Epochs of Chinese and Japanese Art, 113, 210n.44. See also Fenollosa, Ernest
Fenollosa, Ernest, 80, 101, 115–16, 165
collection of, 104, 109–13, 171–75, 213n.28, 218n.29, fig. 4-1, fig. 4-2
photo of, fig. 6-1
Freer, Charles, 12, 194
collection of, 173, 175–77, fig. 6-3
his relationship with art dealers, 86, 103, 140, 170–71, 179–80, 209n.36
his relationship with Hara, 138–39, 157–58, fig. 6-2
his relationship with Masuda, 161, 176, 178, 180–83, fig. 6-8
Freer Gallery of Art, 197, fig. 6-3. See also Smithsonian Institution
Fujihara Ginjirō, 92, 129, 147, 198
Fujita Densaburō, 4, 26, 31, 131, 132, 134, 198
collection of, 104, 134, figs. 5-2, 5-3
Fujiwara Teika, 60, 61, 67, 73, 86, 88
Fukuchi Gen’ichirō, 30, 50, 92, 198
Fukutomi zōshi (The Story of Fukutomi), 81, 209n.26, fig. 3-4
Fukuzawa Yūkichi, 21, 22, 76, 135
Gengensai, 70, 73–74, 93, 99
Genji monogat ari (The Tale of Genf) 61–62, 91
illustrated scroll, 5, 80–81, 186, 188, 191, 198, pl. 3
Goncourt, Edmond de, 36, 172
Gonse, Louis, 36
Gotenyama estate, 85, 96, 98, 117, 141, 146, 151, 154, 157
Grand Kitano Tea, 69–70, 74, 134, 159
Grew, Joseph, 18, 203n.7
Guimet, Emile, 104–6, 111, 167, 212n.16
Gyomotsu on’e mokuroku (Catalogue of the shogunal collection), 47, 205n.4
Hachiman, 123
meibutsu, 127, 134
shrine, 127
Hachisuka, 81, 138, 153, 186
Hachisuka Mochiaki, 76, 85, 90, 111–12, 173, 198
Hakurō (tea caddy), 44, 51, 61, fig. 2-2
Han-shan and Shih-te (Kanzan and Jittoku), 37, 67, fig. 1-7
Hara Tomitarō, 162, 184, 193, 198
collection of, 132–33, 138–39, figs. 4-3, 5-6, 5-7
estate of, 142, 157–59, 217n.53, 219n.32 (see also Sankei’en); his friendship with Freer, 175, fig. 6-2
his relationship with Masuda, 126, 155, 157
Harris, Townsend, 17–18, 199
Hashimoto Ichizō, 33
Hasōan (teahouse), 91–92, 185–86
Hatakeyama Issei, 4, 5, 199, fig. 2-3
Hatsuhana (tea caddy), 50, 51, 69
Havemeyer, Louisine, 169
Hayashi Tadamasa, 36
Heikenōgyō (Itsukushima scrolls), 186–89
Hell Scrolls. See Jigoku sōshi
Hideyoshi. See Toyotomi Hideyoshi
Hon’ami Kōetsu, 161, 181–83
calligraphy by, 5, 62, 153, fig. 6-7
teabowls by, 56, 73, 77, fig. 3-2
Hōryūji, 5, 101, 103, 108–9, 118, 119, 125, 127, 167, 178, pls. 5, 6
Hsia Kuei, 47
Hui Tsung (emperor), 5, 47, 133, 136, fig. 5-4
Iga ware, 58, 77, fig. 3-1
Ikkyū, 55, fig. 2-7
Illustrated Sutra of Cause and Effects. See E-ingakyō
Imperial Household, 92–94, 107, 109, 115, 143, 154, 183, 210n.58, 216n.30
Inoue Kaoru, 162, 192, 199
art collection of, 32, 47, 114–17, 120, 133, 136, 153, 185, 210n.58
business activities of, 25, 29, 76, 131–32, 135, 198
his interest in chanoyu, 32, 34, 47, 50, 72, 83, 90–95, 149, 154
photo of, fig. 3-7
his relationship with Masuda, 31, 113–14
International Expositions: London (1862), 35, 164
Paris (1878), 14, 35–40, 106, 168–69
Philadelphia (1876), 35, 36, 165
Vienna (1873), 35, 36, 107
Ise monogatari (The Tales of Ise), 61–62
illustration of, fig. 2-10
Ito Hirobumi, 26, 91, 92
Iwakura Mission, 23, 32, 163, 198
Iwasaki Yatarō, 137, 153, 217n.53
Jigoku sōshi (Hell Scrolls), 82, 209n.27, fig. 3-5
Kabuki, 76, 91–93, 115, fig. 3-9
Kamiya Sōtan, 50, 95, 206n.11
Kanbokujō (album of calligraphy), 86–87, 209n.38, fig. 3-8
Kannon, 101, 126, 178, figs. 4-8, 6-4
Jūichimen (Eleven-headed), 113, 123, 133
White-robed, 32, 111, 174, fig. 4-2
Kano Eitoku (1543–90), 89
Kano Eitoku (d. 1890), 113
Kano Motonobu, 89, 111, 139, 174, figs. 4-2, 5-6
Kano school, 88, 89, 108, 166, 193, 210n.44
Kano Tan’yū, 75, 88, 112, 117, 119, 141, 210n.42
Kantō earthquake (1923), 11, 142, 157–59,179, 188
karamono (Chinese objets d’art), 46–54, 60, 69, 89
Karatsu ware, 89
Kashiwagi Ken’ichirō, 75, 79–83, 107, 111–12, 125, 173–74, 199, 200, 209n.27
Katagiri Sekishū, 85, 95
Kawakami Fuhaku, 70
Kawanabe Kyōsai, 33, 204n.30, fig. 1-6
Kawasaki Shōzō, 36, 94, 132, 133, 143, 199, 210n.28
Keio Gijuku Daigaku (Keio University), 22, 76, 143, 147, 198, 200
Kido Takayoshi, 30–35, 90–91, 101, 108, 192–94, 199
Kinsei dōgu idō shi (History of the transmission of teawares in modern times), 11, 163, 184. See also Takahashi Yoshio
Kitano (tea caddy), 51, 70, 134, fig. 1-5
Kōbō Daishi, 5, 8, 100, 115, 117–20, 153, 189, pl. 4
Kobori Enshū, 127–28
collection of, 140, 160
influence of, 8, 95–99, 130
taste of, 44, 52, 54, 60–61, 67, 70, 88, 119, 206n.27
teascoop made by, fig. 3-10
Kōchi ware, 54, 134, 149, fig. 5-2
Kōetsu. See Hon’ami
Kōetsu Kōetsu kai, 181–83
Kōfukuji, 5, 108, 127, 177–79, 216n.50
Kohitsu, 86, 108, 209n.36
Kohitsu Ryōchū, 86, 178, 152, 216n.45
Kohitsu Ryōsetsu, 86
koicha (thick tea), 42–43
Kokinshū (Imperial anthology of waka), 60, 61, 86
Kokka (National Culture), 125, 126, 165
Kokon meibutsu ruijū (Classified collection of renowned wares of ancient and modern times), 68
kokuhō (national treasure), 4, 140, 163, 185, 189–90
Kokumin no tomo (People’s friend), 11, 118, 200
Kokusankata (National Products Company), 26
Kokushi Nasu (tea caddy), 73, 134, fig. 5-3
Kōnoike, 148, 204n.17
konomi (taste), 44
Kōya, Mount, 87, 115, 117, 125, 159
museum, 189–90
Kūkai. See Kōbō Daishi
Kūki Ryūichi, 105
Kumakura Isao, 11, 12
Kundaikan sayu chōki (Connoisseurship manual for Chinese art), 47, 49, 65–66, 205n.4
Kyoto Industrial and Arts Exhibition (1872), 38, 74
Liang K’ai, 47, 67, 133, 140
literati art, 32–33, 159, 191. See also under individual artists
Machida Hisanari, 104, 106–8
Magoshi Kyōhei, 129, 199
art collection of, 136–37, fig. 5-9
business activities of, 26, 148–49
his relationship with Masuda, 149–50, 153, 154, 190
Makimura Masanao, 101
mandala, 104, 105, 106, 118, 119
Gohimitsu (Secret Five), 121, 125, fig. 4-5
Maruyama ōkyo, 2, 27, 154, 183, 204n.16, figs. 5-11, 5-12
Masuda Eisaku (Tamonten), 5, 103, 140, 150, 151, 154, 178, 199
photo of, fig. 5-10
Masuda Kantō, 79, fig. 3-3
Masuda Kokutoku, 15, 22, 75–83, 97, 150, 151, 154, 199, 208n.17
photo of, fig. 5-10
Masuda Takanosuke, 15, 16, 23
Masuda Takashi (Don’o): attitude of, toward art treasures, 184–91
business career of, 20–23, 25–26, 29, 30, 130–41
calligraphy by, fig. 1-10
interest of, in Buddhist art, 119–28
and Kobori Enshū, 95–99
his philosophy of business and tea, 143–51
teabowl by, fig. 2-9
Masuda Tarō, 4, 129, 130, 154, 184, 200
Masuda Yoshinobu, 82
Matsudaira Fumai, 68, 70, 86, 89, 95, 134, 154
Matsudaira Naosuke, 154–56
Matsudaira Sadanobu, 107
Matsukata Iwao, 143
Matsukata Kōjirō, 12, 143
Matsukata Masayoshi, 153, 199
Matsuura, 90, 143, 153
Matsuura Akira, 85–86, 108, 111–12, 173–74, 200
Ma Yuan, 47, 88, 133
meibutsu (object of renown), 10, 47, 66–68, 69, 90, 156, 160
Miike Coal Mines, 29, 115, 198
Minomura Rizaemon, 28–29, 30
Mitsubishi Company, 4, 105, 132, 137, 147, 153, 200, 201, 214n.1
Mitsui Bank, 11, 29, 134–36, 149, 154, 200
Mitsui Company, 3, 80, 115, 129, 143, 198
association of, with Masuda, 79, 130, 146–47, 151, 153, 161
men employed by, 198–201, 214n.1
Mitsui family, 6, 26–29, 85, 140, 217n.53
Mitsui Hachirōjirō (1849–1919), 131, 153, 154
Mitsui Morinosuke, 131
Mitsui Takahira Hachirōemon (1655–1737), 27
Mitsui Takahira Hachirōemon (1858–1948), 131, 134, 149
Mitsui Trading Company (Mitsui Bussan Kaisha), growth of, 26, 29, 130–31, 214n.5
Masuda’s directorship of, 3, 147
men employed by, 149, 198, 199
sale of crafts by, 14, 35, 37–38, 161, 168
Mitsukoshi Department Store, 5, 6, 26, 156, 200
Miyake Setsurei, 166–67
mizusashi (waste water jar), 55, fig. 2-8
Morse, Edward, 89, 109, 167–68
his friendship with Kashiwagi, 80, 82, 200
his interest in tea, 75, 76, 99, 113, 169
Mu-ch’i, 47, 49, 50, 69, 92–93, 133, 183, fig. 2-4
Murasaki shikibu nikki (The Diary of Lady Murasaki), 5, 186, 198
Murata Shukō, 54, 55, 59, 66, 69, 91, 95, 128
Muromachi-donogyōko okazariki (Record of art displayed for imperial visit to Muromachi Palace), 47
Mushanokōji senke, 59, 70
Myōe Shōnin, 74, 108
Myōō: Daiitoku, 122, fig. 4-6
Fudō, 115–16, 153
Kujaku, 114, 132–33, fig. 4-3
Nagai Shige, 23, 24, 25, 115
photo of, fig. 1-4
Nakamigawa Hikojirō, 135, 147–48, 198
Nakaya Seibeie, 22, 72
Namura Gohachirō, 16, 76
Nanboroku (Nanbō’s record), 55, 64, 66, 67, 206n.21
Neo-Confucianism: and art collecting, 10
and chanoyu, 52, 59–60, 73–74
Nezu Kaichirō, 4, 126, 132, 137, 178, 190, 200
Nihon Keizai Shinbun (Japan Financial Times), 5–6, 30
Ninagawa Noritane, 80–81, 103–4, 107–8, 200
Nōami, 65–66, 68
Noguchi Shōhin, 33
Nomura Yōzō, 179–80
Nonomura Ninsei, 63, 89, fig. 2-11
Nozaki Hirotarō, 129, 140, 157, 178
Oda Nobunaga, 49, 89, 94, 134, 158, 205n.9
Odawara estate, 123, 157
photo of, fig. 4-7
Ogata Kenzan, 5, 63
Ogata Kōrin, 5, 39, 63, 137, 161, fig. 1-9
Okakura Kakuzō, 165, 169, 175
Oki Keiichirō (Rōdo), 154–55, 200
Okuhara Seiko, 33
Okura Kihachirō, 4, 31, 32, 91, 92, 175, 193–94, 200
museum founded by, 142, 162
his relationship with Masuda, 85, 153, 178
Omotesenke, 59, 70, 76
Rai San’yo, 32, 159, 204n.22
Raku ware, 45, 56, 70, 77, 181, pl. 1, figs. 2-9, 3-2
Rikyū. See Sen no Rikyū
ryūrei shiki (standing bow style), 74
Sakai family, 90, 134, 143, 153
Sakai Tadayoshi, 73
Sanjūrokuninshū (Anthology of the Thirty-six Immortal Poets), 133, 186, fig. 6-11
Sankei’en (Sannotani), 142, 157–60, 199
photo of, fig. 5-14
Sansatsu meibutsuki (Three volume record of renowned teawares), 68
sencha (steeped tea), 33, 72, 76, 199
Senke, 70, 71, 74. (See also under individual schools)
Sen no Rikyū: disciples of, 159
influence of, 8, 64, 128
taste of, 54–56, 61, 66, 95
and tea schools, 73–74, 151
teawares owned or made by, 5, 147, 185
Sen Shōan, 70
Senshū Kaisha (First Profit Company), 26, 29, 31, 149, 198, 199
Sen Sōtan, 59, 77, 89
Sesshū, 67, 73, 89, 160
Sesson, 89, 149, fig. 5-9
Seto ware, 67, 85, 89, 97
Setsu Iwao, 4–5
Shibusawa Eiichi, 91–92, 200
his relationship with Masuda, 30–31, 144–45, 147
teahouse of, 80, 82
Shigaraki ware, 44, 55, 58, 66, fig. 2-8
shōin (formal reception room), 54, 65, 154
Shokado Shōjō, 70, 73, 88, 127, 134, 160
Shonzui ware, 53, 92, fig. 2-6
Shōsōin, 5, 9, 108, 109, 118, 125, 167
Smithsonian Institution, 32, 106, 176, 180
Sōami, 65
sōan (grass hut), 54, 55
Story of Fukutomi, The. See Fukutomi zōshi
Sumitomo Company, 4, 132, 200
Sumiyoshi Hirochika, 113
Sumiyoshi school 108, 193
Takahashi Yoshio (Sōan), 11, 183, 200
diary of, 153
his relationship with Hara, 132–33
his relationship with Masuda, 129, 140–41, 157, 178, 188. See also Kinsei dōgu idō shi
Takahashi Yūichi, 107
Takeno Jōō, 55, 59
Takuan Sōhō, 88, 96
Tale of Genji, The. See Genji Monogatari
Tale of Ise, The. See Ise Monogatari
Tamai family, 103, 180
Tamai Kyūjirō, 178–79
Tamonten (antiquities shop), 103, 123, 178–79, 190, 199. See also Masuda Eisaku
Tanaka Shinbi, 141, 185–88, 200
Tani Bunchō, 107–8
Tanomura Chikuden, 32, 90–91, 159
Tateishi Onojirō, 17
Tawaraya Sōtatsu, 5, 62, 161, 173, figs. 2-10, 6-7
tea diaries. See chakaiki
Tenmoku ware, 47, 49
Thirty-six Immortals of Poetry Scroll (Satake-bon), 140–42, 190, fig. 5-7
Tōdaiji, 5, 91, 101, 104, 108, 123, 127
Tōkaiji, 70, 95–96
tokonoma (alcove), 7, 33–34, 41, 54, 61, 65, 77, 119, 123
Tokugawa Iemitsu, 52, 96, 98
Tokugawa shoguns, 3, 53–54, 75, 88
Tokutomi Sohō, 118, 166–67
Tokyo National Museum, 80, 81, 104, 106, 109, 184, 188, 205n.40, 216n.30
tori awase (selecting and matching), 64–65, 207n.35
Tosa school, 108, 161, 167, 193
Toyotomi Hideyoshi, 92, 95, 158, 190
art belonging to, 89, 134
and Grand Kitano tea, 69–70
influence of, on Masuda, 94, 153
taste of, 49, 55
Umezawa Yasuzō, 76, 152, 216n.45
Unshū kumchō (Catalogue of the Unshū storehouse), 68
Urasenke, 59, 70, 73, 93, 95
Uryū Sotokichi, 24
usucha (thin tea), 43
Victoria and Albert Museum, 106, 172, 184
von Siebold, Philippe, 105
wabi (restrained style of tea), 51, 54–60, 77
waka (thirty-one syllable poem), 60–61
Wakai Kenzaburō, 36–37, 112, 152, 200, 216n.45
Walsh, Hall, & Company, 22, 25, 199
Watanabe Kazan, 32, 159
Watanabe Ki, 76, 97–98
Whitney, Clara, 30
Yamanaka (antiquarians), 32, 84, 124, 152, 170, 171
Yamanaka Sadajirō, 111–12
Yamanoue Sōji, 64, 67, 207n.36
Yamato-e, 8, 110, 186
Yamazumi Rikizō, 76, 152, 216n.45
Yano Jirō, 18, 30
Yasuda Zenjirō, 31, 97, 161, 178, 200
his interest in tea, 72, 76, 77, 83–94, 193–94
his relationship with Masuda, 96, 153
tea diary of, 209n.32
Yin-t’o-lo, 37, fig. 1-7
Yü-chien, 50–51, 69
Zaigai Nihon no shihō (More treasures of Japanese art abroad), 172–73, 197, 218n.25
Zayu no mei (Tsuoyu ming), 117, 119, 121, 189
Zenpukuji, 17, 18