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Klein, John

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John Klein

Matisse Portraits

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John Klein

PublisherYale University Press

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Archives

Archives Matisse, Paris.

Documentation, Musée Matisse, Le Cateau-Cambrésis.

Documentation, Musée Matisse, Nice.

Documentation, Musée National d’Art Moderne, Paris.

George Besson archives, Paris.

Alfred H. Barr, Jr. Papers, Archives of The Museum of Modern Art, New York.

Pierre Matisse Gallery Archives, Pierpont Morgan Library, New York.

William S. Paley Papers, CBS Archives, New York.

Books, Exhibition Catalogues, Articles

Antliff, Mark. “The Rhythms of Duration: Bergson and the Art of Matisse.” In John Mullarkey, ed. The New Bergson. Manchester and New York: Manchester University Press, 1999.

Apollinaire, Guillaume. Chroniques d’art, 1902–1918. Ed. L.-C. Breunig. Paris: Gallimard, 1960.

Aragon, Louis. Henri Matisse: A Novel. 1971. 2 vols. Trans. Jean Stewart. New York: Harcourt Brace Jovanovich, 1972.

Bailey, Colin B., ed. Renoir’s Portraits: Impressions of an Age. Exh. cat. New Haven and London: Yale University Press and National Gallery of Canada, Ottawa, 1997.

Barnes, Albert C. and Violette de Mazia. The Art of Henri-Matisse. New York: Scribner’s, 1933.

Barr, Alfred H., Jr. Matisse: His Art and His Public. New York: Museum of Modern Art, 1951.

Baudelaire, Charles. Selected Writings on Art and Artists. Trans. P. E. Charvet. Cambridge University Press, 1972.

Benjamin, Roger. “Une Copie par Matisse du Balthazar Castiglione de Raphaël.” La Revue du Louvre 35, no. 4 (1985): 275–7.

———. Henri Matisse. New York: Rizzoli, 1992.

———. Matisse’s “Notes of a Painter”: Criticism, Theory, and Context, 1891–1908. Ann Arbor: UMI Research Press, 1987.

Berger, Harry, Jr. “Fictions of the Pose: Facing the Gaze of Early Modern Portraiture,” Representations 46 (Spring 1994): 87–120.

Berger, John. “The Changing View of Man in the Portrait.” In The Moment of Cubism and Other Essays. New York: Pantheon-Random, 1969.

Besson, George. “Arrivée de Matisse à Nice: Matisse et quelques personnages.” Le Point, no. 21 (July 1939): 38–44.

Billeter, Erika, ed. L’Autoportrait à l’âge de la photographie: Peintres et photographes en dialogue avec leur propre image. Exh. cat. Lausanne: Musée Cantonal des Beaux-Arts, 1985.

Bock, Catherine C. Henri Matisse and Neo-Impressionism, 1898–1908. Ann Arbor: UMI Research Press, 1981.

———. “Henri Matisse’s Self-Portraits: Presentation and Representation.” Psychoanalytic Perspectives on Art 3 (1988): 239–65.

Bock-Weiss, Catherine C. Henri Matisse: A Guide to Research. New York and London: Garland, 1996.

Bois, Yve-Alain. “L’Aveuglement.” In Dominique Fourcade and Isabelle Monod-Fontaine, eds. Henri Matisse 1904–1917. Exh. cat. Paris: Editions du Centre Pompidou, 1993. Repr. as “On Matisse: The Blinding,” trans. Greg Sims, October 68 (Spring 1994): 61–121.

———. “Matisse and ‘Arche-Drawing’.” In Painting as Model. Cambridge, Mass. and London: MIT Press, 1990.

———. Matisse and Picasso. Paris: Flammarion and Fort Worth: Kimbell Art Museum, 1998.

Bourguignon, Katherine M. “‘Un viol de moi-même’: Matisse and the Female Model.” Ph.D. dissertation, University of Pennsylvania, 1998.

Brachlianoff, Dominique. Matisse dans les collections du Musée des Beaux-Arts de Lyon. Lyon: Musée des Beaux-Arts, 1987.

Breckenridge, James D. Likeness: A Conceptual History of Ancient Portraiture. Evanston, Ill: Northwestern University Press, 1968.

Brilliant, Richard, ed. Art Journal 46 (Fall 1987), special issue: “Portraits: The Limitations of Likeness.”

———. Portraiture. Cambridge, Mass: Harvard University Press, 1991.

Brooks, Linda Marie, ed. Alternative Identities: The Self in Literature, History, Theory. New York and London: Garland, 1995.

Bussy, Jane Simone. “A Great Man.” Burlington Magazine 128 (February 1986): 80–84.

Campbell, Lorne. Renaissance Portraits: European Portrait-Painting in the 14th, 15th, and 16th Centuries. New Haven and London: Yale University Press, 1990.

Carco, Francis. L’ami des peintres. Paris: Gallimard, 1953.

Carlson, Victor I. Matisse as a Draughtsman. Exh. cat. Baltimore Museum of Art, 1971.

Carrier, David. “Poussin’s Cartesian Meditations: Self and Other in the Self-Portraits of Poussin and Matisse.” Source 15 (Spring 1996): 28–35.

Cauman, John. “Henri Matisse’s Letters to Walter Pach.” Archives of American Art Journal 31, no. 3 (1991): 2–14.

The Cone Collection of Baltimore, Maryland: Catalogue of Paintings – Drawings – Sculpture of the Nineteenth and Twentieth Centuries. Foreword by George Boas. Baltimore: Etta Cone, 1934.

La Cote des antiquités, no. 9 (June 1988). Special issue: “L’Autoportrait: de l’approche esthétique à l’approche psychanalytique.”

Courthion, Pierre. Henri-Matisse. Paris: Rieder, 1934.

———. Le Visage de Matisse. Lausanne: Marguerat, 1942.

Cowart, Jack and Dominique Fourcade. Henri Matisse: The Early Years in Nice, 1916–1930. Exh. cat. Washington, D.C.: National Gallery of Art, 1986.

Cowart, Jack and Pierre Schneider. Matisse in Morocco: The Paintings and Drawings, 1912–1913. Exh. cat. Washington, D.C.: National Gallery of Art, 1990.

Cowart, William John, III. “‘Ecoliers’ to ‘Fauves’: Matisse, Marquet, and Manguin Drawings, 1890–1906.” Ph.D. dissertation, Johns Hopkins University, 1972.

Dauberville, Michel and Guy-Patrice. Matisse: Henri Matisse chez Bernheim-Jeune. 2 vols. Paris: Editions Bernheim-Jeune, 1995.

Dean, Carolyn J. The Self and Its Pleasures: Bataille, Lacan, and the History of the Decentered Subject. Ithaca and London: Cornell University Press, 1992.

Delectorskaya, Lydia. L’Apparente facilité: Henri Matisse, peintures 1935–1939. Introduction by Isabelle Monod-Fontaine. Paris: Editions Maeght, 1986.

———. Henri Matisse: Contre vents et marées: Peinture et livres illustrés de 1930 á 1943. Preface by Isabelle Monod-Fontaine. Paris: Editions Irus et Vincent Hansma, 1996.

Derrida, Jacques. Memoirs of the Blind: The Self-Portrait and Other Ruins. Trans. Pascale-Anne Brault and Michael Naas. Chicago and London: University of Chicago Press, 1993.

Dorival, Bernard. “Musée National d’Art Moderne: Le Legs Gourgaud.” La Revue du Louvre, no. 2 (1967): 93–102.

Duthuit, Claude, and Marguerite Duthuit-Matisse, with the collaboration of Françoise Garnaud. Henri Matisse, catalogue raisonné de l’oeuvre gravé. Preface by Jean Guichard-Meili. 2 vols. Paris: Claude Duthuit, 1983.

———, with the collaboration of Françoise Garnaud. Henri Matisse, catalogue raisonné des ouvrages illustrés. Preface by Jean Guichard-Meili. Paris: Claude Duthuit, 1988.

———, with the collaboration of Wanda de Guébriant. Henri Matisse, catalogue raisonné de l’oeuvre sculpté. Preface by Yve-Alain Bois. Paris: Claude Duthuit, 1997.

Duthuit, Georges. Ecrits sur Matisse. Ed. Rémi Labrusse. Paris: Ecole Nationale Supérieure des Beaux-Arts, 1992.

———. Les Fauves. Geneva: Editions des Trois Collines, 1949.

Elderfield, John. The Drawings of Henri Matisse. Exh. cat. London: Arts Council of Great Britain and Thames and Hudson; New York: Museum of Modern Art, 1984.

———. Henri Matisse: A Retrospective. Exh. cat. New York: Museum of Modern Art, 1992.

———. Matisse in the Collection of the Museum of Modern Art. New York: Museum of Modern Art, 1978. Additional texts by William S. Lieberman and Riva Castelman.

———. Pleasuring Painting: Matisse’s Feminine Representations. London and New York: Thames and Hudson, 1995.

———. The “Wild Beasts”: Fauvism and its Affinities. Exh. cat. New York: Museum of Modern Art, 1976.

Elsen, Albert E. The Sculpture of Henri Matisse. New York: Abrams, 1972.

Escholier, Raymond. Henri Matisse. Paris: Floury, 1937.

———. Matisse: A Portrait of the Artist and the Man. Trans. Geraldine and H. M. Colvile. New York: Praeger, 1960.

Farr, Margaret F. “Identity and Subjectivity in Edgar Degas’s Mme Jeantaud Before a Mirror.” Nineteenth-Century Contexts 19, no. 3 (1996): 305–25.

Faure, Elie, Jules Romains, Charles Vildrac, and Léon Werth. Henri-Matisse. Paris: Editions des “Cahiers d’aujourd’hui,” 1920.

Fels, Florent. Henri-Matisse. Paris: Editions des Chroniques du jour, 1929.

Fiedler-Bender, Gisela, ed. Matisse und seine deutschen Schüler. Exh. cat. Kaiserslautern: Pfalzgalerie, 1988.

Flam, Jack D. “Henri Matisse,” catalogue entries in Great French Paintings from the Barnes Foundation. New York: Knopf, in association with Lincoln University Press, 1993.

———. “Matisse and the Fauves,” in William Rubin, ed., “Primitivism” in 20th Century Art: Affinities of the Tribal and the Modern. 2 vols. New York: Museum of Modern Art, 1984. Vol. 1, 211–39.

———. “Matisse in Two Keys.” Art in America 63 (July-August 1975): 83–6.

———. Matisse on Art. London: Phaidon, 1973. Rev. ed. Berkeley and Los Angeles: University of California Press, 1995.

———. Matisse: The Man and His Art, 1869–1918. Ithaca and London: Cornell University Press, 1986.

———. “Matisse’s Thèmes et variations, a Book and a Method.” In Henri Matisse, Zeichnungen und Gouaches Découpées. Exh. cat. Staatsgalerie Stuttgart, 1993.

———. “Some Observations on Matisse’s Self-Portraits.” Arts Magazine 49 (May 1975): 50–52.

Fourcade, Dominique. “Greta Prozor d’Henri Matisse.” Cahiers du Musée National d’Art Moderne, no. 11 (June 1983): 100–7.

———. Matisse au Musée de Grenoble. Grenoble: Musée de Peinture et de Sculpture, 1975.

———. “65 Dessins de Matisse dans les collections du Musée national d’art moderne.” Cahiers du Musée National d’Art Moderne, no. 13 (July 1984): 8–17.

———, ed. “Autres propos de Henri Matisse.” Macula, no. 1 (1976): 92–115.

———. Henri Matisse: Dessins et sculpture. Exh. cat. Paris: Musée National d’Art Moderne, Editions

du Centre Pompidou, 1975.

———. Henri Matisse: Ecrits et propos sur l’art. Paris: Hermann, 1972. and Isabelle Monod-Fontaine. Henri Matisse 1904–1917. Exh. cat. Paris: Editions du Centre Pompidou, 1993.

Friedländer, Max J. Landscape, Portrait, Still-Life: Their Origin and Development. Trans. R. F. C. Hull. Oxford: B. Cassirer, 1949.

Fry, Roger. Henri-Matisse. Paris: Editions des Chroniques du jour and New York: E. Weyhe, 1930.

———. Henri-Matisse. Paris: Editions des Chroniques du jour, 1935.

Furst, H. E. A. Portrait Painting: Its Nature and Function. London: Lane, 1927.

Galligan, Gregory. “The Self Pictured: Manet, the Mirror, and the Occupation of Realist Painting.” Art Bulletin 80 (March 1998): 139–71.

Gallop, Jane. Reading Lacan. Ithaca and London: Cornell University Press, 1985.

Gassier, Pierre. Manguin parmi les Fauves. Exh. cat. Martigny, Switzerland: Fondation Pierre Gianadda, 1983.

Gedo, Mary Mathews. Picasso: Art as Autobiography. Chicago and London: University of Chicago Press, 1980.

Girard, Xavier, ed. Henri Matisse: L’Art du livre. Cahiers Henri Matisse, no. 3. Introduction by Yuri Russakov. Nice: Musée Matisse, 1986.

———. Matisse: Photographies. Cahiers Henri Matisse, no. 2. Exh. cat. Nice: Musée des Beaux-Arts Jules Cheret, 1986.

——— and Christian Arthaud. Henri Matisse Dessins: Collections du Musée Matisse [Nice]. Cahiers Henri Matisse, no. 6. Paris: Adrien Maeght Editeur, 1989.

——— and Alain Mousseigne, eds. Matisse: Ajaccio-Toulouse, 1898–1899, une saison de peinture. Exh. cat. Cahiers Henri Matisse, no. 4. Toulouse: Musée d’Art Moderne, 1986.

Giraudy, Danièle, ed. “Correspondance Henri Matisse–Charles Camoin.” Revue de l’art, no. 12 (1971): 7–34.

Golding, John. Matisse and Cubism. University of Glasgow Press, 1978.

Gombrich, E. H. Art and Illusion: A Study in the Psychology of Pictorial Representation. Princeton University Press, 1972.

——— Julian Hochberg, and Max Black. Art, Perception, and Reality. Baltimore: The Johns Hopkins University Press, 1972.

Gopnik, Adam. “High and Low: Caricature, Primitivism, and the Cubist Portrait.” Art Journal 43 (Winter 1983): 371–6.

Gowing, Lawrence. Henri Matisse: Harmony in Red. Washington, D.C.: National Gallery of Art, 1986.

———. Matisse. London: Thames and Hudson, 1979.

Grosser, Maurice. The Painter’s Eye. New York: Reinhart, 1951.

Heilbrun, Françoise, and Philippe Néagu. Portraits d’artistes. Les Dossiers du Musée d’Orsay, 7. Exh. cat. Paris: Editions de la Réunion des Musées Nationaux, 1986.

Herbert, James D. Fauve Painting: The Making of Cultural Politics. New Haven and London: Yale University Press, 1992.

Hobhouse, Janet. “Odalisques: What did these sensuous images really mean to Matisse?” Connoisseur, no. 900 (January 1987): 60–67.

Holmes, C. J. Notes on the Post-Impressionist Painters, Grafton Galleries, 1910–11. London: Philip Lee Warner, 1910.

Hyslop, Francis E. Henri Evenepoel: Belgian Painter in Paris, 1892–1899. University Park, Pa: Pennsylvania State University Press, 1975.

Izerghina, A. et al. Henri Matisse: Paintings and Sculptures in Soviet Museums. Trans. R. J. Rosengrant et al. Leningrad: Aurora Art Publishers, 1978.

Jay, Paul. Being in the Text: Self-Representation from Wordsworth to Roland Barthes. Ithaca and London: Cornell University Press, 1984.

Jordanova, Ludmilla. Defining Features: Scientific and Medical Portraits, 1660–2000. London: National Portrait Gallery and Reaktion Books, 2000.

Klein, John. “Matisse et l’autoportrait: démarche individuel et relation avec le public.” In Dominique Szymusiak and John Klein, Henri Matisse: Autoportraits. Exh. cat. Le Cateau-Cambrésis: Musée Matisse, 1988.

———. “Objects of Desire and Irresistible Forces: Matisse Between Patrons, Collectors, and War.” In Henri Matisse: Four Great Collectors, ed. Kasper Monrad. Exh. cat. Copenhagen: Statens Museum for Kunst, 1999.

———. “Portraiture and Assimilation of the ‘very singular Vallotton’.” In Félix Vallotton, ed. Sasha Newman. Exh. cat. New Haven: Yale University Art Gallery, 1991.

———. “When Worlds Collide: Matisse’s Femme au chapeau and the Politics of the Portrait.” In Matisse and Other Modern Masters: The Elise S. Haas Collection, ed. Janet Bishop. Exh. cat. San Francisco Museum of Modern Art, 1993.

Koortbojian, Michael. Self-Portraits. London: Scala Books, 1992.

Kostenevich, Albert, and Natalya Semyonova. Collecting Matisse. Trans Andrew Bromfield. Paris: Flammarion, 1993.

Kropmanns, Peter. “Matisse und die Molls, seine bedeutendsten deutschen Sammler.” In Oskar Moll: Gemälde und Aquarelle. Exh. cat. Mainz: Landesmuseum, 1997.

Labrusse, Rémi, ed. Matisse: “La Révélation m’est venue de l’Orient.” Exh. cat. Rome: Musei Capitolini and Florence: Artificio, 1997.

Lacan, Jacques. Ecrits: A Selection. Trans. Alan Sheridan. New York: Norton, 1977.

Laude, Jean. “Les ‘Ateliers’ de Matisse.” Colóquio, artes (Lisbon), no. 18 (June 1974): 16–25.

———. La Peinture française (1905–1914) et “l’art nègre”. Paris: Klincksieck, 1968.

Lavin, Maud. “An Analysis of Henri Matisse’s 1914 Portrait of Mlle Yvonne Landsberg.” M.A. thesis, University of Pennsylvania, Philadelphia, 1981.

Léautaud, Paul. Journal littéraire. 19 vols. Paris: Mercure de France, 1954–66.

Levey, Michael. The Painter Depicted: Painters as a Subject in Painting. London: Thames and Hudson, 1981.

Levine, Steven Z. Monet, Narcissus, and Self-Reflection: The Modernist Myth of the Self. Chicago and London: University of Chicago Press, 1994.

Leymarie, Jean, Herbert Read, and William S. Lieberman. Henri Matisse. Berkeley and Los Angeles: University of California Press, 1966.

Lieberman, William S., ed. Twentieth-Century Modern Masters: The Jacques and Natasha Gelman Collection. Exh. cat. New York: Metropolitan Museum of Art, 1989.

Livingston, Jane. “Matisse’s Tea.” Los Angeles County Museum of Art Bulletin 20, no. 2 (1974): 47–57.

Lubar, Robert S. “Unmasking Pablo’s Gertrude: Queer Desire and the Subject of Portraiture.” Art Bulletin 79 (March 1997): 57–84.

Lubin, David M. Acts of Portrayal: Eakins, Sargent, James. New Haven and London: Yale University Press, 1985.

Lynton, Norbert, Alistair Smith, Robert Cumming, and Diane Collinson. Looking Into Pictures. London: Open University, 1985.

Martin, F. David. “On Portraiture: Some Distinctions.” Journal of Aesthetics and Art Criticism 20 (Fall 1961): 61–72.

Matisse, Henri. Dessins: Thèmes et variations. Preface by Louis Aragon. Paris: Martin Fabiani, 1943.

———. Portraits. Monte Carlo: André Sauret, 1954.

Henri-Matisse. Exh. cat. Berlin: Galerien Thannhauser, 1930.

Henri Matisse, dessins. Exh. cat. Liege: APIAW, 1947.

Henri Matisse: Retrospective Exhibition of Paintings, Drawings, and Sculpture. Exh. cat. Philadelphia Museum of Art, 1948.

Matisse, Marguerite, preface. Henri Matisse: Lithographies rares. Exh. cat. Paris: Berggruen, 1954.

———. “Marguerite Matisse: Les Drames de mon père.” Interview with Gilbert Ganne. Les Nouvelles littéraires (April 23, 1970): D17–18.

Meskimmon, Marsha. The Art of Reflection: Women Artists’ Self-Portraiture in the Twentieth Century. New York: Columbia University Press, 1996.

Mezzatasta, Michael P. Henri Matisse, Painter/Sculptor: A Formal Analysis of Selected Works. Exh. cat. Fort Worth: Kimbell Art Museum, 1984.

Milner, John. The Studios of Paris: The Capital of Art in the Nineteenth Century. New Haven and London: Yale University Press, 1988.

Monod-Fontaine, Isabelle. “A Black Light: Matisse (1914–1918).” In Caroline Turner and Roger Benjamin, eds. Matisse. Exh. cat. Brisbane: Queensland Art Gallery, 1995.

———. The Sculpture of Henri Matisse. Trans. David Macey. Exh. cat. London: Arts Council of Great Britain and Thames and Hudson, 1984.

——— and Claude Laugier. Dation Pierre Matisse. Exh. cat. Paris: Editions du Centre Pompidou, 1992.

———, Anne Baldassari and Claude Laugier. Matisse. Collections du Musée National d’Art Moderne. Paris: Editions du Centre Pompidou, 1989.

Moulin, Raymonde. Le Marche de la peinture en France. Paris: Minuit, 1967.

Nochlin, Linda. “Impressionist Portraits and the Construction of Modern Identity.” In Colin B. Bailey, ed. Renoir’s Portraits: Impressions of an Age. Exh. cat. New Haven and London: Yale University Press and National Gallery of Canada, Ottawa, 1997.

O’Brian, John. Ruthless Hedonism: The American Reception of Matisse. Chicago and London: University of Chicago Press, 1999.

O’Connor, Francis V. “The Psychodynamics of the Frontal Self-Portrait.” Psychoanalytic Perspectives on Art 1 (1985): 169–221.

Oppler, Ellen Charlotte. Fauvism Reexamined. New York: Garland, 1976.

Pach, Walter. Queer Thing, Painting. New York: Harper and Brothers, 1938.

Paley, William S. As it Happened: A Memoir. New York: Doubleday, 1979.

Pitkänen, Risto. “The Resemblance View of Pictorial Representation.” British Journal of Aesthetics 16 (Autumn 1976): 313–23.

Pleynet, Marcelin. Henri Matisse: Qui êtes-vous? Lyon: La Manufacture, 1988.

———. Painting and System. Trans. Sima N. Godfrey. Chicago and London: University of Chicago Press, 1984.

Pointon, Marcia. Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England. New Haven and London: Yale University Press, 1993.

Pollack, Barbara. The Collectors: Dr. Claribel and Miss Etta Cone. Indianapolis: Bobbs-Merrill, 1962.

Pope-Hennessy, John. The Portrait in the Renaissance. London: Phaidon, 1966.

Potter, Margaret, ed. Four Americans in Paris: The Collections of Gertrude Stein and Her Family. Exh. cat. New York: Museum of Modern Art, 1970.

Puy, Jean. “Souvenirs.” Le Point, no. 21 (July 1939): 112–33.

Puy, Michel. L’Effort des peintres modernes. Paris: Messein, 1933.

Reff, Theodore. “Matisse: Meditations on a Statuette and Goldfish.” Arts Magazine 51 (November 1976): 109–15.

Richardson, Brenda. Dr. Claribel & Miss Etta: The Cone Collection of the Baltimore Museum of Art. Baltimore Museum of Art, 1985.

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Rouveyre, André. “Matisse évoqué.” La Revue des arts 6, no. 2 (June 1956): 66–74.

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Russell, John. Matisse: Father and Son. New York: Abrams, 1999.

Said, Edward. Beginnings: Intention and Method. New York: Basic Books, 1975.

Salinger, Margaretta. “White Plumes with Variations.” Parnassus 4 (December 1932): 9–10.

Schneider, Pierre. Matisse. Trans. Michael Taylor and Bridget Strevens Romer. New York: Rizzoli, 1984.

———. “The Striped Pajama Icon.” Art in America 63 (July-August 1975): 76–82.

———, ed. Matisse: Visages découverts, 1945–1954. Exh. cat. Paris: Mona Bismarck Foundation and Adam Biro, 1996.

———, ed., with Tamara Préaud. Henri Matisse: Exposition du centenaire. Exh. cat. Paris: Grand Palais, 1970.

Sembat, Marcel. “Henri Matisse.” Les Cahiers d’aujourd’hui, no. 4 (April 1913): 185–94.

———. Henri Matisse. Les Peintres français nouveaux, no. 1. Paris: Editions de la Nouvelle Revue Française, 1920.

Shackelford, George T. M. and Mary Tavener Holmes. A Magic Mirror: The Portrait in France 1700–1900. Exh. cat. Houston: Museum of Fine Arts, 1986.

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Shiff, Richard. Cézanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art. Chicago and London: University of Chicago Press, 1984.

———. “Imitation of Matisse.” In Caroline Turner and Roger Benjamin, eds. Matisse. Exh. cat. Brisbane: Queensland Art Gallery, 1995.

Shone, Richard. “Matisse in England and Two English Sitters.” Burlington Magazine 135 (July 1993): 479–84.

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———. “Matisse’s Retour à l’ordre.” Art in America 75 (June 1987): 110–23, 167–9.

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———. The Unknown Matisse: A Life of Henri Matisse: The Early Years, 1869–1908. New York: Knopf, 1998.

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Szymusiak, Dominique, ed. Hommage à Lydia Delectorskaya. Le Cateau-Cambrésis: Musée Matisse, 1999.

———. Musée Matisse: Dessins de la donation Matisse. Le Cateau-Cambrésis: Musée Matisse, 1988.

——— and John Klein. Henri Matisse: Autoportraits. Exh. cat. Le Cateau-Cambrésis: Musée Matisse, 1988.

Taylor, Charles. Sources of the Self: The Making of the Modern Identity. Cambridge, Mass: Harvard University Press, 1989.

Terrasse, Antoine. “Matisse et Bonnard: Quarante ans d’amitié.” Revue de l’art, no. 64 (1984): 77–84.

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Turner, Caroline and Roger Benjamin, eds. Matisse. Exh. cat. Brisbane: Queensland Art Gallery, 1995.

Varnedoe, J. Kirk T., ed. Modern Portraits: The Self and Others. Exh. cat. New York: Columbia University, Department of Art History and Archaeology, 1976.

———. “Picasso’s Self-Portraits.” In William Rubin, ed. Picasso and Portraiture: Representation and Transformation. Exh. cat. New York: Museum of Modern Art, 1996.

Verve 4, no. 13 (1945). Special issue on Matisse: “De la couleur.”

Vollard, Ambroise. Recollections of a Picture Dealer. Trans. Violet M. MacDonald. New York: Dover, 1978.

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Wilton, Andrew. The Swagger Portrait: Grand Manner Portraiture in Britain from Van Dyck to Augustus John, 1630–1930. Exh. cat. London: Tate Gallery, 1992.

Woodall, Joanna, ed. Portraiture: Facing the Subject. Manchester and New York: Manchester University Press, 1997.

Woods-Marsden, Joanna. Renaissance Self-Portraiture: The Visual Construction of Identity and the Social Status of the Artist. New Haven and London: Yale University Press, 1998.

Zemel, Carol. Van Gogh’s Progress: Utopia, Modernity, and Late-Nineteenth-Century Art. Berkeley and Los Angeles: University of California Press, 1997.

Zervos, Christian. “Notes sur la formation et le développement de l’oeuvre de Henri-Matisse.” Cahiers d’art 5–6 (1931): 9–32.

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