Photography Credits

Townsend, Richard F.

Save Cite Share

Free

Photography Credits

Richard F. Townsend (Editor)

Ancient West Mexico: Art and Archaeology of the Unknown Past

Photography Credits

Author

Richard F. Townsend (Editor)

PublisherArt Institute of Chicago

https://doi.org/10.37862/aaeportal.00016.023

Stable URL: https://aaeportal.com/?id=-13542

Photography Credits

Frontispiece: courtesy of M.G.N. Collection. Maps (pp. 11–13): Mapping Specialists, Madison.

Richard F. Townsend, “Introduction: Renewing the Inquiry in Ancient West Mexico”

1, 9, 10, 12, 13, 17, 19, 21, 23, 24, 26, 27: photos © by Justin Kerr; 2, 4: from Graciela Romandia de Cantu, Adela Breton: Una Artista Británica en México, 1894–1908 (1993); 3, 5, 6: photos by Richard F. Townsend; 7: photo by Otto Schondübe; 8: courtesy of the Kistermann Collection; 11: photo by Michael Tropea; 14, 15, 22, 25, 30: photos © by Douglas M. Parker Studio; 16: Tucson Museum of Art; 18, 28, 29: Los Angeles County Museum of Art; 20: photo © by Dirk Bakker.

Phil C. Weigand and Christopher S. Beekman, “The Teuchitlán Tradition: Rise of a Statelike Society”

1, 17a, 21: photos by Richard F. Townsend; 2, 7–9, 16, 17b: drawings by Gigi Bayliss after Phil Weigand; 3: map by Christopher Beekman after Phil Weigand; 4: photo © by Douglas M. Parker Studio; 5, 6: Natural History Museum of Los Angeles County; 10, 11, 18, 19: photos © by Dirk Bakker; 12, 14, 20: photos © by Justin Kerr; 13: The Cleveland Museum of Art; 15: The Art Institute of Chicago; 22: reconstruction drawing by Michael Guran, Project Architect.

Lorenza López Mestas Camberos and Jorge Ramos de la Vega, “Excavating the Tomb at Huitzilapa”

1, 2, 7, 9, 10, 15–19: courtesy of the Huitzilapa Project, INAH; composite image for fig. 9 realized by Rob McAleavy, Denver Museum of Natural History; 3–6, 8: drawings by Gabriela Ulloa, courtesy of the Huitzilapa Project, INAH; II: photo © by Dirk Bakker; 12: photo by Dave Marlow; 13: photo © by Justin Kerr; 14: from Codex Magliabechiano, complete color facsimile edition of Academische Druck u. Verlagsanstalt (1970).

Robert B. Pickering and Maria Teresa Cabrero, “Mortuary Practices in the Shaft-Tomb Region”

1, 12: drawings by Gabriela Ulloa, courtesy of the Huitzilapa Project, INAH; 2, 13: photos by Robert Pickering; 3: drawings by Gigi Bayliss; 4: courtesy of Maria Teresa Cabrero and Carlos López Cruz; 5, 15, 18, 20: photos © by Dirk Bakker; 6: chart by Robert Pickering and Maria Teresa Cabrero; 7, 8: Fowler Museum of Cultural History, University of California, Los Angeles; 9–11: Natural History Museum of Los Angeles County; 14: The Art Institute of Chicago; 16, 19, 21, 22: photos © by Justin Kerr; 17: photo © by John Taylor; 23: photo © by Douglas M. Parker Studio.

Kristi Butterwick, “Food for the Dead: The West Mexican Art of Feasting”

1: courtesy of Galerie Mermoz; 2, 25: photos by Richard F. Townsend; 3, 12, 21–24: photos © by Douglas M. Parker Studio; 4, 7, 16, 26: photos © by Justin Kerr; 5: The Minneapolis Institute of Arts; 6: Los Angeles County Museum of Art; 8, 9, 11, 14, 15, 17, 28: photos © by Dirk Bakker; 10: The Art Institute of Chicago; 13: photo by Robert M. Hashimoto; 18: from Codex Nuttall, complete color facsimile edition of Academische Druck u. Verlagsanstalt (1987); 19: from Artes de Mexico 140 (1971), watercolor by Ignacio Marquina; 20: Fowler Museum of Cultural History, University of California, Los Angeles; 27: from Codex Borbonicus, complete color facsimile edition of Academische Druck u. Verlagsanstalt (1974).

Richard F. Townsend, “Before Gods, Before Kings”

1: photo by Charles D. Townsend; 2, 12, 14, 40, 42: The Art Institute of Chicago; 3: after Orozco y Berra, 1877; 4, 23, 37: from Codex Borbonicus, complete color facsimile edition of Academische Druck u. Verlagsanstalt (1974); 5: courtesy of the Kistermann Collection; 6, 22, 41: Los Angeles County Museum of Art; 7, 36: Bodleian Library, Oxford University; 8, 27, 33: photos © by Douglas M. Parker Studio; 9, 16, 19, 29, 31, 32, 35, 38: photos © by Justin Kerr; 10: photo by Dietrich Graf; 11, 13, 18, 30a–b, 34: photos © by Dirk Bakker; 15: photo by P. A. Ferrazzini; 17: photo by Michael Cavanagh and Kevin Montague, Indiana University Art Museum; 20: photo by Dave Marlow; 21: photo © by John Taylor; 24: from Codex Borgia, Codes Vaticanus mess. 1. Color facsimile edition of Academische Druck u. Verlagsanstalt (1976); 25: photo by Michael Tropea; 26: courtesy of Galerie Mermoz; 28a: drawing by Sarah Guernsey after Hasso von Winning and Olga Hammer, Anecdotal Sculpture of Ancient West Mexico (1972); 28b: drawing by Gigi Bayliss after von Winning and Hammer (1972); 39: from von Winning and Hammer, (1972); 43: photo by Hughes du Bois.

Christopher L. Witmore, “Sacred Sun Centers”

1: photo by Dirk Bakker; 2: site plan and elevation by Michael Alexander Guran, Project Architect, after Phil Weigand; 3: The Saint Louis Art Museum; 4: photo © by Douglas M. Parker Studio; 5: from Earl H. Morris, Jean Chariot, and Ann Axtell Morris, The Temple of the Warriors at Chichén Itzá (1931); 6: photo © The British Museum; 7: drawing by Joseph Cochand; 8: Liverpool Museum; 9a–d: from Memoirs of the American Museum of Natural History (1900); 10: Yale University Art Gallery; 11: photo © by Justin Kerr; 12: Fowler Museum of Cultural History, University of California, Los Angeles; 13: The Art Institute of Chicago; 14, 15: photos by Thomas Holien; 16: photo by Dr. Jaime Ganot R. and Dr. Alejandro Peshard F.

Jane Stevenson Day, “The West Mexican Ballgame”

1, 10: Los Angeles County Museum of Art; 2: from Codex Borbonicus, complete color facsimile edition of Academische Druck u. Verlagsanstalt (1974); 3: photo by Richard F. Townsend; 4, 6, 9–15, 18: drawings by Gigi Bayliss; 5, 22: photos © by Justin Kerr; 7, 23: courtesy of Galerie Mermoz; 8: photo © 1994 Sotheby’s, Inc.; 16: photo © by Dirk Bakker; 17, 19: photos by Jane Day; 20: photo by Gishaaver; 21: Yale University Art Gallery.

Peter T. Furst, “Shamanic Symbolism, Transformation, and Deities in West Mexican Funerary Art”

1, 17: photos © by Douglas M. Parker Studio; 2–7, 10, 13–16, 19–21, 24, 28: photos by Peter Furst; 8, 11, 23, 29: photos © by Justin Kerr; 9: photo by Michael Tropea; 12: courtesy of Ron Messick Fine Arts, Santa Fe, N.M.; 18: The Cleveland Museum of Art; 22, 27, 30: photos © by Dirk Bakker; 25: The University of Iowa Museum of Art; 26: Los Angeles County Museum of Art.

Mark Miller Graham, “The Iconography of Rulership in Ancient West Mexico”

1: Utah Museum of Fine Arts, University of Utah; 2: photo © by Dirk Bakker; 3, 16: Los Angeles County Museum of Art; 4: photo © by Justin Kerr; 5: photo © by Douglas M. Parker Studio; 6: drawing by Gigi Bayliss; 7a–b, 14: Dumbarton Oaks, Washington D.C.; 7c–d, 11–13, 15: from Linda Schele and Mary Ellen Miller, The Blood of Kings: Dynasty and Ritual in Maya Art (1986), drawings by Linda Schele; 8: from Ignacio Marquina, Arquitectura Prehispanica (1964); 9: from Eduardo Matos Moctezuma, Teotihuacán: The City of Gods (1990); 10: photo by Richard F. Townsend; 17: The Art Institute of Chicago.

Otto Schöndube, “Natural Resources and Human Settlements in Ancient West Mexico”

1, 5, 6, 10, 11, 15, 28: photos © by Justin Kerr; 2–4, 12, 13, 20: photos by Richard F. Townsend; 7: photo by Michael Tropea; 8, 17, 25: photos © by Dirk Bakker; 9, 19, 21, 27, 29: photos © by Douglas M. Parker Studio; 14, 24: Los Angeles County Museum of Art; 16: photo © by John Taylor; 18, 26: Fowler Museum of Cultural History, University of California, Los Angeles; 22, 23: photos by Otto Schöndube.

Francisco Valdez, “The Sayula Basin: Ancient Settlements and Resources”

1–3, 6: photos by Francisco Valdez; 4: chart by Francisco Valdez; 5: The Saint Louis Art Museum; 7: Fowler Museum of Cultural History, University of California, Los Angeles; 8: Los Angeles County Museum of Art; 9: photo by Richard F. Townsend; 10: chronological chart by Francisco Valdez; 11: map by Francisco Valdez; 12, 14: drawings by Francisco Valdez; 13: plan by Francisco Valdez.

Patricia Rieff Anawalt, “They Came to Trade Exquisite Things: Ancient West Mexican–Ecuadorian Contacts”

1: courtesy of Galerie Mermoz; 2: Mapping Specialists; 3, 29: Bodleian Library, Oxford University; 4–7, 23: from Relación de Michoacán, color facsimile edition, Balsal Editores (1977); 8: photo © by Douglas M. Parker Studio; 9: from Alan Lapiner, Pre-Columbian Art of South America (1976); 10, 11: courtesy of Thomas Cummins; 12: from Arte Precolombiano de Ecuador (1977); 13: Denver Art Museum; 14, 15, 22a–b: drawings by Gigi Bayliss; 16, 30–35: photos © by Dirk Bakker; 17: from Samuel Kirkland Lothrop, Coclé: An Archeological Study of Central Panama (1937); 18: photo © by Justin Kerr; 19, 20: courtesy of Museo del Banco Central, Guayaquil; 21: The Art Institute of Chicago; 24: from Dorothy Hosler, The Sounds and Colors of Power (1994); 25: from Biotropica 11, 2 (1979); 26: courtesy of Museo Arqueológico del Banco del Pacífico; 27: courtesy of Museo Naval, Madrid, Spain; 28: photo by Don Cole.

Joseph B. Mountjoy, “The Evolution of Complex Societies in West Mexico: A Comparative Perspective”

1: photo © by John Taylor; 2: Mint Museum of Art; 3: The Saint Louis Art Museum; 4, 10: Fowler Museum of Cultural History, University of California, Los Angeles; 5: photo © by Douglas M. Parker Studio; 6, 9: photos © by Justin Kerr; 7: photo © by Dirk Bakker; 8: The Art Museum, Princeton University; 11: Natural History Museum of Los Angeles County; 12: Los Angeles County Museum of Art; 13: from Daniel Schávelzon, La Piramide de Cuicuilco (1983), drawing by Daniel Schávelzon (1980), after an original by INAH (1978); 14: photo by Richard F. Town-send; 15, 16: photos by Thomas Holien; 17: from Carlos Nebel, Viaje pintoresco y arqueológico sohre la parte mas interesanle de la Republica Mexkana (1963); 18: photo by Junius Bird, Bayou Macon, Louisiana, © American Museum of Natural History, New York; 19: from Jon L. Gibson, The Earthen Face of Civilization: Mapping and Testing at Poverty Point, 1983 (1984); 20: courtesy of Vernon J. Knight, University of Alabama.

Barbara Braun, “West Mexican Art and Modernist Artists”

1, 2: photos by Dirk Bakker, © Estate of Diego Rivera/Licensed by VAGA, New York, N.Y.; 3: photo by Bob Schalkwijk, © Estate of Diego Rivera/Licensed by VAGA, New York, N.Y.; 4, 15, 17, 19, 23, 25: photos © by Justin Kerr; 5: San Francisco Museum of Modern Art, © Estate of Diego Rivera/Licensed by VAGA, New York, N.Y.; 6: photo © by John Taylor; 7, 8: from Mural Painting of the Mexican Revolution: 1921–1960 (1960), © Estate of Diego Rivera/Licensed by VAGA, New York, N.Y.; 9: photo by Michael Tropea; 10: The Museum of Modern Art, New York, © 1998; 11: Los Angeles County Museum of Art; 12: Art Gallery of Ontario; 13, 18: from Carlos Monsiváis and Rafael Vázquez Bayod, Frida Kahlo: Una Vida, Una Obra (1992), © Estate of Frida Kahlo/Licensed by VAGA, New York, N.Y.; 14: courtesy of Sotheby’s, New York, © Estate of Frida Kahlo/Licensed by VAGA, New York, N.Y.; 16: from Frida Kahlo: La Casa Azul (1993), © Estate of Frida Kahlo/Licensed by VAGA, New York, N.Y.; 20, 22: The Art Institute of Chicago, reproduced with permission of Fundacion Olga y Rufino Tamayo; 21: The Art Institute of Chicago; 24: The Museum of Modern Art, New York, © 1998; reproduced with permission of Fundacion Olga y Rufino Tamayo; 26: from Sylvia Navarette, Artist y Explorador: Miguel Covarrubias (1993); this illustration originally appeared in Vogue, 1937; 27: © Disney Enterprises, Inc. All works by Diego Rivera and Frida Kahlo are reproduced with permission of Instituto National de Bellas Artes y Literatura.

Catalogue of the Exhibition

16: photo by Robert Hashimoto; 20, 34, 209, 219: photos © by Douglas M. Parker Studio; 45: Appleton Museum of Art; 46, 74, 78, 130, 135, 138, 139, 159, 160, 167, 168, 216: photos © by Justin Kerr; 73, 93, 101, 215: photos © by Dirk Bakker; 111, 161, 165: Fowler Museum of Cultural History, University of California, Los Angeles; 134: photo by Michael Tropea; 203: The Fine Arts Museum of San Francisco; 207: The University of Iowa Museum of Art.

Previous chapter

Base text size -

Chapter images ()