Illustration Credits

Li, Vivian

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Illustration Credits

Vivian Li (Editor)

Matthew Wong: The Realm of Appearances

Illustration Credits

Author

Vivian Li (Editor)

PublisherDallas Museum of Art

Stable URL: https://aaeportal.com/?id=-100101

Illustration Credits

Cat. 1–3, 5–6, 8, 12–13, 17, 21, 23–24, 30, 35, 38, 55, 60, and 62: Courtesy Cheim & Read, New York; cat. 4, 18, 33, 45, and 57: Courtesy Karma, New York; cat. 7, 26–27, and 34: © 2022 Dallas Museum of Art; cat. 9, 11, 14, 16, 19, 22, 28, 32, 36–37, 39–44, 46–51, 53–54, 56, 58, and 59: Courtesy Matthew Wong Foundation; cat. 10: Photo © Art Gallery of Ontario; cat. 25: Photo by Thomas Müller; cat. 29: Courtesy of Adam Green Art Advisory; cat. 31 and 52: © Matthew Wong Estate and Karma, New York; and cat. 61: Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY.

Fig. 1: © 2022 Succession H. Matisse / Artists Rights Society (ARS), New York, and courtesy Matthew Wong Foundation; figs. 2–4, 8, 15, 21, 38, 44, 46, 49–51, 53, and 59: Courtesy Matthew Wong Foundation; fig. 5: © Christopher Wool. Courtesy of the artist; figs. 6–7 and 34–36: © 2022 Dallas Museum of Art; photo by Tsang ka wai Eason; fig. 9: Photo by Lee Stalsworth; fig. 10: Courtesy of Phillip Meyer and Xing Yu Toh; fig. 11: Courtesy the artist and Peter Blum Gallery, New York; figs. 13 and 20: Courtesy Cheim & Read, New York; figs. 14, 18–19, 22, 27, 55, and 57: Courtesy Karma, New York; fig. 16: © 2022 Succession H. Matisse / Artists Rights Society (ARS), New York. Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY; fig. 17: Courtesy of the artist; figs. 23–26, and 28–33: © 2022 Dallas Museum of Art; fig. 37: © Wu Guanzhong Estate; fig. 39: © Luis Trust. Image courtesy of the artist; fig. 40: © Chu Hing Wah. Image courtesy of the artist; fig. 41: © Firenze Lai. Image courtesy of Vitamin Creative Space; fig. 42: © Qiu Shihua. Image Courtesy M+, Hong Kong; figs. 43, 45, 47, and 48: © FSUE Mosfilm Cinema Concern; p. 118–120: Courtesy Matthew Wong Foundation; fig. 52: © Succession Etel Adnan. Courtesy Galerie Lelong & Co. Photo © White Cube (Patrick Dandy); fig. 54: Courtesy Alexandra Rutsch Brock; fig. 56: Photo by IMAGE48; Image courtesy MASSIMODECARLO and Matthew Wong Foundation; and fig. 58: Photo by Alex Yudzon.

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Book details

BOOKMatthew Wong: The Realm of Appearances

Vivian Li (Editor)

Stable URL: https://aaeportal.com/?id=-100089

Self-taught artist Matthew Wong (1984–2019) painted intimate landscapes that recall Post-Impressionism, Fauvism, seventeenth-century Qing period ink painting, and contemporary artists he admired, including Philip Guston (1913–1980), Yayoi Kusama (b. 1929), Joan Mitchell (1925–1992), and Bob Thompson (1937–1966). Matthew Wong: The Realm of Appearances offers the first formal survey of Wong’s six-year painting career that began in Hong Kong and matured in Canada. It includes new scholarship with a focus on his process and commitment to conversation, experimentation, and connection. Through his unique visual language, Wong fostered dialogue between not only himself and other artists, but other artists and each other. The five essays are lavishly illustrated with approximately 70 of Wong’s paintings and include a selection of his writings.

*This eBook is available exclusively on the A&AePortal.*

Author

Vivian Li (Editor)

PublisherDallas Museum of Art

Print publication date October 2022 (out of print)

Print ISBN 9780300266863

EISBN 9780300282184

Illustrations 124

Print Status out of print

Publisher (out of print)

WorldCat

Google Books

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