Mark Pascale
Mark Pascale is Janet and Craig Duchossois Curator of Prints and Drawings at the Art Institute of Chicago.
Pascale, Mark
Pascale, Mark
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Description: Joseph E. Yoakum: What I Saw
In 1967 John Hobgood, an anthropology professor at Chicago State University, saw drawings...
Author
Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)
PublisherArt Institute of Chicago
Related print edition pages: pp.15-25
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Description: Joseph E. Yoakum: What I Saw
Note to the Reader
Author
Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)
PublisherArt Institute of Chicago
Description: Joseph E. Yoakum: What I Saw
Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)
Much of Joseph Elmer Yoakum’s story comes from the artist himself—and is almost too fantastic to believe. At a young age, Yoakum (1891–1972) traveled the globe with numerous circuses; he later served in a segregated noncombat regiment during World War I before settling in Chicago. There, inspired by a dream, he began his artistic career at age seventy-one, producing some two thousand drawings over a decade. How did Yoakum gain representation in major museum collections in Chicago and New York? What fueled his process, which he described as a “spiritual unfoldment”? This volume delves into the friendships Yoakum forged with the Chicago Imagists that secured his place in art history, explores the religious outlook that may have helped him cope with a racially fractured city, and examines his complicated relationship to African American and Native American identities. With hundreds of color reproductions of his dreamlike drawings, it offers the most comprehensive study of the artist’s work, illuminating his vivid and imaginative creativity and giving definition and dimension to his remarkable biography.

*This eBook is available exclusively on the A&AePortal.*
Author
Mark Pascale (Editor), Esther Adler (Editor), Édouard Kopp (Editor)
Print publication date July 2021 (in print)
Print ISBN 9780300257489
EISBN 9780300282191
Illustrations 193
Print Status in print
Description: Charles White: A Retrospective
In a publicity poster for a 1971 lecture (fig. 1), Charles White was billed as a “graphic interpreter of the black people,” a phrase that adroitly summarizes one crucial component of his artistic practice...
Author
Sarah Kelly Oehler (Editor), Esther Adler (Editor)
PublisherArt Institute of Chicago
Related print edition pages: pp.39-47