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Pegwell Bay, Kent - a Recollection of October 5th 1858

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Description: Pegwell Bay, Kent - a Recollection of October 5th 1858
TitlePegwell Bay, Kent - a Recollection of October 5th 1858
Creator nameDyce, William
Creator nationality/cultureBritish (modern)
Creator rolePainter
Creation date1858–1860?
Object typePainting
MaterialsOil on canvas
LocationTate, London
https:/­/­www.tate.org.uk/­art/­artworks/­dyce-pegwell-bay-kent-a-recollection-of-october-5th-1858-n01407
Accession numberN01407
SubjectsBays--EnglandBeaches--EnglandCliffs--EnglandLandscape painting, British
Related content: Chapters (3) Images (15)

Select a chapter below to view this image within the text.

Conclusion
Charlotte Klonk
Description: Science and the Perception of Nature: British Landscape Art in the Late Eighteenth...
Science and the Perception of Nature: British Landscape Art in the Late Eighteenth and Early Nineteenth Centuries
There is no simple explanation for the emergence of phenomenalism. Phenomenalism was not a single, coordinated movement; it was adopted variously by philosophers, scientists and artists for different reasons in different contexts and locations,...
Author
Charlotte Klonk
PublisherPaul Mellon Centre
Copyright© 1996 by Charlotte Klonk
Related print edition pages: pp.149-153
Stable URL: https://aaeportal.com/?id=-32188&redirecttoanchor=82189
Chapter subject tags:PhenomenalismLandscape painting, British--18th centuryLandscape painting, British--19th centuryArt and science--England--19th century
4. Vanessa Bell: Studland Beach, Domesticity and ‘Significant Form’
Lisa Tickner
Description: Modern Life & Modern Subjects: British Art in the Early Twentieth Century
Modern Life & Modern Subjects: British Art in the Early Twentieth Century
Vanessa Bell’s Studland Beach (pl. 85) has been described as ‘in its move towards abstraction . . . one of the most radical works of the time in England’...
Author
Lisa Tickner
PublisherPaul Mellon Centre
Copyright© 2000 by Lisa Tickner
Related print edition pages: pp.117-142
https://doi.org/10.37862/aaeportal.00322.5
Stable URL: https://aaeportal.com/?id=-22900&redirecttoanchor=82189
Chapter subject tags:Painting, British--20th centuryBell, Vanessa, 1879-1961Avant-garde (Aesthetics)Studland Bay (England)
Chapter Four: Land as Resource
Peter John Brownlee and Natalia Majluf and Edward J. Sullivan
Description: Picturing the Americas: Landscape Painting from Tierra del Fuego to the Arctic
Picturing the Americas: Landscape Painting from Tierra del Fuego to the Arctic
~~OVERVIEW
Centuries of extraction—of fur, timber, fish, precious metals and minerals, rubber, guano and an array of staple agricultural crops such as tobacco, sugar, coffee, cotton and cacao—had by 1800 left their mark on the physical landscape of the Americas...
Author
Peter John Brownlee and Natalia Majluf and Edward J. Sullivan
PublisherTerra Foundation for American Art
PublisherYale University Press
Copyright© 2015 Art Gallery of Ontario, Pinacoteca do Estado de São Paulo and Terra Foundation for American Art
Related print edition pages: pp.132-177
https://doi.org/10.37862/aaeportal.00273.005
Stable URL: https://aaeportal.com/?id=-21843&redirecttoanchor=82189
Chapter subject tags:Landscape painting, AmericanNatural resourcesNationalismLandscape painting, Latin American

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http://collections.britishart.yale.edu/vufind/Record/1665712
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https://www.harvardartmuseums.org/collections/object/285989
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