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Massacre of the Innocents

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Description: Massacre of the Innocents
Related content: Chapters (2) Images (4)

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Description: Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance...
~The prints produced with Raphael, including the Parnassus discussed in the previous chapter, are the most significant works of Marcantonio’s career and indeed in the history of printmaking during the High Renaissance in Italy. In this chapter, I turn to the first years of the collaboration between Marcantonio and Raphael that sprang up in the...
PublisherYale University Press
Related print edition pages: pp.95-136
Description: The Renaissance Print: 1470–1550
It is commonly assumed that Raphael was the first artist to realize the potential of prints as a means to propagate his artistic fame, and that Marcantonio Raimondi, by agreeing to engrave prints after Raphael’s works, became the first reproductive printmaker. There can be little doubt that Raphael and Marcantonio worked together, and that the prints the latter produced as a result of this collaboration were instrumental in spreading Raphael’s designs across Italy and the rest of Europe. What is …
PublisherYale University Press
Related print edition pages: pp.103-168

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