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Yale University Press
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Engraved plate illustrating consequences drawn for composition

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Description: Engraved plate illustrating consequences drawn for composition
Related content: Chapters (2) Images (31)

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Description: Shadows and Enlightenment
6  Locke comes at the beginning not so much because he offered the eighteenth century a powerful theory of visual perception, though he did this too, as because, in the course of stating his theory in An Essay Concerning Human Understanding (1690), he framed in a particularly gripping way the issue of how we achieve a perception of the three-dimensional world from the two-dimensional array of stimulations on the retina. The form in which he first established the issue was: on what basis do …
PublisherYale University Press
Related print edition pages: pp.17-31
https://doi.org/10.37862/aaeportal.00111.004
Description: Patterns of Intention: On the Historical Explanation of Pictures
IN WHAT follows now I want to do several things which will lead to a different texture, a closer focus and a smaller grain. First I have to provide something that is questionable, in a sense and for reasons I shall be returning to later. Secondly, it is time to address a piece of detail. The account of Picasso in 1910 was very schematic and general: it had to be, because I was trying to block in a general scheme in relation to an already existing account of early Cubism. But art criticism …
PublisherYale University Press
Related print edition pages: pp.74-104
https://doi.org/10.37862/aaeportal.00091.006

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