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Yale University Press
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Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)

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Description: Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On)
Related content: Chapters (4) Images (14)

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Description: Committed to Memory: The Art of the Slave Ship Icon
~THE SLAVE SHIP ICON circulated in many different versions between 1790 and 1860, a seventy-year period bounded on one side by the French Revolution and on the other by the American Civil War. Although the icon’s popularity fluctuated during these decades, marked by a sustained and unprecedented international social movement calling for the end of the...
PublisherPrinceton University Press
Related print edition pages: pp.87-107
https://doi.org/10.37862/aaeportal.00260.004
Description: The Power of Color: Five Centuries of European Painting
~~After playing a role in visualizing the French Revolution, color was subject to its own upheaval in the nineteenth century, first in materials, then in making. By the time of the Industrial Revolution, chemistry had replaced alchemy. Building on the classification of the elements and using modern experimental scientific methods,...
PublisherYale University Press
Related print edition pages: pp.187-227
https://doi.org/10.37862/aaeportal.00228.006
Description: The Image of the Black in Western Art, Volume IV: From the American Revolution to...
A black silhouetted against the sky has a place of key importance in Théodore Géricault’s Raft of the Medusa, one of the greatest and most enigmatic paintings of the early nineteenth century ...
PublisherHarvard University Press
Related print edition pages: pp.97-166
https://doi.org/10.37862/aaeportal.00143.006
Description: Watercolors by Winslow Homer: The Color of Light
We know as much about the time Winslow Homer spent in England as we do about any portion of his life, which is to say not very much (see figure 1). He never spoke about the trip to the press, and any letters describing what he saw or did there have apparently vanished. Nevertheless, this episode is particularly intriguing because it marks a turning point in his work and career, changing his art in important ways and also preparing him to change his own life, for soon after he returned to …
PublisherArt Institute of Chicago
Related print edition pages: pp.76-106
https://doi.org/10.37862/aaeportal.00173.008

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