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Deposition, detail

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Description: Deposition, detail
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Description: The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco,...
We take for granted the transition from Early to High Renaissance in Florence, as if the new half-millennium automatically engendered the new style. We fail to recognize the extent to which it is a new style, and not the necessary next phase of Renaissance naturalism. It is hard to envisage how the new beginning of what Wölfflin would call “the classic style” would have...
PublisherYale University Press
Related print edition pages: pp.65-95

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