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Madonna of the Harpies

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Description: Madonna of the Harpies
Related content: Chapters (4) Images (45)

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Description: Ambitious Form: Giambologna, Ammanati, and Danti in Florence
~On 22 August 1582, Ammanati wrote to his colleagues from the Accademia del Disegno in Florence warning them to avoid...
PublisherPrinceton University Press
Related print edition pages: pp.193-243
https://doi.org/10.37862/aaeportal.00009.008
Description: The Invention of the Italian Renaissance Printmaker
~~In 1593 Andrea Andreani, an itinerant woodblock cutter in Siena, packed up shop and returned to his native Mantua to begin work on a print commission from Duke Vincenzo Gonzaga. The task was...
PublisherYale University Press
Related print edition pages: pp.45-110
https://doi.org/10.37862/aaeportal.00148.005
Description: The Sacred Image in the Age of Art: Titian, Tintoretto, Barocci, El Greco,...
We take for granted the transition from Early to High Renaissance in Florence, as if the new half-millennium automatically engendered the new style. We fail to recognize the extent to which it is a new style, and not the necessary next phase of Renaissance naturalism. It is hard to envisage how the new beginning of what Wölfflin would call “the classic style” would have...
PublisherYale University Press
Related print edition pages: pp.65-95
https://doi.org/10.37862/aaeportal.00155.006
Description: Images and Identity in Fifteenth-Century Florence
So advised Paolo da Certaldo in his mid-fourteenth-century book of behavioral guidance. Though the spiritual gaze might seem awkwardly bifocal, with one eye raised and the other lowered, the injunction rests on great authority.
PublisherYale University Press
Related print edition pages: pp.177-226
https://doi.org/10.37862/aaeportal.00066.009

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