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In the Loge

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Description: In the Loge
Related content: Chapters (4) Images (7)

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Description: Impressionism, Fashion, and Modernity
Until recently, the administration overseeing the street lines of Paris allowed builders—as long as they respected the laws of building height—the liberty of placing balconies, cornices and entablatures as they saw fit. . . .
PublisherArt Institute of Chicago
Related print edition pages: pp.153-164
Description: Art of the United States, 1750–2000: Primary Sources
Cultural commentators writing about the American scene during the 1880s and 1890s might be forgiven for assuming that they lived in the most important place on Earth at the most exciting time in modern history ...
PublisherTerra Foundation for American Art
Related print edition pages: pp.210-248
Description: Vistas de España: American Views of Art and Life in Spain, 1860–1914
By the time Mary Cassatt (1844–1926) began painting majas on a balcony, bullfighters at the ring, and flirting taberneras in the city of Seville, the journey to Spain had become a popular artistic pilgrimage. I began working out these ideas in “Bullfights and...
PublisherYale University Press
Related print edition pages: pp.89-113
Description: Impressionism: Art, Leisure, and Parisian Society
The editorialist of Le Temps was of the few who struck such a sour note in 1867. Like the visiting monarchs, most Parisians and visitors in the year of the Universal Exposition enjoyed to the fullest the various entertainments that made Paris “the theater of nations.” The appearance of Thérésa in a proper theater—she had been booked into...
PublisherYale University Press
Related print edition pages: pp.93-139

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