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Yale University Press
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Description: The Disappearance Of Objects: New York and the Rise of the Postmodern City
The opening of Donald Judd's solo exhibition at the Whitney Museum of American Art in 1968 sealed his reputation as a central...
PublisherYale University Press
Related print edition pages: pp.150-186
https://doi.org/10.37862/aaeportal.00132.007
Description: The Sculptural Imagination: Figurative, Modernist, Minimalist
If there was one word which dominated discussion of new departures in three-dimensional art in the 1960s, it was the object. What kind of an object could still count as art? Or, more radically, how might work be produced that escaped the closures of conventional conceptions of the object? Minimalism, along with the Neo-Dada and conceptual tendencies of sixties art, brought these issues to a head, Minimalism perhaps most dramatically because the work involved so evidently had object-like …
PublisherYale University Press
Related print edition pages: pp.207-234
https://doi.org/10.37862/aaeportal.00156.010

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