167 Philip Moore

I don't have an account

Create an account to save content, highlights, and notes to your personal bookshelf.

If you do not have access to the eBook content on the A&AePortal via an institutional subscription, you can purchase an individual subscription from your account. Learn more about subscriptions.

Purchase a subscription

Image details

Title1763 Monument

Creator nameMoore, Philip

Creator nationality/cultureGuyanese

Creator roleSculptor

Creation date1976

Object typeSculpture

MaterialsBronze

Dimensions10.1 m

LocationGeorgetown, Guyana

Accession numberUnknown

SubjectsSlave insurrectionsLarge-scale sculpture--20th centuryArtists, BlackIndians of South America--Guyana

Related content: Chapters (1) Images (1)

Select a chapter below to view this image within the text.

11. The Image of the Black in Twentieth-Century Anglo-Afro-Caribbean Art

Petrine Archer

Description: The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The...

The Image of the Black in Western Art, Volume V: The Twentieth Century, Part 1: The Impact of Africa

This chapter considers the art and histories of the English-speaking islands of the Caribbean—Jamaica, Trinidad, Barbados, the Bahamas, and mainland Guyana—in addition to the French-speaking Haiti, Martinique, and Guadeloupe. Cuba and other Spanish-speaking islands are considered in...

Author

Petrine Archer

PublisherHarvard University Press

Related print edition pages: pp.193-226

https://doi.org/10.37862/aaeportal.00145.015

Stable URL: https://aaeportal.com/?id=-17719&redirecttoanchor=29378

Chapter subject tags:Art, Caribbean--20th centurySlavery--Caribbean Area--HistoryAfro-Caribbean people in artAfrican diasporaMiddle passageCaribbean Area--Social conditions--20th centuryArArt, Jamaican--20th centuryRastafari movement

Loading Images

Note: Some of the images of artworks presented on this platform were not sourced from the original print publication. However, in order to preserve the scholarly record of the print publication, all original image captions and credit lines have been retained on the platform. Learn more about our image policies.